NOTABLOG MONTHLY ARCHIVES: 2002 - 2020
|JULY 2011||SEPTEMBER 2011|
Song of the Day: All of Me, words and music by Gerald Marks and Seymour Simons, was featured in many renditions on the radio show of Danny Stiles, "The King of Nostalgia," "The Vicar of Vintage Vinyl," who passed away back on March 11, 2011. Today, we remember the stylish Stiles, who gave all of himself to the cause of preserving great American standards. Check out these performances: Ruth Etting, Billie Holiday, Dinah Washington live "Jazz on a Summer's Day," Lester Young and Teddy Wilson, Ella Fitzgerald, the very Sassy Sarah Vaughan, Willie Nelson, John Pizzarelli, Tal Farlow and Red Norvo, Frank Sinatra swingin' at Caesar's Palace, and the one and only Pops with Chops: Louis Armstrong (all YouTube clips).
Song of the Day: Coney Island Baby, composed by Vinny Catalano and Peter Alonzo, is a 1961-62 doo-wop gem, recorded by the Excellents. It inspired everyone from Lou Reed to Tom Waits to re-imagine their own Coney Island babies. But today it is posted in tribute to all the residents of Coney Island, who live just a few Brooklyn blocks away from me, and who survived evacuation, the shutdown of the NYC subway system, and Irene herself, which was downgraded from a Hurricane to a Tropical Storm. Irene touched New York City soil when it made landfall in Coney Island around 9am this morning. So here's a doo-wop shout out: enjoy the original single by the Excellents on YouTube.
Song of the Day: Till the World Ends, written by Dr. Luke, Alexander Kronlund, Max Martin and Kesha, was recorded by Britney Spears for her album "Femme Fatale." This sizzling, apocalyptic dance track shouldn't be taken too literally, especially for those of us in the Northeast who experienced an earthquake this week, and who are now facing Hurricane Irene. No fear. We'll just dance till the world ends . . . Take a look at the official video on YouTube.
Song of the Day: Found a Cure, a #1 dance track from 1979, was written by Nick Ashford and Valerie Simpson. It appears on the Ashford & Simpson album, "Stay Free." Ashford passed away on 22 August 2011. But he left behind a musical legacy that still provides the cure; listen to the energetic, soulful 12" remix on YouTube.
This isn't my favorite song but it is a good one. Normally, I'd choose "I Am The Walrus." Since the Beatles, however, are already well represented (Strawberry Fields, She Said, She Said), I'll go with "The Boxer." Simon's acoustic guitar tracks are exquisitely detailed, expanding on the textures he wove so convincingly on "Mrs. Robinson." Set upon the implacable heartbeat of the kick drum, they dance and flutter like solemn butterflies. Very few major artists could get away with the opening line to this song, but Simon's delivery not only suspends mundane reality, it welcomes the listener into a story so matter-of-factly that one simply assumes it's authenticity. Garfunkle's intimate, intuitive harmony is so finely crafted and performed that it's nearly transparent; like the guitars, it focuses attention on the song, rather than itself. The inclusion of the bass harmonica compliments and emphasizes the narrative so well, that it achieves an aura of inevitability. It is nearly impossible to imagine the song without it. Then one comes across that ephemeral guitar solo. Because the guitarist uses the volume knob or foot pedal to allow the notes to swell into being, the solo appears to glide into and out of awareness; a ghost moving serenely through the mist. Simon stated, in a long-ago interview, that he was initially opposed to an extended ending for this song. At that time, "Hey Jude" had just recently taken that concept to the limits of pop utility (and then some!) and he didn't want to appear to be contrived. Fortunately, Garfunkle and Halee convinced him otherwise. And so it is, that after one of Simon's most profoundly moving verses (listen to the restrained delivery on the last quatrain.....it HURTS), we are treated to layer upon layer of sonic textures, opening upon some facet of the many emotions implicit in the song. Simon DID prove his instincts were correct when, at the very end, everything drops out, save the acoustic guitars and a brief, haunting voice that seems to be singing to itself. Well, enough.
P.S. I like this blog!
Posted by: Tucson Real Estate | August 27, 2011 03:33 PM
Song of the Day: Lady (Hear Me Tonight), the debut single by French duo, Modjo, was written and performed by Romain Tranchart and vocalist Yann Destagnol. The recording features a guitar sample of "Soup for One," performed by Chic, for which Nile Rodgers and Bernard Edwards are also credited as songwriters. Check out YouTube to listen to this hot dance track.
Song of the Day: Shake, Rattle and Roll was composed by Jesse Stone (a.k.a. Charles E. Calhoun) and was recorded first by Big Joe Turner. But it was in 1954 that Bill Haley and His Comets were the first to score a Top Ten Billboard hit with this all-time classic white-hot and bluesy track. Check out YouTube for renditions by Big Joe Turner, Bill Haley, Elvis Presley, a live Fats Domino, and Jerry Lee Lewis. Today, NYC was shakin', rattlin', and rollin' in the wake of a 5.8 magnitude earthquake whose epicenter was near Richmond, Virginia. I felt it for sure ... but figured I was having some sort of dizzy spell.
Song of the Day: It's a Man's Man's Man's World features the words and music of Betty Jean Newsome and the one and only James Brown, whose recording of the song was a huge hit on both the R&B and pop charts. Listen to two versions by Brown: the original, a jazz-influenced reworking from "Soul on Top" with the swingin' Louis Bellson Orchestra (both YouTube links), and two versions that invert the imagery: one finely orchestrated, grinding rendition by Cher (YouTube link), and a totally deconstructed powerhouse live performance at the 2007 Grammy Awards by Christina Aguilera (YouTube link). Aguilera is a Staten Island native, which is all the more appropriate today, as the NYC borough marks the 350th anniversary of its founding in 1661. Happy Birthday, Staten Island!
Song of the Day: Separate Ways (Worlds Apart), written by Jonathan Cain and Steve Perry, is featured on the Journey album Frontiers. Listen to the full-length version of one of my favorite Journey songs on YouTube.
Song of the Day: There Must Be a Way, music by David Saxon, lyrics by Robert Cook and Sammy Gallop, was a big 1967 hit for Jimmy Roselli, who passed away on June 30, 2011. Check out the original Roselli 45 on YouTube, and also versions by Joni James, Louis Armstrong, and the Great One, Jackie Gleason.
I'm a great fan of "So You Think You Can Dance," and am absolutely elated to see that Melanie Moore has been named "America's Favorite Dancer."
She was my favorite too! From the start of the season! Brava! (And three cheers to the show's creator, executive producer, and regular judge, Nigel Lythgoe, for telling some of these folks where to go!)
Song of the Day: Somebody to Love, composed by Heather Bright, The Stereotypes, and Justin Bieber, was recorded by Bieber for his album, My World 2.0. My favorite version of the pop dance hit is the "remix," performed by Bieber, with a great assist from his mentor, Usher. The "official video" is on YouTube (and JB gets 2.0 points for wearing a Yankees cap in the video).