MAY 29, 2017
On a day when I memorialize those who fought and put their lives on the line during times of war (like my Uncle Sam), I also remember those who dreamt of a world without war, whatever differences of opinion I may have had with them. Among these was the Austrian economist and libertarian theorist Murray Rothbard, who had a huge impact on how I became a libertarian. I wrote on a Facebook thread:
All I know is that Murray Rothbard had an immense impact on me personally and on the libertarian movement generally; his scholarship---from his multivolume Conceived in Liberty and his work on The Panic of 1819 and America's Great Depression to his mammoth Man, Economy, and State and Power and Market and his Ethics of Liberty and his polemical For a New Liberty---is remarkable in its breadth; and his work on Left and Right certainly made its mark. I own a copy of A New History of Leviathan, a work he coedited with Ronald Radosh, and therein are terrific essays coming from revisionist historians among the new left and the libertarian right (including Rothbard and the great libertarian historian Leonard Liggio). [In fact, my own copy of that wonderful volume is inscribed by both Radosh, who wrote "Towards democratic socialism!" on one page and Rothbard, who wrote "For liberty and anti-Leviathan" on the next page!]
It was Rothbard who introduced me to the trailblazing work being done by folks like Gabriel Kolko and James Weinstein on the new left (especially their valuable revisionist scholarship on the Progressive era) and Walter Grinder and John Hagel on the libertarian right. My mentor, Bertell Ollman, a Marxist political theorist, praised Rothbard, despite their disagreements, for the depth of his scholarship and the principled stances he took against the Vietnam War, when they worked together in the Peace and Freedom Party. (And Ollman was no stranger to libertarian and classical liberal thinking; he was actually a Volker fellow who worked personally under Friedrich Hayek at the University of Chicago.)
Whatever flaws Rothbard had (and who doesn't have their blindspots?), he was a huge presence in the emergence of modern libertarianism and was among the folks who were part of my own journey of "How I Became a Libertarian" (now a part of the volume I Chose Liberty: Autobiographies of Contemporary Libertarians).
MAY 25, 2017
Song of the Day: Star Wars: A New Hope ("Throne Room / End Title") [YouTube link], composed by the legendary John Williams, was part of the Oscar-winning soundtrack to the 1977 first installment (later known as "Episode #4") in the "Star Wars" franchise. On this date, forty years ago, the film made its debut, and the most epic space opera in cinema history was born. It is no secret that Williams's "Star Wars" scores have been among the most majestic achievements in his repertoire and so important to the success of this franchise. So Happy 40th Birthday to the first film. And May the Force Be With You!
MAY 23, 2017
Song of the Day: Moonraker ("Main Title"), lyrics by Hal David, music by John Barry, was the theme to the 1979 James Bond film, starring Roger Moore, who passed away today at the age of 89. Sean Connery remains my favorite Bond, but Moore had his moments. This song was the third Bond theme sung by Shirley Bassey, who had previously recorded the vocal themes to "Diamonds are Forever" and, most famously, "Goldfinger" [YouTube links]. Bassey provides different renditions of the song at the film's opening and the more upbeat end credits [YouTube links]. RIP, Roger Moore; and my deepest condolences to those of his fellow Brits, who are mourning today the deaths of those attending an Ariana Grande concert in Manchester, England, victims of a shameful act of terror.
MAY 18, 2017
Allen Mendenhall concludes his series reviewing the JARS 2016 symposium, "Nathaniel Branden: His Work and Legacy" on the site of the Atlas Society.
For those who have not read the entire series, here are links to the installlments:
The Legacy of Nathaniel Branden (6 April 2017)
'Nathaniel Branden's Oedipus Complex' by Susan Love Brown (14 April 2017)
Nathaniel Branden, In His Own Words (1 May 2017)
Southern Exposure: 'Branden Saved Years of My Life' (17 May 2017)
I wanted to extend my thanks to Allen for his challenging series of review essays and for his kind comments with regard to the coeditors on the Branden symposium (Robert Campbell and me).
Song of the Day: Casino Royale ("You Know My Name") features the words and music of David Arnold and Chris Cornell, who died yesterday at the age of 52. This 2006 song features Cornell's lead vocals, from the first 007 film starring Daniel Craig as Bond, James Bond. Actually, Craig's "Skyfall" (2012) is one of my favorite Bond flicks). But today's tribute goes to Cornell, another talent gone too soon. Check out the opening credits [YouTube link], and while you're at it, check out Cornell's transformative version of the Michael Jackson hit, "Billie Jean" [YouTube link]. RIP, Chris Cornell.
MAY 15, 2017
The Foundation for Economic Education has published two recent essays by writer Dan Sanchez that have made use of some very perceptive insights drawn from the work of Nathaniel Branden, who was the subject of a recent symposium in The Journal of Ayn Rand Studies. Check them out on the FEE site:
Trump's Ego is Actually Too Small (8 May 2017)
What the Self-Esteem Movement Got Disastrously Wrong (15 May 2017)
On a Facebook thread dealing with the relationship of Ayn Rand and Friedrich Nietzsche, I wrote the following:
Troy [Camplin] is right that Rand's first exposure to Nietzsche was Thus Spake Zarathustra (which she read in Russia at the urging of an older cousin) and that her view of Nietzsche began to change with her later reading of The Birth of Tragedy. She certainly grappled with Nietzsche throughout her early fiction (up through The Fountainhead, but traces of the more "exalted" Nietzsche can be found even in Atlas Shrugged).
It should be noted that Rand's years in Russia were in the last days of Silver Age Russian culture, on which Nietzsche made an enormous impact. Nietzsche influenced everyone from the Symbolist poets (including Rand's favorite poet, Aleksandr Blok) to Russian Marxists, such as Maxim Gorky.
But to my knowledge, at least in my analyses of Rand's college transcripts, there is no evidence of her having studied him formally. She did take two courses (one on the "History of (Ancient) Greece" and another on the "History of the Development of Social Forms [or Institutions]"), which were taught by F. F. Zelinsky and N. Gredeskul, respectively, both of whom were deeply influenced by Nietzsche, and whose presentation of the material in those courses would have incorporated a distinctive "Nietzschean" flavor.
There is no doubt that Nietzsche made a huge impact on Rand, though it is Aristotle, I think, whose work made the biggest impact. Rand's mature thought shows far more sophistication than do any of her off-the-cuff comments on any number of subjects (including whatever she may have said about Native Americans or any other cultures that she viewed as "primitive" or "savage," an issue raised on another thread). Needless to say, I get into the nuances of Rand's corpus rather extensively in my book, Ayn Rand: The Russian Radical
MAY 14, 2017
Today, in the Bronx, at the iconic Yankee Stadium, the New York Yankees organization retires the Number 2 worn by its All-Star shortstop [YouTube link] from 1996 to his retirement in 2014. Derek Jeter remains pure class in my scorebook; he was the face of baseball for nearly two decades, especially at a time when the sport was being routinely sullied by juicing scandals. It is not by pure chance that this day of tribute falls on "Mother's Day"; Jeter has always spoken of how deeply his mother, his father, and his family have given him inspiration and love. Today, all of New York and baseball fans everywhere will have a chance to share in that love.
I was fortunate enough to see Jeter play quite a few times at the old Yankee Stadium. His eloquent speech at the closing of that Stadium [YouTube link], (a year before he was among those players who went on to open the New Yankee Stadium, with a 2009 World Series Championship), his final All-Star Game appearance, his farewell speech to the home crowd, his final home game, his final tribute to the crowd, and his final career at-bat against the Boston Red Sox at Fenway Park (where even the Fenway Faithful applauded him) remain among the most poignant moments of his storied career [YouTube links].
His drive and his dedication to win and his passion for the game were a marvel to behold and a joy to watch. He was an absolute gem both at the plate and on the field. He was a five-time World Series champion, which included a 2000 Most Valuable Player Award for the Subway Series against the New York Mets. More than anything, he was, with that classic "inside-out" swing, a clutch hitter (having more than 200 hits per season eight times in his career). He was someone whom the opposition feared when the game was on the line. It was no misnomer when he earned the nickname "Captain Clutch," since his postseason play was as sparkling as his regular season statistics (he retired with a career .310 regular season average, and with a comparable .308 postseason average, having 200 total hits in his postseason history). But his postseason stats are even more remarkable, because they were earned against the best teams in baseball. Who can forget that "Mr. November" [MLB link] moment at the Stadium in 2001? It was at a time when New York City had more than its share of real heroes, but, like Hall of Fame New York Mets' catcher, Mike Piazza [YouTube link] before him, Jeter gave symbolic meaning to New York grit, at the center of three consecutive miraculous Yankee Stadium victories in New York (despite losing the World Series to the Arizona Diamondbacks in seven games).
Jeter holds many all-time franchise records for the New York Yankees, including most all-time hits (3,465), doubles (544), games played (2,747), stolen bases (358), times on base (4,716), plate appearances (12,602) and at bats (11,195). He was the 1996 Rookie of the Year, a 14-time All-Star (including a Most Valuable Player All-Star Game award the same year he was named World Series MVP). He won 5 Gold Glove Awards, 5 Silver Slugger Awards, 2 Hank Aaron Awards, and a Roberto Clemente Award. He was the 28th player in Major League Baseball History to pass the 3,000 hit mark. Always a teammate with a "flair for the dramatic," his 3000th hit was a home-run on a day in which he went 5 for 5, driving in the winning run. He is, in fact, the only Yankee player with more than 3,000 lifetime hits (which ranks sixth all-time among Major League Baseball players, and the most all-time hits by a shortstop).
Pause one moment and think about that.
Jeter has more hits for the Yankees than Babe Ruth, Lou Gehrig, Joe DiMaggio, Mickey Mantle, and the last Yankee shortstop to enter the National Baseball Hall of Fame, Phil Rizzuto.
Check out some of Jeter's greatest plays, along with some of his greatest defensive plays (including the "flip play" in the 2001 playoffs against the Oakland Athletics and the flying-into-the-stands catch against the Boston Red Sox in 2004) [YouTube links].
I should digress a moment to provide a little personal context for my own celebration of this great ballplayer. Being a Yankee fan my whole life, I rooted mainly for a losing team; this was not the "GM" of American baseball that I'd heard about from my elders, who lived through the 1940s and 1950s. In my lifetime, there were two years of World Championships that I celebrated: 1977, with Reggie Jackson smacking three home runs in a single game, and the amazing 1978 comeback team, led by the overwhelming dominance of pitcher Ron Guidry (25-3). That team was down 14 1/2 games in July to the Boston Red Sox, and went on to win a one-game playoff against their notorious rivals, before eventually taking the World Series for a second consecutive year over the Los Angeles Dodgers.
After that, except for a World Series loss in 1981 and a few exciting, but ultimately frustrating, years of "Donnie Baseball" (led by Team Captain Don Mattingly), the Yankees saw very little of the postseason. The Yankees may have been a New York institution, but New York has always been a National League town. After all, it once supported two National League teams: the New York Giants at the Polo Grounds and the Brooklyn Dodgers at Ebbets Field. So from the time of the Miracle Mets of 1969 through the 1986 World Champion Mets, even the late 1970s Yankees were just a blip on the baseball radar (in fact, in their own miracle 1978 season, you couldn't even find them on the back pages of New York's daily newspapers because the newspapers were on strike!).
For me, therefore, it was no coincidence that with the arrival of Derek Jeter in pinstripes as the full-time shortstop of the Yankees in 1996, the team began a renaissance that ended its eighteen-year drought in the World Series. With his matinee idol looks, remarkably steady demeanor, and incredible talent, he seemed perfectly matched for a city that demanded nothing but the best from its sports heroes, "a larger than life presence in a larger than life town," as sportscaster Michael Kay has put it. And from 1996 through 2001, with teams chockful of talent and Joe Torre's managerial expertise, the Yankees won four out of five World Series contests. It is no understatement to say that so much of this success was tied to Jeter's growing maturity as a ballplayer. Later, in 2009, Derek Jeter slipped a fifth World Series ring onto his gifted fingers, with the opening of the new Yankee Stadium.
More than anything, Derek Jeter proved to be a genuine leader, not just as a Captain of the team, but as a gentleman of the sport, a beloved man who inspires young players even today. In my book, #2 will always be #1. It was an honor to watch this man's career unfold. Like All-Star relief pitcher Mariano Rivera, who holds the all-time record for saves, and who is, no doubt, headed for Cooperstown, I hope to see "Captain Clutch" enter Cooperstown as well when he becomes eligible in 2020. For now, I'm just looking forward to hearing the voice of the late Bob Sheppard [YouTube link] introducing Derek Jeter as he steps up to be honored by the team with which he spent his entire baseball career -- a rarity nowadays, for sure. It was quite emotional for this fan to say "farewell" [YouTube link] to the Captain (the Yankees paid tribute to him back in September 2014 [YouTube link]). But it will be sheer delight to welcome him back home for this tribute.
Jeter recently said: "No one had more fun that I did. You're playing a game. . . . I understand that it is your job, it's your profession. You have a lot of responsibilities. But at the same time, you're playing a game, and you have to have fun. And if you don't have fun playing it, I think it's impossible to be good at it. I had fun. Every moment on the field was fun for me."
Jeter made it fun to be a Yankee fan. But that fun transcended the team for which he played. It was one of the most important gifts he gave to the game of baseball: Long live the Captain!
Postscript I [15 May 2017]: Take a look at the plaque unveiled at Yankee Stadium in honor of Jeter during yesterday's ceremony, and Derek's speech as well. And check out Mike Lupica's column today in the New York Daily News.
Postscript II [16 May 2017]: It was reported by the Associated Press that the ceremony to honor Jeter "was the most-viewed program in the New York area in its time period on Sunday night and the most-watched non-game in the history of the YES network . . ." The ceremony was also televised on ESPN. Check out this really sweet Budweiser tribute to #2 [YouTube link].
MAY 03, 2017
Song of the Day: The Every Thought of You, words and music by Reid Hall and Chuck Moore, was, for years, the theme song of "Private Screenings," hosted by the late TCM pioneer, Robert Osborne, who was born on this date in 1932. The version performed on the show is by jazz vocalist Rene Marie, in a smoky jazz room sort of way. Listen to this lovely song at 6:26 in the closing credits of a show [YouTube link] in which Osborne interviewed Liza Minnelli. Osborne was always at the top of his game; as a film historian, he participated in a "Buy the Book" program designed for educators and students, introducing viewers to "The Fountainhead." Check that out here [YouTube link]. In the meanwhile, do check out Rene Marie; finding her music has been a real eye- and ear-opener. Just wonderful.
MAY 02, 2017
Allen Mendenhall's discussion of The Journal of Ayn Rand Studies symposium on Nathaniel Branden continues on the site of The Atlas Society.
This is Mendenhall's third essay in a series on the symposium. It focuses on "Nathaniel Branden, In His Own Words," focusing on the third selection in the JARS double issue: a transcription of a lecture that Branden gave in 1996, with a wide-ranging question-answer period.
Mendenhall's essay is a welcome addition to the dialogue over the JARS symposium concerning Branden's work and legacy.