Print Networks-Peter Isaac Essay Prize 2015
The Ferrell-Vogüé Machaut Manuscript
Exceptional in so many ways and incomparably precious, the most hidden of Machaut's manuscripts is finally the most accessible, thanks to the extraordinary generosity of its owners.
The long-lost 'Codex Vogüé' has for generations been one of the most elusive of all great medieval illuminated manuscripts. Consisting entirely of the works of Guillaume de Machaut (c.1300-1377), it preserves almost all of his poetry and music. It dates from the author's lifetime, around 1370-72, and it is the largest and most comprehensive of several surviving manuscripts very probably made under Machaut's own supervision. The author himself evidently promoted the production of corrected manuscripts for presentation to members of the royal court of France. It has recently been discovered that the Codex Vogüé was owned by Jean, duc de Berry (1340-1416), no less, brother of Charles V and the most famous royal bibliophile of the Middle Ages. From him it passed to Gaston Fébus (1331-1391), comte de Foix, author of the celebrated Livre de chasse. He entrusted it in 1389 to Yolande de Bar (1365-1431), queen of Aragon, who never returned it. Instead, the manuscript entered the royal library of Aragon in Valencia, where it was recorded in 1417 in the possession of Alfonso the Magnanimous (1396-1458). By the mid-nineteenth century it was owned by the Vogüé family in France, who eventually sold it to Nathan Wildenstein (1851-1934). For seventy years it then vanished utterly from sight, one of the most mysterious and invisible monuments of medieval music and literature. Around 2000, it was acquired by the American collectors, James E. Ferrell and his wife Elizabeth J. Ferrell, who have placed it on deposit in the Parker Library at Corpus Christi College, Cambridge. It is a vast manuscript of royal luxury, 390 leaves of parchment, 314 mm. by 220 mm., illustrated with 118 enchanting miniatures by a workshop of court illuminators led by the Master of the Bible of Jean de Sy. They include pictures of gothic chivalry and romance, with mythology and natural history. Music is included on 235 pages of the manuscript, with almost the entire corpus of the ballades, lais and motets of Machaut, as well as his great polyphonic setting of the Mass, the four-part Messe de Nostre-Dame. The manuscript has never before been photographed in its entirety or reproduced in colour.
Vol. 1 introductory study (225 pages colour/mono), vol. 2 facsimile (789 full colour pages) on 150gsm matt art paper. Full size reproduction, hard bound in buckram, presented in hard slipcover.
Full price £560. Early bird discount (until 28 Feb) £470
The Morgan Library & Museum is pleased to announce the publication of Miracles in Miniature: The Art of the Master of Claude de France, by Roger S. Wieck with a contribution by Francisco H. Trujillo.
The Master of Claude de France was an illuminator active in the French city of Tours during the first two decades of the sixteenth century. He is named after two jewel-like manuscripts he painted for Queen Claude de France (1499-1524), first wife of King François I: a tiny Book of Hours (today owned by Heribert Tenschert) and an even tinier Prayer Book (today owned by the Morgan Library & Museum). Although we find traces of him possibly as early as 1498, he does not emerge as an independent artist until around 1508. He flourished in the second decade of the century -- when he illuminated the majority of his work, including the two codices for the queen -- and disappeared shortly after 1520. All told, his actual career lasted only a short dozen years. In that brief span,however, he created some of the most mesmerizing illuminations in France during the "last flowering" of the handwritten and hand-painted book.
Published on the occasion of the Morgan Library & Museum’s exhibition Miracles in Miniature: The Art of the Master of Claude de France (May 31 to September 15, 2014), this is the first major study on the artist’s oeuvre since Charles Sterling’s 1975 book that gave the illuminator his name. The study offers a survey of the painter’s roots and training, his career, and his denouement. Francisco Trujillo's study of the palettes of the Claude Master and of the two artists who trained or influenced him, Jean Bourdichon and Jean Poyer, offers fascinating scientific parallels to Roger Wieck's stylistic analysis. Including, in a final chapter, all the known works by the Claude Master and his followers, Miracles in Miniature will be the starting point for all future studies of the artist.
Published by The Morgan Library & Museum, New York
To order, please call 212-590-0394.
John Lydgate linked to Suffolk church graffiti
The Norfolk Medieval Graffiti Survey has been studying inscriptions at St Mary's Church, Lidgate, near Haverhill.
They are "90%" sure a newly-discovered graffito was made by poet John Lydgate (c 1370-1451), who had been vicar there.
Matthew Champion, from the project, said: "He was known for his witty puns and many of these are of that kind."
Lydgate, who became a monk in Bury St Edmunds and wrote The Lives of St Edmund and Fremund, is regarded as one of the most important and prolific medieval English writers with over 150,000 lines of verse attributed to him. Read the rest of the Guardian article ...
Shakespeare Folio Discovered in France
CFP: Biennial conference of the Early Book Society, University of Oxford
The theme, which may be interpreted narrowly or broadly, invites special attention to the material records of different genres of narrative, such as verse, romance, chronicle, biography or history. It might consider the ways that manuscripts, printed books and other media serve a narrative function: whether page layouts were modified for chronicles and annals, whether collections of documents were compiled to tell stories, whether images in books are important components of storytelling, whether poems on monuments recount lives.
The topic also invites participants totell different kinds of stories about early books. In particular, we may reflect on our storytelling as scholars. What is the role of biography--of the author, of the 'celebrity' scribe, of the idiosyncratic reader--in the study of early books? How sure can we be of cause and effect, of chronology and dating, of different kinds of paleographical, codicological and bibliographical evidence, in studying these books? Are history and narrative the best models for 'book history' or might studies of manuscript and print serve literary criticism, linguistics or philology in other ways?
Finally, papers which concern books in or around Oxford are also encouraged. But, in general, proposals for papers on any aspect of the history of manuscripts and printed books from 1350 to 1550, including the copying and circulation of models and exemplars, style, illustration, and/or the influence of readers and patrons, artists, scribes, printers, are welcome.
The website with details of registration and accommodation will go live later this winter and will be announced on the EBS listserv and also at this site.
Dan Mosser's updated catalogue of pre-1500 Chaucer MSS and incunables now online
This edition omits the hundreds of images published on the Scholarly Digital Editions’ 2010 publication on CD-ROM, making it possible to provide the Catalogue free of charge on the Web. Verse items are hyperlinked to records in the Digital Index of Middle English Verse and, where images are available for watermarks to the Thomas L. Gravell Watermark Archive.
EBS-sponsored sessions, International Congress on Medieval Studies, May 14-17, 2015
1. A Library, a Saint, and a Rose (co-sponsored with the IRHT, Paris)
2. When is a scribe not a scribe?
3. Magical Agency: prayers, ritual, prophecy and prognostication
4. Stories about Books: evidence and the making of narrative
The first session is preplanned but the others are open for submissions. Please send abstracts (1-2 pp), letters of commitment, and a-v request forms (please access the form through www.wmich.edu/medieval) to Martha Driver not later (preferably earlier) than September 15, 2014. EBS members wishing to serve as session chairs or respondents should send a note by the September date to the university or email address. Send abstracts to Dept of English, Pace University, 41 Park Row, Rm 1503, New York, NY 10038 or FAX to 212-346-1754 (attn: Martha Driver, English Department). Inquiries are welcome. If responding by email, please put Kalamazoo 2015 and the session of interest into the subject line.
Vernon and Simeon Manuscripts now both fully Digitised
New resource: Penn in Hand: Selected Manuscripts
Now Available: Blackburn's 'Worthy Citizen': The Philanthropic Legacy of R.E. Hart
This project, Blackburn's 'Worthy Citizen': The Philanthropic Legacy of R.E. Hart, was made possible by a grant from the Arts and Humanities Research Council, and was generously supported by the Institute of English Studies at the School of Advanced Study, University of London; Winchester University; the Bibliographical Society; the Economic History Society; and the Blackburn Museum itself. Graduate students from the Institute of English Studies, The Courtauld Institute of Art, and Cambridge and Winchester Universities have worked with curators and experts from a wide range of academic disciplines to produce the exhibition and accompanying catalogue.
See the blog about the Hart collection here: http://blackhartbooks.wordpress.com/about/
Late Medieval English Scribes website launched
Late Medieval English Scribes is an online catalogue of all scribal hands (identified or unidentified) which appear in the manuscripts of the English writings of five major Middle English authors: Geoffrey Chaucer, John Gower, John Trevisa, William Langland and Thomas Hoccleve.
Harlaxton Medieval Studies Index now available
The newly-published index volume which runs to an impressive 841 pages
Now available from:
Shaun Tyas Publishing
T: + 44 (0)1775 821 542
The cost is £35.00 (post free for UK orders)
New Blog from St Andrews: Echoes from the Vault
Echoes from the Vault is the official blog of the Rare Books Collection of the University of St Andrews. Here you can find posts about unique or exciting finds amongst the vaults in our day-to-day work, bringing to light voices that have remained quiet for many years. This blog will also feature news and events happening within the Special Collections Department and the University Library.
The Rare Books Collection of the University of St Andrews is estimated at over 200,000 volumes, and almost half of these have not been catalogued online, with only a portion of it having been recorded in the old Page Catalogue and reported to the English Short Title Catalogue (ESTC) and other bibliographies. Most of the unique items are not completely unknown to previous and existing Special Collections staff, they have just lain dormant for centuries. It is our hope that we can reawaken the potential of these books as research and educational resources by getting them in the hands of students, staff and researchers.
As part of its launch, Echoes from the Vault is showcasing bookbindings in St Andrews' collection with a special feature "52 Weeks of Fantastic Bindings," adding photos and discussion of one new fantastic binding each week. Follow the blog here: http://standrewsrarebooks.wordpress.com/.
Opuscula: Short Texts of the Middle Ages and Renaissance (OSTMAR)
OSTMAR is an on-line and open-access journal published by Classical, Medieval, and Renaissance Studies at the University of Saskatchewan under a creative commons license. All submissions are subject to a double-blind peer review and must be accompanied by readable digital facsimiles of the original documents.
Announcing a new series from Ashgate Publishing Company:
Proposals should take the form of either 1) a preliminary letter of inquiry, briefly describing the project; or 2) a formal prospectus including: abstract, brief statement of your critical methodology, table of contents, sample chapter, estimate of length, estimate of the number and type of illustrations to be included, and a c.v. Please send a copy of either type of proposal to each of the two series editors and to the publisher: Dr James Daybell, email@example.com; Dr Adam Smyth, firstname.lastname@example.org; Erika Gaffney, Publisher, email@example.com.
THE MEDIAEVAL JOURNAL
The Mediaeval Journal is a distinctively European-based cross-disciplinary and multinational journal of Mediaeval Studies published in English in both print and online formats. Featuring the work of specialists in all areas of Mediaeval Studies, it offers wide disciplinary coverage in every issue and welcomes submissions from the worldwide community of mediaevalists in traditional disciplines such as Art History, History, Archaeology, Theology, European Languages/Literatures (including English), as well as burgeoning areas such as Islamic Studies, Jewish Studies, Manuscript Studies, Mediaevalisms, Material Culture, History of Medicine and Science, History of Ideas, Queer Studies, Postcolonial Studies, and Musicology, to name a few. Each issue of The Mediaeval Journal also contains timely and expert reviews responding to the variety and energy of scholarship across the world of Mediaeval Studies.
The editors are pleased to receive submissions in any of the above areas, and to respond to queries from potential contributors. Please send submissions, in the form of email attachments, to the General Editors: Dr Ian Johnson (firstname.lastname@example.org) and Dr Margaret Connolly (email@example.com).
Ordering Information: To order a copy of The Mediaeval Journal contact our Customer Care Department at firstname.lastname@example.org or tel. +32 14 44 80 35.
Harry Ransom Center's Medieval and Early Modern Manuscripts Collection Now Accessible Online
AUSTIN, Texas --The Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin, has introduced an online database for its medieval and early modern manuscripts collection. The database includes more than 7,000 digital images and can be accessed here
The medieval and early modern manuscripts collection contains 215 items dating from the 11th to the 17th centuries. It comprises items from various collections, including those of George Atherton Aitken, W. H. Crain, Carlton Lake, Edward A. Parsons, Sir Thomas Phillipps, Walter Emile Van Wijk, Evelyn Waugh, John Henry Wrenn and others.
The Ransom Center is digitizing all of the collection items, which will be added to the database as they are completed. At present, digital images are available for 27 of the items for a total of 7,288 pages.
The database contains item-level descriptions for all 215 items, and the collection is searchable by keyword and any combination of the following categories: name, country of origin, century, language, format (such as charters or diaries), subject and physical features (such as musical notation or wax seals).
The medieval and early modern manuscripts collection is a rich resource for many areas of research. Scholars may use the collection to trace typographical developments in printing, compare different versions of the same text or examine a manuscript's composition, decoration and binding to study the history of the book. The collection may also be valuable for those studying the history of liturgy and music.
"The new database for the Ransom Center's medieval and early modern manuscripts collection is a wonderful resource for students and teachers here at the university and for scholars everywhere," said Marjorie Curry Woods, professor of English and comparative literature at The University of Texas at Austin. "The detailed descriptions will help researchers working on individual manuscripts, provide a model for students learning palaeography and codicology, and allow scholars elsewhere to explore possible connections between the Ransom Center's manuscripts and those in other collections.
"The complete digitized versions of manuscripts are invaluable. Manuscripts that are now too fragile to be handled are still available for research and teaching, and those that have small, difficult-to-read glosses and marginalia now can be deciphered with relative ease. In addition, digitized manuscripts can be projected for class presentations and can be consulted by scholars working collaboratively but in different locations. Access to the Ransom Center's valuable early holdings is increased exponentially while at the same time reducing wear and tear on the manuscripts themselves."
The collection is particularly strong in humanistic manuscripts, vernacular literature and religious documents. Other represented subjects include alchemy, architecture, astronomy, botany, cartography, classical literature, diplomacy, drama, genealogy, government, heraldry, history, kings and rulers, law, mathematics, medicine, monasticism and religious orders, music, philosophy, poetry, science and war.
The earliest item in the collection is the Tegernsee Miscellany manuscript, an 11th-century Austrian codex of various texts compiled by Abbot Ellinger of Tegernsee. Other highlights include 11 Books of Hours, most notably the "Belleville Hours," and a 15th-century German ferial psalter and hymnal, significant because of its possible stylistic relationship to the Gutenberg Bible and early printed psalters.
The collection contains classical texts, including copies of works by Cicero, Horace, Ovid and Plato, and medieval literary works by Geoffrey Chaucer, Dante and Petrarch.
The historical documents in the collection represent numerous European monarchs, such as Henry VIII of England, Louis XIII of France and Philip III of Spain. Notable historical figures represented in the collection include Oliver Cromwell, Martin Luther, John Milton, Sir Isaac Newton, Abraham Ortelius and Sir Walter Raleigh. Document types include charters, commonplace books, contracts, correspondence, decrees, deeds, diaries, government records, indentures, letters patent, minutes, notarial documents, notes, papal bulls, petitions, pontificals, receipts, reports, speeches and writs.
The manuscripts represent numerous countries and historical regions, including Austria, Bohemia, Bolivia, Byzantium, England, Flanders, France, Germany, Ireland, Italy, the Netherlands, Portugal, Scotland, Spain and the United States. The represented languages include Dutch, English, Flemish, French, German, Greek, Hebrew, Italian, Latin, Middle English, Old English and Spanish.
Other holdings at the Ransom Center that contain early manuscripts include the George Atherton Aitken, Eastern manuscripts, clay tablets and cones, Kraus maps, Lanza-Acosta Bolivian, Arthur Livingston, papyri, Pforzheimer, Ranuzzi, Shelley family and the Austin Presbyterian Theological Seminary collections.
High-resolution press images from the collection are available.
This project is concerned with the relationship between written culture and society, specifically how innovations in the technology of the medieval manuscript relate to cultural change. The primary period of investigation is the age of renewal (renovatio) known as the “Twelfth-Century Renaissance” (c. 1075 - c. 1225). The project focuses on the new codex that emerged in this period: the “pregothic” manuscript, for lack of a better term. The new book format included new scripts, new page layouts and new reading aids, including running titles, paragraphs, “footnotes,” cross references and diagrams. These and other innovations dramatically changed the reading experience of medieval individuals: it helped to organize knowledge, convert words into arguments, open a dialogue between author and reader, and facilitated better comprehension and speedier access of information.
The emergence of the pregothic manuscript raises important questions. What physical traits were introduced on the page and how did they precisely aid the reader? How quickly were these new features disseminated and which ones were most popular? Can their introduction be tied to particular institutions, schools or groups of intellectuals? Did certain texts come with certain physical attributes? To address such queries, the research project will relate the material format of the twelfth-century book to the historical context of its production and use. The affiliated researchers will focus on three dimensions: 1) Codicological and paleographical innovations (Coordinator, starting 1 May 2010); 2) Relationship between the material book and the cultural background of their users (Junior Researcher, to be appointed in 2010); 3) Relationship between the material book and the texts and genres it contains (Postdoctoral Researcher, to be appointed in 2011). The project leans heavily on manuscripts included in the Catalogues des Manuscrits Datés and will be based on in-situ study of a high volume of manuscripts.
"Performing Medieval Narrative Today: A Video
Send announcements to Martha Rust at email@example.com
Last updated 1/29/2015