Contact
Gerhard Lutz

Visiting Professor, Institute of Fine Arts


Museum & Exhibitions

2009 - present: Curator, Dom-Museum Hildesheim
2002 - 2009: Assistant Curator, Dom-Museum Hildesheim


Exhibition Projects

2013: Medieval Treasures from Hildesheim, The Metropolitan Museum of Art

2008: Bild und Bestie: Hildesheimer Bronzen der Stauferzeit [Image and Beast: Hildesheim Bronzes in the Age of the Staufer]


Teaching Experience

2004-2009 Lecturer at the Technische Universität Dresden

2001-2003 Wissenschaftlicher Angestellter (»assistant professor) at the
Techni­sche Universität Dresden

1999-2001 Lecturer at the Hochschule für Angewandte Wissenschaft und Kunst - HAWK Hildesheim – Insitute of Conservation


Selected Books and Articles

Striking Images: Christ on the Cross and the Emergence of Medieval Monumental Sculpture, ed. Gerhard Lutz, Marietta Cambareri & Shirin Fozi (in preparation, accepted for publication by Brepols / Harvey Miller, c. 2014)

Medieval Treasures from Hildesheim, ed. Peter Barnet, Michael Brandt & Gerhard Lutz (New York: The Metropolitan Museum of Art / Yale University Press, 2013) (in print)

Memorializing Bernward of Hildesheim in the 12th century: A Contribution to Medieval Imitatio, in Romanesque and the Past, conference transactions (London: British Archaeological Association, 2013) (in print)

Das Cappenberger Kruzifix: Form - Funktion - Kontext [The Cappenberg Crucifix: Form - Function - Context], in Kanon Kunstgeschichte. Einführung in Werke und Methoden, vol. 1: Mittelalter, ed. Kristin Marek & Martin Schulz (München; Paderborn: Wilhelm Fink, 2013) (in print)

1000 Jahre St. Michael in Hildesheim: Kirche, Kloster, Stifter, ed. Gerhard Lutz & Angela Weyer; Schriften des Hornemann Instituts (Petersberg: Imhof, 2012)

Late Medieval Sacred Spaces and the Eucharist, in A Companion to the Eucharist in the Middle Ages, ed. Ian Christopher Levy, Gary Macy & Kristen Van Ausdall; Brill’s companions to the Christian tradition, 26 (Leiden; Boston: Brill, 2012), 471-497

"The Choir-screen at Mainz and the 'Master of Naumburg'", in British Archaeological Associa­tion Conference Transactions, Medieval Art and Architecture at Mainz (London: British Archaeological Association, 2007), 53-67

"Repräsentation und Affekt [Representation and Emotion]", in Geschichte der Bildenden Kunst in Deutschland [History of Art in Germany), 8 vols., vol. 3: Gotik [Gothic Art] (1250-1430), ed. Bruno Klein (Munich: Prestel 2007), 327-397

"Zwischen Meisterwerk und Massenproduktion – Überlegungen zur spätgotischen Skulptur in Deutschland [Between Masterpiece and Mass Production – Reflections on Late Gothic Sculpture in Germany]", in Stilfragen zur Kunst des Mittelalters: Eine Einführung [Questions of Style in Medieval Art: An Introduction], ed. Bruno Börner & Bruno Klein (Berlin: Reimer, 2006), 165-183

Das Bild des Gekreuzigten im Wandel: Die sächsischen und westfälischen Kruzifixe der ersten Hälfte des 13.
Jahrhunderts [The Image of Christ in Change: The Saxonian and Westphalian Crucifixes of the First Half of the 13th Century]. Petersberg: Imhof, 2004