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Bibliographies
Submitted by Task Force
Members
1. Music,
Gender, and Sexuality Bibliography compiled by Juniper
Hill
2. Gillian Rodger's
Bibliography:
Women
on the Stage/Feminist Performance/Performance Studies
Cross
Dressing (Mostly theatrical)
Women’s
Studies/Gender Studies
Transexual
Studies/Intersexual Studies
Queer
Theory/Gay & Lesbian History
Sexology/Psychology/Sex
History
3. Dance,
Gender, and Sexuality Bibliography compiled by Judith Lynne
Hanna
Music, Gender, and Sexuality Bibliography
compiled by Juniper Hill, spring
2003
Abu-Lughod, Lila. 1986.
Veiled Sentiments: Honor and Poetry in a Bedouin Society.
Los Angeles, California: University of California Press.
Abu-Lughod, Lila. 1990.
“Can There Be a Feminist Ethnography?” Women & Performance:
A Journal of Feminist Theory, vol. 5(1):7-27.
Anzuldua, Gloria.
“Haciendo caras, una entrada.” In Making Face, Making Soul:
Creative and Critical Perspectives by Women of Color. San
Francisco: Aunt Lute Foundation books, (1990), pp.
vv-xxviii.
Apo, Satu, Aili Nenola,
and Laura Stark-Arola. 1998. Gender and Folklore: Perspectives
on Finnish and Karelian Culture. Helsinki: Finnish Literature
Society.
Attinello, “Performance
and/or Shame: A Mosaic of Gay (and Other) Perceptions,”
Repercussions 4/2 (Fall 1995): 97-130.
Blackwood, Evelyn.
1995. "Falling in Love with an-Other Lesbian: Reflections on
Identity in Fieldwork." In Taboo: Sex, Identity and Erotic
Subjectivity in Anthropological Fieldwork, ed. by Kulick and
Willson. New York, New York: Routledge. Pp.
51-75.
Bolton, Ralph. 1995. "Tricks,
Friends, and Lovers: Erotic Encounters in the Field." In Taboo:
Sex, Identity and Erotic Subjectivity in Anthropological
Fieldwork, ed. by Kulick and Willson. New York, New York:
Routledge. Pp. 140-167.
Bradby, Barbara,
“Do-Talk and Don’t-Talk: The Division of the Subject in Girl-Group
Music,” in On Record: Rock, Pop, and the Written Word,
Simon Frith and Andrew Goodwin, eds. (New York 1990):
341-368.
Bradby, Barbara,
“Sampling Sexuality: Gender, Technology, and the Body in Dance
Music,” Popular Music 12/2 (1993): 155-176.
Brett, Philip,
“Musicality, Essentialism, and the Closet,” in Queering the
Pitch: The New Gay and Lebian Musicology, Philip Brett,
Elizabeth Wood, and Gary C. Thomas, eds. (New York, 1994):
9-26.
Brett, Philip,
Elizabeth Wood, and Gary C. Thomas, eds., Queering the Pitch:
The New Gay and Lebian Musicology, (New York, 1994).
Butler, Judith. 1990.
“Subjects of Sex/Gender/Desire” and “Condusion: From Parody to
Politics,” In Gender Trouble: Feminism and the Subversion of
Identity. New York: Routledge, pp. 1-34 and 142-149.
Butler, Judith. 1993.
“Introduction.” In Bodies that Matter, New York:
Routledge.
Butler, Judith. 1994.
“Against Proper Objects” in Differences: a Journal of Feminist
Cultural Studies 6:1-26.
Carby, Hazel. “It Jus
Be’s Dat Way Sometime” in Unequal Sisters, pp.
238-49.
Case, Sue-Ellen. 1989.
"Toward a Butch-Femme Aesthetic" in Making a Spectacle: Feminist
Essays on Contemporary Women's Theater, ed. Lynda Hart. Ann
Arbor: University of Michigan Press, pp. 282-99.
Case, Sue-Ellen. 1996.
Split Britches: Lesbian Practice/Feminist Performance. New
York: Routledge.
Chauncey, George. 1989.
"Christian Brotherhood or Sexual Perversion? Homosexual Identities
in the Construction of Sexual Boundaries in the World War I Era" in
Hidden from History: Reclaiming the Gay and Lesbian Past.
New York: New American Library.
Chauncey, George. 1989.
"From Sexual Inversion to Homosexuality: the Changing Medical
Conceptualization of Female 'Deviance'" in Passion and Power:
Sexuality in History, eds. Kathy Peiss and Christina Simmons.
Philadelphia: Temple University Press.
Chauncey, George. 1994.
Gay New York: Gender, Urban Culture, and the Making of the Gay
Male World, 1890-1940. New York: Basic Books.
Cook, Susan. '“Cursed
Was She': Gender and Power in Ame Ballad In Cecilia Reclaimed:
Feminist Perspectives on Gender and Music, eds. Susan C. Cook
and Judy S. Tsou, Urbana: University of Illinois Press, (1994).
Cusick, Suzanne G., “On
a Lesbian Relationship with Music: A Serious Effort Not to Think
Straight,” in Queering the Pitch: The New Gay and Lesbian
Musicology, Philip Brett, Elizabeth Wood, and Gary C. Thomas,
eds. (New York, 1994): 67-84.
Daley, Mike, “Patti
Smith’s Gloria: Intertextual Play in a Vocal Performance,”
Popular Music 16/3 (1997): 235-254.
Dart, Mary. 1992.
"Contradance Choreography: A Reflection of Social Change." Ph.D.
Dissertation. Indiana University.
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Davis, Angela Y.
Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie
Smith, and Billie Holiday, Pantheon Press, 1998.
Davy, Kate. 1986.
"Constructing the Spectator: Reception, Context, and Address in
Lesbian Performance" in Performing Arts Journal 10:
2.
de Lauretis, Teresa.
1990. "Sexual Indifference and Lesbian Representation" in
Performing Feminisms: Feminist Critical Theory and Theater,
ed. Sue-Ellen Case. Baltimore: Johns Hopkins University Press.
Dibbell, Carola.
“Inside Was Us,” in Trouble Girls: The Rolling Stone Book of
Women in Rock, pp. 269-87
Douglas, Susan J., “Why
The Shirelles Mattered,” Where the Girls Are: Growing Up Female with
the Mass Media (New York, 1994): 83-98.
Dyer, Richard, “It’s
being so camp as keeps us going,” Only Entertainment
(London and New York, 1992).
Echols, Alice.
Scars of Sweet Paradise: The Life and Times of Janis
Joplin.
Ehrenreich, Hess &
Jacobs, “Beatlemania,” in Re-Making Love, pp. 10-38.
Faderman, Lillian.
1978. "The Morbidification of Love between Women by
Nineteenth-Century Sexologist" in Journal of Homosexuality
4.
Fast, Susan,
“Rethinking Issues of Gender and Sexuality in Led Zeppelin: A
Woman’s View of Pleasure and Power in Hard Rock,” American
Music 17/3 (Fall 1999): 245-299.
Fitzgerald,, Thomas K.
1999. "Identity and Ethnography: Limits to Reflective Subjectivity."
In Sex, Sexuality, and the Anthropologist, ed. by Markowitz
and Ashkenazi. Chicago, Illinois: University Of Illinois Press. Pp.
117-127.
Flax, Jane.
“Postmodernism and Gender Relations in Feminist Theory.”
Signs, vol. 12(4), (1987), pp. 621-643.
Flinn, Juliana, L.
Marshall, and J. Armstrong,eds. 1998. Fieldwork and
Families. Honolulu, Hawaii: University of Hawaii
Press.
Frith, Simon, “Rhythm:
Race, Sex, and the Body,” and “Rhythm: Time, Sex, and the Mind,”
Performing Rites: On the Value of Popular Music (Cambridge
MA, 1996): 123-157.
Gaines, Donna. “Girl
Groups: A Ballad of Codependency,” in Trouble Girls: The Rolling
Stone Book of Women in Rock, pp. 103-115.
Gaspar de Alba, Alicia.
1999. "The Politics of Location of the Tenth Muse of America: an
Interview with Sor Juana Inés de la Cruz" in Living Chicana
Theory. Berkeley: Third Woman Press.
George, Kenneth.
“Music-Making, Ritual and Gender in a Southeast Asian Hill Society,”
Ethnomusicology, vol. 37(1), Winter (1993), pp.
1-27.
Gonzalez, Deena. 1999.
"Speaking Secrets: Living Chicana Theory" in Living Chicana
Theory. Berkeley: Third Woman Press.
Goodman, Liz. 1996.
"Rights of Passing." In Out in the Field: Reflections of Lesbian
and Gay Anthropologists, ed. by Lewin, Ellen and Leap, William.
Chicago: Illinois, University of Illinois Press. Pp.
49-57.
Grewal, Inderpal and
Kaplan, Caren. 2001. "Global Identities: Theorizing Transnational
Studies of Sexuality" in GLQ: A Journal of Lesbian and Gay
Studies 7: 663-679.
Hajdu, David. 2002.
"Queer as Folk: How Did an Earnest Voice and an Acoustic Guitar
Become the Sound of Lesbian Culture?" in New York Times
Magazine. August 18, 2002.
Halberstam, Judith.
1998. “Transgender Butch: Butch/FTM Border Wars and the Masculine
Continuing" in Female Masculinity. Durham: Duke University
Press.
Halberstam, Judith.
1998. “The Androgyne, the Tribade, the Female Husband, and Other
Pre-Twentieth-Century Genders" in Female Masculinity.
Durham: Duke University Press.
Halperin, David M.
1989. "Sex before Sexuality: Pederasty, Politics, and Power in
Classical Athens" in Hidden from History: Reclaiming the Gay and
Lesbian Past, edited by George Chauncey. New York: New American
Library.
Halperin, David. 2002.
How to Do the History of Homosexuality, "Introduction: in
Defense of Historicism". Chicago: University Of Chicago
Press.
Hampton, Barbara.
“Music and Gender in Ga Society: Adaawe Song Poetry.” In African
Musicology: Current Trends, Vol. II., , ed. Jacqueline DjeDje,
Los Angeles: Crossroads Press/African Studies Association, (1992),
pp. 135-149.
Hart, Lynda and Phelan,
Peggy. 1995. "Queerer Than Thou: Being and Deb Margolin" in
Theater Journal 47.
Hart, Lynda. 1993.
"Identity and Seduction:Lesbians in the Mainstream" in Acting
out: Feminist Performances. Ann Arbor: University of Michigan
Press.
Hast, Dorothea. 1994.
"Music, Dance, and Community: Contradance in New England." Ph.D.
Dissertation. Wesleyan University, CT
Hill-Collins, Patricia.
“Knowledge, Consciousness, and the Politics of Empowerment.” In
Black Feminist Thought: Knowledge, Consciousness, and the
Politics of Empowerment. London: HarperCollins Academic,
(1990), pp. 221-238.
hooks, bell. “talking
back” from Talking Back: Thinking feminist. Thinking Black,
Boston: South End Press, (1989), pp. 5-9.
Howard, John. 1999.
Men like That: a Southern Queer History, Chapter 1 "Ones
and Twos". Chicago: University of Chicago Press.
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Hubbs, Nadine, “ Will
Survive’: The Disco Anthem’s Minor-Mode Semiotics of Transcendence”
unpublished typescript.
Hubbs, Nadine, “Music
of the ‘Fourth Gender’: Morrissey and the Sexual Politics of Melodic
Contour,” Genders: Bodies of Writing, Bodies in
Performance, Thomas Foster and Carol Seigel, eds. v. 23 (New
York, 1996): 266-96.
Jones, Rose. 1999.
"Husbands and Lovers: Gender Construction and the Ethnography of Sex
Research." In Sex, Sexuality, and the Anthropologist, ed.
by Markowitz and Ashkenazi. Chicago, Illinois: University Of
Illinois Press. Pp. 25-43.
Kaufmann McCall,
Dorothy. “Simone de Beauvoir, The Second Sex, and Jean-Paul Sartre,”
Signs, vol. 5(2), (1979), pp. 209-233.
Keyes, Cheryl.
“Empowering Self, Making Choices, Creating Spaces: Black Female
Identity via Rap Music Performance,” Journal of American
Folklore, Summer 2000.
Kleinhans, Chuck,
“Taking Out the Trash: Camp and the Politics of Parody,” in The
Politics and Poetics of Camp, Moe Meyer, ed. (London and New
York, 1994): 182-201.
Kononenko, Natalie.
1994. "Women As Performers of Oral Literature: A Re-Examination of
Epic and Lament", in Women Writers in Russian Literature,
edited by Tony Clyman and Diana Greene.
Koskoff, Ellen. “An
Introduction to Women, Music and Culture.” In Women and Music in
Cross-Cultural Perspective, Ellen Koskoff, ed. Westport, CN:
Greenwood Press, (1987).
Koskoff, Ellen. “The
Sound of a Woman's Voice: Gender and Music in a New York Hasidic
Community.” In Women and Music in Cross-Cultural
Perspective, pp. 213-223.
Kulick, Don and
Willson, Margaret, eds. 1995. Taboo: Sex, Identity and Erotic
Subjectivity in Anthropological Fieldwork. New York, New York:
Routledge.
Lang, Sabine. 1998.
Men As Women, Women As Men: Changing Gender in Native American
Cultures. Austin: University of Texas Press.
Levine, Judy. N.D.
"Contradance in New York: Longways for As Many As Will" in
Meaningful Play, Meaningful Meaning. Ed. Fine, Gary Alan.
Champaign, IL: Human Kinetics Publishers, Inc..
Lewin, Ellen and Leap,
William, eds. 1996. Out in the Field: Reflections of Lesbian and
Gay Anthropologists. Chicago: Illinois, University of Illinois
Press.
Lewin, Ellen. “Writing
Lesbian Ethnography.” In Women Writing Culture, Ruth Behar
and Deborah A. Gordon, eds. Berkeley: University of California
Press, (1995), pp. 322-335.
Lewin, Ellen. 1996.
"Confessions of a Reformed Grant Hustler." In Out in the Field:
Reflections of Lesbian and Gay Anthropologists, ed. by Lewin,
Ellen and Leap, William. Chicago: Illinois, University of Illinois
Press. Pp. 111-127.
Mackinnon, Catherine.
“Feminism, Marxism, Method, and the State: An Agenda for Theory.”
Signs, vol. 7(3), (1982), pp. 515-544.
Markowitz, Fran and
Ashkenazi, Michael, eds. 1999. Sex, Sexuality, and the
Anthropologist, Chicago, Illinois: University Of Illinois
Press.
McClary, Susan. 1991.
“Introduction: A Material Girl in Bluebeard's Castle”I and “Living
to Tell: Madonna’s Resurrection of the Fleshly,” in Feminine
Endings: Music, Gender,and Sexuality (Minneapolis), pp. 3-31,
148-166.
Mercer-Taylor, Peter,
“Songs from the Bell Jar: Autonomy and Resistance in the Music of
the Bangles,” Popular Music 17/2 (1998):
187-204.
Minh-ha, Trinh T. an
excerpt from When the Moon Waxes Red: Representation, Gender and
Cultural Politics, (1991) NY: Routledge.
Mockus, Martha, “Queer
Thoughts on Country Music and k. d. lang,” in Queering the
Pitch: The New Gay and Lebian Musicology, Philip Brett,
Elizabeth Wood, and Gary C. Thomas, eds. (New York, 1994):
257-274.
Moisala, Pirkko. 1997.
"Can Women's Studies Change the World of Music?: New Perspectives on
Finnish Music and Music Research." In Finnish Music
Quarterly, No. 4, p. 18-23.
Moore, John, “‘The
Hieroglyphics of Love’: The Torch Singers and Interpretation,”
Popular Music 8/1 (1989): 31-58.
Morris, Mitchell,
“Black Masculinity and the Sound of Wealth: Barry White in the Early
70s,” unpublished typescript.
Morris, Mitchell,
“Cher’s ‘Dark Ladies,” 70s Integrationisms, and the Culture of
Entertainment,” unpublished typescript.
Morris, Mitchell,
“Disco Performance in (the) Masculine Camp: The Case of the Village
People,” unpublished typescript.
Morris, Mitchell, “It’s
Raining Men’: The Weather Girls, Gay Sensibility, and the Erotics of
Excess,” in Audible Traces: Gender, Music, and Identity,
Elaine Barkin and Lydia Hamessley, eds. (Zurich, 1999):
213-230.
Morris, Mitchell,
“Musical Virtues,” unpublished typescript.
Muñoz, José Esteban.
1999. Disidentifications: Queers of Color and the Performance of
Politics, "Introduction: Performing Disidentifications".
Minneapolis: University Of Minnesota Press.
Newton, Esther. 1987.
"Academe's Homophobia: It Damages Careers and Ruins Lives." In
Chronicle of Higher Education. March 11, 104.
Novak, Cynthia. 1990.
Sharing the Dance. Madison, WI: University Of Wisconsin
Press.
Peraino, Judith A.,
“Rip Her to Shreds’: Women’s Music According to a Butch-Femme
Aesthetic,” Repercussions 1/1 (Spring 1992):
19-47.
Perez, Emma. 1991.
"Sexuality and Discourse: Notes from a Chicana Survivor" in
Chicana Lesbians: the Girls Our Mothers Warned Us about.
Berkeley: Third Woman Press.
Perez, Emma. 1999.
The Decolonial Imaginary: Writing Chicanas into History.
Bloomington: Indiana University Press.
Petrovic, Ankica.
“Women in the Music Creation Process in the Dinaric Cultural Zone of
Yugoslavia.” In Music, Gender and Culture, eds. Marcia
Herndon and Susanne Ziegler, Berlin: Florian Noetzel Verlag
Wilhelmshaven., (1990), pp. 7 1-84.
Radner, Joan N. &
Susan S. Lanser, “Strategies of Coding in Women's Cultures.” In
Feminist Messages: Coding in Women's Folk Culture, Urban:
Univ. of Illinois Press, (1993), pp. 1-35.
Rebollo-Sborgi,
Francesca. “Decentering the Feminist Self,” Repercussions,
vol.1(2) (Fall 1992), pp. 26-5 1.
Roos, Michael, and Don
O’Meara, “Is Your Love in Vain?—Dialectical Dilemmas in Bob Dylan’s
Recent Love Songs,” Popular Music 7/1 (1988):
35-50.
Rorich, Mary.
“Shabeens, Slumyards, & Sophiatown: Black Women Music and
Cultural Change in Urban South Africa,” World of Music,
vol. 3 1(1), 1989, pp.78-101.
Rosaldo, Michelle
Zimbalist, “Women, Culture, and Society: A Theoretical Overview.” In
Women, Culture and Society. Stanford: Stanford University
Press, (1974), pp. 17-42.
Roscoe, Will. 1996.
"Writing Queer Cultures: An Impossible Possibility?" In Out in
the Field: Reflections of Lesbian and Gay Anthropologists, ed.
by Lewin, Ellen and Leap, William. Chicago: Illinois, University of
Illinois Press. Pp. 200-211.
Roscoe, William,
editor. 1988. Living the Spirit: A Gay American Indian
Anthology. New York: St. Martin's Press.
Roscoe, William. 1998.
Changing Ones: Third and Fourth Genders in Native North
America. New York: St. Martin's Press.
Rose, Tricia, “Bad
Sistahs: Black Women Rappers and Sexual Politics in Rap Music,”
Black Noise: Rap Music and Black Culture in Contemporary
America (Hanover NH, 1994):146-182.
Rose, Tricia. “Bad
Sistas,” in Black Noise, pp. 146-82.
Rothenbusch, Esther.
“The Joyful Sound: Women in the Nineteenth-Century United States
Hymnody Tradition,” Women and Music in Cross-Cultural
Perspective . . ., pp.177-194.
Rubin , Gayle with
Judith Butler. 1994. “Sexual Traffic” in Differences: a Journal
of Feminist Cultural Studies 6:62-99.
Sakata, Lorraine.
“Hazara Women in Afghanistan: Innovators and Preservers of a Musical
Tradition,” Women and Music in Cross-Cultural
Perspective... pp. 85-95.
Schade-Poulsen, Marc.
Men and Popular Music in Algeria. Austin: University of
Texas Press, 1999.
Sedgwick, Eve Kosofsky,
“Introduction: Axiomatic,” Epistemology of the Closet
(Berkeley and Los Angeles, 1990): 1-63.
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Smith, Martha Nell,
“Sexual Mobilities in Bruce Springsteen Performance as Commentary,”
in Present Tense: Rock & Roll and Culture, Anthony
DeCurtius, ed. (Durham NC, 1992):197-218.
Spivak, Gayatri. ”Can
the Subaltern Speak?” In Marxism and the Interpretation of
Culture, eds. Cary Nelson and Lawrence Grossberg, Urbana:
University of Illinois Press, (1988).
Stein, Arlene. 1993.
"Androgyny Goes Pop: But Is It Lesbian Music?" in Sisters,
Sexperts, Queers: Beyond the Lesbian Nation, edited by Arlene
Stein. New York: Plume.
Sugarman, Jane. 1997.
Engendering Song: Singing and Subjectivity at Prespa Albanian
Weddings. Chicago, Illinois: University Of Chicago
Press.
Thurston, William R.
1998. "The Inadvertent Acquisition of Kinship during Ethnographic
Fieldwork." In Fieldwork and Families, ed. by J. Flinn, L.
Marshall, and J. Armstrong. Honolulu, Hawaii: University of Hawaii
Press. Pp 154-168.
Vander, Judith.
Songprints: the Musical Experience of Five Shoshone Women.
Urbana: University of Illinois Press, 1988.
Walser, Robert. 1993.
“Beyong the Vocals: Toward the Analysis of Popular Music
Discourses,” and “Forging Masculinity: Heavy Metal Sounds and Images
of Gender,” in Running With the Devil: Power, Gender, and
Madness in Heavy Metal Music (Hanover NH), pp. 26-56, 108-136.
Warwick, Jacqueline,
“You’re Gonna Lose That Girl’: The Beatles and the Girl Groups”
(unpublished typescript).
Weston, Kath. 1996.
"Requiem for a Streetfighter." In Out in the Field: Reflections
of Lesbian and Gay Anthropologists, ed. by Lewin, Ellen and
Leap, William. Chicago: Illinois, University of Illinois Press. Pp.
274-286.
Whiteley, Sheila,
editor. Sexing the Groove: Popular Music and Gender. London
and New York: Routledge Press, 1997.
Wiegman, Robyn. 1997.
"Queering the Academy" in Genders 26: 3-22.
Wiegman, Robyn. 1999.
"On Being Married to the Institution" in Power, Race, and Gender
in Academe: Strangers in the Tower?, eds. Shirley Geok-Lin Lim
and Maria Herrera-Sobek. New York: Modern Language Association, pp.
71-82.
Williams, Walter L.
1986. The Spirit and the Flesh: Sexual Diversity in American
Indian Culture. Boston: Beacon Press.
Williams, Walter L.
1993. "Being Gay and Doing Research on Homosexuality in Non-Western
Cultures." The Journal of Sex Research. Vol. 30, No. 2.
May. Pp 115-120.
Williams, Walter L.
1996. "Being Gay and Doing Fieldwork." In Out in the Field:
Reflections of Lesbian and Gay Anthropologists, ed. by Lewin,
Ellen and Leap, William. Chicago: Illinois, University of Illinois
Press. Pp. 70-85.
Wise, Sue, “Sexing
Elvis,” in On Record: Rock, Pop, and the Written Word,
Simon Frith and Andrew Goodwin, eds. (New York 1990):
390-398.
Gillian Rodger's
Bibliography
Women on the Stage/Feminist
Performance/Performance Studies
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Anon. 1907. "Dainty
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Kolb, Deborah S. 1975.
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Pingree, Maud. 1914.
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Reinelt, Janelle G. and
Joseph R. Roach. 1992. Critical theory and performance. Ann
Arbor, MI: University of Michigan Press.
Shaw, Mary. 1911. "The
actress on the road," McClures 38 (July):
263-72.
Skipworth, Alison.
1919. "Backstage scandal: are the morals of the actress any
different from those of the average church member?" The
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sex. Authorized English version from the 1st German ed. by S.
Parker. Introd. by Emil A. Gutheil. New York: Liveright.
Stekel, Wilhelm. 1962.
Frigidity in woman, in relation to her love life. Introd.
by Emil A. Gutheil. Authorized English version by James S. Van
Tesinar. New York: Grove Press.
Ulrichs, Carl Heinrich.
1898. Ara Spei: ethical and social studies on the Uranian
question. Leipzig: Verlag von Max Spohr.
Ulrichs, Carl Heinrich.
1994. The riddle of "man-manly" love: the pioneering work on
male homosexuality. Translated by Michael A. Lombardi-Nash;
introduction by Vern L. Bullough. Buffalo: Prometheus
Books.
Verbrugge, Martha H.
Able-bodied womanhood: personal health and social change in
nineteenth-century Boston. New York: Oxford University
Press.
Dance, Gender, and Sexuality
Bibliography compiled by Judith Lynne Hanna
Note: for help locating obscure
materials, contact Judith at
jlhanna(at)hotmail.com
Books:
1987
To Dance Is Human: A Theory of Nonverbal Communication.
Revised 1979 edition. Chicago: University of Chicago
Press
1983 The Performer-Audience
Connection: Emotion to Metaphor in Dance and Society.
Austin and London: University of Texas Press (Choice, outstanding
book)
1988 Dance, Sex, and Gender:
Signs of Identity, Dominance, Defiance, and Desire. Chicago:
University of Chicago Press
1999 Partnering
Dance and Education: Intelligent Moves for Changing
Times. Champaign, IL: Human Kinetics
Press
2006 Dancing for Health: Conquering
and Preventing Stress. Lanham, MD: AltaMira Press [Rowman and
Littlefield] in press
--- Nigeria's
Ubakala Igbo Dance: Life, Death, and the Women's War.
London: Harwood Academic Publishers, in
preparation
Articles:
1977 "African
Dance and the Warrior Tradition," in Ali A. Mazrui, ed., The Warrior
Tradition in Modern Africa. Special Issue of Journal of Asian
and African Studies 12(1-2):111-133. Also Leiden: E.J.
Brill (book). Material in To Dance Is
Human.
1979 "Dance and its Social
Structure: The Ubakala of Nigeria," Journal of Communication
(The Social Meanings of Art) 29(4):184-191. Material in To
Dance Is Human
1982 "Dance and the Women's
War," Dance Research Journal 14(1-2):25-28. Material in To
Dance Is Human, Dance, Sex, and Gender, and Dance and
Stress
1983 "Dance and the Cultural
Heritage," Proceedings of the International Conference on Children
and Youth Dancing, Stockholm, 1982. Stockholm: Swedish
Division of Dance and the Child, UNESCO
affiliated
1986 "Ballets that Shock,"
Stagebill, Spring (Detroit Book VII), pp. 22, 24, 27,
30
1986 "Movement in African Performance,"
in Bob Fleshman, ed., Theatrical Movement: A Bibliographical
Anthology. Metuchen, NJ: Scarecrow Press, pp.
561-585
1986 "Interethnic Communication in
Children's Own Dance, Play, and Protest," in Young Y. Kim, ed.
Interethnic Communication (Vol. 10, International and Intercultural
Communication Annual). Newbury Park, CA: Sage, pp.
176-198
1987 "Patterns of Dominance:
Men, Women, and Homosexuality in Dance," The Drama Review 113,
31(1):24-47. Material in Dance, Sex and Gender and in Wayne R.
Dynes and Stephen Donaldson, eds. Homosexuality and Homosexuals in
the Arts. Vol. 4 of 13-volume Studies in Homosexuality,
New York: Garland, pp. 198-223,
1992
1987 "Gender Language Onstage:
Moves, New Moves, Countermoves," Journal of the Washington Academy
of Sciences 77(1):18-26
1988 "Do We Teach
Sex Roles Through Dance Education?" Dance Teacher Now
10(7):38-41
1989 "African Dance Frame by
Frame: Revelation of Sex Roles Through Distinctive Feature
Analysis and Comments on Field Research, Film, and Notation,"
Journal of Black Studies 19(4):422-441; abstracted in Cultural
Anthropology Methods Newsletter 1(2):13,
1989
1990 "Dance and Women's Protest in
Nigeria and the United States," in Guida West and Rhoda Lois
Blumberg, eds., Women and Social Protest. New York:
Oxford University Press, pp. 333-345
1990
"Advertising With Dance," in Lynnette Y. Overby and James H.
Humphrey, eds., Dance: Current Selected Research, II.
New York: AMS Press, pp. 117 136
1992
"Tradition, Challenge, and the Backlash: Gender Education
Through Dance," in Laurence Senelick, ed., Gender and
Performance. Hanover, NH: The University Press of New
England, pp. 223-238
1992 "Moving
Messages: Identity and Desire in Dance," in James Lull, ed.,
Popular Music and Communication, 2nd Edition. Newbury Park,
CA: Sage, pp. 176-195
1992 "Shock
Troupes: Helms, Kitty Kat, and So What?" Ballet Review
20(3):85-93
1993 "Classical Indian Dance
and Women's Status," in Helen Thomas, ed., Dance, Gender and
Culture. London: Macmillan, pp.
119-127
1996 "In Defense of Exotic Dance,"
Exotic Dancer Bulletin 1(3):70, 72
1996
"Exotic Dance, the First Amendment, and Court," AnthroWatch
4(2):12
1997 "Witness to Injustice?" Exotic
Dancer Bulletin 2(4):80
1997 "Rasta
Thomas: Extraordinary Boy Next Door," Dance Teacher Now
19(1):65-72
1997 Creativity in Ubakala,
Dallas Youth, and Exotic Dance," in R. Keith Sawyer, ed. Creativity
in Performance, R. Keith Sawyer, ed. Norwood, NJ: Ablex
Publishing Corporation, pp. 141-167
1997 "Nilimma Devi's Touch of India in
America," Dance Teacher Now 19(2):97-100,
102
1998 "Undressing the First Amendment
and Corsetting the Striptease Dancer," The Drama Review, T158,
42(2):38-69, Summer
1998 "Analysis: The
First Amendment and Exotic Dance," National Campaign for Freedom of
Expression Quarterly, Autumn, p. 8
1998
"Exotic Dance in Seattle: The First Amendment and
Anthropology," AnthroWatch 6(1):4-6
1998
"In the Courtroom: The Right to Dance!" Exotic Dancer Bulletin
3(1):20
1998 "Defining Dance in the
Courtroom," Exotic Dancer Bulletin
3(3):29
1998 Interview by Vladimir
Anguelov: "Die Reinheit der Nachtclubtanzerin und die Erotik der
Ballerina," Tanz Affiche 80:28-31
1998
"Feminist Perspectives on Classical Indian Dance," in David
Waterhouse, ed., Dance of India (South Asian Studies Papers).
Toronto: University of Toronto Graduate Centre for South Asian
Studies, pp. 193-231
1999 "Toying with the
Striptease Dancer and the First Amendment," in Stuart Reifel, ed.,
Play and Culture Studies, Vol. 2. Greenwich, CT., Ablex, pp.
37-55
1999 "The First
Amendment and Defense of Exotic Dance," Anthropology Newsletter
40(4):50-51
1999 "Club News: Washington,
D.C. Bureau," Exotic Dancer Bulletin 3(4):74-76
1999 "Here's the Naked Truth," Gazette
Community Forum," p. A-17
1999 "Washington,
D.C. Bureau," Exotic Dancer Bulletin
3(4):74-76
1999 "Club Owners--Are You
Harassing or Discriminating Against Your Dancers?" Exotic Dancer
Bulletin 4(1):61
1999 "Arrests In A Family
Business," Exotic Dancer Bulletin
4(2):20-21
1999 "The Naked Truth," Exotic
Dancer Bulletin 4(2):138-139
1999 "Dance,"
in David Levinson, James Ponzetti, and Peter Jorgensen, eds.,
Encyclopedia of Human Emotions, Vol. 1. New York:
Macmillan, pp. 171-177
2000 “Helping
Dancers, Helping Business?” Exotic Dancer Bulletin
5(1):52
2000 “Club Wins First Round of
Nudity Battle,” Exotic Dancer Bulletin
5(4):12-13
2001 “Ballet to Exotic Dance –
Under the Censorship Watch,” in Janice LaPointe-Crump and Juliette
Crone-Willis, compilers, Dancing in the Millennium: An
International Conference, 2000 Proceedings, Washington, DC, pp.
230-234
2001 “The Language of Dance,”
JOPERD 72(4):40-45, 53
2001 “Wrapping
Nudity In a Cloak of Law,” New York Times, July 29, pp. 14,
18
2001 “What’s in a Name? A ? of
Life or Death & Acceptance or Stigma,” Adult Entertainment
Advocate 5(1):2, January 1
2001 “Still
Dancing Nude at Class Act,” with Randall D.B. Tigue, Exotic Dancer
Bulletin 5(7):8-9, 60
2001* “Reality and
Myth: What Neighbors Say About Exotic Dance Clubs: A Case
Study on Charlotte, North Carolina,” Charlotte, NC: Tarheel
Entertainment Association, submitted to the City of Charlotte Zoning
Board
2002 “Book Perpetuates Dangerous
Myths,” ACE National Newsletter,
2(2):1-2
2002 “The Stigma of Exotic
Dance: Sexy, Not Sex,” Exotic Dancer Bulletin, 7(1):
37
2002* "Dance Under the Censorship
Watch," Journal of Arts Management Law and Society 29(1):1-13
2002 “American Planning Association Volume
Would ‘Plan’ Adult Businesses into Oblivion,” (Legal News, Book
Review) Adult Video News (AVN) 18(4):218
2002
“If This Is Stripping, What Is Adult
Entertainment,” Exotic Dancer Bulletin,
7(3):62
2002 “Exotic Dance Industry Under
Fire,” Free Speaker, January, pp. 8-9
2002
“Whose Aesthetics Determine Artistic Merit?” DCA (Dance Critics
Association) News, Summer/Autumn, pp. 7-15
2003 “History of Burlesque on Display at
Exotic World Museum,” Exotic Dancer’s Club Bulletin, Feb/March, p.
65
2003 “Review of Eric Damian Kelly and
Connie Cooper, Everything you always wanted to know about regulating
sex businesses,” Journal of Planning Literature 17(3):45-46
2003 “Exotic Dance Adult Entertainment:
Ethnography Challenges False Mythology,” City and Society
15(2):165-193
2003 “Aesthetics
-- Whose Notions of Appropriateness & Competency, What Are They
and How Do We Know?” World of Music, Special
issue: Cross-Cultural Aesthetics,
eds., D.A. Avorgbedor and M. P.
Baumann, 45(3):29-54
2003
“A Room With a View. Undercover Detectives Said the Dancing at Sugar
Daddy’s Had
‘No Artistic Merit.’ A Jury Disagrees,” Exotic Dancer’s Club
Bulletin, June p. 30.
2003
“Who Speaks for Gays in Dance?” Dance Research
Journal 34(3), Summer
2003 “Very Bare
Bones (Review of Sisters of Salome),” Dance Magazine
77(11):80
2003 “The Supremes Call the Tune”
(Supreme Court on Diversity and Privacy), Dance Magazine
77(12):23
2003 “Arte posta a nu,” Gesto
(Revista do Centro Coreográfico do Rio) (Brazil), June pp.
24-29
2004 “The First Amendment, Artistic
Merit and Nudity in Minnesota: Dance, Criminal Public Indecency and
Evidence,” Minnesota Law and Politics Web Magazine
www.lawandpolitics.com (click on MN & then web
magazine)
Synopsized: "Artistic Merit in
Exotic Dance: A Case Study in Exotic Dancer Jury Trials," Free
Speaker, August, pp. 12-14
2004 "Dancing to
Celebrate and Help Women," Dancer, December 92, 94
2005 "Dance Speaks Out
on Social Issues," Anthropology News 46(4):11-12
2005
"'Provocative'" Dancers: Actors with Agency," Anthropology News
(Association
for
Feminist Anthropology) 46(7):47
2005 “Adult Entertainment
Exotic Dance: A Guide for Planners and Policy Makers”
(CPL
[Council of Planning Librarians] Bibliography 375), Journal of
Planning
Literature
20(2):116-134
2006 "Strip Club FYI,"
"Gentlemen's Clubs, Councils & Courtrooms," Adult Entertainment
Today 2:2 9
2006 "Body to Body, Dimes to
Dollars, Adult Entertainment Today,
3:13
2006 "Music and the Art of Seduction:
Conference Report," Dance Research Journal (forthcoming)
2006 "'Toxic' Strip Clubs: The
Intersection of Religion and Law," under publication
review
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