Farbood, M. M. (2012). A parametric, temporal model of musical tension. Music Perception, vol. 29 no. 4, pp. 387-428.
Farbood, M. M. (forthcoming). Memory of a prior key after modulation. In Proceedings of the 12th International Conference of Music Perception and Cognition.
Farbood, M. M., Ghitza, O., Rowland, J., Marcus, G., and Poeppel, D. (forthcoming). How fast can music and speech be perceived? Key identification in time-compressed music with periodic insertions of silence. In Proceedings of the 12th International Conference of Music Perception and Cognition.
Mavromatis, P. and Farbood, M. M. (forthcoming). The effect of tonal context on short-term memory for pitch. In Proceedings of the 12th International Conference of Music Perception and Cognition.
Nieto, O. and Farbood, M. M. (forthcoming). Automatic extraction of musical motives based on perceptual grouping. In Proceedings of the 12th International Conference of Music Perception and Cognition.
Farbood, M. M., Marcus, G., Mavromatis, P., Poeppel, D. (2010). The effect of structure and rate variation on key-finding. In Proceedings of the 11th International Conference of Music Perception and Cognition, pp. 36-40. Seattle, Washington, USA.
Farbood, M. M. (2010). Working memory and the perception of hierarchical tonal structures. In Proceedings of the 11th International Conference of Music Perception and Cognition, pp. 219-222. Seattle, Washington, USA.
Andreopoulou, A. and Farbood, M. M. (2010). Short-term pitch memory in western vs. other equal temperament tuning systems. In Proceedings of the 7th Sound and Music Computer Conference. Barcelona, Spain.
Farbood, M. M. & Schoner, B. (2009). Determing Feature Relevance in Subject Responses to Musical Stimuli. Communications in Computer and Information Science: Mathematics and Computation in Music, vol. 38, pp. 115-129. Springer Verlag.
Farbood, M. M. (2008). A Global Model of Musical Tension. In Proceedings of the 10th International Conference of Music Perception and Cognition, pp. 690-695. Sapporo, Japan.
Farbood, M. M., Kaufman, H., & Jennings, K. (2007). Composing with Hyperscore: An Intuitive Interface for Visualizing Musical Structure. In Proceedings of the 2007 International Computer Music Conference, pp. 471-474. San Francisco: ICMA.
Farbood, M. M., Pasztor, E., & Jennings, K. (2004). Hyperscore: A Graphical Sketchpad for Novice Composers. IEEE Computer Graphics and Applications, vol. 24, no. 1, pp. 50-54.
Farbood, M. M., & Schoner, B. (2001). Analysis and Synthesis of Palestrina-Style Counterpoint Using Markov Chains. In Proceedings of the 2001 International Computer Music Conference, pp. 111-117. San Francisco: ICMA.
Other
Ein Lämmlein: 17th-Century German Passion Music. (CD released 2011). Teares of the Muses, the New York University Collegium Viol Consort, directed by Margaret Panofsky, Morwaread Farbood, organ.
Farbood, M. M. (2009). Review of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works by Steven Zohn. Early Music America, Spring 2009.
Farbood, M. M. (2008). Review of Alessandro and Domenico Scarlatti: Two Lives in One by Roberto Pagano. Early Music America, Spring 2008.
Theses
Farbood, M. M. (2006). A Quantitative, Parametric Model of Musical Tension. Ph.D. Dissertation, Massachusetts Institute of Technology.
Farbood, M. M. (2001). Hyperscore: A New Approach to Interactive Computer-Generated Music. S.M. Thesis, MIT Media Laboratory.
Farbood, M. M. (1997). Missa for Chorus and Orchestra. A.B. Thesis, Harvard College.
For a list of conference presentations and invited talks, see CV.