Public programs are free
of charge unless otherwise
noted. For information,
call 212-998-6780.



Lectures

 

 




 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



Related Exhibition

Gallery Talk

Wednesday, September 20, 6 pm
Grey Art Gallery, 100 Washington Square East
Lynn Gumpert, Curator of Face to Face and
Director of the Grey Art Gallery

Global Strategies of Multinational Firms

Thursday, September 14, 11:30 am, Henry Kaufman Management Center, New York University, 44 West Fourth Street, Room 260

A lecture by Yoshiharu Fukuhara, Chairman, Shiseido Co., Ltd., followed by a panel discussion with Nobel Prize–winning economist Paul Samuelson, Professor Emeritus, Department of Economics, Massachusetts Institute of Technology; and three faculty members of The Leonard N. Stern School of Business, New York University: Ryuzo Sato, Director, Center for U.S.–Japan Business and Economic Studies; Susan Douglas, Professor of Marketing and International Business; and Richard Sylla, Professor of Economics, who will moderate.

Organized by the Center for U.S.–Japan Business and Economic Studies, The Leonard N. Stern School of Business, New York University. For more information, call 212/998-0750.

Women, Youths, and Men: Male-Male Eroticism and the Age/Gender System of Tokugawa Japan

Friday, September 22, 4 pm, Institute of Fine Arts, New York University, 1 East 78th Street

Aspects of physical appearance such as hairstyle and apparel have functioned throughout the history of Japan as important markers of personal identity and social status. Gregory M. Pflugfelder, Assistant Professor, Department of East Asian Languages and Cultures, Columbia University, examines the Tokugawa period preceding the emergence of modern Japan, in particular the tonsorial and sartorial practices that regulated and structured erotic desires. Special attention will be given to semiotic codes surrounding the male body and to the status of the wakashu (youth), who was regarded as a legitimate object of male as well as female sexual desires.

In the Daniel H. Silberberg Lecture Series, organized by the Graduate Students’ Association of the Institute of Fine Arts, New York University. For more information, call 212/772-5800.

Creating Classics: Uses of the Past in Shiseido Advertising and Package Design
Matthew P. McKelway, Assistant Professor,
Department of Fine Arts, New York University

Wednesday, October 11, 6 pm, Main Building, New York University, Room 300 (enter at 32 Waverly Place)


Making Up Images: Design, Beauty,
and Advertising in Japan

A three-part series held at Japan Society,
333 East 47th Street, New York City
(Please note series admission charges below.)

The Art of Selling Beauty:
Cosmetics and Advertising in Japan
Tuesday, September 19, 6:30 pm

Michiko Shimamori, Editor in Chief of Koukoku Hihyo (Advertising Critique), and a cultural and literary critic, presents perspectives on advertising's methods, language and cultural effects, exploring the media’s role in the shaping of beauty culture in Japan.

Sayoko Yamaguchi:
Japan’s Most Famous Fashion Model
Monday, September 25, 6:30 pm

At her Paris debut in 1972, Sayoko Yamaguchi created a sensation, and she soon achieved international fame as the ultimate Japanese beauty. She will discuss her role in showing Japanese beauty to the world through her work as a model, costume designer, and dancer. Moderated by Christine Shea, Director of Beauty, Harper’s Bazaar. Followed by a reception.

The Role of Cosmetics in Art, Fashion, and Society
Monday, October 2, 6:30 pm

Cosmetics have had a tremendous impact on society by shaping and promoting ideals of beauty. This panel discussion examines the evolution of twentieth-century concepts of beauty in the arts and fashion and explores issues of aesthetics, gender, ethnicity and cultural values—particularly the interplay between Japanese and Western ideals.

Panelists are Keiko Imai, Fashion Director, Shiseido Corporate Culture Department; Kathy Peiss, Chair, Department of History, University of Massachusetts Amherst, and author of Hope in a Jar: The Making of America’s Beauty Culture; Gennifer Weisenfeld, Assistant Professor of Art History, Duke University. Moderated by Lynn Gumpert.

Cosponsored by the Grey Art Gallery, Japan Society, Sepia International, Inc., and Shiseido Co., Ltd. Transportation provided by JAL. Series subscription: $27; Japan Society members and NYU i.d. holders, $21. Single tickets, $10, Japan Society members and NYU i.d. holders, $8, students $5. For more information and to purchase tickets, call 212/752-3015.


Face to Face with Deconstruction
Monday, October 16, 6:30 pm, Main Building, New York University, Room 703 (enter at 32 Waverly Place)

Seeing His Own Absence: Yasumasa Morimura's Photographic Self-Portraits

Yasumasa Morimura's self-portraits put into question the relation of East and West, male and female, photography and self-portraiture; Joonsung Yoon, doctoral candidate, Department of Art and Art Professions, New York University, re-examines this process as a form of deconstruction and a cultural paradigm of the self.

Making-Up Gender, Sexuality, and Self-Presence: Annie Liebovitz’s Women and Helmut Newton’s Immorale

Drawing on photographs by Annie Liebovitz and Helmut Newton among others, Susan Sterling, makeup artist for fashion and art photography represented by FRAME agency, New York, addresses the role of makeup in the representation of gender, sexuality, and individual/ethnic identity.


De-nuding the Face, or, Deconstruction as Art History

Benjamin Binstock, Assistant Professor of Art History and Critical Theory and Head, Critical Studies Area, Department of Art and Art Professions, New York University, relates his colleagues’ discussions back to vicissitudes of the face in the history of art from Rembrandt to Warhol, offering an account of deconstruction as art history.

Cosponsored by the Grey Art Gallery and the Department of Art and Art Professions, School of Education, New York University, in conjunction Derrida Month. For more information, call 212/998-5799 or visit www.nyu.edu/projects/derrida.

Shinzo and Roso Fukuhara: Photographs by Ginza Modern Boys, 1913–1941
September 16–October 14, 2000, Sepia International, Inc. / The Alkazi Collection of Photography, 148 West 24th Street (between Sixth and Seventh Avenues), New York City
For more information, call 212/645-9444.

Drawn from the Shiseido Corporate Museum collection, this exhibition presents photographs and related objects demonstrating the contributions of Shinzo and Roso Fukuhara—two "modern boys" who were sons of Shiseido’s founder—to the development of modern photography in Japan.

On Friday, September 15, at 5:30 pm, Yoshiharu Fukuhara, Chairman, Shiseido Co., Ltd., and nephew of Shinzo and Roso Fukuhara, will discuss their lives and work with Mr. E. Alkazi, Founder and Chairman of Sepia International, Inc. and The Alkazi Collection of Photography. Followed by an opening reception.

Seating is limited. For required reservations, call 212/645-9444.