1950 to the
present
Ariza,
Christopher
An Open Design for Computer-Aided Algorithmic Music Composition:
athenaCL.
Ph.D., Composition, Graduate School of Arts and Science, 2005
Atlas, Allan W.
Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII.27 and the
Dissemination of the Franco-Netherlandish Chanson in Italy, c. 1460-c.
1530.
Ph.D., Musicology, Graduate School of Arts and Science, 1972
Beliavsky, Daniel
Ph.D., Composition, Graduate School of Arts and Science, 2006
Bennett,
Lawrence E.
The Italian Cantata in Vienna, c. 1700-c. 1711.
Ph.D., Musicology, Graduate School of Arts and Science, 1980
Bernstein, Lawrence F.
Cantus Firmus in the French Chanson for Two and Three Voices,
1500-1550.
Ph.D., Musicology, Graduate School of Arts and Science, 1969
Billington, Steven Miles
The Manuscript Sources of Robert Schumann's Genoveva.
Ph.D., Musicology, Graduate School of Arts and Science, 1987
Boswell-Kurc, Lilise
Olivier Messiaen's Religious War-time Works and their Controversial
Reception in France (1941-46).
Ph.D., Musicology, Graduate School of Arts and Science, 2001
Boyce, James John.
Cantica Carmelitana: The Chants of the Carmelite Office.
Ph.D., Musicology, Graduate School of Arts and Science, 1984
Brandel, Rose.
The Music of Central Africa.
Ph.D., Music, Graduate School of Arts and Science, 1959
Brett, J. Thomas
Ph.D.,
Ethnomusicology, Graduate School of Arts and Science, 2006
Brody, Elaine.
The Piano Music of DŽodat de SŽverac: A Stylistic Analysis.
Ph.D., Musicology, Graduate School of Arts and Science, 1964
Brofsky, Howard
The Instrumental Music of Padre Martini.
Ph.D., Musicology, Graduate School of Arts and Science, 1963
Brooks, Catherine
Antoine Busnois as a Composer of Chansons.
Ph.D., Music, Graduate School of Arts and Science, 1951
Buelow, George John
Johann David Heinichen, Der Generalbass in der Composition: A Critical
Study.
Ph.D., Music, Graduate School of Arts and Science, 1961
Butler, Melvin Lloyd
Songs of Pentecost: Experiencing Music, Transcendence, and Identity in
Jamaica and Haiti.
Ph.D., Ethnomusicology, Graduate School of Arts and Science, 2005
Caldwell, Alice May
Music of the Moravian Liturgische GesŠnge (1791-1823): From Oral to
Written Tradition.
Ph.D., Musicology, Graduate School of Arts and Science, 1987
Cammarota, Robert Michael
The Repertoire of Magnificats in Leipzig at the Time of J. S. Bach: A
Study of the Manuscript Sources.
Ph.D., Musicology, Graduate School of Arts and Science, 1986
Cannata, David Butler
Rachmaninoff's Changing View of Symphonic Structure.
Ph.D., Musicology, Graduate School of Arts and Science, 1993
Cannon, Clawson.
The 16th- and 17th-Century Organ-Mass: A Study in Musical Style.
Ph.D., Musicology, Graduate School of Arts and Science, 1968
Cantor, Montague .
The Liber Magnificarum of Sebastian de Vivanco.
Ph.D., Musicology, Graduate School of Arts and Science, 1967
Carson, Sean H..
Trace Analysis: Some Applications to Musical Contour and Voice Leading.
Ph.D., Composition, Graduate School of Arts and Science, 2003
Chapman, James Gliem.
The Works of Pierre Moulu: A Stylistic Analysis.
Ph.D., Musicology, Graduate School of Arts and Science, 1965
Clinkscale, Edward.
The Complete Works of Antoine de FŽvin.
Ph.D., Music, Graduate School of Arts and Science, 1965
Cobin, Marian W.
The Aosta Manuscript: A Central Source of Early-Fifteenth-Century
Sacred Polyphony.
Ph.D., Musicology, Graduate School of Arts and Science, 1978
Coburn, Steven D.
Mahler's Tenth Symphony: Form and Genesis.
Ph.D., Musicology, Graduate School of Arts and Science, 2002
Cohen, Albert.
The Evolution of the Fantasia and Works in Related Styles in the
Seventeenth-Century Instrumental Ensemble Music of France and the Low
Countries.
Ph.D., Music, Graduate School of Arts and Science, 1959
Cohen, Howard Robert.
Berlioz on the OpŽra (1829-1849): A Study in Music Criticism.
Ph.D., Musicology, Graduate School of Arts and Science, 1973
Colpa, J. Alexander.
Germany's "Zero-Hour Myth" as a Context for the Stylistic Evolution in
the Orchestral Music of Wolfgang Fortner (1907-1987).
Ph.D., Musicology, Graduate School of Arts and Science, 2002
Coupe, Rachel
Ph.D., Musicology, Graduate
School of Arts and Science, 2006
Davis, Shelley G.
The Keyboard Concertos of Johann Georg Lang (1722-1798).
Ph.D., Musicology, Graduate School of Arts and Science, 1972
Dorin, Ryan
Music Information Loops: Described and Analyzed with Sequential
Information Analysis
Ph.D., Composition, Graduate School of Arts and Science, 2005
Downs, Anneliese.
The Symphonies of Friedrich Schwindl.
Ph.D., Musicology, Graduate School of Arts and Science, 1973
Espinosa, Alma O.
The Keyboard Works of FŽlix M‡ximo L—pez.
Ph.D., Musicology, Graduate School of Arts and Science, 1976
Evans, Laura.
Mosaic Structure in Music.
Ph.D., Composition, Graduate School of Arts and Science, 2003
Fairtile, Linda Beard.
Giacomo Puccini's Operatic Revisions as Manifestations of His
Compositional Priorities.
Ph.D., Musicology, Graduate School of Arts and Science, 1996
Flanders, Peter.
The Madrigals of Benedetto Pallavicino.
Ph.D., Musicology, Graduate School of Arts and Science, 1971
Forsberg, Suzanne.
The Symphonies of Placidus von Camerloher.
Ph.D., Musicology, Graduate School of Arts and Science, 1990
Fox, Pauline Marie.
Discoveries in the Mirror of Moravian Music: A Study of Two Collections
of Manuscript Books in Pennsylvania ca. 1800.
Ph.D., Musicology, Graduate School of Arts and Science, 1996.
Frankel, Stuart A.
Phonology, Verse Metrics, and Music.
Ph.D., Musicology, Graduate School of Arts and Science, 1999
Friedheim, Philip.
Tonality and Structure in the Early Works of Schoenberg.
Ph.D., Musicology, Graduate School of Arts and Science, 1963
Fukunaka, Fuyuko.
Wolfgang Rihm and Music as Language.
Ph.D., Musicology, Graduate School of Arts and Science, 2003
Germer, Mark.
The Austro-Bohemian Pastoral Mass and the Popular Outreach of Counter
Reform.
Ph.D., Musicology, Graduate School of Arts and Science, 1989
Gervers, Hilda F.
A Seventeenth-Century Manuscript of English Keyboard Music: The New
York Public Library MS Drexel 5612.
Ph.D., Musicology, Graduate School of Arts and Science, 1974
Godt, Irving.
Guillaume Costeley (1531-1606): Life and Works.
Ph.D., Musicology, Graduate School of Arts and Science, 1969
Gould, Murray J.
Species Counterpoint and Tonal Structure.
Ph.D., Musicology, Graduate School of Arts and Science, 1973
Graham, Sandra J.
The Fisk Jubilee Singers and the Concert Spiritual: The Beginnings of
an American Tradition.
Ph.D., Musicology, Graduate School of Arts and Science, 2001
Grave, Floyd Kersey.
The Process of Articulation in Mozart's Piano Concertos.
Ph.D., Musicology, Graduate School of Arts and Science, 1973
Grave, Margaret Grupp.
First-Movement Form as a Measure of Dittersdorf's Symphonic
Development.
Ph.D., Musicology, Graduate School of Arts and Science, 1977
Groesbeck, Rolf.
Pedagogy and Performance in tyampaka, A Genre of Temple Instrumental
Music in Kerala, India.
Ph.D., Ethnomusicology, Graduate School of Arts and Science, 1995
Gross, Anne Tatnall.
Sweelinck's Secular Vocal Music in Its Cultural Milieu: Stylistic and
Repertorial Problems Seen in the Light of the Printed Anthologies, such
as the Livre septieme.
Ph.D., Musicology, Graduate School of Arts and Science, 1998
Harkins, Elizabeth Remsberg.
The Chamber Music of Camille Saint-Sa‘ns.
Ph.D., Musicology, Graduate School of Arts and Science, 1976
Harwood, Gregory W.
The Genesis of Robert Schumann's Liturgical Works and a Study of
Compositional Process in the Requiem, Op. 148.
Ph.D., Musicology, Graduate School of Arts and Science, 1991
Hathaway, Janet
Cloister, Court and City: Musical Activity of the Monasterio de las
Descalzas Reales (Madrid), ca. 1620-1700.
Ph.D., Musicology, Graduate School of Arts and Science, 2005
Hill, George Robert.
The Concert Symphonies of Florian Leopold Gassmann.
Ph.D., Musicology, Graduate School of Arts and Science, 1975
Hoag, Barbara Brewster.
The Performance Practice of Iberian Keyboard Music of the Seventeenth
Century.
Ph.D., Musicology, Graduate School of Arts and Science, 1980
Hornick, Andrew Michael.
Ensemble and Solo Works of Ignaz Pleyel Originally Composed for
Keyboard: A Style-Analytic Review.
Ph.D., Musicology, Graduate School of Arts and Science, 1987
Ilnitchi, Gabriela.
Aribo's De musica: Music Theory in the Cross-Current of Medieval
Learning.
Ph.D., Musicology, Graduate School of Arts and Science, 1997
Iitti, Sanna.
The Feminine in German Song, 1830-1890.
Ph.D., Musicology, Graduate School of Arts and Science, 2003
Izzo, Francesco.
Laughter between Two Revolutions: Verdi's Un giorno di regno and Comic
Opera in Italy, 1830-1848.
Ph.D., Musicology, Graduate School of Arts and Science, 2003
Jacobs, Charles.
The Performance Practice of Spanish Renaissance Keyboard Music.
Ph.D., Music, Graduate School of Arts and Science, 1962
Jaffee, Kay.
The Medea in French Lyric Theatre of the 17th and 18th Centuries.
Ph.D., Musicology, Graduate School of Arts and Science, 2001
Jensen, Luke Stephen.
Giuseppe Verdi and the Milanese Publishers of His Music from Oberto to
La Traviata.
Ph.D., Musicology, Graduate School of Arts and Science, 1987
Jimenez-Ramirez, Talía
Ph.D.,
Musicology, Graduate School of Arts and Science, 2006
Jones, George Morton.
The First Chansonnier of the Biblioteca Riccardiana, Codex 2794: A
Study in the Method of Editing 15th-Century Music.
Ph.D., Musicology, Graduate School of Arts and Science, 1972
Karp, Theodore.
The Works of the Ch‰telain de Coucy: An Analytical Study.
Ph.D., Music, Graduate School of Arts and Science, 1969
Kaufman, Charles Howard.
Music in New Jersey, 1655-1860: A Study of Musical Activity and
Musicians in New Jersey from Its First Settlement to the Civil War.
Ph.D., Musicology, Graduate School of Arts and Science, 1974
Kendrick, Robert.
"Le Sirene Celesti": Generations, Genres and Gender in Seicento
Milanese Convent Music.
Ph.D., Musicology, Graduate School of Arts and Science, 1993
Kligman, Mark Loren.
On the Process of Creating Prayers: Fixity and Flexibility in the
Sabbath Morning Liturgical Music of Syrian Jews in Brooklyn, New York.
Ph.D., Ethnomusicology, Graduate School of Arts and Science, 1997
Kmetz, John Joseph.
The Sixteenth-Century Basel Songbooks: A Source-critical and Archival
Study.
Ph.D., Musicology, Graduate School of Arts and Science, 1988
Kravitt, Edward F.
The Late Romantic Lied: Performance, Literary Approach, and the
Naturalist Movement.
Ph.D., Music, Graduate School of Arts and Science, 1960
KŸgle, Karl.
The Manuscript Ivrea, Biblioteca Capitolare 115: Studies in the
Transmission and Composition of Ars nova Polyphony.
Ph.D., Musicology, Graduate School of Arts and Science, 1993
Lawry, Eleanor McChesney.
The Psalm Motets of Claude Goudimel.
Ph.D., Music, Graduate School of Arts and Science, 1954
Ledbetter, Steven John.
Luca Marenzio: New Biographical Findings.
Ph.D., Musicology, Graduate School of Arts and Science, 1971
Libin, Kathryn Shanks.
The Emergence of an Idiomatic Fortepiano Style in the Keyboard
Concertos of Mozart.
Ph.D., Musicology, Graduate School of Arts and Science, 1998
Litterick, Louise.
The Manuscript Royal 20.A.XVI of the British Library.
Ph.D., Musicology, Graduate School of Arts and Science, 1976
Lubin, Steven.
Techniques for the Analysis of Development in Middle Period Beethoven.
Ph.D., Musicology, Graduate School of Arts and Science, 1974
Lyder, PŽguy S.
The Latin Sacred Music of Peter Phillips.
Ph.D., Music, Graduate School of Arts and Science, 1955
Lynch, Robert Donald.
Opera in Hamburg, 1718-1738: A Study of the Libretto and Musical Style.
Ph.D., Musicology, Graduate School of Arts and Science, 1979
Macmillan, John Buchanan.
The Calvinistic Psalmody of Claude Le Jeune.
Ph.D., Musicology, Graduate School of Arts and Science, 1966
Main, Alexander.
Costanzo Festa: The Masses and Motets.
Ph.D., Music, Graduate School of Arts and Science, 1960
Malyshko, Olga Elizabeth.
The Conductus in England.
Ph.D., Musicology, Graduate School of Arts and Science, 1988
Marshall, George Ruffin.
The Harmonic Laws in the Madrigals of Carlo Gesualdo.
Ph.D., Music, Graduate School of Arts and Science, 1956
McCabe, Maryann.
Gender and Socio-Musical Process: Mabel Wheeler Daniels (1878-1971) and
the Institutionalization of American Compositional Style.
Ph.D., Ethnomusicology, Graduate School of Arts and Science, 1999
McMullin, David
Ph.D.,
Composotion, Graduate School of Arts and Science, 2006
McQuaide,
Rosalie.
The Crozat Concerts, 1720-1727: A Study of Concert Life in Paris.
Ph.D., Musicology, Graduate School of Arts and Science, 1978
Moehn, Frederick.
Mixing MPB: Cannibals and Cosmopolitans in Brazilian Popular Music.
Ph.D., Ethnomusicology, Graduate School of Arts and Science, 2001
Monson, Ingrid Tolia.
Musical Interaction in Modern Jazz: An Ethnomusicological Perspective.
Ph.D., Ethnomusicology, Graduate School of Arts and Science, 1991
Morin, Joseph.
The Genesis of Manuscript Paris, Bibliotheque Nationale, Fonds
français
146, With Particular Emphasis on the Roman de Fauvel.
Ph.D., Musicology, Graduate School of Arts and Science, 1992
Mueller, Rena Charnin.
Liszt's Tasso Sketchbook: Studies in Sources and Revisions.
Ph.D., Musicology, Graduate School of Arts and Science, 1986
Muller, Carol.
Ama Nazaretha Women Sing to God: An Analysis of the Articulation of a
Women's Musical Language in a South African Indigenous Church.
Ph.D., Ethnomusicology, Graduate School of Arts and Science, 1994
N‡das, John L.
French Elements in Trecento Musical Practice: A Cross-Cultural Study
with Particular Emphasis on Ms. Fn26 and Its Readings.
Ph.D., Musicology, Graduate School of Arts and Science, 1984
Ness, Arthur.
The Herwarth Lute Manuscripts at the Bavarian State Library, Munich. A
Bibliographical Study with Emphasis on the Works of Marco dall'Aquila
and Melchior Newsidler.
Ph.D., Musicology, Graduate School of Arts and Science, 1984
Onderdonk, Julian Holmes.
Vaughan Williams and the English Pastoral.
Ph.D., Musicology, Graduate School of Arts and Science, 1998
Pajerski, Fred Mitchell.
Marco Uccellini (1610-1680) and His Music.
Ph.D., Musicology, Graduate School of Arts and Science, 1979
Pearl, Mildred.
The Suite in Relation to Baroque Style.
Ph.D., Music, Graduate School of Arts and Science, 1957
Pearsall, Eileen S.
The Secular Musical Establishment of the Early Tudors: An Archival
Study.
Ph.D., Musicology, Graduate School of Arts and Science, 1986
Perle, George.
Serial Composition and Atonality.
Ph.D., Music, Graduate School of Arts and Science, 1956
Perry, Mary D.
Dissonance Treatment in Schumann's Solo Piano Music.
Ph.D., Music, Graduate School of Arts and Science, 1991
Petersen, Barbara Ellingson.
"Ton und Wort": The Lieder of Richard Strauss.
Ph.D., Musicology, Graduate School of Arts and Science, 1977
Phillips, Nancy Catherine.
Musica and scolica enchiriadis: The Sources, Musical, Literary, and
Theoretical.
Ph.D., Musicology, Graduate School of Arts and Science, 1984
Pritchett, James.
The Development of Chance Notation in the Music of Cage, Brown, and
Feldman.
Ph.D., Musicology, Graduate School of Arts and Science, 1987
Richardson, Dana.
Dallapiccola's Formal Architecture.
Ph.D., Composition, Graduate School of Arts and Science, 2001
Roesner, Edward H.
The Manuscript WolfenbŸttel, Herzog-August Bibliothek, 628
Helmstadiensis: A Study of Its Origins and of Its Eleventh Fascicle.
Ph.D., Musicology, Graduate School of Arts and Science, 1974
Roesner, Linda Correll.
Studies in Schumann Manuscripts: With Particular Reference to Sources
Transmitting Instrumental Works in the Large Forms.
Ph.D., Musicology, Graduate School of Arts and Science, 1973
Rosand, Ellen.
Aria in the Early Operas of Francesco Cavalli.
Ph.D., Musicology, Graduate School of Arts and Science, 1971
Rosenberg, Jesse.
The Experimental Music of Pietro Raimondi.
Ph.D., Musicology, Graduate School of Arts and Science, 1996
Runowicz, John
Ph.D.,
Ethnomusicology, Graduate School of Arts and Science, 2006
Schavran, Henrietta.
The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A
Study of Song Tradition in Italy Circa 1440-1480.
Ph.D., Musicology, Graduate School of Arts and Science, 1978
Schmidt, John C.
The Life and Works of John Knowles Paine .
Ph.D., Musicology, Graduate School of Arts and Science, 1979
Schuetze, George C. Jr.
The Works of Guillaume Faugues.
Ph.D., Music, Graduate School of Arts and Science, 1960
Schwartz, Charles M.
The Life and Orchestral Works of George Gershwin.
Ph.D., Musicology, Graduate School of Arts and Science, 1969
Schwartz, Judith Leah.
Phrase Morphology in the Early Classic Symphony (ca. 1720-ca. 1765).
Ph.D., Musicology, Graduate School of Arts and Science, 1973
Shamgar, Beth Friedman.
The Retransition in the Piano Sonatas of Haydn, Mozart, and Beethoven.
Ph.D., Musicology, Graduate School of Arts and Science, 1978
Shine, Josephine M.
The Motets of Jean Mouton.
Ph.D., Music, Graduate School of Arts and Science, 1953
Sine, Nadine.
Tonality and Structure in Gustav Mahler's First, Third, and Fifth
Symphonies.
Ph.D., Musicology, Graduate School of Arts and Science, 1984
Southern, Eileen J.
The Buxheim Organ Book.
Ph.D., Musicology, Graduate School of Arts and Science, 1961
Spector, Irwin.
Robert White, Composer: Between Two Eras.
Ph.D., Music, Graduate School of Arts and Science, 1952
Steinberg, Lester.
The Piano Trios of Joseph Haydn: Analysis of Style in
Ph.D., Musicology, Graduate School of Arts and Science, 1976
Steinhardt, Milton.
Jacobus Vaet and His Motets.
Ph.D., Music, Graduate School of Arts and Science, 1950
Suttoni, Charles R.
Piano and Opera: A Study of the Piano Fantasies Written on Opera Themes
in the Romantic Era.
Ph.D., Musicology, Graduate School of Arts and Science, 1973
Tanenbaum, Faun.
The Partbook Collections from the Ospedale della Pietˆ and the Sacred
Music of Giovanni Porta.
Ph.D., Musicology, Graduate School of Arts and Science, 1993
Thompson, James C.
The Works of Caron: A Study in Fifteenth-Century Style.
Ph.D., Music, Graduate School of Arts and Science, 1959
Thurston, Ethel H.
The conductus Compositions in Manuscript WolfenbŸttel 1206.
Ph.D., Music, Graduate School of Arts and Science, 1954
Trivers, Juliana B.
Directed Motion in Stravinsky's Mass.
Ph.D., Music, Graduate School of Arts and Science, 2004
van Epenhuysen Rose, Maria
Ph.D.,
Musicology, Graduate School of Arts and Science, 2006
Vassiliades, Evangeline.
Overture and Symphony in Eighteenth-Century Russia.
Ph.D., Music, Graduate School of Arts and Science, 1977
Wade, Rachel W.
The Keyboard Concertos of Carl Philipp Emanuel Bach: Sources and Style.
Ph.D., Musicology, Graduate School of Arts and Science, 1979
Ward, John M.
The vihuela de mano and Its Literature (1536-1576).
Ph.D., Music, Graduate School of Arts and Science, 1953
Warner, Thomas Everett
Indications of Performance Practice in Woodwind Instruction Books of
the Seventeenth and Eighteenth Centuries.
Ph.D., Musicology, Graduate School of Arts and Science, 1964
Weiss, Sarah
Gender and Gender: An Analysis of Female Roles and Musical Performance
in Central Java.
Ph.D., Ethnomusicology, Graduate School of Arts and Science, 1998
Wexler, Richard
The Complete Works of Johannes Prioris.
Ph.D., Musicology, Graduate School of Arts and Science, 1974
Wolf, Eugene K.
The Symphonies of Johann Stamitz: Authenticity, Chronology, and Style.
Ph.D., Musicology, Graduate School of Arts and Science, 1972
Wright, Josephine R. B.
The Secular Cantatas of Francesco Mancini: 1672-1736.
Ph.D., Music, Graduate School of Arts and Science, 1975
Wythe, Deborah
Conrad Graf (1782-1851), Imperial Royal Court Fortepiano Maker in
Vienna.
Ph.D., Musicology, Graduate School of Arts and Science, 1990
Sonata-Form Movements.
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