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   <title>XDesign</title>
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   <id>tag:www.nyu.edu,2010:/projects/xdesign/hub//1</id>
   <updated>2010-10-26T02:24:25Z</updated>
   <subtitle>Natatlie Jeremijenko Projects</subtitle>
   <generator uri="http://www.sixapart.com/movabletype/">Movable Type 3.33</generator>

<entry>
   <title>xdesign Environmental Health Clinic</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/10/xdesign_environmental_health_c.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.260</id>
   
   <published>2007-10-02T21:35:43Z</published>
   <updated>2010-10-26T02:24:25Z</updated>
   
   <summary>Please see new websites: environmentalhealthclinic.net ; xdesignproject.net...</summary>
   <author>
      <name></name>
      
   </author>
         <category term="Environmental Health Clinic" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[Please see new websites: 
<a href="http://environmentalhealthclinic.net">environmentalhealthclinic.net</a> ; <a href="http://xdesignproject.net">xdesignproject.net</a>]]>
      
   </content>
</entry>
<entry>
   <title>June 15/16 Extreme Streaming/Silent Observers</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/06/extreme_streamingsilent_observ.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.245</id>
   
   <published>2007-06-15T19:17:36Z</published>
   <updated>2010-10-26T02:26:37Z</updated>
   
   <summary>Silent Observers: Visual Observations &amp; Streaming Media Practices Eyebeam in association with Silent Observers exhibition at CALIT2, 4th Screen Cell Phone Video festival, and the NYU Environmental Health Clinic presents: [t0] Time Series: a streaming discussion on realtime media practices...</summary>
   <author>
      <name>admin</name>
      
   </author>
         <category term="Environmental Health Clinic" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="Grand Rounds" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="lecture series" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="presentations" scheme="http://www.sixapart.com/ns/types#category" />
   
   
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      Silent Observers:
Visual Observations &amp; Streaming Media Practices

Eyebeam in association with Silent Observers exhibition at CALIT2, 4th Screen Cell Phone Video festival, and the NYU Environmental Health Clinic presents:


[t0] Time Series:
a streaming discussion on realtime media practices and promises

Friday June 15: 		5PM-8:30 PM New York/Eyebeam

2PM-5:30 PM San Diego/CALIT2

Fri/Sat June 15 / 16: 	11PM-2:30AM Venice; Amsterdam; Stockholm; Kassel; Brussels


In the face of environmental and political crises we demand not just more information but more immediate information.  We are witnessing an explosion in the forms of realtime monitoring and reporting: air quality data to your cell phones; incessant blogs; streaming images of war zones and conflicts from which we might prefer to be historically removed. A consortium centered at CALIT is launching the Ocean Observatories Initiative (OOI) developing cyber-infrastructure that will allow extensive realtime monitoring and event detection. 

Is this a perverse cultural impulse that sidesteps considered interpretive processes and analysis, or does this urgency seize attention and generate diverse sense-making, with its own immediate interpretive demands? Alternatively, might it allow sustained attention to issues that are otherwise under-represented or unrepresented? How do we collectively manage these data streams? Are they an opportunity for changing who attends, and how we respond? Can this allow higher standards of evidence in political and environmental crisis? 

The time at which one witnesses something—not just the places and events witnessed—has tremendous implications for how and if we can respond. With realtime or near realtime data, intervention, response or participation become possible – or impossible. 

This time series discussion includes two-and-a-half streaming panel discussions across six cities in realtime to survey projects that address the issues surrounding realtime representations. t0 x0 locations: San Diego; New York; Stockholm; Venice; Kassel; Amsterdam. 

Can realtime media challenge our borders, change environmental accounts, and restructure participation, accountability or responsibility in civil society?
What is real about realtime?  

      <![CDATA[PROGRAM NOTES

t0.1 PANEL ONE: DISCUSSION: REAL BORDERS IN REALTIME  [5 presenters x10mins]

Streaming over, through and beyond borders, wars, media networks and inattention: a survey of recent projects that explore when, why and where realtime transmissions are critical, and to whom. 

neuroTransmitter [Angel Nevarez + Valerie Tevere] along with Diana McCarty and Pit Schultz of Reboot.fm will discuss transmission projects produced in Berlin and recently at the G8 Summit.

Streamtime.org [Cecile Landman from Amsterdam] http://www.streamtime.org/ on using old and new media to produce content and networks in the fields of media, arts, culture and activism in Iraq.

From San Diego and across the militarized US/Mexican border Micha Cárdenas discusses streaming at the Encuentro of La Otra Campana in Tijuana and moving from streaming to podcasting with Radioactive Sandiego. 

Ananya Vajpeyi, on atrocity, history and representation in old and new media. Are realtime images mediated, or are they immediate? Does realtime render reality urgent or banal; more real or less?  http://www.wdw.nl/underfire-archive/topic.php?topic_id=98

Eric Klineberg, author of the new book Fighting for Air: The Battle to Control America’s Media. 

[t0.2] PANEL TWO:  REALTIME IN RELATION TO WHO AND WHERE 
[5 presenters X 10 mins]
 
Mejan Labs http://www.mejanlabs.se/ [curator Björn Norberg and director Peter Hagdahl from Stockholm] discuss the publication of Get Real!  Surveying 5 years producing realtime artists projects – where did it lead? – in addition to current research direction incorporating realtime work. 

Hasan Elahi discusses his recent project in the Venice Biennale http://trackingtransience.net/ and extreme realtime in his overexposed FBI-monitored life. Hasan’s incentive and experiment are clear, his defense uncertain, his projects question the information gain in self-reporting and find privacy in radical openness.   

Steve Madoff discusses the launch of Artcloud.com, an art world social networking site being launched NOW at Documenta, Munster and the Venice Biennale.  Will this site document the social process involved in making meaning and value in contemporary art?

Other social sites designed to explore alternatives to entrenched social practices including: feral trade [feraltrade.org]—trading goods along social networks; howstuffismade [howstuffismade.org]—promoting information exchange between academia and manufacturing sectors towards more sustainable and less toxic manufacturing processes; and CAVD, the Collaboration for AIDS Vaccine Discovery; promoting information and data sharing AIDS research. Presented by Kate Rich, Brussels; Natalie Jeremijenko and Diane Ludin, New York. 

[t0.25] PANEL TWO (AND A HALF): REALTIME REAL WORLD [4 presenters X 5 mins]

This half panel begins a discussion in realtime realworld monitoring, introducing the closely related projects and strategies involved in environmental monitoring and realtime data streams. Presenters include:

Mark Hansen UCLA; Jenna Diddier Materials &Applications; Shannon Spanhake CALIT; and CALIT National Oceanographic Network. 

Closing comments:  Natalie Jeremijenko [NY] Zeljko Blace [SD]


WATCH: 4GB wristcinema publishing platform for curated programs. 

Program 1: The 4th Screen CellPhone Video Festival [RELEASED JUNE 16TH 2007]
Program 2: Social Movement almost Annual Report  [RELEASED AUGUST 16TH 2007]
Program 3: Bureau Findings. [RELEASED SEPT 16TH 2007]
Program 4: 

Programs can be downloaded at SilentObservers
http://www.silentobservers.info/WATCH


Developed by SocialMovement Lab; Derek Lomas and Natalie Jeremijenko with Silent Observers

http://www.silentobservers.info/
Silent*Observers is an ongoing media art project focused on the topic of mediation of local ambient experiences through computer networks, using observation as method and streaming media as technological carrier.

Initiated in 2003 by Multimedia Institute in Zagreb, with support of Center for Research in Computing and Arts at University of California SD and THE THING, Postmasters Gallery in NYC with goals to research, produce new works, exhibit and publish on methods of mediated observation and net streaming.

http://www.the4thscreen.net/
The4thScreen: a global fest of art & innovation for mobile phones focuses on the emerging cultural, technological and social phenomenon of mobile phones.

]]>
   </content>
</entry>
<entry>
   <title>the 411</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/06/bird_411.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.243</id>
   
   <published>2007-06-13T16:57:49Z</published>
   <updated>2007-06-14T16:56:12Z</updated>
   
   <summary>Sparrows deliver the morning news at intersection of W.4th and W. 11th Streets in NYC http://www.nyu.edu/projects/xdesign/junglestream/20070601 051307.wav...</summary>
   <author>
      <name>Lana</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[Sparrows deliver the morning news at intersection of W.4th and W. 11th Streets in NYC

<a href="http://www.nyu.edu/projects/xdesign/junglestream/20070601 051307.wav">http://www.nyu.edu/projects/xdesign/junglestream/20070601 051307.wav</a>]]>
      
   </content>
</entry>
<entry>
   <title>Wind Study</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/04/wind_study.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.216</id>
   
   <published>2007-04-25T00:06:00Z</published>
   <updated>2007-04-25T00:33:55Z</updated>
   
   <summary>A wind study for the San Francisco World&apos;s Fair of 2007....</summary>
   <author>
      <name>caroline</name>
      <uri>http://carolinewoolard.blogspot.com</uri>
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[A wind study for the <a href="http://sfworldsfair.org/participants/jeremijenko.php">San Francisco World's Fair of 2007.

<img alt="windstudyNJ.jpg" src="http://www.nyu.edu/projects/xdesign/hub/windstudyNJ.jpg" width="360" height="240" />]]>
      <![CDATA[<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/Hf4ruCNedvU"></param><embed src="http://www.youtube.com/v/Hf4ruCNedvU" type="application/x-shockwave-flash" width="425" height="350"></embed></object>]]>
   </content>
</entry>
<entry>
   <title>OOZ: Goose Interactions in Sweden</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/04/ooz_goose_interactions_in_swed.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.215</id>
   
   <published>2007-04-24T22:39:31Z</published>
   <updated>2007-04-25T00:35:17Z</updated>
   
   <summary>The robotic goose visits Stockholm for the show at Mejan Labs....</summary>
   <author>
      <name>caroline</name>
      <uri>http://carolinewoolard.blogspot.com</uri>
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[The robotic goose visits Stockholm for the show at <a href="http://www.mejanlabs.se/article_en.asp?KAT=CURREX&templ=2">Mejan Labs</a>.

<img alt="gooseStill.jpg" src="http://www.nyu.edu/projects/xdesign/hub/gooseStill.jpg" width="360" height="240" />

]]>
      <![CDATA[<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/DwqqZA1b3zk"></param><embed src="http://www.youtube.com/v/DwqqZA1b3zk" type="application/x-shockwave-flash" width="425" height="350"></embed></object>]]>
   </content>
</entry>
<entry>
   <title>OOZ: for the birds opens in Mejan Labs, Stockholm</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/04/ooz_for_the_birds_opens_in_mej.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.213</id>
   
   <published>2007-04-15T22:54:22Z</published>
   <updated>2007-04-19T19:25:06Z</updated>
   
   <summary> Instruction for the Birds: * land on perch-&gt; trigger sound file-&gt; wait for human response (they are a little slow) * try a different perch-&gt; it might work better Instructions for People: * Pretend you are a bird-&gt; see...</summary>
   <author>
      <name>caroline</name>
      <uri>http://carolinewoolard.blogspot.com</uri>
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[<img alt="birdsperch4skansen4.jpg" src="http://www.nyu.edu/projects/xdesign/hub/birdsperch4skansen4.jpg" width="320" height="151" />

Instruction for the Birds:

* land on perch-> trigger sound file-> wait for human response (they
are a little slow)
* try a different perch-> it might work better

Instructions for People:

* Pretend you are a bird-> see above
]]>
      <![CDATA[OOZ: for the birds opens in Mejan Labs, Stockholm
Sweden

<img alt="mejanLabinstalled.jpg" src="http://www.nyu.edu/projects/xdesign/hub/mejanLabinstalled.jpg" width="320" height="240" />


Birds are also inhabiting the gallery,  including a pair of diamond
doves and some zebra finches (known for learning vast song
repertories). Although the gallery is a much larger space than the
cages they were accustomed to, watching them fly around the white
walls of the gallery space is, well, incredible. The arid view of the
white cube seems worse then their little cages. It serves the same
function for the birds, however, to focus their attention on the
art.  They will sit, sometime for hours, on the perches. They
tolerate the sound they are triggering over and over, a little jumpy
at first but that was generally true.  The perches gives them a view
of the whole space, but it is not so much of a view given the vast
deep 3-d urban spaces they can navigate with a tip of the wing.  They
seem exposed on the perches and seem to feel safer tucked into
corners or under the stairs--so that is where I am putting the bird
instruction manual. They haven't made any attempts to fly out when
the door is open by gallery visitors.

<img alt="birdsperch3skansen.jpg" src="http://www.nyu.edu/projects/xdesign/hub/birdsperch3skansen.jpg" width="320" height="240" />

Gallery Instructions:

These bird-operatable communication technologies translate bird
concerns into human dialect.
The sounds triggered by the birds use a variety of strategies to
persuade you to the share nutritional and urban resources. Some use
dog noises to discourage cats, but all demonstrate the spectacle of
urban birds appropriating new technologies for their own purposes.

Previous outdoor installation of these devices have demonstrated that
the birds are early adopters: that they understand thereciprocity
scripted herein, and master the use of these devices. However people
have proven slow to grok the feedback cycle. Because people require
remedial education in these matters these bird technologies are
presented inside the gallery. When people get hip to the idea of a
changing their relationship with urban birds these may be installed
outside to create a bird OOZ; an aviary without cages,
built by durable reciprocal interactions.  

<img alt="birdsperch2skansen.jpg" src="http://www.nyu.edu/projects/xdesign/hub/birdsperch2skansen.jpg" width="293" height="289" />


Instruction for the Birds:

* land on perch-> trigger sound file-> wait for human response (they
are a little slow)
* try a different perch-> it might work better

Instructions for People:

  * Pretend you are a bird-> see above

]]>
   </content>
</entry>
<entry>
   <title>Release Notes on Floating Clinic; getting wet feet; tying down and floating off</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/03/release_notes_on_floating_clin_1.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.199</id>
   
   <published>2007-03-25T14:53:42Z</published>
   <updated>2007-04-05T18:44:22Z</updated>
   
   <summary> In retrospect I realize that all testing and sizing of the floating clinic was done with women:. Caroline, my beautiful assistant is over 6 ft. The compact desk and seating accommodated her easily but I had not accounted for...</summary>
   <author>
      <name>admin</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[<img alt="IMG_0840.jpg" src="http://www.nyu.edu/projects/xdesign/hub/IMG_0840.jpg" width="320" height="240" />

In retrospect I realize that all testing and sizing of the floating clinic was done with women:. Caroline, my beautiful assistant is over 6 ft. The compact desk and seating accommodated her easily but I had not accounted for the male body mass.  The first man to have an appointment on the floating clinic, Christian Croft, was almost catastrophic. Moreover .... ]]>
      <![CDATA[he didn't have the polar bear instinct to distribute his weight when he heard the crackling between the bottles and the surface (an advantage of using 2 liter bottle is that they make a great audible feedback system for stress distribution not dissimilar to ice). His response was to kneel at the desk--although he somehow managed position his knees with one infront of the other rather than across, while the polycarbonate greenhouse glazing has more rigidity across the surface rather than along.  Do men not have the polar bear instinct? on hearing the cracks of thin ice to drop onto their bellies and belly crawl to firmer footing. Anyway, Christian ended up kneeling at the desk. He looks reverent, which is misleading, but perhaps a better look then lying prostrate before me.

<img alt="Priestprostrate.jpg" src="http://www.nyu.edu/projects/xdesign/hub/Priestprostrate.jpg" width="123" height="92" />

Prescribing Float-time: 

I need some lateral reinforcement before I can prescribe time on it for others. I concede that finishing the little pontoon will allow people to get on and off more gracefully although having to get ones feet wet means you feel the water temperature. This helps convince you not to fall in nor swim. But that decision is probably influenced by all the flotsam on the water. I also need to use a two-line bow and stern line system. I had expected that we would sit where the tide would take us, but near shore hydrodynamics are more complex than that. The beach/old dock we launched off must be constantly recreated because of reflections and the lower pressure area behind on either side of the old wooden sewerage pipe that is there (there is also a oft used new concrete combined sewerage overflow output there too).  Because of this we get to see the old bagels--there was the parts of at least 3 whole bagels (is there a Manhattan tradition of throwing bagels into the east river?)--and all sorts of floating detritus gathering. It made a beautiful and informative display for us, and was like a table set for the birds. 

<img alt="raftKnot.jpeg" src="http://www.nyu.edu/projects/xdesign/hub/raftKnot.jpeg" width="320" height="240" />

With all our activity, and all the spectators, we dissolved the small flock of 16 or so seagulls usually there. They appeared again every time we pulled the float out of the water. A bold pair of Peace doves kept coming back to reclaim the territory feeding on something delicious--an algae?--growing on the disintegrating pylon and disputing the wisdom of removing the old docks for environmental issues. The highly disputable rule of thumb used in waterfront development to remove and docks to minimize impact and remediate the shoreline--but the doves, the young sturgeon and bass who feed around them, and I seem to agree that this is wrong-headed.  A trio of wood duck came later in the day to bob around us, as if inviting me to deploy their robotic counterparts to play and interact with them. They seemed eager to demonstrate how they made sense of the place and how they too enjoyed bobbing in the local conditions.   



Office Space Development 
Having verified that is a great place for a tinyconference and in particular an invigorating platform for the discussing the local environmental issues, the next development is the renting out the float as a writing studio/workspace and micro-meeting site--when it is not hosting clinic hours.  It is particularly great for video conferencing, i.e. if you are not going to be "there" you might as well be "somewhere". For people who want to cut down on plane travel--like me--skype appearances at conferences and presentations need something more compelling in the background than a peek into one's domestic workspace/bedroom. 

<img alt="IMG_0953.jpg" src="http://www.nyu.edu/projects/xdesign/hub/IMG_0953.jpg" width="320" height="240" />

This float provides a workspace characterized by the presence of the local environment--a presence that will actively participate in anything that goes on there. When the weather is a little warmer it will be even more pleasant, though still, and critically, weather dependent, weather sensitive. The wifi is there, thanks to SolarOne.org, the solar panel Amanda speced worked well for my not very efficient MacBookPro and will still charge the lighting for working deep into the night. It is not only a memorable place to frame time and consideration of environmental issues, but also to consider, design, research, write and pretty much do much of the work one might to in any of the even smaller cubicle work spaces that fill all these buildings.  The thing I am interested in is how work or writing done there will be infected by the contingencies of the complex natural urban environment therein.  It is a workplace in which urgent environment can push-in, can be insistently present.  It is the opposite of a climate-controlled context of most workspaces.

That it works for the clinic suggests that it will work beyond. My intuition is that working on this floating mobile office--be it reviewing a business plan, doing research or journalism, making art, designing products--will produce work in which the relationship of the business plan, questions or story, art or product, to the aquatic ecosystem, waste streams and urban environmental systems, is made explicit.  Demonstrating this phenomenon--that working in this place is productive in several ways—will be achieved by collecting pieces of work into a WETER [Where Everyone Thinks Environmental Relationships] studio collection.  OK--just a working title--but a real invitation to people who would be interested in this "special" Manhattan office space, and participating in the experiment with their own compelling project, It even has ample parking with no metering. 

<img alt="NatYell.jpg" src="http://www.nyu.edu/projects/xdesign/hub/NatYell.jpg" width="240" height="320" />

Buoyancy and Cubicles
The reasons for locking oneself in a climate controlled beige colored fluorescent lit cubicle may still be compelling to some--closed buildings with sealed windows enable centralized control, still reduce the tendency to locally control or vary conditions of annoyingly nonstandard people--and you can get a LEEDS rating to reassure yourself that you are actually doing something to re-imagine and change without really changing. Might LEEDS be counterproductive?: making people feel good about not doing much; breeding complacency without providing an incentive structure to foster radical changes; rewarding without experimenting? Nonetheless, even in platinum buildings, some people have a great view, most don't, dictated by the economy of scale of steel frame fabrication.  The clinic posits a different relationship to local climate: it takes advantage that the thermal difference at the shore to ensure a reliable breeze. If it is too breezy you can wear a coat. That is, climate control without burning fossil fuel.   And redesigns productivity. If work is energy expended over time, productivity has to do with the effectiveness. To say: "that was productive" means that many things came out of it, not just an increment towards a predefined goal. Productive work in the contemporary environment is less about the hours put in, but the generative relationships. The nonlinear ways that goals keep being redefined and refined, the resolutions that allow for new possibilities. We are not, collectively, going to get to sustainable work-spaces with just LEEDs ratings, platinum or not. 



It is an interesting opportunity presented by new work practices. Mobile technologies counter intuitively create an interest in location. So we have the advent of location-based media, neogeography and almost every cell phone call beginning with the question or admission of someone's whereabouts and activity "I am getting out of the taxi, I'll call you back" "I'm at work/in a meeting/on the street/with the kids/on a call". By contrast land-line calls always began with who's who information: "Hello, this is Natalie can I speak to Lori". You know who you are calling on a cell. They are already individuated.  This is symptomatic of a cultural shift from who to where; from being defined by credentials to being defined by the place you occupy/ or make. We don't have traveling salesmen, but we do have sales traveling vast distances. Being able to compare prices online while being blind to the distance, distribution costs and, by definition, the externalities—imagine if the price of a good did increment on a per mile basis. What drives the geotag on photos is precisely because you have miniaturized cameras that go anywhere. Everywere and nowhere. 



The float is definitely somewhere even though it has no fixed address. It ties us to a set of experiences and interactions, but  also disconnects you.

Nonetheless, coverage on the float is great for (unionized) Cingular, T-mobile, and Verizon--and I imagine every other service all the way to Brooklyn.  Yet, despite or because of the connectivity of contemporary life many people need to go away to reflect, to work. We still need to stand apart--to limit and arrange and control who we are connected to; not by virtue of who is sitting next to you, but by virtue of being able to curate presence. So the float should not be mistaken for an island--no wo/man is. It is tied in, but only as much as one wants. And as such provides a context of focus to shut out, to immerse, to disconnect. 

It is a flexible membrane mechanically, and a sensitive one—every ripple is transmitted—through your feet. A lovely sensation; that is strangely more comforting than a tiltling rigid raft structure. 

<img alt="IMG_0872.jpg" src="http://www.nyu.edu/projects/xdesign/hub/IMG_0872.jpg" width="320" height="240" />

Beyond the Aeron Chair:

This mobile office is an exploration in what contemporary technologies can do, now, possibilities due to a particular lash-up of technologies that define a contemporary workspace. Right about now that means -- wifi; cell phones; solar powered mobile computing; ineffectual plastics recycling; greenhouse glazing; and a water fountain—in this case distilling from the local water. Moreover It has a great place to lock ones bike on the (only) great biketrack that just about circumnavigates the entire island. Public transit and it even has ample parking Mostly, the idea is floated by a need to turn attention to climate and environmental systems – even when we are not paying attention. 


Next Stop: 
Christian wants to convene over on Newtown Creek—the largest sewerage treatment plant, or, as he said: up the proverbial Shit Creek. 



Other Notes:
Why Clinic prescribes interspecies interactions. 
]]>
   </content>
</entry>
<entry>
   <title>It floats--it almost hovers!</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/03/it_floatsit_almost_hovers.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.200</id>
   
   <published>2007-03-23T15:51:23Z</published>
   <updated>2007-04-05T15:53:49Z</updated>
   
   <summary>Special effects: weather....</summary>
   <author>
      <name>admin</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      Special effects: weather. 


      
   </content>
</entry>
<entry>
   <title>Launching Grand Rounds</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/02/grand_rounds.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.180</id>
   
   <published>2007-02-08T23:09:55Z</published>
   <updated>2007-02-21T16:46:26Z</updated>
   
   <summary>The NYU environmental health clinic Grand Rounds is a series presenting and podcasting design interventions that change or improve the envrionmental performance of local urban systems. Modeled on the Grand Rounds of hospitals and medical schools, Grand Rounds of Environmental...</summary>
   <author>
      <name>admin</name>
      
   </author>
         <category term="Grand Rounds" scheme="http://www.sixapart.com/ns/types#category" />
         <category term="presentations" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      The NYU environmental health clinic Grand Rounds is a series presenting and podcasting design interventions that change or improve the envrionmental performance of local urban systems. Modeled on the Grand Rounds of hospitals and medical schools, Grand Rounds of Environmental Health covers direct actions,  remediation projects, public experiments and other material tactics.  

The invited speakers present evidence-driven interventions, action based research projects and heroic engineering that have demonstrable environmental effects, and yet have not lost something of the wonderful, fantastical, surprising and/or suggestive.  Unlike medical schools, whose grand rounds are typically not-so-grand powerpoint presentations, these rounds will take us out and about in the urban ecosytems, examining ills and discussing the effectiveness of hands-on remediatory actions.



      EHC Grand Rounds cover projects that are construed in contrast to traditional approached to environmental issues though policy initiatives such as carbon tax, LEEDS rating, regulatory initiatives, and other strategies that use market and regulatory instruments for percentage reductions of existing activities. These political initiatives tend to take many years to pass through the political processes--for example the agreement to dredge PCBs from the Hudson took over 30 years--and are beyond the timeframe required to inform immediate action. This forum documents practices, theorists and projects that provide alternatives to the existing repetorie of policy tools and strategies for environmental change, to produce an economy of actions and demonstrable effects that may accumulate into effective collective action. 
   </content>
</entry>
<entry>
   <title>solar powered</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/02/solar_powered.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.175</id>
   
   <published>2007-02-08T18:07:59Z</published>
   <updated>2007-05-01T20:29:14Z</updated>
   
   <summary>Lana Bernberg works between clouds off of solar arrays in the jungle http://www.nyu.edu/projects/xdesign/junglestream/solar.mov...</summary>
   <author>
      <name>Lana</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[Lana Bernberg works between clouds off of solar arrays in the jungle

<a href="http://www.nyu.edu/projects/xdesign/junglestream/solar.mov">http://www.nyu.edu/projects/xdesign/junglestream/solar.mov</a>]]>
      
   </content>
</entry>
<entry>
   <title>forest floor to finished furniture</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2007/02/forest_floor_to_finished_furni.html" />
   <id>tag:www.nyu.edu,2007:/projects/xdesign/hub//1.174</id>
   
   <published>2007-02-08T17:14:44Z</published>
   <updated>2007-05-01T20:31:46Z</updated>
   
   <summary>Lana Bernberg&apos;s work in progress video of building at the source of the materials, in this case, the wood used to build furniture for a botanist&apos;s lab and residence in Belize http://www.nyu.edu/projects/xdesign/junglestream/forestfloortofinishedfurniture.mov...</summary>
   <author>
      <name>Lana</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[Lana Bernberg's  work in progress video of building at the source of the materials, in this case, the wood used to build furniture for a botanist's lab and residence in Belize


<a href="http://www.nyu.edu/projects/xdesign/junglestream/forestfloortofinishedfurniture.mov">http://www.nyu.edu/projects/xdesign/junglestream/forestfloortofinishedfurniture.mov</a>]]>
      
   </content>
</entry>
<entry>
   <title>Lana Proposed Banana Project</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2006/12/lana_proposed_banana_project.html" />
   <id>tag:www.nyu.edu,2006:/projects/xdesign/blog//1.2</id>
   
   <published>2006-12-11T22:23:36Z</published>
   <updated>2006-12-11T22:28:27Z</updated>
   
   <summary>So this is where you might post your initial plan and contact and dates so that I know where you are.... just for trail.... and you put up an image check out this http://www.nyu.edu/projects/xdesign/blogin...</summary>
   <author>
      <name>admin</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[So this is where you might post your initial plan and contact and dates so that I know where you are.... just for trail....
and you put up an image
check out this <a href="http://www.nyu.edu/projects/xdesign/blogin">http://www.nyu.edu/projects/xdesign/blogin</a>]]>
      
   </content>
</entry>
<entry>
   <title>Specs for building bird houses</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2006/07/specs_for_building_bird_houses.html" />
   <id>tag:www.nyu.edu,2006:/projects/xdesign/hub//1.28</id>
   
   <published>2006-07-20T11:42:54Z</published>
   <updated>2007-01-22T21:04:50Z</updated>
   
   <summary>Link 1 - with assembly instructions. Link 2 - just a table of specs. Link 3 - with information about putting wood chips in boxes, and where to locate the boxes....</summary>
   <author>
      <name>admin</name>
      
   </author>
         <category term="current projects" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[<a href="http://home.pacifier.com/~mpatters/bird/nestbox.html">Link 1</a> - with assembly instructions.
<a href="http://birding.about.com/library/blhousespecs.htm">Link 2</a> - just a table of specs.
<a href="http://www.ascabird.org/nest_boxes.htm">Link 3</a> - with information about putting wood chips in boxes, and where to locate the boxes.]]>
      
   </content>
</entry>
<entry>
   <title>Bird food system - permissable projections</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2006/07/bird_food_system_permissable_p.html" />
   <id>tag:www.nyu.edu,2006:/projects/xdesign/hub//1.27</id>
   
   <published>2006-07-19T19:58:58Z</published>
   <updated>2007-01-22T21:04:50Z</updated>
   
   <summary>For a flag pole: &quot;Flagpoles that are supported entirely from the building may be constructed to project not more than eighteen feet beyond the street line, but not closer than two feet to the curb line, provided that no part...</summary>
   <author>
      <name>admin</name>
      
   </author>
         <category term="current projects" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[<p>For a flag pole: "Flagpoles that are supported entirely from the building may be constructed to project
not more than eighteen feet beyond the street line, but not closer than two feet to the curb line, provided that no part of the flagpole is less than fifteen feet above the ground or sidewalk level.
<p>
On signs: "Wall signs may be constructed to project not more than twelve inches beyond the street line when conforming to the requirements of subchapter seven of this chapter. . . . Projecting signs may be constructed to project not more than ten feet beyond the street line, but not closer than two feet to the curb line, when conforming to the requirements of subchapter seven of this chapter, and provided that no part of the sign is less than ten feet above the ground or sidewalk level."
<p>
From the NYC <a href="http://www.nyc.gov/html/dob/downloads/bldgs_code/bc27s4.pdf">Building Code.</a>
<p>
An <a href="http://query.nytimes.com/gst/fullpage.html">article in the New York Times</a> discusses the code for flag poles, and the process involved in approval.]]>
      
   </content>
</entry>
<entry>
   <title>Attracting birds</title>
   <link rel="alternate" type="text/html" href="http://www.nyu.edu/projects/xdesign/hub/2006/07/attracting_birds.html" />
   <id>tag:www.nyu.edu,2006:/projects/xdesign/hub//1.26</id>
   
   <published>2006-07-19T17:58:05Z</published>
   <updated>2007-01-22T21:04:50Z</updated>
   
   <summary>Here are several resources for landscaping to attract birds: How to Attract Birds has a nice summary, which amounts to providing food, water and shelter, resources which are often scarce in suburban areas. Providing variety in your plantings, especially providing...</summary>
   <author>
      <name>admin</name>
      
   </author>
         <category term="current projects" scheme="http://www.sixapart.com/ns/types#category" />
   
   
   <content type="html" xml:lang="en" xml:base="http://www.nyu.edu/projects/xdesign/hub/">
      <![CDATA[Here are several resources for landscaping to attract birds:

How to Attract Birds has <a href="http://www.howtoattractbirds.com/">a nice summary</a>, which amounts to providing food, water and shelter, resources which are often scarce in suburban areas. Providing variety in your plantings, especially providing year-round food, is especially useful. It dicusses the importance of planting native species, which native birds are already familiar with and adapted to, and organic gardening (using pesticides hurts the birds that eat insects).

When providing water, keep the water shallow - no more than 2-3" deep - as songbirds cannot swim, and will be very wary of entering deeper water. A rough and gradually sloping bottom, perhaps with some stones added for smaller birds to land on, will also help. A water source should be in a clearing, so that drinking and bathing birds can keep an eye out for predators. Depending on whether hawks or cats are a more likely threat will determine what sorts of plantings need to be near the water.

Cornell has several pages, including one on <a href="http://www.birds.cornell.edu/AllAboutBirds/attracting/landscaping/plant_groups">seven important plant groups</a>:]]>
      <![CDATA[<i>
Conifers:
Evergreen trees and shrubs such as pines, spruces, firs, arborvitae, and junipers. Provide excellent shelter and nest sites, as well as food (fruits and seeds).

Grasses and Legumes:
Provide cover for ground-nesting birds (if not mowed during the nesting season) and food (seeds and insects).

Nectar-producing Plants:
Attract hummingbirds (especially flowers with tubular red corollas) and orioles.

Summer-fruiting Plants:
Provide food during the nesting season. Various species of cherry, chokecherry, native honeysuckle, raspberry, serviceberry, blackberry, blueberry, mulberry, and elderberry.

Fall-fruiting Plants:
Important for both migratory birds building up fat reserves before migration and non-migratory birds that need to enter the winter season in good physical condition. Includes dogwoods, mountain ash, cotoneasters, and buffalo-berries.

Winter-persistent Plants:
Fruits remain attached to these plants long after they ripen in the fall, providing a winter food source for residents, as well as for early-returning migrants. Includes crabapple, snowberry, native bittersweet, sumacs, viburnums, American highbush cranberry, eastern wahoo, Virginia creeper, and winterberry (holly).

Nut and Acorn Plants:
Includes oaks, hickories, buckeyes, chestnuts, butternuts, walnuts, and hazels. Provide food and good nesting habitat.
</i>
Cornell's pages also include detailed information about some of the plant species and the birds they attract, as well as general landscaping tips, including: taking stock of what you already have; plant native species; provide variety, including sheltering and food-producing plants; leave dead limbs and piles of brush if you can.

Two more plant lists, one from the University of Illinois, <a href="http://www.solutions.uiuc.edu/content.cfm?series=4&item=367&Parents=0|70">which includes trees</a>, and from WildBirds.com, <a href="http://www.wildbirds.com/attract_plants.htm">a list of flowers, small trees, shrubs and vines.</a>]]>
   </content>
</entry>

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