SARAH DAVIES (sarahdavie@aol.com, PO Box P, Pocono Pines, PA 18350) is writing a dissertation entitled "Resonet in Laudibus: Sacred and Spiritual Works for Organ and Lute in Sixteenth-Century Swiss and German Tablatures" under the guidance of Stanley Boorman. She earned her MA at Rutgers University in New Brunswick with a thesis on the 1591 Nevell Book of William Byrd (1973) and subsequently spent more than 20 years in the music business. She finished as an agent with ICM Artists before returning to academe. As an organist, she has performed early repertoire and Bach for the past thirty years on historic and historically-based instruments in Europe and the US for a variety of early music festivals, Back festivals and recital series. As a musicologist, she had read nearly a dozen different papers at international and interdisciplinary conferences over the past several years, is one of the regular lecturers for the early music concert series at St. Luke's in the Fields of New York, is published in the Conference Proceedings of the International Musicological Society (Budapest, 2003) and contributed to New Grove/Grove Music Online (2000).