Display Cases in the Great Hall

Roberto Sandoval
6 July to 13 September 2015

COWBOY COUNTRY: Photographs of Wyoming


Roberto Sandoval’s silver gelatin print photographs were shot over a ten year period, to reflect the ranching life of Wyoming cowboys.  Less populous than any other of the fifty states, Wyoming is a land of high plains and extensive cattle ranches, fringed with mountains.  With a wide and low horizon and high stone mesas among the features that Sandoval has captured in these black and white photographs, he documents the expansive West in the late twentieth century. Horses and cowboys, when seen, dominate the rolling landscape of open grazing and grassland, sparse treelines and rugged peaks that characterize this wild open range and give it a mythic quality.

Sandoval works in a darkroom first set up in 1904, printing his photographs as black and white silver gelatin prints, often varying the tonal values to achieve depths in the shadows. He photographs the natural landscapes of the American West and Southwest, focusing on Wyoming, where he and his wife have a working ranch in the high country, near a giant stone mesa, revered by Native Americans as a sacred place.

Born in West Texas, and raised in Los Angeles before coming to New York City to study ballet, Sandoval then studied at the School of Visual Arts before becoming staff photographer at The Hispanic Society of America.  With a focus on patterns and textures found in nature, and the use of traditional photographic printing methods, Roberto Sandoval echoes great Western photographer Ansel Adams in technique and subjects.

CASE ONE : Cumulus Clouds over the Pines; Resting Garden Tools; The Mesa, Western Wyoming
CASE TWO: Trees on the Way to the Highway; Coffee Break on the Ranch; Old Fashion Baling Machine

All works silver gelatin prints, Courtesy of the Artist
Curated by Lisa A. Banner

Display Cases Exhibition Archive

Walter Martin and Paloma Muñoz
1 June to 30 June 2015

CROSS-POLLINATION

Kikki GhezziEntomological boxes by Walter Martin and Paloma Muñoz contain a selection of composed butterflies and moths, assembled from the wings of Lepidoptera gathered from all over the world, and joined to tiny human bodies.  In nature, the role of these flying insects is pollination, gathering a dusting of pollen along their legs, and carrying it from one plant to another.  Delicate color and dramatic markings attract mates, and allow Lepidoptera to dissemble in the presence of predators. Martin and Muñoz cross-pollinated human with Lepidoptera fusing them into new forms. Read more >

Installation by Kikki Ghezzi
1 May to 31 May 2015

LA 24 ORE: COURT OF MEMORY

Kikki GhezziThe Italian “24 Ore” (literally, “24 hours”) is a leather briefcase designed to hold only a day’s essentials. Kikki Ghezzi has created three 24 Ore containing photogravure images of her childhood home, images taken when the home had stood silent for five years after the death of her father, and shortly before it was to be emptied completely. Three distinct cases represent stages in a journey of remembrance: preservation of memory, grief, and ultimately, personal transformation. The 24 Ore embody the process of memory itself, its limitations and demands for selection and compression: a house must become a small, portable case; years passed within its walls must become only moments of in-ward reflection. Read more >

Drawings by Benjamin Cottam
March 21, 2015 - April 30, 2015

COLLATERAL DAMAGE

Benjamin Cottam Benjamin Cottam’s drawings have the vaporous quality of plumes of smoke, captured against a fine and delicate azure sky. Using techniques favored by many artists of the 18th century, Cottam excerpts images taken from the headlines or news snippets, and converts them into riveting and intense studies. Delicately rendered in white crayon against a blue page, they are silky threads of memory. Recording moments of journalism, depicting pieces of people, bodies, and the residual effects of mindless, senseless killing, Cottam draws what is reported on the news. Read more >

William Hempel
February 14th, 2015 - March 21st, 2015

DIRTY WORDS: LOVE LETTERS

William Hempel When William Hempel returned to New York after seven years living abroad, he was struck by the casual and constant use of insults. This series of paintings emerged from his experience of language, and its permutations, as the artist experienced harsh words in common parlance, called out loud on streets among friends and strangers every day in public and private in the City.

Each small painting has the same dimensions. The panel depths vary, implying the hurt of the words, how deeply they penetrate as they are uttered. Contained on the handcrafted wooden panel is a single word, appearing in the top register of a two-color field, lovingly painted with stencil. Read more >

TR ERICSSON
January 7th, 2015 - February 13th, 2015

LUCIFER’S KISS: Photograms by TR ERICSSON

TR EricssonLucifer was the Latin name given to the brightest star in the ancient Roman sky, the light we now identify with the planet Venus. The first light in the night sky, it is often seen low on the horizon just after sunset. Ericsson plays with the subsequent interpretation of Lucifer as the favored angel who falls from grace, becoming identified with forces of darkness. In these photograms, Lucifer brings light to the paper, revealing a woman’s form, fashioning her contours against glossy black.

Playing with light and dark, edges and shadows, Ericsson manipulates both muse and medium to create a sensuous and luminous image. Read more >

Beatrice Pediconi
October 6th, 2014 - January 6th, 2015

EPHEMERAL PIGMENTS: Polaroids by Beatrice Pediconi

Beatrice Pediconi

Beatrice Pediconi's Ephemeral Pigments is a series of polaroids of paintings on water, documenting her spirit moving over the liquid tableau. Using a different medium each time, sometimes paint, sometimes egg, sometimes pigment and oils, she circulates images into a basin of water, dropping viscous liquids into a receptive tray filled with water, coloring the movement and ripples on the surface, with these intense and delicious substances. At times they are suspended like a meniscus on the surface, at times they form shapes, and then dissolve, trailing tails behind.

The movement of the artist's hand over the water, her gesture, is recorded in the three poetic series of polaroids. Read more >

Michael Kirk
August 8th - October 6th, 2014

NORWAY: Small works on Paper

Michael Kirk

Michael Kirk's intimate pastels and watercolors were made on trips he took to Norway. Tender reflections of majestic landscapes, made on site as he traveled through Norway's fjords and mountains, many of the small works later inspired larger paintings and drawings when he returned to his studio. They convey his immediate responses to Norwegian landscape. His own words describe his impressions:

1991. Lofoten, an archipelago within the Artic Circle, mountainous islands reach out into the Norwegian Sea. In late May the “midnight sun” floats along the horizon. Dusk becomes dawn; one day runs into the next. I was working with pastels using my fingers to grind pigment into pigment. This physical act extends my being directly into the paper. The work is not driven by conscious thought, rather by a series of sensations and the rhythm of my hands responding to the moment. Read more >

Dean Dempsey
June 20th to August 8th, 2014

DREAMSEQUENCE FILM STILLS

Dean Dempsey

As a photographer and a filmmaker, Dean Dempsey plays with questions of identity by masking his figures, removing them from our gaze with layers and adornment, or by placing them into carefully arranged tableaus that reveal a multiplicity of meanings.

In his film Dreamsequence, women are posed in diferent rooms that suggest a dramatic stage set. One kneels on the floor in an empty room filling with balloons that drop randomly from the ceiling, and later sits in a chair, lifting her face to a shower of golden glitter raining down upon her skin. The other perches on a chair in a bay window, naked except for the paint on her face, and the tulle enveloping her lower limbs. She moves without speaking, holding a bird in a cage. In the close ups of their faces shown here, they appear as though they are remembered from a dream. Read more >

Eliana Pérez
May 4, 2014 - June 16, 2014

HUNTED: Gouache Drawings by Eliana Pérez

Eliana Perez Domestic intranquilities form the subjects of this series of gouache drawings by Colombian artist Eliana Pérez, executed as a continuous numbered series with point of brush on deckled edge paper. Animals inhabit an interior and domestic landscape, coming to life and interacting with their environment. A group of branches in a vase waves cautiously as if bent by wind toward an unseen place, breaking into pieces and wispy fragments for no apparent reason. A slipcover begins to growl as if ready for attack. A hidden dragon slithers to life in the folds of a drapery, leaving fire in its wake. An archer shoots at a trophy stag from the comfort of his decorative pose on an ovoid telephone table. A flock of birds twitter against the back of a sofa. A living room is submerged in standing water, colorless, and linear. A blue mattress, its coils exposed, floats away on an ocean of coiled lines. The images form a personal narrative of disquiet. Read more >

Jongil Ma
March 24, 2014 - May 3, 2014

WOLF: Constructions in Wood and Mirror by Jongil Ma

Timothy Hawkesworth

Jongil Ma is intrigued by the delicate social relationships between friends and inside social groups. As an immigrant to the United States from Korea in 1996, his continued fascination with these interactions has led him to create an art practice that embraces sculpture and installation to create interactive spaces. Working in both large-scale monumental sculpture and intimate conceptual pieces, he brings sensitivity and power to his work. Because he wants to break through the confining divisions between audience and artist, he asks a wide range of participants to bring their own concerns to transform his pieces. Read more >

Timothy Hawkesworth
February 1, 2014 - March 17, 2014

Wishes: Horses

Timothy Hawkesworth

Horses are powerful, atavistic creatures, symbols of freedom, speed, and sensitive response. This exhibition of horse drawings spans two important dates connected to the imagery of Irish painter Timothy Hawkesworth: 1 February 2014 marks the beginning of the Year of the Horse, the seventh sign of the Chinese zodiac and an auspicious year recognizing the power and primal nature of the horse. The end date of the exhibition, 17 March marks Saint Patrick’s Day, named for the patron saint of Ireland, where Timothy Hawkesworth grew up on a farm and began his relationship with horses.

Hawkesworth’s horses are energetic and rapidly drawn with graphite over wax and paint on paper, moving from right to left, galloping, rearing, and walking with heads bowed, raised or thrown back in restless movement. Evoking the animal nature with figurative representations, like Susan Rothenberg’s horses from the 1970s, Hawkesworth infuses a personal vision in these drawings, and taps into a source of infinite fascination: domesticated animals that retain a wild and untamed spirit. Read more >

Christopher Smith
November, 2013- January 17th, 2014

Alabaster and Albacore

Christopher Smith

Christopher Smith's Alabaster and Albacore is a series of lush and velvety photographic prints, showing proposed video installations in the interiors of recognizable landmarks and public spaces, including the James B. Duke House.  In this body of work Smith engages themes of transience and permanence, movement and color, nature and displacement. 

Taking elements of color and bubbles from his ongoing "Painter Project," Smith transforms them, draping them over the railings of staircases, suspending them from the skylights and floating them across the floor toward the viewer.  Using techniques attuned classic films like as director Carol Reed’s “Odd Man Out (1947, Two Cities film), Jean-Luc Godard’s “Two or Three Things I Know About Her,” (1967, Argos Films), or Martin Scorsese’s 1976 classic, “Taxi Driver,” Smith hones in on the bubbles floating in front of the camera as visual metaphors for the transience of life, the fragility of the moment. Read more >

The inaugural exhibition:

William Smith
September 15th - October 31st

Flowers of the Sky

William SmithFlowers of the Sky is a series of life-size botanical paintings on the folios of an 18th century astronomy text, dismantled and then reassembled into an accordion-fold artist book. The transformation of the text of James Ferguson's Astronomy Explained upon Sir Isaac Newton’s Principles (1799) began in response to a Victorian astronomy book entitled Flowers of the Sky in the archive of the John Work Garrett Library at Johns Hopkins University.

As the artist describes, the fluid yet tenuous painting on the book pages is analogous to a fragile web or distant constellation. For Smith, flowers are symbols of our selves and of nature, as well as a metaphor for the machinations of the universe. Implicitly, book folios serve as multivalent supports for the painted leaves and flowers that adorn them with color and design imposed over printed words. Read more >

Display Cases Artists in the News

TR Ericsson is featured in the Huffington Post. "The 21 Art Exhibitions You'll Be Talking Bout This Year"Open link in new window looks forward to Ericsson's upcoming show at the Cleveland Art MuseumOpen link in new window.

Beatrice Pediconi exhibition on view at the Maison ParticulièreOpen link in new window in Brussels.