|
Bibliographies
Submitted
by Task Force Members.
1. Music,
Gender, and Sexuality Bibliography compiled by Juniper Hill
2. Gillian
Rodger's Bibliography:
Women
on the Stage/Feminist Performance/Performance Studies
Cross
Dressing (Mostly theatrical)
Women’s
Studies/Gender Studies
Transexual
Studies/Intersexual Studies
Queer
Theory/Gay & Lesbian History
Sexology/Psychology/Sex
History
3. Dance,
Gender, and Sexuality Bibliography compiled by Judith Lynne Hanna
Music, Gender, and Sexuality
Bibliography
compiled by Juniper Hill, spring 2003
Abu-Lughod,
Lila. 1986. Veiled Sentiments: Honor and Poetry in a Bedouin
Society. Los Angeles, California: University of California Press.
Abu-Lughod,
Lila. 1990. “Can There Be a Feminist Ethnography?” Women &
Performance: A Journal of Feminist Theory, vol. 5(1):7-27.
Anzuldua,
Gloria. “Haciendo caras, una entrada.” In Making Face, Making
Soul: Creative and Critical Perspectives by Women of Color. San
Francisco: Aunt Lute Foundation books, (1990), pp. vv-xxviii.
Apo, Satu,
Aili Nenola, and Laura Stark-Arola. 1998. Gender and Folklore:
Perspectives on Finnish and Karelian Culture. Helsinki: Finnish
Literature Society.
Attinello,
“Performance and/or Shame: A Mosaic of Gay (and Other) Perceptions,” Repercussions
4/2 (Fall 1995): 97-130.
Blackwood,
Evelyn. 1995. "Falling in Love with an-Other Lesbian: Reflections on
Identity in Fieldwork." In Taboo: Sex, Identity and Erotic
Subjectivity in Anthropological Fieldwork, ed. by Kulick and
Willson. New York, New York: Routledge. Pp. 51-75.
Bolton,
Ralph. 1995. "Tricks, Friends, and Lovers: Erotic Encounters in the
Field." In Taboo: Sex, Identity and Erotic Subjectivity in
Anthropological Fieldwork, ed. by Kulick and Willson. New York,
New York: Routledge. Pp. 140-167.
Bradby,
Barbara, “Do-Talk and Don’t-Talk: The Division of the Subject in
Girl-Group Music,” in On Record: Rock, Pop, and the Written Word,
Simon Frith and Andrew Goodwin, eds. (New York 1990): 341-368.
Bradby,
Barbara, “Sampling Sexuality: Gender, Technology, and the Body in Dance
Music,” Popular Music 12/2 (1993): 155-176.
Brett, Philip,
“Musicality, Essentialism, and the Closet,” in Queering the Pitch:
The New Gay and Lebian Musicology, Philip Brett, Elizabeth Wood,
and Gary C. Thomas, eds. (New York, 1994): 9-26.
Brett, Philip,
Elizabeth Wood, and Gary C. Thomas, eds., Queering the Pitch: The
New Gay and Lebian Musicology, (New York, 1994).
Butler,
Judith. 1990. “Subjects of Sex/Gender/Desire” and “Condusion: From
Parody to Politics,” In Gender Trouble: Feminism and the
Subversion of Identity. New York: Routledge, pp. 1-34 and 142-149.
Butler,
Judith. 1993. “Introduction.” In Bodies that Matter, New
York: Routledge.
Butler,
Judith. 1994. “Against Proper Objects” in Differences: a Journal
of Feminist Cultural Studies 6:1-26.
Carby, Hazel.
“It Jus Be’s Dat Way Sometime” in Unequal Sisters, pp. 238-49.
Case,
Sue-Ellen. 1989. "Toward a Butch-Femme Aesthetic" in Making a
Spectacle: Feminist Essays on Contemporary Women's Theater, ed.
Lynda Hart. Ann Arbor: University of Michigan Press, pp. 282-99.
Case,
Sue-Ellen. 1996. Split Britches: Lesbian Practice/Feminist
Performance. New York: Routledge.
Chauncey,
George. 1989. "Christian Brotherhood or Sexual Perversion? Homosexual
Identities in the Construction of Sexual Boundaries in the World War I
Era" in Hidden from History: Reclaiming the Gay and Lesbian Past.
New York: New American Library.
Chauncey,
George. 1989. "From Sexual Inversion to Homosexuality: the Changing
Medical Conceptualization of Female 'Deviance'" in Passion and
Power: Sexuality in History, eds. Kathy Peiss and Christina
Simmons. Philadelphia: Temple University Press.
Chauncey,
George. 1994. Gay New York: Gender, Urban Culture, and the Making
of the Gay Male World, 1890-1940. New York: Basic Books.
Cook, Susan.
'“Cursed Was She': Gender and Power in Ame Ballad In Cecilia
Reclaimed: Feminist Perspectives on Gender and Music, eds. Susan
C. Cook and Judy S. Tsou, Urbana: University of Illinois Press, (1994).
Cusick,
Suzanne G., “On a Lesbian Relationship with Music: A Serious Effort Not
to Think Straight,” in Queering the Pitch: The New Gay and Lesbian
Musicology, Philip Brett, Elizabeth Wood, and Gary C. Thomas, eds.
(New York, 1994): 67-84.
Daley, Mike,
“Patti Smith’s Gloria: Intertextual Play in a Vocal Performance,” Popular
Music 16/3 (1997): 235-254.
Dart, Mary.
1992. "Contradance Choreography: A Reflection of Social Change." Ph.D.
Dissertation. Indiana University.
back
to top / Taskforce
Home
Davis, Angela
Y. Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie
Smith, and Billie Holiday, Pantheon Press, 1998.
Davy, Kate.
1986. "Constructing the Spectator: Reception, Context, and Address in
Lesbian Performance" in Performing Arts Journal 10: 2.
de Lauretis,
Teresa. 1990. "Sexual Indifference and Lesbian Representation" in Performing
Feminisms: Feminist Critical Theory and Theater, ed. Sue-Ellen
Case. Baltimore: Johns Hopkins University Press.
Dibbell,
Carola. “Inside Was Us,” in Trouble Girls: The Rolling Stone Book
of Women in Rock, pp. 269-87
Douglas, Susan
J., “Why The Shirelles Mattered,” Where the Girls Are: Growing Up
Female with the Mass Media (New York, 1994): 83-98.
Dyer, Richard,
“It’s being so camp as keeps us going,” Only Entertainment
(London and New York, 1992).
Echols, Alice.
Scars of Sweet Paradise: The Life and Times of Janis
Joplin.
Ehrenreich,
Hess & Jacobs, “Beatlemania,” in Re-Making Love, pp.
10-38.
Faderman,
Lillian. 1978. "The Morbidification of Love between Women by
Nineteenth-Century Sexologist" in Journal of Homosexuality 4.
Fast, Susan,
“Rethinking Issues of Gender and Sexuality in Led Zeppelin: A Woman’s
View of Pleasure and Power in Hard Rock,” American Music 17/3
(Fall 1999): 245-299.
Fitzgerald,,
Thomas K. 1999. "Identity and Ethnography: Limits to Reflective
Subjectivity." In Sex, Sexuality, and the Anthropologist, ed.
by Markowitz and Ashkenazi. Chicago, Illinois: University Of Illinois
Press. Pp. 117-127.
Flax, Jane.
“Postmodernism and Gender Relations in Feminist Theory.” Signs,
vol. 12(4), (1987), pp. 621-643.
Flinn,
Juliana, L. Marshall, and J. Armstrong,eds. 1998. Fieldwork and
Families. Honolulu, Hawaii: University of Hawaii Press.
Frith, Simon,
“Rhythm: Race, Sex, and the Body,” and “Rhythm: Time, Sex, and the
Mind,” Performing Rites: On the Value of Popular Music
(Cambridge MA, 1996): 123-157.
Gaines, Donna.
“Girl Groups: A Ballad of Codependency,” in Trouble Girls: The
Rolling Stone Book of Women in Rock, pp. 103-115.
Gaspar de
Alba, Alicia. 1999. "The Politics of Location of the Tenth Muse of
America: an Interview with Sor Juana Inés de la Cruz" in Living
Chicana Theory. Berkeley: Third Woman Press.
George,
Kenneth. “Music-Making, Ritual and Gender in a Southeast Asian Hill
Society,” Ethnomusicology, vol. 37(1), Winter (1993), pp.
1-27.
Gonzalez,
Deena. 1999. "Speaking Secrets: Living Chicana Theory" in Living
Chicana Theory. Berkeley: Third Woman Press.
Goodman, Liz.
1996. "Rights of Passing." In Out in the Field: Reflections of
Lesbian and Gay Anthropologists, ed. by Lewin, Ellen and Leap,
William. Chicago: Illinois, University of Illinois Press. Pp. 49-57.
Grewal,
Inderpal and Kaplan, Caren. 2001. "Global Identities: Theorizing
Transnational Studies of Sexuality" in GLQ: A Journal of Lesbian
and Gay Studies 7: 663-679.
Hajdu, David.
2002. "Queer as Folk: How Did an Earnest Voice and an Acoustic Guitar
Become the Sound of Lesbian Culture?" in New York Times Magazine.
August 18, 2002.
Halberstam,
Judith. 1998. “Transgender Butch: Butch/FTM Border Wars and the
Masculine Continuing" in Female Masculinity. Durham: Duke
University Press.
Halberstam,
Judith. 1998. “The Androgyne, the Tribade, the Female Husband, and
Other Pre-Twentieth-Century Genders" in Female Masculinity.
Durham: Duke University Press.
Halperin,
David M. 1989. "Sex before Sexuality: Pederasty, Politics, and Power in
Classical Athens" in Hidden from History: Reclaiming the Gay and
Lesbian Past, edited by George Chauncey. New York: New American
Library.
Halperin,
David. 2002. How to Do the History of Homosexuality,
"Introduction: in Defense of Historicism". Chicago: University Of
Chicago Press.
Hampton,
Barbara. “Music and Gender in Ga Society: Adaawe Song Poetry.” In African
Musicology: Current Trends, Vol. II., , ed. Jacqueline DjeDje, Los
Angeles: Crossroads Press/African Studies Association, (1992), pp.
135-149.
Hart, Lynda
and Phelan, Peggy. 1995. "Queerer Than Thou: Being and Deb Margolin" in
Theater Journal 47.
Hart, Lynda.
1993. "Identity and Seduction:Lesbians in the Mainstream" in Acting
out: Feminist Performances. Ann Arbor: University of Michigan
Press.
Hast,
Dorothea. 1994. "Music, Dance, and Community: Contradance in New
England." Ph.D. Dissertation. Wesleyan University, CT
Hill-Collins,
Patricia. “Knowledge, Consciousness, and the Politics of Empowerment.”
In Black Feminist Thought: Knowledge, Consciousness, and the
Politics of Empowerment. London: HarperCollins Academic, (1990),
pp. 221-238.
hooks, bell.
“talking back” from Talking Back: Thinking feminist. Thinking
Black, Boston: South End Press, (1989), pp. 5-9.
Howard, John.
1999. Men like That: a Southern Queer History, Chapter 1
"Ones and Twos". Chicago: University of Chicago Press.
back
to top / Taskforce
Home
Hubbs, Nadine,
“ Will Survive’: The Disco Anthem’s Minor-Mode Semiotics of
Transcendence” unpublished typescript.
Hubbs, Nadine,
“Music of the ‘Fourth Gender’: Morrissey and the Sexual Politics of
Melodic Contour,” Genders: Bodies of Writing, Bodies in Performance,
Thomas Foster and Carol Seigel, eds. v. 23 (New York, 1996): 266-96.
Jones, Rose.
1999. "Husbands and Lovers: Gender Construction and the Ethnography of
Sex Research." In Sex, Sexuality, and the Anthropologist, ed.
by Markowitz and Ashkenazi. Chicago, Illinois: University Of Illinois
Press. Pp. 25-43.
Kaufmann
McCall, Dorothy. “Simone de Beauvoir, The Second Sex, and Jean-Paul
Sartre,” Signs, vol. 5(2), (1979), pp. 209-233.
Keyes, Cheryl.
“Empowering Self, Making Choices, Creating Spaces: Black Female
Identity via Rap Music Performance,” Journal of American Folklore,
Summer 2000.
Kleinhans,
Chuck, “Taking Out the Trash: Camp and the Politics of Parody,” in The
Politics and Poetics of Camp, Moe Meyer, ed. (London and New York,
1994): 182-201.
Kononenko,
Natalie. 1994. "Women As Performers of Oral Literature: A
Re-Examination of Epic and Lament", in Women Writers in Russian
Literature, edited by Tony Clyman and Diana Greene.
Koskoff,
Ellen. “An Introduction to Women, Music and Culture.” In Women and
Music in Cross-Cultural Perspective, Ellen Koskoff, ed. Westport,
CN: Greenwood Press, (1987).
Koskoff,
Ellen. “The Sound of a Woman's Voice: Gender and Music in a New York
Hasidic Community.” In Women and Music in Cross-Cultural
Perspective, pp. 213-223.
Kulick, Don
and Willson, Margaret, eds. 1995. Taboo: Sex, Identity and Erotic
Subjectivity in Anthropological Fieldwork. New York, New York:
Routledge.
Lang, Sabine.
1998. Men As Women, Women As Men: Changing Gender in Native
American Cultures. Austin: University of Texas Press.
Levine, Judy.
N.D. "Contradance in New York: Longways for As Many As Will" in Meaningful
Play, Meaningful Meaning. Ed. Fine, Gary Alan. Champaign, IL:
Human Kinetics Publishers, Inc..
Lewin, Ellen
and Leap, William, eds. 1996. Out in the Field: Reflections of
Lesbian and Gay Anthropologists. Chicago: Illinois, University of
Illinois Press.
Lewin, Ellen.
“Writing Lesbian Ethnography.” In Women Writing Culture, Ruth
Behar and Deborah A. Gordon, eds. Berkeley: University of California
Press, (1995), pp. 322-335.
Lewin, Ellen.
1996. "Confessions of a Reformed Grant Hustler." In Out in the
Field: Reflections of Lesbian and Gay Anthropologists, ed. by
Lewin, Ellen and Leap, William. Chicago: Illinois, University of
Illinois Press. Pp. 111-127.
Mackinnon,
Catherine. “Feminism, Marxism, Method, and the State: An Agenda for
Theory.” Signs, vol. 7(3), (1982), pp. 515-544.
Markowitz,
Fran and Ashkenazi, Michael, eds. 1999. Sex, Sexuality, and the
Anthropologist, Chicago, Illinois: University Of Illinois Press.
McClary,
Susan. 1991. “Introduction: A Material Girl in Bluebeard's Castle”I and
“Living to Tell: Madonna’s Resurrection of the Fleshly,” in Feminine
Endings: Music, Gender,and Sexuality (Minneapolis), pp. 3-31,
148-166.
Mercer-Taylor,
Peter, “Songs from the Bell Jar: Autonomy and Resistance in the Music
of the Bangles,” Popular Music 17/2 (1998): 187-204.
Minh-ha, Trinh
T. an excerpt from When the Moon Waxes Red: Representation, Gender
and Cultural Politics, (1991) NY: Routledge.
Mockus,
Martha, “Queer Thoughts on Country Music and k. d. lang,” in Queering
the Pitch: The New Gay and Lebian Musicology, Philip Brett,
Elizabeth Wood, and Gary C. Thomas, eds. (New York, 1994): 257-274.
Moisala,
Pirkko. 1997. "Can Women's Studies Change the World of Music?: New
Perspectives on Finnish Music and Music Research." In Finnish
Music Quarterly, No. 4, p. 18-23.
Moore, John,
“‘The Hieroglyphics of Love’: The Torch Singers and Interpretation,” Popular
Music 8/1 (1989): 31-58.
Morris,
Mitchell, “Black Masculinity and the Sound of Wealth: Barry White in
the Early 70s,” unpublished typescript.
Morris,
Mitchell, “Cher’s ‘Dark Ladies,” 70s Integrationisms, and the Culture
of Entertainment,” unpublished typescript.
Morris,
Mitchell, “Disco Performance in (the) Masculine Camp: The Case of the
Village People,” unpublished typescript.
Morris,
Mitchell, “It’s Raining Men’: The Weather Girls, Gay Sensibility, and
the Erotics of Excess,” in Audible Traces: Gender, Music, and
Identity, Elaine Barkin and Lydia Hamessley, eds. (Zurich, 1999):
213-230.
Morris,
Mitchell, “Musical Virtues,” unpublished typescript.
Muñoz, José
Esteban. 1999. Disidentifications: Queers of Color and the
Performance of Politics, "Introduction: Performing
Disidentifications". Minneapolis: University Of Minnesota Press.
Newton,
Esther. 1987. "Academe's Homophobia: It Damages Careers and Ruins
Lives." In Chronicle of Higher Education. March 11, 104.
Novak,
Cynthia. 1990. Sharing the Dance. Madison, WI: University Of
Wisconsin Press.
Peraino,
Judith A., “Rip Her to Shreds’: Women’s Music According to a
Butch-Femme Aesthetic,” Repercussions 1/1 (Spring 1992):
19-47.
Perez, Emma.
1991. "Sexuality and Discourse: Notes from a Chicana Survivor" in Chicana
Lesbians: the Girls Our Mothers Warned Us about. Berkeley: Third
Woman Press.
Perez, Emma.
1999. The Decolonial Imaginary: Writing Chicanas into History.
Bloomington: Indiana University Press.
Petrovic,
Ankica. “Women in the Music Creation Process in the Dinaric Cultural
Zone of Yugoslavia.” In Music, Gender and Culture, eds.
Marcia Herndon and Susanne Ziegler, Berlin: Florian Noetzel Verlag
Wilhelmshaven., (1990), pp. 7 1-84.
Radner, Joan
N. & Susan S. Lanser, “Strategies of Coding in Women's Cultures.”
In Feminist Messages: Coding in Women's Folk Culture, Urban:
Univ. of Illinois Press, (1993), pp. 1-35.
Rebollo-Sborgi,
Francesca. “Decentering the Feminist Self,” Repercussions,
vol.1(2) (Fall 1992), pp. 26-5 1.
Roos, Michael,
and Don O’Meara, “Is Your Love in Vain?—Dialectical Dilemmas in Bob
Dylan’s Recent Love Songs,” Popular Music 7/1 (1988): 35-50.
Rorich, Mary.
“Shabeens, Slumyards, & Sophiatown: Black Women Music and Cultural
Change in Urban South Africa,” World of Music, vol. 3 1(1),
1989, pp.78-101.
Rosaldo,
Michelle Zimbalist, “Women, Culture, and Society: A Theoretical
Overview.” In Women, Culture and Society. Stanford: Stanford
University Press, (1974), pp. 17-42.
Roscoe, Will.
1996. "Writing Queer Cultures: An Impossible Possibility?" In Out
in the Field: Reflections of Lesbian and Gay Anthropologists, ed.
by Lewin, Ellen and Leap, William. Chicago: Illinois, University of
Illinois Press. Pp. 200-211.
Roscoe,
William, editor. 1988. Living the Spirit: A Gay American Indian
Anthology. New York: St. Martin's Press.
Roscoe,
William. 1998. Changing Ones: Third and Fourth Genders in Native
North America. New York: St. Martin's Press.
Rose, Tricia,
“Bad Sistahs: Black Women Rappers and Sexual Politics in Rap Music,” Black
Noise: Rap Music and Black Culture in Contemporary America
(Hanover NH, 1994):146-182.
Rose, Tricia.
“Bad Sistas,” in Black Noise, pp. 146-82.
Rothenbusch,
Esther. “The Joyful Sound: Women in the Nineteenth-Century United
States Hymnody Tradition,” Women and Music in Cross-Cultural
Perspective . . ., pp.177-194.
Rubin , Gayle
with Judith Butler. 1994. “Sexual Traffic” in Differences: a
Journal of Feminist Cultural Studies 6:62-99.
Sakata,
Lorraine. “Hazara Women in Afghanistan: Innovators and Preservers of a
Musical Tradition,” Women and Music in Cross-Cultural Perspective...
pp. 85-95.
Schade-Poulsen,
Marc. Men and Popular Music in Algeria. Austin: University of
Texas Press, 1999.
Sedgwick, Eve
Kosofsky, “Introduction: Axiomatic,” Epistemology of the Closet
(Berkeley and Los Angeles, 1990): 1-63.
back
to top / Taskforce
Home
Smith, Martha
Nell, “Sexual Mobilities in Bruce Springsteen Performance as
Commentary,” in Present Tense: Rock & Roll and Culture,
Anthony DeCurtius, ed. (Durham NC, 1992):197-218.
Spivak,
Gayatri. ”Can the Subaltern Speak?” In Marxism and the
Interpretation of Culture, eds. Cary Nelson and Lawrence
Grossberg, Urbana: University of Illinois Press, (1988).
Stein, Arlene.
1993. "Androgyny Goes Pop: But Is It Lesbian Music?" in Sisters,
Sexperts, Queers: Beyond the Lesbian Nation, edited by Arlene
Stein. New York: Plume.
Sugarman,
Jane. 1997. Engendering Song: Singing and Subjectivity at Prespa
Albanian Weddings. Chicago, Illinois: University Of Chicago Press.
Thurston,
William R. 1998. "The Inadvertent Acquisition of Kinship during
Ethnographic Fieldwork." In Fieldwork and Families, ed. by J.
Flinn, L. Marshall, and J. Armstrong. Honolulu, Hawaii: University of
Hawaii Press. Pp 154-168.
Vander,
Judith. Songprints: the Musical Experience of Five Shoshone Women.
Urbana: University of Illinois Press, 1988.
Walser,
Robert. 1993. “Beyong the Vocals: Toward the Analysis of Popular Music
Discourses,” and “Forging Masculinity: Heavy Metal Sounds and Images of
Gender,” in Running With the Devil: Power, Gender, and Madness in
Heavy Metal Music (Hanover NH), pp. 26-56, 108-136.
Warwick,
Jacqueline, “You’re Gonna Lose That Girl’: The Beatles and the Girl
Groups” (unpublished typescript).
Weston, Kath.
1996. "Requiem for a Streetfighter." In Out in the Field:
Reflections of Lesbian and Gay Anthropologists, ed. by Lewin,
Ellen and Leap, William. Chicago: Illinois, University of Illinois
Press. Pp. 274-286.
Whiteley,
Sheila, editor. Sexing the Groove: Popular Music and Gender.
London and New York: Routledge Press, 1997.
Wiegman,
Robyn. 1997. "Queering the Academy" in Genders 26: 3-22.
Wiegman,
Robyn. 1999. "On Being Married to the Institution" in Power, Race,
and Gender in Academe: Strangers in the Tower?, eds. Shirley
Geok-Lin Lim and Maria Herrera-Sobek. New York: Modern Language
Association, pp. 71-82.
Williams,
Walter L. 1986. The Spirit and the Flesh: Sexual Diversity in
American Indian Culture. Boston: Beacon Press.
Williams,
Walter L. 1993. "Being Gay and Doing Research on Homosexuality in
Non-Western Cultures." The Journal of Sex Research. Vol. 30,
No. 2. May. Pp 115-120.
Williams,
Walter L. 1996. "Being Gay and Doing Fieldwork." In Out in the
Field: Reflections of Lesbian and Gay Anthropologists, ed. by
Lewin, Ellen and Leap, William. Chicago: Illinois, University of
Illinois Press. Pp. 70-85.
Wise, Sue,
“Sexing Elvis,” in On Record: Rock, Pop, and the Written Word,
Simon Frith and Andrew Goodwin, eds. (New York 1990): 390-398.
back
to top / Taskforce
Home
Gillian Rodger's
Bibliography
Women
on the Stage/Feminist Performance/Performance Studies
Allen, Robert
C. 1991. Horrible prettiness: burlesque and American culture.
Chapel Hill: University of North Carolina Press.
Anon. 1871.
"About woman: her rights, wrongs, and proper sphere of usefulness," New
York Clipper, March 4.
Anon. 1898.
"Why an actress cannot wear trousers like a man," New York Journal,
Sunday, February 13. Found in Robinson Locke Collection (Box MWEZ+n.c.
26.791) at the New York Public Library at Lincoln Center.
Anon. 1903a.
"Fascination of masculine garb for ambitious actresses," The Morning
Telegraph, Sunday, July 5. Found in Robinson Locke Collection (Box
MWEZ+n.c. 26.791) at the New York Public Library at Lincoln Center.
Anon. 1903b.
"The woman who won fame in trousers and who will never wear them again,
believes every woman should wear them," The World, August 30. Found in
Robinson Locke Collection (Box MWEZ+n.c. 26.791) at the New York Public
Library at Lincoln Center.
Anon. 1904a.
"Actors not needed! Actresses who play men's parts so well that it is
solemnly suggested we might get along without men on the stage at all,"
American-Journal-Examiner, Great Britain. Found in Robinson Locke
Collection (Box MWEZ+n.c. 26.791) at the New York Public Library at
Lincoln Center.
Anon. 1904b.
"Stage arts Adamless Eden. Are men actors really needed? Countless
charming substitutes bravely tackle trousered roles," New York Herald
Magazine, Sunday July 10. Found in Robinson Locke Collection (Box
MWEZ+n.c. 26.791) at the New York Public Library at Lincoln Center.
back
to top / Taskforce
Home
Anon. 1907.
"Dainty woman earns a living by playing the part of a man," Pittsburgh
Leader, December 22. Found in Robinson Locke Collection (Box MWEZ+n.c.
26.791) at the New York Public Library at Lincoln Center.
Anon. 1908.
""The Jester" with Miss Maude Adams as principal boy, the part of the
humpback jester," The Theatre, vol. 8 no. 84 (February): ix
A. P. 1914.
"Acting helps a woman to live," The Theatre, vol. 20 no 161
(July): 14, 42.
Banes, Sally.
1998. Dancing women: female bodies on stage. London: Routledge.
Bell, Archie. 1907. "What woman has done for the stage," The
Theatre, vol. 7, no. 78 (August): 216-17.
Blackmer,
Corinne E. and Patricia Juliana Smith. 1995. En travesty: women,
gender subversion, opera. New York: Columbia University Press.
Bloodgood,
Clara. 1904. "The stage as a career for young women," The Theatre,
vol. 4, no. 46 (December): 304.
Bratton, J. S.
1992. "Irrational dress," in The New Woman and her sisters:
feminism and theatre 1850-1914, ed. Vivien Gardner, and Susan
Rutherford. Ann Arbor: University of Michigan Press, pp. 77-91.
Bratton, J. S.
1996. "Beating the bounds: gender play and role reversal in the
Edwardian music hall," in The Edwardian theatre: essays on
performance and the stage, edited by Michael R. Booth and Joel H.
Kaplan. Cambridge: Cambridge University Press, pp. 86-110.
Burke, Billie
and Wilton Lackay. 1917. "Do players seldom marry?" The Theatre,
vol. 25 no. 199 (September): 144, 146.
Case,
Sue-Ellen (ed). 1996. Split britches: lesbian practice/feminist
performance. London: Routledge.
Deland,
Margaret. 1910. "The change in the feminine ideal," The Atlantic
Monthly, 105/3 (March): 289-302.
Frame,
Virginia. 1906a. "When the college girl takes to the stage," The
Theatre, vol. 6, no. 64 (June): 162-64.
Jones, Amelia
and Andrew Stephenson. 1999. Performing the body/performing the
text. London: Routledge.
Kibler, M.
Alison. 1999. Rank ladies: gender and cultural hierarch in
American vaudeville. Chapel Hill, NC: University of North Carolina
Press.
Kolb, Deborah
S. 1975. "The rise and fall of the New Woman in American drama," Educational
Theatre Journal 27/2 (May): 149-160.
Mankowitz,
Wolf. 1982. Mazeppa: the lives, loves and legends of Adah Isaacs
Mencken. Briarcliff Manor, NY: Stein and Day.
Matthison,
Edith Wynne and Lillian Russell. 1916. "Is the stage a perilous place
for the young girl?" The Theatre, vol. 23 no. 179 (January):
22.
Mizejewski,
Linda. 1999. Ziegfeld girl: image and icon in culture and cinema.
Durham, NC: Duke University Press.
M. T. M. 1905.
"Wanted a new type of femininity," The Theatre, vol. 5, no.
47 (January): 23.
Pingree, Maud.
1914. "Are women of the stage happy?" The Theatre, vol. 19
no. 159 (May): 239-40.
Reinelt,
Janelle G. and Joseph R. Roach. 1992. Critical theory and
performance. Ann Arbor, MI: University of Michigan Press.
Shaw, Mary.
1911. "The actress on the road," McClures 38 (July): 263-72.
Skipworth,
Alison. 1919. "Backstage scandal: are the morals of the actress any
different from those of the average church member?" The Theatre,
vol. 29 no. 21 (July): 26.
Skirt, The.
1910. "Women on "small time" and the "chasing" manager: "The Skirt"
says publicity is the only cure, and offers aid to those annoyed by the
leeches," Variety, March 5: 5.
Solomon,
Alisa. 1997. Re-dressing the canon: essays on theatre and gender.
London: Routledge.
Staples,
Shirley. 1984. Male-female comedy teams in American vaudeville,
1865-1932. Ann Arbor: UMI Research Press.
Straayer,
Chris. 1996. Deviant eyes, deviant bodies: sexual re-orientation
in film and video. New York: Columbia University Press.
Stuart,
Judson. 1915. "The high cost of stage beauty," The Theatre,
vol. 21 no. 171 (May): 238-40.
Ten Broek,
Helen. 1916. "Motherhood and art," The Theatre, vol. 24 no.
190 (December): 372, 402.
Ten Broek,
Helen. 1917. "Successful stage mothers," The Theatre, vol. 26
no. 97 (July): 16-18.
back
to top / Taskforce
Home
Cross Dressing (Mostly
theatrical)
Ackroyd,
Peter. 1979. Dressing up, transvestism and drag: the history of an
obsession. New York: Simon and Schuster.
Anon. 1886a.
"Man or woman?" Grand Rapids Evening Leader, June 7, 1886: 4.
Anon. 1886b.
"Married her maid: the strange story of Charles and Annie Hindle, a man
masquerading as a woman," Grand Rapids Telegram-Herald, June
7, 1886: 4.
Anon. 1886c.
"Married as a man," Grand Rapids Daily Democrat, June 8,
1886: 5
Anon. 1911.
""The Fascinating Widow." Musical comedy in three acts. . . ." The
Theatre, vol. 14 no. 128 (October): 113-14.
Anon. 1914.
""The Crinoline Girl." Farcical melodramatic comedy, with songs, in
three acts by Otto Hauerbach; lyrics by Julian Eltinge; music by Perry
Wenrich. . . ." The Theatre, vol. 19 no. 159 (May): 227.
Anon. 1915a.
"Maxine Elliott's "The Adventures of Lady Ursula" revival." The
Theatre, vol. 21 no. 170 (April): 172.
Anon. 1915b.
""Cousin Lucy." Comedy in three acts by Charles Kein with musical
numbers by Jerome Kern. . . ." The Theatre, vol. 22 no. 176
(October): 168.
Baker, Roger.
1994. Drag: a history of female impersonation in the performing
arts. New York: New York University Press.
Bell-Metereau,
Rebecca. 1985. Hollywood androgyny. New York: Columbia
University Press.
Bennett, Betty
T. 1991. Mary Diana Dods, a gentleman and a scholar. New
York: Morrow & Co.
Bentley,
Gladys. 1952. "I'm a woman again," Ebony (August): 92-98
Bruzzi, Stella. 1997. Undressing cinema: clothing and identity in
the movies. London: Routledge.
Bullough, Vern
and Bonnie Bullough. 1993. Cross dressing, sex and gender.
Philadelphia: University of Pennsylvania Press.
Dickens,
Homer. 1982. What a drag. London: Angus & Robertson.
Dolan, Jill.
1992. "Gender impersonation onstage: destroying or maintaining the
mirror of gender roles?" in Gender in performance: the
presentation of difference in the performing arts ed. Laurence
Senelick. Hanover, NH: University Press of New England, pp. 3-13.
Drorbaugh,
Elizabeth. 1993. "Sliding scales: notes on Stormé DeLarverié and the
Jewel Box Revue, the cross-dressed woman on the contemporary stage, and
the invert," in Crossing the Stage, ed. Lesley Ferris. New
York: Routledge, pp. 120-143.
Ferris, Leslie
(ed.). 1993. Crossing the stage: controversies in cross-dressing.
New York: Routledge.
Garber,
Marjorie. 1992. Vested interests: cross-dressing and cultural
anxiety. New York: Basic Books.
Hamilton,
Marybeth. 1993. ""I'm the Queen of the Bitches": Female impersonation
and Mae West's Pleasure Man," in Crossing the Stage, ed.
Lesley Ferris. New York: Routledge, pp. 107-119
Herrmann,
Anne. 1991. ""Passing" women, performing men," Michigan Quarterly
Review 30/1 (Winter): 60-71.
Hotchkiss,
Valerie. 1996. Clothes make the man: female cross dressing in
Medieval Europe. New York: Garland Publishing.
Husain,
Shahrukh. 1996. Handsome heroines: women as men in folklore.
New York: Anchor Books.
Kates, Gary.
1995. Monsieur d’Eon is a woman: a tale of political intrigue and
sexual masquerade. New York: Basic Books.
Liechti,
Robert. 1968. "Male impersonation on the stage: a brief survey of its
past," Call Boy (December): 16-19.
Maitland,
Sara. 1986. Vesta Tilley. London: Virago.
Martin,
Isabelle. 1914. "Stage clothes," The Theatre, vol. 20 no. 166
(December): 283-84, 296-97.
Maxwell,
Periton. 1916. "Stage beauty in breeches," The Theatre, vol.
24 no. 186 (August):73, 75, 96.
Middlebrook,
Diane Wood. 1998. Suits me: the double life of Billy Tipton.
Boston; New York: Houghton Mifflin.
Moore, F.
Michael. 1994. Drag!: male and female impersonators on stage,
screen and television. Jefferson, NC: McFarland & Co.
Newton,
Esther. 1979. Mother camp: female impersonators in America,
with a new preface. Chicago: University of Chicago Press.
Rodger,
Gillian. 1998. “Male impersonation on the North American variety and
vaudeville stage, 1868-1930.” Ph.D. Dissertation, University of
Pittsburgh.
Rodger,
Gillian. 2002. ““He isn’t a marrying man”: gender and sexuality in the
repertoire of male impersonators, 1870-1920,” in Queer episodes in
music and modern identity, ed. Sophie Fuller and Lloyd Whitesell.
Urbana and Chicago: University of Illinois Press, pp. 105-133.
back
to top / Taskforce
Home
Senelick,
Laurence. 1983. "The evolution of the male impersonator in the
nineteenth century popular stage," Essays in Theatre 1/1
(Nov.): 31-44.
Senelick,
Laurence (ed.). 1992. Gender in performance: the presentation of
difference in the performing arts. Hanover, NH: University Press
of New England.
Senelick,
Laurence. 1992. "Lady and the tramp: drag differentials in the
progressive era," in Gender in performance: the presentation of
difference in the performing arts, ed. Laurence Senelick. Hanover,
NH: University Press of New England, pp. 26-45.
Senelick,
Laurence. 1993. "Boys and girls together: subcultural origins of
glamour drag and male impersonation on the nineteenth century stage,"
in Crossing the Stage, ed. Lesley Ferris. New York:
Routledge, pp. 80-95.
Senelick,
Laurence. 1995. "Male impersonation," The Cambridge Guide to
Theatre, ed. Martin Banham. Cambridge: Cambridge University Press,
1995, pp. 674-75.
Senelick, Laurence. 2000. The changing room: sex, drag and theatre.
London: Routledge.
Slide,
Anthony. 1986. Great pretenders: a history of female and male
impersonation in the performing arts. Lombard, Ill:
Wallace-Homestead.
Suares, J. C.
(ed). 1994. Hollywood drag. Charlottesville, VA:
Thomasson-Grant.
Tilley, Vesta.
1899. "Concerning Audiences," Era Almanack, 66-67.
Tilley, Vesta.
1904. "The Mannish Woman," Pittsburgh Gazette Home Journal,
April 3: 5.
Wheelwright,
Julie. 1989. Amazons and military maids: women who dressed as men
in the pursuit of life, liberty and happiness. London: Pandora.
back
to top / Taskforce
Home
Women’s Studies/Gender
Studies
Adams, Eli.
1995. Dandies and desert saints: styles of Victorian manhood.
Ithaca, NY: Cornell University Press.
Berger,
Maurice, Bruce Walllis and Simon Watson (eds). 1995. Constructing
Masculinity. New York: Routledge.
Charles,
Nickie and Felicia Hughes-Freeland (eds). 1996. Practising
feminism: identity difference power. London: Routledge
Cogan, Frances
B. 1989. All-American girl : the ideal of real womanhood in
mid-nineteenth-century America. Athens, GA: University of Georgia
Press.
Ehrenreich,
Barbara. 1983. The hearts of men: American dreams and the flight
from commitment. New York: Anchor Books.
Fuss, Diana.
1989. Essentially speaking: feminism, nature & difference.
New York: Routledge.
Gamman,
Lorraine and Merja Makinen. 1994. Female fetishism. New York:
New York University Press.
Haggerty,
George E. 2000. Gay histories and cultures. The Encyclopedia of
Lesbian and Gay Histories and Cultures, Vol. 2. New York: Garland
Publishing.
Halberstam,
Judith. 1998. Female masculinity. Durham, NC: Duke University
Press.
back
to top / Taskforce
Home
Hall,
Catherine. 1992. White, male and middle class: explorations in
feminism and history. New York: Routledge.
Hennessy,
Rosemary and Chrys Ingraham (eds). 1997. Materialist feminism: a
reader in class, difference, and women’s lives. New York:
Routledge.
Ingraham,
Chrys. 1999. White weddings: romancing heterosexuality in popular
culture. New York: Routledge.
Kimmel,
Michael. 1996. Manhood in America: a cultural history. New
York: The Free Press.
Kraditor,
Aileen S. 1971. The ideas of the woman suffrage movement, 1890-1920.
Garden City, NY: Anchor Books.
Melosh,
Barbara (ed.). 1993. Gender and American history since 1890.
New York: Routledge.
Meyerowitz,
Joanne. 1988. Women adrift: independent wage earners in Chicago,
1880-1930. Chicago: University of Chicago Press.
Meyerowitz,
Joanne. 1993. "Sexual geography and gender economy: the furnished room
districts of Chicago, 1890-1930," in Gender and American history
since 1890, ed. Barbara Melosh. New York: Routledge, pp. 43-71.
Nagle, Jill
(ed). 1997. Whores and other feminists. New York: Routledge.
Odem, Mary E.
1995. Delinquent daughters: protecting and policing adolescent
sexuality in the United States, 1885-1920. Chapel Hill, NC:
University of North Carolina Press.
Ortner, Sherry
B. and Harried Whitehead. 1981. Sexual meanings: the cultural
construction of gender and sexuality. Cambridge; New York:
Cambridge University Press.
Peiss, Kathy.
1986. Cheap amusements: working women and leisure in turn-of-the-
century New York. Philadelphia: Temple University Press
Peiss, Kathy.
1989. "Charity girls' and city pleasures: historical notes on
working-class sexuality 1880-1920," in Passion and power:
sexuality in history, ed. Kathy Peiss and Chritine Simmons.
Philadelphia" Temple University Press, pp. 57-69.
Peiss, Kathy
and Christine Simmons, ed. 1989. Passion and power: sexuality in
history. Philadelphia: Temple University Press.
Pleck,
Elizabeth H. and Joseph H. Pleck (eds.). 1980. The American man.
Englewood Cliffs, NJ: Prentice-Hall.
Rosenberg,
Charles E. 1980. "Sexuality, class and role in 19th-century America,"
in The American man, edited by Elizabeth H. Pleck and Joseph
H. Pleck. Englewood Cliffs, NJ: Prentice-Hall, pp. 219-54.
Rotundo, E.
Anthony. 1993. American manhood: transformations in masculinity
from the Revolution to the Modern era. New York: Basic Books.
Ruiz, Vicki L.
and Ellen Carol DuBois. 2000. Unequal sisters: a multicultural
reader in U.S. women’s history. Third edition. New York:
Routledge.
Schlissell,
Lillian and Catherine. 2000. The Western women’s reader: the
remarkable writings of women who shaped the American West, spanning 300
years. New York: Harper Perennial.
Showalter,
Elaine. 1990. Sexual anarchy: gender and culture at the fin de
siècle. New York: Viking.
Simmons,
Christina. 1993. "Modern sexuality and the myth of Victorian
repression," in Gender and American history since 1890, ed.
Barbara Melosh. New York: Routledge, pp. 17-42.
Smith-Rosenberg,
Carol. 1985. Disorderly conduct: visions of gender in Victorian
America. New York: A.A. Knopf
Smith-Rosenberg.
1989. "Discourses of sexuality and subjectivity: the New Woman,
1870-1936," in Hidden from history: reclaiming the gay &
lesbian past, ed.
Martin
Duberman, Martha Vicinus and George Chauncey. New York:
Meridian, pp. 264-80.
Sochen, June
(ed). 1971. The new feminism in twentieth-century America.
Lexington, MA: D. C. Heath & Co.
Stansell,
Christine. 1986. City of women: sex and class in New York,
1789-1860. New York: Knopf.
Walters,
Suzanna Danuta. 1995. Material girls: making sense of feminist
theory. Berkeley, CA: University of California Press.
Wells, Kate
Gannett. 1880. "The transitional American woman," The Atlantic
Monthly (December): 817-23.
Whiteley,
Shiela. 2000. Women and popular music: sexuality, identity and
subjectivity. London: Routledge.
back
to top / Taskforce
Home
Transexual
Studies/Intersexual Studies
Bornstein,
Kate. 1998. My gender workbook: how to become a real man, a real
woman, the real you, or something else entirely. New York:
Routledge.
Coates, Susan.
1997. “Gender identity disorder in boys: the search for a
constitutional factor,” in A queer world, edited by Martin
Duberman. New York: New York University Press, pp. 108-133.
Colapinto,
John. 2000. As nature made him: the boy who was raised as a girl.
New York: Harper Collins.
Fausto-Sterling,
Anne. 1997. “How to build a man,” in Science and homosexualities,
edited by Vernon A. Rosario. New York: Routledge, pp. 219-25.
Herdt,
Gilbert. 1997. “Third Genders, Third Sexes,” in A queer world,
edited by Martin Duberman. New York: New York University Press, pp.
100-107.
Kessler,
Suzanne J. “Creating good-looking genitals in the service of gender,”
in A queer world, edited by Martin Duberman. New York: New
York University Press, pp. 153-173.
Kessler, Suzanne J. 2000. Lessons from the intersexed. New
Brunswick, NJ: Rutgers University Press.
Middlebrook,
Diane Wood. 1998. Suits me: the double life of Billy Tipton.
Boston; New York: Houghton Mifflin.
Nanda, Serena.
1997. “The Hijras of India,” in A queer world, edited by
Martin Duberman. New York: New York University Press, pp. 82-86.
Roscoe, Will.
1997. “Gender diversity in Native North America: notes toward a unified
analysis,” in A queer world, edited by Martin Duberman. New
York: New York University Press, pp. 65-81.
Queer Theory/Gay &
Lesbian History
Abel, Sam.
1996. Opera in the flesh: sexuality in operatic performance.
Boulder, CO: Westview Press.
Abelove,
Henry, Michèle Aina Barale and David M. Halperin (eds). 1993. The
lesbian and gay studies reader. New York: Routledge.
Bergman, David
(ed). 1993. Camp grounds: style and homosexuality. Amherst,
MA: University of Massachusetts Press.
Blasius, Mark
and Shane Phelan (eds). 1997. We are everywhere: a historical
sourcebook of gay and lesbian politics. New York: Routledge.
Brett, Philip,
Elizabeth Wood, and Gary C. Thomas. 1994. Queering the pitch: the
new gay and lesbian musicology. New York: Routledge.
Burston, Paul
and Colin Richardson (eds). 1995. A queer romance: lesbians, gay
men and popular culture. London: Routledge.
Butler,
Judith. 1990. Gender trouble: feminism and the subversion of
identity. New York: Routledge.
Butler,
Judith. 1993. Bodies that matter: on the discursive limits of
"sex." New York: Routledge.
Castle, Terri.
1995. “In praise of Brigitte Fassbaender: reflections on Diva-Worship,”
in En travesty, ed. Corinne E. Blackmer and Patricia Juliana
Smith. New York: Columbia University Press, pp. 20-58.
Chauncey,
George. 1993. "Christian brotherhood or sexual perversion?: homosexual
identities and the construction of sexual boundaries in the World War I
era," in Gender and American history since 1890, ed. Barbara
Melosh. New York: Routledge, pp. 72-105.
Chauncey,
George. 1994. Gay New York: gender, urban culture, and the making
of the gay male world 1890-1940. New York: Basic Books.
Clum, John M.
1999. Something for the boys: musical theatre and gay culture.
New York: Palgrave.
Creekmur,
Corey K. and Alexander Doty. 1995. Out in culture: gay, lesbian,
and queer essays on popular culture. Durham, NC: Duke University
Press.
Curtin, Kaier.
1987. "We can always call them Bulgarians": the emergence of
lesbians and gay men on the American stage. Boston: Alyson.
D’Emilio,
John. 1983. Sexual politics, sexual communities: the making of a
homosexual minority in the United States, 1940-1970. Chicago:
University of Chicago Press.
Donoghue,
Emma. 1993. Passions between women: British lesbian culture,
1668-1801. New York: Harper Collins.
Donoghue,
Emma. 1997. Poems between women: four centuries of love, romantic
friendship, and desire. New York: Columbia University Press.
Doty,
Alexander. 1993. Making things perfectly queer: interpreting mass
culture. Minneapolis, MN: University of Minnesota Press.
Duberman,
Martin, Martha Vicinus and George Chauncey, Jr. (eds). 1990. Hidden
from history: reclaiming the gay & lesbian past. New York:
Meridian Books.
Duberman,
Martin (ed). 1997. A queer world: the Center for Lesbian and Gay
Studies reader. New York: New York University Press.
Faderman,
Lillian. 1981. Surpassing the love of men: romantic friendship and
love between women from the Renaissance to the present. New York:
William Morrow.
Faderman,
Lillian. 1992. Odd girls and twilight lovers: a history of lesbian
life in twentieth-century America. New York: Penguin.
Faderman,
Lillian. 1999. To believe in women: what lesbians have done for
America—a history. Boston; New York: Houghton Mifflin.
Foucault,
Michel. 1990. The history of sexuality. Vol. 1: An introduction.
New York: Vintage Books.
Fuller, Sophie
and Lloyd Whitesell (eds). Queer episodes in music and modern
identity. Urbana and Chicago: University of Illinois Press.
back
to top / Taskforce
Home
Fuss, Diana
(ed). 1991. Inside/out: lesbian theories, gay theories. New
York: Routledge.
Garber, Eric.
1988. "Gladys Bentley: the Bulldagger who sang the blues," Outlook
(Spring): 52-61.
Garber, Eric.
1989. "A spectacle in color: the lesbian and gay subculture of Jazz Age
Harlem," in Hidden from history: reclaiming the gay & lesbian
past, ed. Martin Duberman, Martha Vicinus and George Chauncey. New
York: Meridian, pp. 318-31.
Garber,
Marjorie. 2000. Bisexuality & the eroticism of everyday life.
New York: Routledge.
Gever, Martha,
John Greyson and Prabitha Parmar (eds). 1993. Queer looks:
perspectives on lesbian and gay film. New York: Routledge.
Gross, Larry
and James D. Woods (eds). 1999. The Columbia reader in lesbians
& gay men in media, society, & politics. New York:
Columbia University Press.
Harris, Laura
and Elizabeth Crocker (eds). 1997. Femme: feminists, lesbians
& bad girls. New York: Routledge.
Herdt,
Gilbert. 1997. Same sex: different cultures: exploring gay &
lesbian lives. Boulder, CO: Westview Press.
Higgs, David
(ed). 1999. Queer sites: gay urban histories since 1600.
London: Routledge.
Kaiser,
Charles. 1997. The gay metropolis, 1940-1996. Boston; New
York: Houghton Mifflin.
Kennedy,
Elizabeth Lapovsky and Madeline D. Davis. 1993. Boots of leather,
slippers of gold: the history of a lesbian community. New York:
Penguin.
Kirsch, Max H.
2000. Queer theory and social change. London: Routledge.
Koestenbaum, Wayne. 1993. The queen’s throat: opera, homosexuality
and the mystery of desire. New York: Poseidon Press.
Madsen, Axel.
1996. Forbidden lovers: Hollywood's greatest secret—female stars
who loved other women. Secaucus, NJ: Citadel Stars, Carol
Publishing.
Merck, Mandy.
1993. Perversions: deviant readings. New York: Routledge.
Miller, Neil. 1995. Out of the past: gay and lesbian history from
1869 to the present. New York: Vintage Books.
Mintz, Beth
and Esther D. Rothblum (eds). 1997. Lesbians in academia: degrees
of freedom. New York: Routledge.
Morris,
Mitchell. 1995. “Admiring the Countess Geschwitz,” in En travesty,
ed. Corinne E. Blackmer and Patricia Juliana Smith. New York:
Columbia University Press, pp. 348-70.
Munt, Sally.
1992. New lesbian criticism: literary and cultural readings.
New York: Columbia University Press.
Nardi, Peter
M. and Beth E. Schneider. 1998. Social perspectives in Lesbian and
gay studies. London: Routledge.
Newton,
Esther. 1989. "The mythic mannish lesbian: Radclyffe Hall and the New
Woman," in Hidden from history: reclaiming the gay & lesbian
past, ed. Martin Duberman, Martha Vicinus and George Chauncey. New
York: Meridian, pp. 281-93.
Patton, Cindy. 1990. Inventing AIDS. New York: Routledge.
Penn, Donna.
1993. "The meanings of lesbianism in post-war America," in Gender
and American history since 1890, ed. Barbara Melosh, pp. 106-124.
Russo, Vito.
1987. The celluloid closet: homosexuality in the movies. Revised
edition. New York: Harper Perennial.
Sedgwick, Eve
Kosofsky. 1990. Espistemology of the closet. Berkeley, CA:
University of California Press.
Smith,
Patricia Juliana (ed). 1999. The queer sixties. New York:
Routledge.
Warner, Michael (ed). 1993. Fear of a queer planet: queer politics
and social theory. Minneapolis, MN: University of Minnesota Press.
Weiss, Andrea.
1992. Vampires and violets: lesbians in film. New York:
Penguin.
Wishman, Vera. 1996. Queer by choice: lesbians, gay men, and the
politics of identity. New York: Routledge.
Wood,
Elizabeth. 1995. “The lesbian in the opera: desire unmasked in Smyth’s
Fantasio and Fête Galante,” in En travesty, ed. Corinne E.
Blackmer and Patricia Juliana Smith. New York: Columbia University
Press, pp. 285-305.
Zimmerman,
Bonnie and Toni A. H. McNaron. 1996. The new lesbian studies: into
the twenty-first century. New York: The Feminist Press at the City
University of New York.
Zimmerman,
Bonnie (ed). 2000. Lesbian histories and cultures. The
Encyclopedia of Lesbian and Gay Histories and Cultures, Vol. 2.
New York: Garland Publishing.
Sexology/Psychology/Sex
History
Barker-Benfield,
G. J. 2000. The horrors of the half-known life: male attitudes
towards women and sexuality in nineteenth-century America. Second
Edition. New York: Routledge.
Carlston, Erin
G. 1997. ""A finer differentiation": female homosexuality and the
American medical community, 1926-1940," in Science and
homosexualities, edited by Vernon A. Rosario. New York: Routledge,
pp. 177-96.
D'Emilio, John
and Estelle B. Freedman. 1988. Intimate matters: a history of
sexuality in America. New York: Harper & Row.
Ellis,
Havelock. 1912. The task of social hygiene. Boston, New York,
Houghton Mifflin Company.
Ellis, Havelock. 1928. Studies in the psychology of sex. Vol. 7:
Eonism and Other Supplementary Studies. Philadelphia: F. A. Davis
Company.
Ellis,
Havelock. 1936. Studies in the psychology of sex. Vol. 2, part 2,
Sexual Inversion. New York: Random House, reprint of 1910 edition.
Ellis,
Havelock and John Addington Symonds. 1975. Sexual inversion.
New York: Arno Press. Reprint of the 1897 ed. published by Wilson and
Macmillan which was issued as v. 1 in the author's Studies in the
psychology of sex.
Fausto-Sterling,
Anne. Myths of gender: biological theories about women and men.
Revised edition. New York: Basic Books.
Fausto-Sterling,
Anne. 2000. Sexing the body: gender politics and the construction
of sexuality. New York: Basic Books.
Fout, John C.
and Maura Shaw Tantillo (eds). 1993. American sexual politics:
sex, gender, and race since the Civil War. Essays from the Journal of
the History of Sexuality. Chicago: University of Chicago Press.
Gibson,
Margaret. 1997. "Clitoral corruptin: Body metaphors and American
doctors' constructions of female homosexuality, 1870-1900," in Science
and homosexualities, edited by Vernon A. Rosario. New York:
Routledge, pp. 108-32.
Hale, Nathan
G. 1971. Freud and the Americans : the beginnings of
psychoanalysis in the United States, 1876-1917. Oxford; New York:
Oxford University Press.
Hale, Nathan
G. 1995. The rise and crisis of psychoanalysis in the United
States : Freud and the Americans, 1917-1985. Oxford; New York:
Oxford University Press.
Hartley, C.
Gasquoine. 1917. Motherhood and the relationship of the sexes.
New York: Dodd, Mead and Co.
Hirschfeld,
Magnus. 1936. Sexual anomalies and perversions: Physical and
psychological development and treatment. London: Francis Aldor.
back
to top / Taskforce
Home
Hirschfeld,
Magnus. 1948. Sexual anomalies: The origins, nature, and treatment
of sexual disorders. A summary of the works of Magnus Hirschfeld, M. D.
. . . New York: Emerson Books.
Hirschfeld,
Magnus. 1991 Transvestites: the erotic drive to cross dress.
Translated by Michael A. Lombardi-Nash. Buffalo: Prometheus Books.
Katz, Jonathon
Ned. 1995. The invention of heterosexuality. New York: Dutton.
Kennedy, Hubert. 1997. "Karl Heinrich Ulrichs, first theorist of
homosexuality," in Science and homosexualities, edited by
Vernon A. Rosario. New York: Routledge, pp. 26-45.
Krafft-Ebing,
Richard von. 1893. Psychopathia sexualis: with especial reference
to contrary sexual instinct: a medico-legal study. Philadelphia:
F.A. Davis.
Krafft-Ebing,
Richard von. 1959. Aberrations of sexual life after the
Psychopatia Sexualis of Dr.R.v.Kraft-Ebing . . . a medico-legal study
for doctors and lawyers brought up to date and issued by Alexander
Hartwich, Dr Med. London: Staples Press.
Krafft-Ebing,
Richard von. 1965. Psychopathia sexualis: a medico-forensic study.
Translated by Dr. Harry E. Wedeck. 1st unexpurgated ed. in English. New
York: Putnam.
Lancaster,
Roger N and Micaela di Leonardo (eds). The gender & sexuality
reader: culture, history, political economy. New York: Routledge.
Latham, Angela
J. 2000. Posing a threat: flappers, chorus girls, and other brazen
performenrs of the American 1920s. Hanover, NH: University Press
of New England for Wesleyan University Press.
Mayne, Xavier
(Edward Prime Stephenson). 1975. The intersexes: a history of
simisexualism as a problem in social life. New York: Arno, reprint
of 1908 edition.
Melody, M. E.
and Linda M. Peterson (eds) 1999. Teaching America about sex:
marriage guides and sex manuals from the late Victorians to Dr. Ruth.
New York: New York University Press.
Oosterhuis,
Harry. 1997. "Richard von Krafft-Ebing's "step-children of nature":
psychiatry and the making of homosexual identity," in Science and
homosexualities, edited by Vernon A. Rosario. New York: Routledge,
pp. 67-88.
Robinson,
William J. 1933. Woman: her sex and her love life. 13th edition.
New York: Eugenics Publishing Co., originally published 1917.
Rosario,
Vernon A. (ed.). 1997. Science and homosexualities. New York:
Routledge.
Steakley,
James D. 1997. "Per scientum adjustitiam: Magnus Hirschfeld and the
sexual politics of innate homosexuality," in Science and
homosexualities, edited by Vernon A. Rosario. New York: Routledge,
pp. 133-54.
Stekel,
Wilhelm. 1952. Sexual aberrations: the phenomena of fetishism in
relation to sex. Authorized English version from the 1st German
ed. by S. Parker. Introd. by Emil A. Gutheil. New York: Liveright.
Stekel,
Wilhelm. 1962. Frigidity in woman, in relation to her love life.
Introd. by Emil A. Gutheil. Authorized English version by James S. Van
Tesinar. New York: Grove Press.
Ulrichs, Carl
Heinrich. 1898. Ara Spei: ethical and social studies on the
Uranian question. Leipzig: Verlag von Max Spohr.
Ulrichs, Carl
Heinrich. 1994. The riddle of "man-manly" love: the pioneering
work on male homosexuality. Translated by Michael A.
Lombardi-Nash; introduction by Vern L. Bullough. Buffalo: Prometheus
Books.
Verbrugge,
Martha H. Able-bodied womanhood: personal health and social change
in nineteenth-century Boston. New York: Oxford University Press.
Dance, Gender, and Sexuality
Bibliography compiled by Judith Lynne Hanna
Note: for help locating obscure
materials, contact Judith at jlhanna(at)hotmail.com
Books:
1987 To Dance Is Human: A Theory of Nonverbal
Communication. Revised 1979 edition. Chicago: University of
Chicago Press
1983 The Performer-Audience Connection: Emotion
to Metaphor in Dance and Society. Austin and London: University
of Texas Press (Choice, outstanding book)
1988 Dance, Sex, and Gender: Signs of Identity,
Dominance, Defiance, and Desire. Chicago: University of Chicago
Press
1999 Partnering Dance and Education:
Intelligent Moves for Changing Times. Champaign, IL: Human
Kinetics Press
2006 Dancing for Health: Conquering and Preventing
Stress. Lanham, MD: AltaMira Press [Rowman and Littlefield] in
press
--- Nigeria's Ubakala Igbo Dance: Life, Death,
and the Women's War. London: Harwood Academic Publishers,
in preparation
Articles:
1977 "African Dance and the Warrior Tradition," in
Ali A. Mazrui, ed., The Warrior Tradition in Modern Africa.
Special Issue of Journal of Asian and African Studies
12(1-2):111-133. Also Leiden: E.J. Brill (book).
Material in To Dance Is Human.
1979 "Dance and its Social Structure: The
Ubakala of Nigeria," Journal of Communication (The Social Meanings of
Art) 29(4):184-191. Material in To Dance Is Human
1982 "Dance and the Women's War," Dance Research
Journal 14(1-2):25-28. Material in To Dance Is Human, Dance, Sex,
and Gender, and Dance and Stress
1983 "Dance and the Cultural Heritage," Proceedings
of the International Conference on Children and Youth Dancing,
Stockholm, 1982. Stockholm: Swedish Division of Dance and
the Child, UNESCO affiliated
1986 "Ballets that Shock," Stagebill, Spring (Detroit
Book VII), pp. 22, 24, 27, 30
1986 "Movement in African Performance," in Bob
Fleshman, ed., Theatrical Movement: A Bibliographical
Anthology. Metuchen, NJ: Scarecrow Press, pp. 561-585
1986 "Interethnic Communication in Children's Own
Dance, Play, and Protest," in Young Y. Kim, ed. Interethnic
Communication (Vol. 10, International and Intercultural Communication
Annual). Newbury Park, CA: Sage, pp. 176-198
1987 "Patterns of Dominance: Men, Women, and
Homosexuality in Dance," The Drama Review 113, 31(1):24-47.
Material in Dance, Sex and Gender and in Wayne R. Dynes and Stephen
Donaldson, eds. Homosexuality and Homosexuals in the Arts. Vol. 4
of 13-volume Studies in Homosexuality, New York: Garland,
pp. 198-223, 1992
1987 "Gender Language Onstage: Moves, New
Moves, Countermoves," Journal of the Washington Academy of Sciences
77(1):18-26
1988 "Do We Teach Sex Roles Through Dance Education?"
Dance Teacher Now 10(7):38-41
1989 "African Dance Frame by Frame: Revelation
of Sex Roles Through Distinctive Feature Analysis and Comments on Field
Research, Film, and Notation," Journal of Black Studies 19(4):422-441;
abstracted in Cultural Anthropology Methods Newsletter 1(2):13, 1989
1990 "Dance and Women's Protest in Nigeria and the
United States," in Guida West and Rhoda Lois Blumberg, eds., Women and
Social Protest. New York: Oxford University Press, pp.
333-345
1990 "Advertising With Dance," in Lynnette Y. Overby
and James H. Humphrey, eds., Dance: Current Selected Research,
II. New York: AMS Press, pp. 117 136
1992 "Tradition, Challenge, and the Backlash:
Gender Education Through Dance," in Laurence Senelick, ed., Gender and
Performance. Hanover, NH: The University Press of New
England, pp. 223-238
1992 "Moving Messages: Identity and Desire in
Dance," in James Lull, ed., Popular Music and Communication, 2nd
Edition. Newbury Park, CA: Sage, pp. 176-195
1992 "Shock Troupes: Helms, Kitty Kat, and So
What?" Ballet Review 20(3):85-93
1993 "Classical Indian Dance and Women's Status," in
Helen Thomas, ed., Dance, Gender and Culture. London:
Macmillan, pp. 119-127
1996 "In Defense of Exotic Dance," Exotic Dancer
Bulletin 1(3):70, 72
1996 "Exotic Dance, the First Amendment, and Court,"
AnthroWatch 4(2):12
1997 "Witness to Injustice?" Exotic Dancer Bulletin
2(4):80
1997 "Rasta Thomas: Extraordinary Boy Next
Door," Dance Teacher Now 19(1):65-72
1997 Creativity in Ubakala, Dallas Youth, and Exotic
Dance," in R. Keith Sawyer, ed. Creativity in Performance, R. Keith
Sawyer, ed. Norwood, NJ: Ablex Publishing Corporation, pp.
141-167
1997 "Nilimma Devi's Touch of India in America,"
Dance Teacher Now 19(2):97-100, 102
1998 "Undressing the First Amendment and Corsetting
the Striptease Dancer," The Drama Review, T158, 42(2):38-69, Summer
1998 "Analysis: The First Amendment and Exotic
Dance," National Campaign for Freedom of Expression Quarterly, Autumn,
p. 8
1998 "Exotic Dance in Seattle: The First
Amendment and Anthropology," AnthroWatch 6(1):4-6
1998 "In the Courtroom: The Right to Dance!"
Exotic Dancer Bulletin 3(1):20
1998 "Defining Dance in the Courtroom," Exotic Dancer
Bulletin 3(3):29
1998 Interview by Vladimir Anguelov: "Die Reinheit
der Nachtclubtanzerin und die Erotik der Ballerina," Tanz Affiche
80:28-31
1998 "Feminist Perspectives on Classical Indian
Dance," in David Waterhouse, ed., Dance of India (South Asian Studies
Papers). Toronto: University of Toronto Graduate Centre for
South Asian Studies, pp. 193-231
1999 "Toying with the Striptease Dancer and the First
Amendment," in Stuart Reifel, ed., Play and Culture Studies, Vol.
2. Greenwich, CT., Ablex, pp. 37-55
1999 "The First Amendment and Defense of Exotic
Dance," Anthropology Newsletter 40(4):50-51
1999 "Club News: Washington, D.C. Bureau," Exotic
Dancer Bulletin 3(4):74-76
1999 "Here's the Naked Truth," Gazette Community
Forum," p. A-17
1999 "Washington, D.C. Bureau," Exotic Dancer
Bulletin 3(4):74-76
1999 "Club Owners--Are You Harassing or
Discriminating Against Your Dancers?" Exotic Dancer Bulletin 4(1):61
1999 "Arrests In A Family Business," Exotic Dancer
Bulletin 4(2):20-21
1999 "The Naked Truth," Exotic Dancer Bulletin
4(2):138-139
1999 "Dance," in David Levinson, James Ponzetti, and
Peter Jorgensen, eds., Encyclopedia of Human Emotions, Vol. 1.
New York: Macmillan, pp. 171-177
2000 “Helping Dancers, Helping Business?” Exotic
Dancer Bulletin 5(1):52
2000 “Club Wins First Round of Nudity Battle,” Exotic
Dancer Bulletin 5(4):12-13
2001 “Ballet to Exotic Dance – Under the Censorship
Watch,” in Janice LaPointe-Crump and Juliette Crone-Willis, compilers,
Dancing in the Millennium: An International Conference, 2000
Proceedings, Washington, DC, pp. 230-234
2001 “The Language of Dance,” JOPERD 72(4):40-45, 53
2001 “Wrapping Nudity In a Cloak of Law,” New York
Times, July 29, pp. 14, 18
2001 “What’s in a Name? A ? of Life or Death
& Acceptance or Stigma,” Adult Entertainment Advocate 5(1):2,
January 1
2001 “Still Dancing Nude at Class Act,” with Randall
D.B. Tigue, Exotic Dancer Bulletin 5(7):8-9, 60
2001* “Reality and Myth: What Neighbors Say
About Exotic Dance Clubs: A Case Study on Charlotte, North Carolina,”
Charlotte, NC: Tarheel Entertainment Association, submitted to the City
of Charlotte Zoning Board
2002 “Book Perpetuates Dangerous Myths,” ACE National
Newsletter, 2(2):1-2
2002 “The Stigma of Exotic Dance: Sexy, Not
Sex,” Exotic Dancer Bulletin, 7(1): 37
2002* "Dance Under the Censorship Watch," Journal of
Arts Management Law and Society 29(1):1-13
2002 “American Planning Association Volume Would
‘Plan’ Adult Businesses into Oblivion,” (Legal News, Book Review) Adult
Video News (AVN) 18(4):218
2002 “If This Is Stripping, What Is Adult
Entertainment,” Exotic Dancer Bulletin, 7(3):62
2002 “Exotic Dance Industry Under Fire,” Free
Speaker, January, pp. 8-9
2002 “Whose Aesthetics Determine Artistic Merit?” DCA
(Dance Critics Association) News, Summer/Autumn, pp. 7-15
2003 “History of Burlesque on Display at Exotic World
Museum,” Exotic Dancer’s Club Bulletin, Feb/March, p. 65
2003 “Review of Eric Damian Kelly and Connie Cooper,
Everything you always wanted to know about regulating sex businesses,”
Journal of Planning Literature 17(3):45-46
2003 “Exotic Dance Adult Entertainment: Ethnography
Challenges False Mythology,” City and Society 15(2):165-193
2003 “Aesthetics -- Whose Notions of
Appropriateness & Competency, What Are They
and How Do We Know?” World of Music, Special
issue: Cross-Cultural Aesthetics,
eds., D.A. Avorgbedor and M. P.
Baumann, 45(3):29-54
2003 “A Room With a View.
Undercover Detectives Said the Dancing at Sugar
Daddy’s Had ‘No
Artistic Merit.’ A Jury Disagrees,” Exotic Dancer’s Club Bulletin, June
p. 30.
2003 “Who Speaks for Gays in
Dance?” Dance Research Journal 34(3), Summer
2003 “Very Bare Bones (Review of Sisters of Salome),”
Dance Magazine 77(11):80
2003 “The Supremes Call the Tune” (Supreme Court on
Diversity and Privacy), Dance Magazine 77(12):23
2003 “Arte posta a nu,” Gesto (Revista do Centro
Coreográfico do Rio) (Brazil), June pp. 24-29
2004 “The First Amendment, Artistic Merit and Nudity
in Minnesota: Dance, Criminal Public Indecency and Evidence,” Minnesota
Law and Politics Web Magazine www.lawandpolitics.com (click on MN &
then web magazine)
Synopsized: "Artistic Merit in Exotic Dance: A Case
Study in Exotic Dancer Jury Trials," Free Speaker, August, pp. 12-14
2004 "Dancing to Celebrate and Help Women," Dancer,
December 92, 94
2005 "Dance Speaks Out on Social
Issues," Anthropology News 46(4):11-12
2005 "'Provocative'" Dancers: Actors with
Agency," Anthropology News (Association
for
Feminist Anthropology) 46(7):47
2005 “Adult Entertainment Exotic Dance:
A Guide for Planners and Policy Makers” (CPL
[Council of Planning Librarians] Bibliography 375), Journal of Planning
Literature
20(2):116-134
2006 "Strip Club FYI," "Gentlemen's Clubs, Councils
& Courtrooms," Adult Entertainment Today 2:2 9
2006 "Body to Body, Dimes to Dollars, Adult
Entertainment Today, 3:13
2006 "Music and the Art of Seduction: Conference
Report," Dance Research Journal (forthcoming)
2006 "'Toxic' Strip Clubs: The Intersection of
Religion and Law," under publication review
|