The Journal of Ayn Rand Studies has undergone a number of changes over the past year, not the least of which has been geographic! The office moved from Port Townsend, Washington to Reno, Nevada. Now, all business, subscription, and editorial queries should be directed to:
The Journal of Ayn Rand Studies
P. O. Box 230052
Brooklyn, New York 11223
Yes, Brooklyn! :)
Our Spring 2009 issue is obviously very late, but it should be out to subscribers early in the new year. Subscription databases are being updated, so if you've made an inquiry that has gone unanswered for a while, be patient. A batch of materials and letters went out this week, and more will go out in the coming weeks. If you'd like a subscription to the journal, fill out this form and mail it in today!
The next issue will complete our Tenth Anniversary celebration. It features a special symposium on Ayn Rand and Friedrich Nietzsche, with special guest editor Lester Hunt. Essays by Hunt, Stephen R. C. Hicks, Peter Saint-Andre, Roger E. Bissell, and Robert Powell are included.
More information on the issue will be posted here and at the JARS website soon. Stay tuned! And Happy Holidays from your friends and colleagues at The Journal of Ayn Rand Studies.
Song of the Day: Inventions (full version at that link) is a composition by the band Maserati. A stand-out from the band's album, Inventions for the New Season, the track has also been creatively remixed. Take a look at two YouTube moments: this clip of a live version from the 40 Watt Club in Athens, Georgia, and this clip from San Antonio, Texas, recorded on 18 October 2009. The latter clip is all the more poignant to watch because it was recorded by the ensemble just weeks before the tragic untimely passing on 8 November 2009 of Brooklyn-based drummer extraordinaire Jerry Fuchs. Fuchs had worked prolifically with such bands as LCD Soundsystem, !!! (pronounced "chk, chk, chk"), and The Juan Maclean. I never met him, but I had heard wonderful things about him from those who knew him. His passionate devotion to his craft is evident in the remarkable musical legacy he has left behind.