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Song of the Day #1322

Song of the Day: The Thief of Baghdad ("Suite") [YouTube link] captures some of the textures of Miklos Rozsa's soundtrack to this 1940 fantasy film with Sabu. Rozsa's compositions for film and the concert stage remain among the finest symphonic work of any twentieth-century composer. It has been said that Rozsa went through five distinct periods in his illustrious scoring career: what he characterized as the "oriental" or "exotic" period (featuring work on fantasy films with exotic locations, of which "The Thief of Baghdad" is one of the best examples); the "psychological" period (exploring complex psychological portraits, e.g., his Oscar-winning score for Hitchcock's film, "Spellbound"); the film noir period (with films such as "Double Indemnity" and his Oscar-winning score to "A Double Life"); the Historico-Biblical period (of which "Ben-Hur" yesterday is his crowning achievement); and his sci-fi phase (which includes films such as "Time After Time"). This particular suite shows the breadth of his first period, and the lovely violin interlude gives us just a hint of what he provides for the concert hall). The charming British technicolor film was a spectacle for special effects in its day, marking the first major use of film bluescreening. Produced by Alexander Korda, it won Oscars for Cinematography, Art Direction, Special Effects, and Rozsa's soundtrack was nominated for Best Original Score.