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Song of the Day #1146

Song of the Day: The Answer is Yes [YouTube link] is a lovely composition by Jane Hall, wife of the legendary jazz guitarist, Jim Hall, who passed away Tuesday, 10 December 2013, having just turned 83 on 4 December. There are few musicians who have touched me as deeply as this stupendous guitarist. He had a deeply melodic sense; his understated solos were matched only by his brilliant capacity at interplay with the many legends with whom he performed and recorded. I feel as if I've lost a friend, one that I never met, but whose music touched my heart and soul in ways that only a truly personal relationship could. Just a cursory look at "My Favorite Songs" reveals the extent of the impact his musical legacy has made on my life. For example (and this is just a sampling of Hall recordings mentioned therein): the Jim Hall-penned "All Across the City" [YouTube link at 27:41], (from the enchanting "Intermodulation"): a duet album featuring the mesmerizing interplay of two of the greatest practitioners of the art form: Hall and the legendary pianist Bill Evans [see my entry on 4 December 2007]; "Concierto de Aranjuez" (YouTube link) is the title track from the 1975 album "Concierto," an inspired jazz interpretation of the second movement of the great Rodrigo composition with an all-star line-up, arranged by Don Sebesky. Also from that album is my absolutely all-time favorite jazz instrumental rendition of the Cole Porter gem, "You'd Be So Nice to Come Home To" [YouTube link], which features a seamless series of solos and utterly breathtaking interplay by Hall (on guitar), Paul Desmond (on alto saxophone), Chet Baker (on trumpet), Roland Hanna (on piano), Ron Carter (on bass) and Steve Gadd (on drums) [featured on 22 January 2005]. Back in 1997, in his liner notes to the CD re-release of "Concierto," Steve Futterman articulates what I've always felt: the improvisation on this album feels as if it is flowing from a single mind-set, expressed in different instruments. When Hall, Desmond, and Baker intertwine in contrapuntal conversation on the Porter song, for instance, "they sound like the same soloist playing three separate instruments"; "Down the Line" [YouTube link; from Hall's album "Commitment"] is a paean of sorts to Bill Evans's classic "Conversations with Myself"; on this composition, Hall overdubs his electric guitar with the acoustic guitar sounds of the handmade instrument designed by Jimmy D'Aquisto, who carried on the craft of his great teacher: John D'Angelico [see my entry of 30 January 2006]; and finally, "Scrapple from the Apple" [YouTube link] from one of the greatest live recordings ever put to vinyl: the 1975 album, "Jim Hall Live," with a trio featuring Don Thompson on bass and Terry Clarke on drums. The last time I saw Hall perform live was at a loving concert in which he participated in tribute to another legendary guitarist: Chuck Wayne. Alas, if there is a band in Heaven, I know not. But if we are to question whether that band just added one class act to its divine personnel, clearly "The Answer is Yes."