February 24, 2018

Song of the Day #1561

Song of the Day: Dingo ("Paris Walking II") [YouTube link] was composed by the only Michel Legrand, who turns 86 today. His jazzy score to this 1992 Australian film is all the more significant because it features the trumpet work of the only Miles Davis, who also stars in the film and received co-composing credits. Michel will be making a four-night stop at the Blue Note jazz club in NYC in April! Happy birthday, Michel!

February 23, 2018

Song of the Day #1560

Song of the Day: Imitation of Life ("Main Theme"), music by Sammy Fain, lyrics by Paul Francis Webster, is sung in the title sequence by Earl Grant (who has a Nat King Cole-ish delivery). It is a lovely song from one of the signature Douglas Sirk films of the 1950s. The 1959 film stars Lana Turner and John Gavin. Check out the theme over the opening credits [YouTube link].

February 22, 2018

Song of the Day #1559

Song of the Day: To Wong Foo, Thanks for Everything! Julie Newmar ("Turn it Out"), words and music by Shep Pettibone and Steve Feldman, is sung by Labelle, led by the soaring pipes of Patti Labelle. This dance track was featured in the 1995 comedy, which starred gender-bending Patrick Swayze, Wesley Snipes, and John Leguizamo. Shake that booty on YouTube. And then check out "The Bomb" 12-inch remix [YouTube link].

February 21, 2018

Song of the Day #1558

Song of the Day: Courage Under Fire ("Main Title") [YouTube link] was composed by the late James Horner for this 1996 film starring Denzel Washington. The theme features certain phrases that are quintessentially Horner (such unique phrases are a hallmark of virtually all composers, whether for the concert stage or the silver screen). Gone too soon, James Horner left a body of work that has withstood the test of time.

February 20, 2018

Song of the Day #1557

Song of the Day: The Bourne Identity ("Main Theme") [YouTube link], composed by John Powell, gives us that pulsating, suspenseful motif we've come to expect from the film franchise. Matt Damon takes on the role of Jason Bourne in this 2002 film, the first film in the Bourne film series. He would go on to star in four of the five films in the series thus far.

February 19, 2018

Song of the Day #1556

Song of the Day: What Ever Happened to Baby Jane? (Vocal), composed by Frank DeVol and Bobby Helfer, was derived from one of the rock-oriented themes from the soundtrack to the 1962 thriller starring Bette Davis and Joan Crawford. This single was actually released, featuring both Debbie Burton (who dubbed the singing voice of the young Baby Jane Hudson in the film) and Bette Davis. The single can be heard here and here [YouTube links]. Susan Sarandon, playing Bette Davis, nails it in Episode 4 of the series, "Feud," a miniseries on the legendary feud between the two actresses. Check out Davis's performance of this on the Andy Williams show in 1962, as well as a "mashup" of the Davis and Sarandon versions [YouTube links].

February 18, 2018

Song of the Day #1555

Song of the Day: Ben-Hur: A Tale of the Christ ("Chariot Race") [YouTube film clip], music by Carl Davis (for the restored 1987 version), highlights the rousing chariot race from the 1925 epic silent version of the famous Lew Wallace novel. The film stars Ramon Navarro as Judah Ben-Hur and Francis X. Bushman as Messala; they battle it out in one of the finest silent screen action sequences ever filmed. It is noteworthy that the 1959 Oscar champ, with its glorious film score by Miklos Rozsa, has no musical accompaniment for its famed chariot race [YouTube film clip excerpt], which was staged by famed Hollywood stuntman Yakima Canutt. It was a terrific choice, artistically speaking, because the audience is engulfed by the sounds of the arena---its gruesome violence depicted by the clashing chariots, their riders and horses, and thousands of extras, none of it generated by CGI effects. A silent film, however, had no such luxury; Carl Davis's soundtrack provides the audience with a dramatic motif that augments the action we view on screen. A genuine triumph. One other piece of cinema trivia: In this 1925 silent epic, William Wyler was an uncredited Assistant Director, and A. Arnold Gillespie was an uncredited set designer for the art department. Both Wyler and Gillespie would go on to win Oscars for the 1959 version, in the categories of Directing and Visual Effects, respectively.

February 17, 2018

Song of the Day #1554

Song of the Day: Ben-Hur ("The Mother's Love") [YouTube link], composed by Miklos Rozsa, is one of the most melancholy themes from this William Wyler-directed 1959 blockbuster, which won a record 11 Oscars, including a well-deserved one for its magnificent score. Equaled but not surpassed by "Titanic" and "Lord of the Rings: The Return of the King" in its Oscar tally, this epic is the only film among those holding the record to have won Oscars in the acting categories---one for Charlton Heston as Best Actor (in the role of Judah Ben-Hur) and the other for Hugh Griffith as Best Supporting Actor (in the role of Sheik Ilderim). Heston has the distinction of appearing in what is considered to be the last of the "classic" costume epics ("The Ten Commandments") and this, the first of the modern intimate "thinking man's" epics ("Ben-Hur"), noted for providing deep characterization amidst grand spectacle. Ironically, in both films, actress Martha Scott played Charlton Heston's mother (and today's theme captures "the mother's love" so poignantly). It's become a tradition during my annual film music tribute, which started way back in 2005, to pick a cue on this date, my birthday, from my all-time favorite film and film score---and I have no intention of changing that tradition anytime soon. How appropriate to highlight this selection especially for "the mother's love" that gave me life and nurtured me as I grew to maturity. Today also happens to be the 32nd Annual American Society of Cinematographers Outstanding Achievement Awards, in both theatrical releases and television, hosted by TCM's Ben Mankiewicz. Apropos, among the 11 Oscars received by "Ben-Hur" was one for "Best Color Cinematography" by Robert Surtees. For this year's TCM "31 Days of Oscar" celebration, films are being featured by Oscar Award category each day. "Ben-Hur" is the final film---in the climactic final category of "Best Picture"---in TCM's annual tribute, scheduled for 2:45 a.m. ET on March 4th. It's the most obvious period at the end of any cinema sentence, since it is still among the most honored films in Oscar history.

February 16, 2018

Song of the Day #1553

Song of the Day: Where Eagles Dare ("Main Theme") [YouTube link] was composed by Ron Goodwin for this 1968 British World War II film. The military thematic content is accentuated here, a musical set-up for the story to come. The film starred an international cast, which included Richard Burton and Clint Eastwood. From the screenplay based on the novel by Alistair Maclean to the stunt work of the legendary Yakima Cannutt (who plays no small role in tomorrow's entry in our series), this film bursts with talent. "Broadsword calling Danny Boy!" [YouTube link].

February 15, 2018

Song of the Day #1552

Song of the Day: Cinderella ("A Dream is a Wish Your Heart Makes"), words and music by Mack David, Al Hoffman, and Jerry Livingston, was sung by the character Cinderalla (vocalist Ilene Woods). It was on this date in 1950 that the Disney film, "Cinderalla," was released. This is one of the loveliest songs to emerge from the Disney musical catalogue. Listen to the original animated version of this song [YouTube link] and then check out an instrumental rendition that is among my favorites; it was recorded by the Rob Mounsey Orchestra for the album, "Jazz Loves Disney" [YouTube link].

February 14, 2018

Song of the Day #1551

Song of the Day: The Thomas Crown Affair ("Chess Scene") [YouTube link], composed by Michel Legrand, is featured in the original 1968 version of the film, starring Steve McQueen and Faye Dunaway. In this particular scene, the music augments the chemistry and sensuality between the stars. After viewing this sexually charged scene, you'll never again look at the game of chess the same. It's a nice way to celebrate those loving hormones often generated by Valentine's Day. Legrand lost the Oscar for Best Original Score, but got one for Best Original Song (along with lyricists Alan and Marilyn Bergman) for the film's classic tune, "The Windmills of Your Mind" sung by Sting in the fine 1999 remake [YouTube link]).

Postscript: On Facebook, I added two comments on Michel Legrand:

And speaking of Michel Legrand (whose birthday I'll celebrate later this month as part of the Film Music February salute): a pair of "Olympic Athletes from Russia" did a lovely figure skating routine last night to an orchestral version of the Legrand theme to "Summer of '42". Beautiful.
Legrand is one of the most brilliant composers, arrangers, and conductors of the modern age. I saw him in concert many years ago at Hunter College, and actually went back stage to shake his hands (ever so lightly, because they were numb from having played his butt off for nearly 2 hours).
In any event, for those who have fallen in love with his film scores, there is a whole other side to him, which started with "Legrand Jazz", and has gone on till this day. His album with Sarah Vaughan, for example, is outstanding---the orchestrations beyond belief.
But one of his finest compositions is a three-movement orchestral piece, "Images," with Phil Woods as the featured alto saxophonist. The unison lines that Woods and Legrand play are breathtaking, and the improvisation within the piece is just remarkable (I didn't appreciate the level of improvisational brilliance until I heard a second recorded performance of this piece, certainly wonderful, but with a French alto saxman Herve Meschinet, who, as far as I am concerned, couldn't touch the dexterity and fluidity of Woods.)
In any event, the album ("Images"), on which the Woods version appears, received a Grammy Award for "Best Jazz Ensemble Album" in 1976, and the track, "Images," received the Grammy for "Best Instrumental Composition", both well deserved. You can check out the piece, in all its virtuosity, on YouTube. It is best heard with the volume all the way up, during the day---so as not to provoke the neighbors from calling the police.

February 13, 2018

Song of the Day #1550

Song of the Day: From the Terrace ("Love Theme") [Film Score Monthly excerpt link] was composed by Elmer Bernstein for this Paul Newman-Joanne Woodward 1960 film. The theme serves as the main title and can be heard in full at the beginning of this YouTube film link. This cue provides us with an example of Bernstein's capacity to write soaring, lush, and passionate themes.

February 12, 2018

Song of the Day #1549

Song of the Day: My Fair Lady ("On the Street Where You Live"), music by Frederick Lowe, lyrics by Alan Jay Lerner, was a highlight in the 1956 Broadway musical (in which it was sung by John Michael King [YouTube link], and in the 1964 film version, where is was sung by Bill Shirley, dubbing for actor Jeremy Brett. Check out the film score version here [YouTube link]. But I provide this additional "Song of the Day" today because I've just learned of the death of singer Vic Damone, another singer who was deeply influenced by Ol' Blue Eyes, who said of Damone that he had "the best pipes in the business." The Brooklyn-born Damone recorded the most popular version of this song, which went to #4 on the Billboard chart. Check it out on YouTube.

Song of the Day #1548

Song of the Day: The Rat Race ("Main Title" / "Soundtrack Suite") [YouTube link] was composed by Elmer Bernstein for the 1960 film, featuring Tony Curtis and Debbie Reynolds. It provides yet another taste of the jazzy sounds for which the composer was well known. Curtis plays a jazz saxophonist named Pete Hammond, Jr. in the film (one year after having played another jazz saxophonist named Josephine in the gender-bending comedy classic, "Some Like It Hot"), and he gets support from real-life jazz saxmen, Sam Butera and Gerry Mulligan.

February 2018
Sun Mon Tue Wed Thu Fri Sat
1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28

Contact

Welcome to Notablog.net:  The Blog of Chris Matthew Sciabarra

Information on email notification, comments policy, and the meaning of "Notablog" or write to me at: chris DOT sciabarra AT nyu DOT edu

Archives

Recent Comments

Powered by
Movable Type 3.2