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The NINCH Guide to Good Practice
in the Digital Representation and Management
of Cultural Heritage Materials

 

Background Bibliography

 

 

2. Rights Management

 

“ECUP (European Copyright User Platform) Copyright Focal Point.” www.eblida.org/ecup, (acc. Oct 2000).

“Internet Library of Early Journals (January 1996 - August 1998). A Project in the eLib Programme: Final Report.” www.bodley.ox.ac.uk/ilej/papers/fr1999/fr1999.htm, (acc. Oct 2000), (created March 1999).

“Rights Management Framework.” Arts and Humanities Data Service (AHDS), ahds.ac.uk/bkgd/rmf1.htm, (acc. Oct 2000), (created Dec 1998*).

Balas, J. “Copyright in the Digital Era.” Computers in Libraries 18, no. 6, June (1998).

Baron, R. “Copyright Law in the Digital World.” 1998, College Art Association, Toronto, Canada, http://www.pipeline.com/~rabaron/ttm/TTM.htm, (acc. Oct 2000), (created Feb 1998).

Bearman, D. A. “Model Agreement for Owners of Images Licensing to Multimedia Producers.” Archives and Museum Informatics 5, no. 2, Summer (1991): 9-10.

Berghel, H., and L. O’Gorman. “Protecting ownership rights through digital watermaking.” Computer 7, July 29 (1996): 101-103.

Besser, H. “MESL Implementation at the Universities.” In Delivering Digital Images: Cultural Heritage Resources for Education, The Museum Educational Site Licensing Project, edited by Christie Stephenson and Patricia McClung, Los Angeles: The Getty Information Institute, 1998. 70-85.

Braudaway, G., K. Magerlein, and F. Mintzer. “Protecting publicly available images with a visible image watermark.” In Proceedings of Optical Security and Counterfeit Deterrence Techniques, Bellingham, WA: SPIE, 1996. 287-289.

Cohen, J. E. “Some reflections on copyright management systems and laws designed to protect them.” Berkeley Tech. Law Journal 12, no. 1 (1997): 161-188.

Cornish, G. “Copyright, digitisation and preservation.” Library Conservation News, no. 53 (1997): Winter.

Cornish, G. P., (ed.) Copyright: Interpreting the law for libraries, archives and information services. second ed. 1997: Library Association Publishing.

Demas, S. G., and J. L. Brogdon. “Determining Copyright Status for Preservation and Access: Defining Reasonable Effort.” Library Resources & Technical Services 41, no. 4, October (1998): 323-334.

Digitisation and the challenge to copyright: CLIP seminar Thursday 28 April, 1994, CLIP seminar report. 1994: Intellectual Property Institute.

Ginsburg, J. C. “Copyright Without Walls?: Speculation on Literary Property in the Library of the Future.” Representations Special Issue: Future Libraries 42 (1993): 53-67.

Gladney, H. M. “Digital Dilemma: Intellectual Property. Synopsis and Views on the Study by the National Academies’ Committee on Intellectual Property Rights and the Emerging Information Infrastructure.” D-Lib Magazine 5, no. 12, December (1999). www.dlib.org/dlib/december99/12gladney.html, (acc. Oct 2000).

Gladney, H. M., and J. B. Lotspiech. “Safeguarding Digital Library Contents and Users: Storing, Sending, Showing, and Honoring Usage Terms and Conditions.” D-Lib Magazine 4, no. 5, May (1998). www.dlib.org/dlib/may98/gladney/05gladney.html, (acc. Oct 2000).

Gladney, H. M., F. Mintzer, and F. Schiattarella. “Safeguarding Digital Library Contents and Users. Digital Images of Treasured Antiquities.” D-Lib Magazine 3, no. 7/8, July/August (1997). www.dlib.org/dlib/july97/vatican/07gladney.html, (acc. Oct 2000).

Harper, G. “What About Copyright?” In Moving Theory into Practice: Digital Imaging for Libraries and Archives, edited by Anne R Kenney and Oya Y Rieger, Mountain View, CA: Cornell University Library, 2000. 12-13.

HMSO. “Chapter 48.” In Copyright Designs and Patents Act, 1988: HMSO, 1988.

Johnson, N. F., and S. Jajodia. “Exploring Steganography: Seeing the Unseen.” Computer February 31, no. 2 (1998): 26-34.

Kohl, U., J. Lotspiech, and M. A. Kaplan. “Safeguarding Digital Library Contents and Users: Protecting Documents Rather Than Channels.” D-Lib Magazine 3, no. 9, September (1997). www.dlib.org/dlib/september97/ibm/09lotspiech.html, (acc. Oct 2000).

Lu, K. “Technological Challenges to Artists’ Rights in the Age of Multimedia: The Future Role of Moral Rights.” Reference Services Review 22, no. 1 (1994): 9-19.

Mintzer, F., J. Lotspiech, and N. Morimoto. “Safeguarding Digital Library Contents and Users: Digital Watermarking.” D-Lib Magazine 3, no. 12, December (1997). www.dlib.org/dlib/december97/ibm/12lotspiech.html, (acc. Oct 2000).

Oppenheim, C., (ed.) The Legal and Regulatory Environment for Electronic Information. third ed. 1999: Infonortics.

Samuelson, P. “Encoding the Law into Digital Libraries.” Communications of the ACM 41, no. 4, April (1998): 13-18.

Stefik, M. “Shifting the possible: How trusted systems and digital property rights challenge us to rethink digital publishing.” Berkeley Tech. Law Journal 12, no. 1 (1997).

Steiner, C. “Controlling Your Images - The Museum and the Licensing of Imaging Products.” Museum News 71, no. 4, July/August (1992): 62-64.

Steiner, C., (ed.). A Museum Guide to Copyright and Trademark. American Association of Museums, 1999.

Steiner, C., and J. D. Neuburger. “New Media and Emerging Technologies - Staying Interactive in the High Tech Environment, a White Paper and Licensor Orientated Content License Agreement.” In Archives and Museum Informatics. Hands on Hypermedia and Interactivity in Museums. Selected papers from the Third International Conference (ICHIM95/MCN95), San Diego, CA, 1995. 219-248.

Tennant, R. “Beg, Buy, Borrow, License or Steal.” Library Journal Digital July 15 (2000). http://www.ljdigital.com/articles/infotech/digitallibraries/20000615_15167.asp, (acc. Oct 2000).

 

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