-
Mark Read: The Illuminator (projections on architecture), 2013.
-
Laurin Raiken: 1967 Abstraction (craypas on paper, 18” x 24”), 1967.
-
Meleko Mokgosi: Africanis II (oil & charcoal on canvas, 96” x 192”), 2013.
-
Keith Miller: Big Tree 2 (oil on canvas, 82” x 60”), 2011.
-
Greg Wyatt: "Two Sculptors (Draped)" (bronze sculpture)
-
Salvatore Tagliarino: Labradorian Aspects of God (acrylic on canvas, 36” x 48”), 2000.
-
Antonio Rutigliano: Eternità (Boethius) (stainless steel sculpture, 11” x 8” x 63⁄4”)
-
Barnaby Ruhe: Creation of Adam (acrylic collage, 48” x 48”), 2012.
-
Nina Katchadourian: Indian History for Young Folks (c print, 12.5” x 19”), 2012.
-
Mitchell Joachim: Super Docking Brooklyn (wood, foam, plastic, paint, 144” x 144” x 36”), 2011.
-
Jeff Day: Shrovetide Farewell (archival pigment print, 23” x 48”), 2004.
-
C. Daniel Dawson: Dono da Fazenda/O Amo (digital photo print, 24” x 17”), 2005.
-
Jaime Arredondo: La Plumita II (oil on canvas, 62” x 62”), 2009.
-
Lanny Harrison: Memoir (paper & fabric, 281⁄4” x 261⁄4”), 2013.
-
Louise Harpman: zeroHouse(TM) (architectural model, 12” x 18” x 20”), 2012.
-
Matthew A.J. Gregory: Costume Designs for The Cunning Little Vixen (pastel on newsprint, 11” x 14”), 2000.
-
Martha Diaz: Documenting Hip-Hop Culture: From the underground to the mainstream (mixed media, 90” x 108”), 2010.
The first-ever Gallatin faculty art show is on through January 16—and, as befits the school’s approach to interdisciplinary, individualized study, it represents a wide range of media and diverse points of view.
Called “Complexity and Coherence,” the exhibition features painting, sculpture, architecture, and costume design by Gallatin’s Interdisciplinary Arts faculty, touching on a range of themes from the legacy of colonialism to public spectacle as a language of dissent.
“To look at the things as they are, to deny the permanence of one way of seeing or thinking, is the challenge the students confront in our classes on a weekly basis, and which, it would seem, unifies us in our creative labor,” writes curator Keith Miller in the show’s catalog. “Challenges to history sit beside affirmations of tradition, proposals for the future converse with rebuttals to current political and economic realities.”
For a respite from the winter weather, head to the Gallatin Galleries at 1 Washington Place to see these artworks in person. And for a sneak peek, check out the slideshow above.