MVTN
1 353: Ives on Television (1928) 5 mins
Interior: medium shot Doctor
Ives, of "Bell Telephone Company",
addressing Movietone audience on the future of television and its costs
as a tool of communication (two takes). Note: NYC; filmed in studio;
talk made for Society of Motion Picture Engineers (SMPTE); more
concerned with "videophones" as opposed to broadcasting
(Rick Prelinger will share some paper files he has on this piece)
MVTN 1 598: John Belamy Taylor (1928) 9:29 minutes
Schenectady, New York, United States
Interior; day: long shot John Belamy Taylor demonstrating his apparatus for converting beams of light into sound waves. Medium shot - closeup same. Note: physics; emulsion deterioration throughout
MVTN 4 61 (A): Johnsons on Africa Expedition and MVTN 4 61 (B): Johnsons on Africa Expedition (1929) 3:35 min
MVTN 4 61 (A): Interior: medium long shot Mr. and Mrs. Martin Johnson talk about their upcoming expedition to Africa. Mr. Johnson anticipates clean and quiet nights, and Mrs. (Osa) Johnson immitates animal sounds. Note: emulsion deterioration at tail; edited story used in Metro newsreel 1/210; Congo; filmed in studio; NYC
MVTN 4 61 (B): New York, New York, United States
Interior: medium shot Mr. Martin Johnson talks about his upcoming expedition (with his wife Osa) to the African Congo, and of the photographic journal they will provide Movietone News. Note: some emulsion deterioration; used in Metro 1/210; Congo; filmed in studio; NYC
MVTN 1 49: Masks (1928) 2:56 minutes
New York (?), New York (?), United States
Exterior; day: closeup tribal masks from various cultures around the world with voice-over narration. Note: American Museum of Natural History;religion; anthropology; archaeology; slight emulsion deterioration throughout
Master
Hands (1936) Jam Handy Part I is 5 mins. http://www.archive.org/details/MasterHa1936
Classic "capitalist realist"
drama showing the manufacture of
Chevrolets from foundry to finished vehicles. Though ostensibly a
tribute to the "master hands" of the assembly line workers, it seems
more of a paean to the designers of this impressive mass production
system. Filmed in Flint, Michigan, just months before the United Auto
Workers won union recognition with their famous sitdown strikes.
Released the same year as two other films with which it shares
similarities: MODERN TIMES and TRIUMPH OF THE WILL. Selected for the
1999 National Film Registry of "artistically, culturally, and socially
significant" films