*Please note that housing is provided for the exact dates of the program. If a student wishes to arrive earlier or depart later, the student will need to find their own accommodations.
Because Paris is so rich in history, almost every step outside of the classroom will reveal a tidbit of art, architecture, or historical fact hiding around the corner, waiting for discovery. Literary walking tours of Paris and field-trips to sites frequented by Hemingway, Proust, Zola, Balzac, Hugo, Stein, Fitzgerald, Wilde, Voltaire, Diderot, Verlaine, Sartre, Kerouac, Joyce and other writers will provide a sense of the literary history of the city. Students may also visit museums with special guided tours to learn more about current exhibitions.
“I made connections with some of the best poets, writers and editors in the world.”
Dec. 1 - Application Launch
Feb. 1 - Priority Deadline
March 1 - General Deadline
April 15 - Final Deadline
April 30 - Final Confirmation
Deborah Landau, Director, Creative Writing Program, NYU
The College of Arts and Science discounts CAS Summer Abroad tuition 33% to offset additional costs of study abroad. This discount is already calculated in the below rates. Fees, Housing and International Insurance are required, and these rates are set by NYU.
|2020 Program Costs|
|Undergraduate Tuition - 8 credits||$8,008|
Undergraduate Registration Fees - 8 credits
|Program & Activities Fee||$500|
GeoBlue International Health Insurance
for 4 week program
|Housing in Single Room||$1,682|
PLEASE NOTE: Students are responsible for purchase of transportation to/from program location. All students participating in the program are required to live in NYU-provided housing.
Students are encouraged to budget for summer abroad programs based on individual needs. Additional resources for planning are available on the Additional Costs page.
Students who participate in Writers in Paris choose to focus on either poetry, fiction, or creative nonfiction and attend daily writing workshops and craft seminars. Students are mentored by accomplished professional writers and attend readings and special seminars led by visiting writers and editors. Writing and reading assignments are designed to encourage immersion in the city. For example, poets might visit the Louvre to write ekphrastic poems or create Parisian street sonnets by taking a 14-block walk of the St. Denis area, where François Villon lived, and generating a line of poetry per block. Fiction writers might study dialogue by listening for overheard speech at a sidewalk café or learn about description and setting by writing a story set in the neighborhood where Hemingway lived and worked. Students in the program work intensively to generate new writing and also attend a lively series of readings, lectures, literary walking tours, and special events.
All courses are taught in English. All students must register for 8 undergraduate credits.
Coursework consists of alternating afternoons of craft seminars and writing workshops. Evenings feature readings, lectures, panel discussions, and special events. The schedule includes time for writing, reading, and exploring Paris, and the program culminates in a celebratory reading showcasing student work.
Students must register for one of the following courses:
CRWRI-UA 9818 – Writers in Paris: Fiction ─ 8 credits
CRWRI-UA 9819 – Writers in Paris: Poetry ─ 8 credits
CRWRI-UA 9835 – Writers in Paris: Creative Non-Fiction ─ 8 credits
Each of these courses is comprised of a writing workshop, craft seminar, and nightly literary events. Students work closely with two accomplished world-class writers—one in the context of the writing workshop, and another in the context of the craft seminar.
Workshops provide students with guidance on the art of revision, as well as with experience giving and receiving feedback. Individual private conferences supplement coursework, and each student submits a final portfolio of writing at the end of the program. In the craft seminars— literature courses taught by writers for writers— students study great works of literature in order to learn how to create their own. Emphasis is on close reading and the basic elements of craft. Poetry students read exemplary poems and study voice, style, line, image, music, metaphor, syntax, and diction. Fiction writers consider stories and novels with a focus on the basic techniques of fiction, including plot, narrative, dialogue, tone, structure, rhythm, setting, and style.
Students also attend a nightly series of readings, lectures, panel discussions, publishing forums, literary walking tours, and special events. These events feature program faculty as well as Paris-based and visiting writers, teachers, and editors.
Monday – Thursday
3:30pm - 6:00pm:
Workshops and craft classes
7:00pm - 9:00pm:
Readings, talks, and special events
All students participating in the program are required to live in NYU-provided housing. Students are housed Maison de l'Île de France through Cité Universitaire and located in the 14th arrondissement. The rooms are apartment style single rooms, with private bathrooms and a communal kitchen on each floor. There are also large common areas, a communcal laundry room, and biweekly cleaning service. Please note there is no meal plan or dining hall.
To learn more about housing facilities, please review the Office of Global Programs NYU Paris page. Please note that some of the information listed on this page is not summer specific.
Program activities include a weekly schedule of literary readings, panels, and tours; a cruise on the Seine; and visits to parks, restaurants, cafés, and historic neighborhoods where famous writers have lived and worked.
Students are encouraged to consult internal and external resources to prepare for their summer program. The following links may be used for general destination information, immigration needs and travel medicine planning:
DEBORAH LANDAU (Director) is the author of three collections of poetry: The Uses of the Body and The Last Usable Hour, both Lannan Literary Selections from Copper Canyon Press, and Orchidelirium, selected by Naomi Shihab Nye for the Robert Dana Anhinga Prize for Poetry. Her other awards include a Jacob K. Javits Fellowship from the US Department of Education and a 2016 Guggenheim Fellowship. The Uses of the Body was featured on NPR's All Things Considered, and included on "Best of 2015" lists by The New Yorker, Vogue, BuzzFeed, and O, The Oprah Magazine, among others. A Spanish edition is forthcoming from Valparaiso Ediciones. Her work has appeared in The New Yorker The Paris Review, Tin House, Poetry, The Wall Street Journal, and The New York Times, selected for The Best American Poetry, and included in anthologies such as Please Excuse This Poem: 100 New Poets for the Next Generation, Not for Mothers Only, The Best American Erotic Poems, and Women's Work: Modern Poets Writing in English. Landau was educated at Stanford University, Columbia University, and Brown University, where she was a Javits Fellow and received a Ph.D. in English and American Literature. She teaches in and directs the Creative Writing Program at New York University, and lives in Brooklyn with her husband, sons, and daughter.
CATHERINE BARNETT (Poetry) is the recipient of a Guggenheim fellowship, a Whiting Writers Award, the Glasgow Prize for Emerging Writers, and a Pushcart Prize. Her first book, Into Perfect Spheres Such Holes Are Pierced, won the 2003 Beatrice Hawley Award and was published in spring 2004 by Alice James Books. Her second, The Game of Boxes (Graywolf Press), was the winner of the 2012 James Laughlin Award. Barnett has taught at Barnard, the New School, and NYU, where she was honored with an Outstanding Service Award. Photo © by Jacqueline Mia Foster.
ROBIN COSTE LEWIS (Poetry) is the poet laureate of Los Angeles. In 2015, her debut poetry collection, Voyage of the Sable Venus (Knopf) won the National Book Award in poetry. Voyage of the Sable Venus was also a finalist for the LA Times Book Prize, the Hurston-Wright Award, and the California Book Award. Lewis’s writing has appeared in various journals and anthologies, such as Time Magazine, The New Yorker, The New York Times, The Paris Review, Transition, and Best American Poetry. Lewis received her BA from Hampshire College in creative writing and comparative literature; an MTS degree in Sanskrit and comparative religious literature from the Divinity School at Harvard University; an MFA in poetry at New York University; and a PhD from the University of Southern Creative Writing and Literature Program, where she was a Provost’s Fellow in poetry and visual studies. Lewis also received a Woman-of-the-Year award from Los Angeles County, and in 2018, Lewis was named an “Art-of-Change” fellow by the Ford Foundation.
NATHAN ENGLANDER (Fiction) is the author of the novels Dinner at the Center of the Earth, The Ministry of Special Cases, and the story collections For the Relief of Unbearable Urges and What We Talk About When We Talk About Anne Frank, winner of the Frank O'Connor International Short Story Award and finalist for the Pulitzer Prize. His books have been translated in twenty languages, and his short fiction widely anthologized, most recently in 100 Years of the Best American Short Stories. Englander's play, The Twenty-Seventh Man, was produced at The Public Theater in 2012, and at The Old Globe in San Diego in 2015. He translated the New American Haggadah, and cotranslated Etgar Keret's Suddenly, a Knock on the Door. In 2017, he was awarded an Honorary Doctorate from Binghamton University. He is Distinguished Writer-in-Residence at New York University, and a columnist for Italy’s La Stampa newspaper. He lives in Brooklyn, New York, with his wife and daughter.
JONATHAN SAFRAN FOER (Fiction) is the author of the bestselling novel Everything Is Illuminated, named Book of the Year by the Los Angeles Times and the winner of numerous awards, including the Guardian First Book Prize, the National Jewish Book Award, and the New York Public Library Young Lions Prize. His other novels include Extremely Loud and Incredibly Close and, most recently, Here I Am. He is also the author of a book of nonfiction, Eating Animals. Foer was one of Rolling Stone's "People of the Year" and Esquire's "Best and Brightest,” and was included in The New Yorker magazine's "20 Under 40" list of writers. He lives in Brooklyn.
JOHN FREEMAN (Creative Nonfiction), writer and literary critic, was the editor of the literary magazine Granta, until 2013 as well as the former president of the National Book Critics Circle. He is an executive editor at the Literary Hub. His writing has appeared in almost 200 English-language publications around the world, including The New York Times Book Review, the Los Angeles Times, The Guardian, and The Wall Street Journal. He is the author of The Tyranny of E-mail: The Four-Thousand-Year Journey to Your Inbox (Scribner, 2009), and, most recently, How to Read a Novelist (FSG, 2013). He is the founding editor of Freeman's, a new biannual literary journal.
KATIE KITAMURA (Fiction) is a critic and novelist living in New York City. She is the author of Gone to the Forest and The Longshot, both of which were finalists for the New York Public Library's Young Lions Fiction Award. Her newest novel, A Separation, was published in February 2017. A recipient of a Lannan Residency Fellowship, Kitamura has written for The New York Times, The Guardian, Grana, BOMB, Triple Canopy, and is a regular contributor to Frieze.
HARI KUNZRU (Fiction) Born in London, Hari Kunzru is the author of the novels The Impressionist, Transmission, My Revolutions, and Gods Without Men, as well as a short story collection, Noise, and a novella, Memory Palace. His novel White Tears will be published in Spring 2017. He was a 2008 Cullman Fellow at the New York Public Library, a 2014 Guggenheim Fellow, and a 2016 Fellow of the American Academy in Berlin. He lives in New York City.
MEGHAN O'ROURKE (Creative Nonfiction) is the author of the memoir The Long Goodbye (Riverhead, 2011) as well as the poetry collections Once (2011) and Halflife (2007), which was a finalist for both the Patterson Poetry Prize and Britain's Forward First Book Prize. She was awarded a 2014 Guggenheim Fellowship, the Radcliffe Fellowship, a Lannan Literary Fellowship, two Pushcart Prizes, and a Front Page Award for her cultural criticism, among other prizes. She is the poetry editor of T Magazine, and formerly an editor at The New Yorker, Slate, and The Paris Review. Her essays and poems have appeared in The New Yorker, Poetry, Atlantic Monthly, The Kenyon Review, Best American Poetry, and more. A graduate of Yale University, she teaches at Princeton and the Creative Writing Program at New York University. She lives in Brooklyn, New York.
HELEN SCHULMAN (Fiction) is the author of the novels This Beautiful Life, a New York TimesNotable Book of 2011, A Day At The Beach, P.S., The Revisionist and Out Of Time, and the short story collection Not A Free Show. P.S. was also made into a feature film starring Laura Linney and was written by Helen Schulman & Dylan Kidd. She co-edited, along with Jill Bialosky, the anthology Wanting A Child. Her fiction and non-fiction have appeared in such places as Vanity Fair, Time, Vogue, GQ, The New York Times Book Review and The Paris Review. She is presently the Fiction Chair at The Writing Program at The New School where she is a tenured Professor of Writing.
DARIN STRAUSS (Fiction) is the author of the international bestseller Chang and Eng, and the New York Times Notable Book The Real McCoy, one of the New York Public Library's "25 Books to Remember of 2002," the novel More Than it Hurts You and most recently a memoir Half a Life, winner of the National Book Critics Circle Award. His work has been translated into fourteen languages, and he teaches writing at New York University, for which he won a 2005 "Outstanding Dozen" teaching award. Also a screenwriter, Darin sold the rights to Chang and Eng to Disney, and is currently adapting the novel for the screen with the actor Gary Oldman. Another screenplay on which he collaborated is in pre-production at Paramount Studios. Darin was awarded a 2006 Guggenheim Fellowship in fiction writing.