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The Institute of Fine Arts, New York University
Faculty and Course Offerings, 1922 - 2005
[missing 1922-1923 and Fall 1926]

A B C D   E F G H   I J K L   M N O P   Q R S T   U V W X Y Z

This list is a compilation of data drawn from the course announcement bulletins published by the Institute of Fine Arts and its predecessor incarnations, dating back to 1922, when NYU's Department of Fine Arts was reorganized and refounded under Fiske Kimball.

Please note that courses added or cancelled after the publication of the bulletin are not indicated here.

Key
* = Course-related materials extant in IFA Archives
& = Student course-related materials extant in IFA Archives

Abbot, Edith R.
1924-1937, Senior Instructor; Metropolitan Museum of Art
Outline of the History of Painting, (Fine Arts 5) S 1924
Outline of the History of Painting, (Fine Arts 6) S 1927, S 1928
The Art of the Venetian Republic, (Fine Arts 56) F 1928, F 1929, (Fine Arts 25) F 1937
Outline of the History of Painting Through the Italian Renaissance, (Fine Arts 5) F 1928, F 1929, F 1930
Outline of the History of Painting in Western Europe, (Fine Arts 6) S 1929, S 1930, S 1931
Outline of Italian Painting Before 1500, (Fine Arts 55) F 1931, F 1933
Outline of Italian Painting After 1500, (Fine Arts 56) S 1932, S 1934
Outline of the History of Painting in the Netherlands and Spain, (Fine Arts 60b) F 1932, F 1934
Outline of the History of Painting in Germany, England and France, (Fine Arts 60c) F 1932, S 1933, S 1935, (Fine Arts 20) S 1937
Outline of the History of Italian Painting Before 1500, (Fine Arts 81) F 1935
Outline of the History of Italian Painting After 1500, (Fine Arts 82) S 1936

Ackerman, James.
1992-1993, Adjunct Professor of Fine Arts; Harvard – Emeritus
Seminar: Renaissance Criticism and Practice (with K. Weil-Garris Brandt),
(G43.3842) F 1992

Alexander, Jonathan.
1986-2002, Professor of Fine Arts
2002- , Sherman Fairchild Professor of Fine Arts
Early Medieval Art in Western Europe, (G43.2044) S 1988, F 1989, S 1993, S 1995, S 1999
Seminar: Early Medieval Art: Iconographic Problems, (G43.3176) S 1988, S 1993, F 1996
Northern Gothic Art, Especially Painting and Sculpture: The Thirteenth Century, (G43.2069) F 1988, S 1991, F 1993, S 1997
Seminar: Gothic Manuscripts, 1200-1400, (G43.3207) F 1988, F 1993, (G43.3272) F 1997
The International Style: Gothic Painting and Sculpture, (G43.2249) S 1989, S 1992, S 1994, F 1997
Seminar: Problems in the Iconography of Medieval Art, (G43.3182) S 1989, S 1991, S 1994
Seminar: Criticism and Historiography of Medieval Art, (G43.3211) F 1989, S 2000
Romanesque Art, (G43.2211) S 1990, F 1996
Seminar: Giotto and Duccio, (G43.3206) S 1990
Seminar: European Art, Fifteenth Century: Book Illumination in Italy, (G43.3251) S 1992
Seminar: Hiberno-Saxon Art, (G43.3171) S 1995
Seminar: Special Problems in Medieval Art: Collectors of European Medieval Art in the United States of America, (G43.3831) S 1997
Seminar: Problems in the Iconography of Gothic Art, (G43.3182) S 1999
Ottonian to Romanesque Art, (G43.2208) F 1999
Seminar: Special Problems in Medieval Art: The Apocalypse and the Millennium, (G43.3831) F 1999
Art in Italy From c. 1000 to 1350, (G43.2185) S 2000
Art in Northern Europe c. 1150-1300, (G43.2024) S 2001
Seminar: Image and Audience in Art in Italy in the Thirteenth and Fourteenth Centuries, (G43.3025) S 2001
Seminar: Religious Devotion in Later Medieval Europe and the Patronage of the Arts, (G43.3024) F 2001
European Medieval Art of the Fourteenth Century, (G43.2024) S 2002
Seminar: Picturing Poetry: David, Virgil, Dante, Machaut and Chaucer, (G43.3023) S 2002
Early Medieval Art in Europe, (G43.2023) S 2003
Seminar: Women and Art in the Middle Ages, (G43.3023) S 2003
Art in the British Isles From the Tenth to the Fifteenth Centuries, (G43.2024) F 2003
Seminar: Portraiture and Representation in European Medieval Art, (G43.3024) F 2003
Colloquium: European Medieval Art: Center and Periphery, (G43.2525.001) S 2004
Seminar: Medieval Art in New York, (G43.3025.001) S 2004

Alexander, Shirley M.
1965-1966, Instructor of Fine Arts, Conservation Center
1966-1968, Research Associate in Conservation
Historical Sources in the Study of Art Materials, (G43.2726) S 1966

Arnold, Dieter.
1994-1995, Adjunct Professor of Fine Arts; Met. Museum
Ancient Egyptian Architecture, (G43.2217) S 1995

Aubert, Marcel.
1935-1940, 1946, Visiting Lecturer on Fine Arts
*,& Problems in the Romanesque Art of France and Spain (with W. S. Cook), (Fine Arts 293) F 1935
*,& Early Gothic Art in France and Spain (with W. S. Cook), (Fine Arts 291) F 1936
* Later Gothic Art in France and Spain (with W. S. Cook), (Fine Arts 277) F 1938
Pre-Romanesque Art in France and Spain (with W. S. Cook), (Fine Arts 247) F 1940
Gothic Art in France (with D. Tselos), (Fine Arts 75) F 1946

Baer, Norbert S.
1969-1970, Instructor in Conservation
1970-1975, Assistant Professor of Conservation
1975-1978, Associate Professor of Conservation
1978-1987, Professor of Conservation
1987- , Hagop Kevorkian Professor of Conservation
1975-1983, Co-Chairman of Conservation Center (with L. Majewski)
1978-1979, Acting Director for Administration, IFA
Lecture & Lab: Materials of Art and Archaeology I and III, (G43.2711 – 1st Year, G43.2721 – 2nd Year) F 1976, F 1977, F 1978, F 1979, F 1980, F 1981, F 1982, F 1984, (with J. Frantz) F 1986, F 1988
Lecture: Materials of Art and Archaeology I and III, (G43.2711 – 1st Year, G43.2721 – 2nd Year), (with N. Indictor) F 1991, F 1992, F 1993, F 1994, F 1996, F 1998, F 1999
Lecture & Lab: Materials of Art and Archaeology II and IV, (G43.2712 – 1st Year, G43.2722 – 2nd Year) S 1977, S 1978, S 1979, S 1981, S 1983, (with J. Frantz) S 1985, (with N. Indictor) S 1986, (with N. Indictor) S 1988
Materials of Art and Archaeology II and IV, (G43.2712 – 1st Year, G43.2722 – 2nd Year) S 1990, (with N. Indictor) S 1992, S 1996, S 2000
Lecture & Lab: Chemical Properties in Library and Archives Conservation I (with A. King), (G43.3741) F 1982
Lecture & Lab: Chemical Properties in Library and Archives Conservation II, (G43.3740) (with A. King) S 1983, (with N. Indictor) S 1986, S 1987, (G43.3705) (with N. Baer) S 1988
Lecture & Lab: Chemical Properties in Library and Archives Conservation I, (G43.3741) F 1984, F 1987
Seminar: Alteration and Deterioration of Works of Art II: Environmental Effects on Cultural Property, (G43.3732) S 1985, S 1986
Colloquium & Lab: Adhesives and Consolidants (with N. Indictor), (G43.3700) F 1986, F 1988
Seminar: Environmental Effects on Cultural Property, (G43.3704) S 1987, S 1988, S 1989, S 1990
Colloquium: Environmental Effects on Cultural Property, (G43.3704) S 1992, S 1993, F 1993, F 1994, F 1996, F 1998, S 2000, (G43.2539.002) S 2001, F 2002, S 2004
Colloquium: Michelangelo II (with K. Weil-Garris), (G43.2277) S 1989
Colloquium/Seminar: Dating and Provenance Studies in Art and Archaeology, (G43.3967) F 1991, (with J. Connelly) S 1994, (with J. Connelly) S 1996, S 1997, F 1999, (G43.3039.002) (with J. Connelly) F 2000, (G43.3539.001) (with J. Connelly) S 2003
Lecture & Lab: Chemical Properties in Cellulosic Materials, (G43.3705) S 1994
Colloquium: Chemical Problems in Cellulosic and Associated Materials in Museums, Libraries and Archives, (G43.3705) S 1997
Lecture: Materials of Art and Archaeology I and III, (G43.2038.005 – 1st Year, G43.2038.006 – 2nd Year) F 2000, (G43.2038.001 – 1st Year, G43.2038.002 – 2nd Year) F 2002, (G43.2038.005 – 1st Year, G43.2038.006 – 2nd Year) F 2003, (G43.2038.001 – 1st Year, G43.2038.002 – 2nd Year) F 2004
Lecture: Materials of Art and Archaeology II and IV, (G43.2038.007 – 1st Year, G43.2038.008 – 2nd Year) S 2002, S 2004

Baetjer, Katharine.
1994-1995, Adjunct Professor of Fine Arts; Met. Museum
1996-1997, Adjunct Professor of Fine Arts; Met. Museum
1999-2000, Adjunct Professor of Fine Arts; Met. Museum
2002-2003, Institute Lecturer in the History of Art; Met. Museum
2004-2005, Institute Lecturer in the History of Art; Met. Museum
Colloquium: Connoisseurship Studies (with D. Posner), (G43.2530) F 1994, F 1996, F 2002, (G43.2535) S 2005
Colloquium: Connoisseurship and the Art of Portraiture (with D. Posner), (G43.2350) F 1999

Balken, Debra Bricker.
2000-2001, Adjunct Professor of Fine Arts
Seminar: Park Avenue Cubists (with R. Lubar), (G43.3032)

Baltrusaitis, Jurgis.
1947-1948, Visiting Lecturer on Fine Arts
* Fundamental Principles of Romanesque Sculpture (with W. Cook), (Fine Arts 276) S 1947
New Problems in Gothic Art (Revivals of Ancient Forms and Gothic Monsters), (Fine Arts 269) F 1948

Banham, Reyner. 1985-1986, Benjamin Sonnenberg Visiting Professor of Fine Arts
1987-1988, Sheldon H. Solow Professor in the History of Architecture
Frank Lloyd Wright: Life and Style, (G43.2600) F 1985
Seminar: The International Style and its American Roots, (G43.3678) F 1985
The International Style, Fifty Years After, (G43.2399) S 1988
Seminar: The Skyscraper, (G43.3536) S 1988

Bargellini, Clara.
1990-1991, Adjunct Professor of Fine Arts; Universidad Nacional Autonoma de Mexico
1999-2000, Adjunct Professor of Fine Arts; Ciudad Universitaria
Seminar: Colonial Period in Mexico, Sixteenth-Eighteenth Century, (G43.3322) F 1990
The Art and Architecture of New Spain, (G43.2374) S 2000
Seminar: Cristóbal de Villalpando and Painting in New Spain, (G43.3559) S 2000

Barkan, Leonard.
1995-2001, Samuel Rudin University Professor of the Humanities, Dept. of English, Washington Sq.
Seminar: Renaissance and Antiquity, (G43.3837) F 1995
Seminar: Vasari’s Lives, (G43.3520) F 1996
Rebirth of Antiquity, (G43.2244) S 1997
Seminar: Iconology: Renaissance, Antiquity and the Warburg Tradition, (G43.3333) F 1997
Seminar: Word and Image: Antiquity and Renaissance, (G43.3261) S 1999
Seminar: Word and Image, (G43.3202) F 1999
Seminar: Art, Text and the Idea of the Renaissance, (G43.3025) F 2000

Bean, Jacob.
1967-1980, Adjunct Professor of Fine Arts; Metropolitan Museum
Seminar: Late Seventeenth and Eighteenth Century Italian Draughtsmanship, (G43.3411) F 1967
Seminar: Problems in Italian Drawings of the Sixteenth Century, (G43.3408) S 1969
Seminar: Problems in Seventeenth Century Italian Drawings, (G43.3511) F 1969
Seminar: Problems in Eighteenth Century Italian Drawings, (G43.3524) S 1971
Seminar: Problems in Italian Draftsmanship of the Seventeenth Century, (G43.3522) S 1972
Seminar: Italian Draughtsmen of the Sixteenth Century, (G43.3440) S 1973, (G43.3370) S 1975
Seminar: French Draughtsmen of the Seventeenth and Eighteenth Centuries, (G43.3552) S 1974
Seminar: The Drawings of Italian Painters and Sculptors of the Seventeenth Century, (G43.3376) S 1976
Seminar: The Drawings of Italian Painters and Sculptors of the Sixteenth Century, (G43.3316) S 1978

Beaubien, Harriet F.
2000-2001, Adjunct Professor of Conservation; Smithsonian
Archaeology, Anthropology and Conservation (with R. Wright), (G43.3039.001) F 2000

Becker, Lawrence.
1988-1990, Adjunct Associate Prof. of Conservation; Met. Museum
Seminar & Lab: Practical Problems of Preservation I: Ethnographic Materials, (G43.3733) F 1988
Seminar & Lab: Practical Problems of Preservation II: Archaeological Materials, (G43.3734) S 1989
Seminar & Lab: Practical Problems of Preservation: Archaeological and Ethnographic Materials, (G43.3733) F 1989, (with M. Kaminitz) S 1990

Benesch, Otto.
1946, Visiting Lecturer on Fine Arts
* French Painting from the Revolution to the Pesent Time, (Fine Arts 30), S 1946

Berliner, Rudolf.
1956, Lecturer on Fine Arts
Seminar: Problems in the Decorative Arts, (Fine Arts 340) S 1956

Bisacca, George.
1987-1990, Adjunct Associate Prof. of Conservation; Met. Museum
1990-2002, Adjunct Professor of Conservation; Met. Museum
2002- , Institute Lecturer for Conservation; Met. Museum
Lecture & Lab: Technology and Structure of Works of Art II and IV (with J. Soultanian), (G43.2714 – 1st Year, G43.2724 – 2nd Year) S 1988, S 1990
Lecture & Lab: Technology and Structure of Works of Art II (with D. Dwyer, D. Mahon & J. Soultanian), (G43.2714) S 1992
Lecture & Lab: Technology and Structure of Works of Art I (with D. Modestini, D. Mahon & J. Soultanian), (G43.2713) F 1992, F 1993, F 1994, F 1995, F 1996, F 1997, (also with F. Steckling) F 1998, (also with M. Marsh & J. Sherman) F 1999
Lecture: Technology and Structure of Works of Art I (with D. Mahon, J.
Soultanian, J. Sherman), (G43.2038.001) (also with S. Chui) F 2000
Lab: Technology and Structure of Works of Art I (with D. Mahon, J. Soultanian, J. Sherman), (G43.2038.002) (also with S. Chui) F 2000
Lecture: Technology and Structure of Works of Art I (with J. Dommermuth, J. Soultanian, J. Sherman and S. Chui), (G43.2038.005) F 2001
Lab: Technology and Structure of Works of Art I (with J. Dommermuth, J. Soultanian, J. Sherman and S. Chui), (G43.2038.006) F 2001
Lecture: Technology and Structure of Works of Art I (with J. Dommermuth, J. Soultanian, J. Sherman and N. Gutman), (G43.2038.005) F 2002, F 2003
Lab: Technology and Structure of Works of Art I (with J. Dommermuth, J. Soultanian, J. Sherman and N. Gutman), (G43.2038.006) F 2002, F 2003
Colloquium: The Painted Altarpiece in Italy, 1200-1520 (with C. Eisler), (G43.2525.002) S 2004

Bletter, Rosemarie H.
1983-1987, Adjunct Associate Professor of Fine Arts
Innovation and Tradition in Twentieth-Century American Architecture, (G43.2607) F 1984
Nineteenth-Century Architecture, (G43.2594) S 1986
Seminar: Architecture Since 1945, (G43.3670) S 1987

Bober, Harry.
1950, Lecturer on Fine Arts
1950, Assistant Professor of Fine Arts
1954-1961, Associate Professor of Fine Arts
1961-1966, Professor of Fine Arts
1966-1986, Avalon Foundation Professor in the Humanities
1986-1988, Avalon Foundation Professor Emeritus in the Humanities
1986-1988, Adjunct Professor of Fine Arts
1957-1960, Graduate Advisor
Medieval Illuminated Manuscripts, (Fine Arts 14) S 1950
* Byzantine Art, (Fine Arts 51) F 1950
Art of the Early Middle Ages, (Fine Arts 165) F 1954
Seminar: Byzantine Art and the West, (Fine Arts 339) F 1954, (Fine Arts 332) S 1959
Pre-Gothic Illustrated Manuscripts, (Fine Arts 230) S 1955
Seminar: Medieval Schemata, (Fine Arts 342) S 1955
Seminar: Mediaeval Illuminated Manuscripts in the Morgan Library, (Fine Arts 355) F 1955
Romanesque to High Gothic, (Fine Arts 163) F 1955
Seminar: Problems in Medieval Sculpture, (Fine Arts 378) S 1956
Illuminated Manuscripts of the Later Middle Ages, (Fine Arts 266) S 1956, (G43.2362) S 1967
Formal and Iconographic Principles of Early Medieval Art, (Fine Arts 216) S 1957, (G43.1205) F 1963
Gothic Sculpture and Painting From 1200 to 1400, (Fine Arts 218) S 1957
Carolingian Illuminated Manuscripts and Sculpture, (Fine Arts 243) F 1957
Seminar: Problems in the Iconography of the Early Middle Ages, (Fine Arts 313) F 1957
Romanesque Sculpture in France, (Fine Arts 246) S 1958, (G43.2205) F 1968, (G43.2242) S 1974
Seminar: Problems in Romanesque Metalwork and Enamel, (Fine Arts 318) S 1958
Gothic Sculpture in France and England, (Fine Arts 233) F 1958
Seminar: Problems in Iconography of Gothic Art, (Fine Arts 341) F 1958
Illuminated Manuscripts of the Early Middle Ages, (Fine Arts 238) S 1959, (G43.1210) S 1964
Seminar: Illustrated Medieval Encyclopedias, (Fine Arts 331) F 1959, (G43.3270) S 1966
Medieval Schemata, (Fine Arts 223) F 1960
Seminar: Romanesque Metalwork and Enamels, (Fine Arts 321) F 1960, (G43.3140) S 1973
Seminar: Research Problems in Mediaeval Art, (Fine Arts 323) F 1961, (G43.3207) F 1963, (G43.3319) F 1966, (G43.3213) F 1969, (G43.3242) S 1974
Mediaeval Art II: Romanesque to Early Gothic, (Fine Arts 228) S 1962
Seminar: The Album of Villard de Honnecourt, (Fine Arts 326) S 1962
Early Medieval Art, (G43.1203) F 1962
Seminar: Historiography of Medieval Art, (G43.3203) F 1962
Seminar: Carolingian and Ottonian Metalwork and Enamels, (G43.3212) S 1964
Romanesque and Gothic Illuminated Manuscripts, (G43.2364) S 1965
Seminar: Émile Mâle’s L’art religieux du XIIe Siècle en France, (G43.3364) S 1965
From Ottonian to Romanesque Art, (G43.1329) F 1966, (G43.2212) S 1970
Seminar: Problems in Medieval Iconography, (G43.3356) S 1967
Proseminar: Hiberno-Saxon Art, (G43.3205) F 1968
Carolingian Art, (G43.2211) F 1969, F 1973, (G43.2243) F 1976, (G43.2268) F 1983
Seminar: Problems in the Iconography of Medieval Art, (G43.3214) S 1970
Colloquium: Hiberno-Saxon Art, (G43.2213) F 1971
Romanesque Illuminated Manuscripts, (G43.1201) S 1972, (G43.2230) S 1975, S 1977, (G43.2272) S 1981, S 1984
Ottonian to Romanesque Art, (G43.1329) F 1972, (G43.2268) S 1978
Seminar: Early Medieval Art; Iconographic Problems, (G43.3211) F 1973
Early Medieval Art of the British Isles, (G43.2229) F 1974
Seminar: Art of the Seventh and Eighth Centuries in Western Europe, (G43.3229) F 1974
Seminar: The Medieval Illuminated Manuscript, (G43.3238) S 1975, (G43.3239) F 1977
Seminar: Criticism and Historiography of Medieval Art, (G43.3243) F 1976
Seminar: Medieval Art: Stylistic Analysis and Connoisseurship, (G43.3236) S 1977, (G43.3272) S 1978
Celtic Christian Art, (G43.2267) F 1977, F 1984, F 1987
Romanesque Sculpture, (G43.1204) S 1979
Seminar: Masters of Romanesque Goldsmith and Metalwork, (G43.3250) S 1979
Seminar: Stylistic Analysis and Connoisseurship, (G43.3271) F 1979, (G43.3680) F 1985, F 1986, F 1987
Seminar: Stylistic Analysis and Connoisseurship II: Medieval, (G43.3272) S 1980, (G43.3310) S 1981
Seminar: Stylistic Analysis and Connoisseurship I: Illuminated Manuscripts, (G43.3680) F 1980
The Medieval Illuminated Manuscript as Art Form, (G43.2231) F 1979
Early Medieval Art: Migrations to A.D. 1000, (G43.2232) S 1980
Decorative Arts of the Middle Ages, (G43.2273) F 1980
Romanesque Sculpture and Goldsmith Work, (G43.2269) S 1982
Seminar: Celtic and Hiberno-Saxon Art, (G43.3314) S 1982
Seminar: Problems in Romanesque Art, (G43.3318) S 1983
Seminar: Stylistic Analysis and Connoisseurship II: Romanesque and Gothic, (G43.3310) S 1983, (G43.3681) S 1988
Seminar: Connoisseurship I: Introductory (with L. Majewski), (G43.3680) F 1983
Seminar: Medieval Art in the Metropolitan Museum Treasury, (G43.3330) S 1984
Seminar: Stylistic Analysis and Connoisseurship II: Romanesque and Gothic, (G43.3680) F 1984, (G43.3310) S 1986, (G43.3681) S 1987
Early Medieval Art in Western Europe, (G43.1232) F 1985
Romanesque Art, (G43.2269) S 1986

Bonfante, Larissa.
2001-2002, Professor of Classics, Washington Sq.
The Art and Culture of the Etruscans, (G43.2019.003) S 2002

Borsook, Eve.
1967-1968, Adjunct Associate Professor of Fine Arts
Mural Painting, (G43.2422) S 1968
Seminar: Festival Decorations, (G43.3362) S 1968

Bossange, Edward Raymond.
1927-1930, Professor of Architecture
General Outline of the History of Art (Middle Ages, Renaissance and Modern Times) (with R. Offner, A. McMahon and W. Pach), (Fine Arts 12) S 1927
General Outline of the History of Art (Middle Ages, Renaissance and Modern Times) (with R. Offner and W. Pach), (Fine Arts 12) S 1928
General History of Art (Medieval, Renaissance and Modern Art) (with R. Offner, H. Cross, W. Cook, C. Sherrill and C. Sprague), (Fine Arts 12) S 1930

Bothmer, Bernard V.
1960-1979, Adjunct Professor of Fine Arts; Curator, Brooklyn Mus.
1979-1983, Professor of Fine Arts; Brooklyn Museum
1983-1993, Lila Acheson Wallace Prof. of Ancient Egyptian Art
Egyptian Art From the Fourth Millenium to the Roman Empire, (Fine Arts 205) F 1960
Egyptian Art From the Ramesside Period to the Roman Conquest (ca. 1300-30 B.C.), (G43.2101) F 1962
Egyptian Art From the Pre-Dynastic Period to the Beginning of the New
Kingdom (400-1500 B.C.), (G43.2105) F 1964
Egyptian Art From the New Kingdom to the Roman Period (c.1500 B.C. to A.D. 100), (G43.2109) F 1965
Seminar: Problems of Portraiture in Ancient Sculpture (at Brooklyn Museum), (G43.3011) F 1965
Egyptian Art From the Beginning of the New Kingdom to the Ramesside Period, Dynasties XVIII-XIX (about 1600-1200 B.C.), (G43.2113) F 1966
Seminar: Motifs of Wall Decoration in Egyptian Temples, (G43.3132) S 1967
Introduction to Egyptian Art, 4000 B.C. to A.D. 100, (G43.1103) F 1967, F 1969, (G43.2088) S 1977, (G43.2086) F 1979
Egyptian Art, Dynasties XIX-XXV (1320-650 B.C.), (G43.2014) S 1968
Egyptian Art of the Late Period, From 700 B.C. to A.D. 100, (G43.2013) F 1968
Seminar: Egyptian Architecture in Two-Dimensional Representations, (G43.3026) S 1969
Colloquium: Egyptian Art and Archaeology in the Predynastic Period and the Old Kingdom, 4,000-2,200 B.C., (G43.2027) F 1970
Seminar: Problems in Ptolemaic Art, (G43.3030) S 1971
Egyptian Art of the First Intermediate Period and the Middle Kingdom (ca.2200-1750 B.C.), (G43.1101) F 1971, F 1977
Seminar: Problems in Ramesside Iconography, (G43.3130) S 1972
Egyptian Art of Dynasty XVIII (1550-1300 B.C.), (G43.1113) F 1972
Introduction to Egyptian Art, 4000 B.C. to 150 A.D., (G43.2086) S 1973
Egyptian Art From the Amarna Period to the End of the Ramessides (1380-1080 B.C.), (G43.1115) F 1973
Egyptian Art in the Third Intermediate Period (1080-750 B.C.) and in the Late Period to the End of the Fourth Century B.C., (G43.2098) S 1974
Egyptian Art From the End of the Sixth to the End of the Third Century B.C., (G43.1117) F 1974
Seminar: Relationship of Sculpture in the Round and Two-Dimensional Representation in Ancient Egyptian Art, (G43.3074) S 1975, (G43.3060) S 1990
Egyptian Art and Archaeology of the Predynastic Period and the Old Kingdom, 4,000-2,200 B.C., (G43.2095) F 1975
Seminar: Problems in Ancient Egyptian Art, 1450-1250 B.C., (G43.3094) S 1976
Seminar: Archaism in Egyptian Art, From the Middle Kingdom to the Ptolemaic Periods, 2050-50 B.C., (G43.3190) S 1978
Egyptian Art, 1800 to 1400 B.C., (G43.2087) F 1978
Seminar: Relief and Sculpture in the Ptolemaic Period, 330 to 30 B.C., (G43.3188) S 1979
Egyptian Art From the Fifteenth to the Fourteenth Century B.C., (G43.2096) S 1980, F 1986
Egyptian Art in the Ramesside and Third Intermediate Periods, 1300-800 B.C., (G43.2138) F 1980, (G43.2139) S 1988
Seminar: The Representation of Landscape in Egyptian Art From the Old Kingdom to the Late Period, (G43.3150) S 1981, (G43.3124) F 1993
Arts of Nubia and the Sudan: 3000 B.C. – A.D. 500 (Including Egyptian Art in the Kushite Period, 750-650 B.C.), (G43.2160) F 1981
Egyptian Art in the Saite and Persian Periods (650-400 B.C.) and the Rise of Realistic Portraiture, (G43.2132) S 1982
An Introduction to Ancient Egyptian Art, From the Early Predynastic Period to the Beginning of Roman Domination (4000 B.C. – A.D. 100), (G43.2133) F 1982, (G43.2103) S 1990
Seminar: The Antiquities of Egypt, (G43.3157) F 1982
Egyptian Art From the Fourth to the First Century B.C. and the Problem of Greek Influence, (G43.1118) S 1983
Seminar: The Concept of Time as Reflected in Ancient Egyptian Two-Dimensional Representations From Dynasty I to Dynasty XXX, (G43.3156) S 1983, (G43.3135) S 1992
Egyptian Sculpture in the Round – Form and Function (4000 B.C. to A.D. 200), (G43.2157) F 1983, (G43.2149) S 1991
Seminar: The Chronology of Ancient Egyptian Bronzes, 1400 to 200 B.C., (G43.3155) F 1983
Egyptian Art From the Early Predynastic Period to the End of the Old Kingdom, 4000 to 2180 B.C., (G43.2133) S 1984, (G43.2111) F 1991
Seminar: The Glorification of Kingship in Egyptian Art, 3000 to 1000 B.C., (G43.3158) S 1984
Egyptian Relief – Form and Function (4000 B.C. to A.D. 200), (G43.1141) F 1984
Seminar: Nonroyal Statuary of the Egyptian Middle Kingdom, (G43.3146) F 1984
Egyptian Art of the First Intermediate Period and the Middle Kingdom (2150-1750 B.C.), (G43.2134) S 1985, (G43.2021) S 1992
Seminar: The Minor Arts of Ancient Egypt, From the Old Kingdom to the Later Period (2650-50 B.C., (G43.3152) S 1985
Ancient Egyptian Painting From the Early Predynastic Period to the Last Millennium B.C, (G43.1140) F 1985
Seminar: Problems in Post-Persian Sculpture, (G43.3154) F 1985
Egyptian Art in the Second Intermediate Period and the Beginning of the New Kingdom (1700-1450 B.C.), (G43.2136) S 1986
Seminar: Motifs of Wall Decoration in Egyptian Temples, (G43.3153) S 1986
Seminar: Problems in Egyptian Art in the Middle Kingdom, 2100-1700 B.C., (G43.3159) F 1986
An Introduction to Egyptian Art, 4000 B.C. to A.D. 100, (G43.2103) F 1987, F 1993
Seminar: The Antiquities of Egypt, (G43.3137) F 1987, F 1991
Seminar: Problems of Portraiture in Ancient Egyptian Sculpture, (G43.3012) S 1988
The Arts of Ancient Nubia and the Sudan (3000 B.C. to A.D. 500), Including Egyptian Art During the Kushite Domination (750-660 B.C.), (G43.2150)
F 1988
Seminar: Egyptian Art in America: Collecting, Collectors, and Museums From 1820 to 1980, (G43.3011) F 1988
Egyptian Art in the Saite and Persian Periods (660-400 B.C.), (G43.2132) S 1989
Seminar: Origin and Evolution of Egyptian Relief Work From the Predynastic
Period to the End of Dynasty XVIII (4000-1300 B.C.), (G43.3553) S 1989
Egyptian Art From Dynasty XXVIII to the Reign of Ptolemy II (400 – 250 B.C.), (G43.2030) F 1989
Seminar: Egyptian, Near Eastern and Aegean Ivories of the Late Bronze Age (with D. Hansen and G. Kopcke), (G43.3103) F 1989
Seminar: Problems in Ramesside Iconography, (G43.3205) S 1991
Egyptian Art in the Second Intermediate Period and the Beginning of the New Kingdom (1700-150 B.C.), (G43.2137) F 1992
Seminar: The Chronology of Ancient Egyptian Bronzes, 180 to 200 B.C., (G43.3132) F 1992
Egyptian Reliefwork – Form and Function (4000 B.C. – A.D. 100), (G43.2034) S 1993
Seminar: Problems in Relief and Sculpture of the Ptolemaic Period (330–30 B.C.), (G43.3026) S 1993

Brealey, John.
1976-1992, Adjunct Professor of Conservation; Metropolitan Museum
Seminar & Workshop: Techniques in Restoration: Paintings Conservation, (G43.3747) F 1979, F 1980, F 1981
Techniques in Restoration: Consequences of Restoration, (G43.3742) S 1980
Seminar & Lab: Techniques in Restoration: The Effects of Time on the Original Values, (G43.3742) S 1981, S 1982
Seminar & Lab: Techniques in Restoration: The Effects of Time on the Original Values, (G43.3747) F 1982, F 1983, F 1984, F 1985
Seminar & Workshop: Techniques in Restoration: Paintings Conservation, (G43.3742) S 1983, S 1984, S 1985, S 1986
Seminar & Lab: Painting Conservation: The Effects of Time on Original Values, (G43.3703) F 1986
Seminar & Workshop: Paintings Conservation, (G43.3708) S 1987
Seminar & Workshop: Paintings Conservation (with D. Mahon), (G43.3708) S 1988, S 1989, S 1990

Brown, Jonathan.
1973-1977, Associate Professor of Fine Arts
1977-1984, Professor of Fine Arts
1984- , Carroll and Milton Petrie Professor of Fine Arts
1973-1975, Acting Director of Institute of Fine Arts
1975-1978, Director of Institute of Fine Arts
1973-1974, Acting Head of Department of Fine Arts
1974-1978, Chairman of Department of Fine Arts
Spanish Painting 1570-1700, (G43.2399) F 1973
Seminar: Murillo and His Followers, (G43.3380) S 1974
Seminar: Spanish Baroque Paintings in the Metropolitan Museum, (G43.3381) F 1974
Seminar: The Palace of the Buen Retiro, (G43.3386) S 1975
Seminar: Spanish Paintings in the Metropolitan Museum of Art: El Greco, (G43.3385) F 1975
Spanish Painting From 1580-1700, (G43.2315) F 1976
Seminar: Palaces of the Spanish Hapsburgs, (G43.3452) S 1977, (G43.3449) F 1977
Seminar: Zurbarán and Early Baroque Painting in Seville, (G43.3450) S 1978
Art in Spain, 1470-1580, (G43.2397) F 1979
Seminar: El Greco and Toledo, (G43.3447) F 1979
Painting in Spain, 1580-1700, (G43.3442) S 1980, (G43.2546) F 1985, (G43.2337) S 1990, F 1999, (G43.2028) F 2001, F 2003
Seminar: Velazquez and Art at the Court of Philip IV, (G43.3446) S 1980
Art and Architecture in Eighteenth-Century Spain, (G43.1411) F 1980, (G43.1441) F 1983, S 1986, (G43.2063) S 1989, S 1991, F 1993, S 1996, S 1998, (G43.2030) F 2000
Colloquium: Goya, (G43.2549) F 1980
Art in Spain 1470-1600, (G43.2545) F 1982, S 1985
Seminar: The Hapsburgs as Patrons and Collectors, (G43.3592) F 1982
Art in Spain 1580-1700, (G43.2545) S 1983
Seminar: Murillo, (G43.3591) S 1983
Seminar: Velázquez in the Mirror of History, (G43.3599) F 1983
Seminar: Spanish Paintings in the Collection of the National Gallery of Art, (G43.3597) S 1985
Seminar: The Painting Collection of Charles I of England, (G43.3594) F 1985
Seminar: Goya, (G43.3600) S 1986, (G43.3468) F 1993
The Renaissance in Spain, (G43.2545) S 1987, (G43.2334) F 1989, (G43.2545) F 1991, S 1994, F 1996, F 1998, (G43.2027) S 2001, S 2003
Seminar: Spanish Paintings in the Metropolitan Museum, (G43.3597) S 1987
Painting in Spain, 1570-1700, (G43.2345) F 1987
Seminar: Zurbarán, (G43.3368) F 1987
Seminar: Goya and the Spanish Enlightenment, (G43.3468) S 1989
Seminar: Velázquez, (G43.3365) F 1989
Seminar: The Arts in Spain During the Reign of the Catholic Monarchs, (G43.3407) S 1990
Seminar: Royal Art Collecting in the Seventeenth Century, (G43.3460) S 1991
Seminar: El Greco, (G43.3366) F 1991, (G43.3028) F 2003
Painting in Spain, 1598-1700, (G43.2337) F 1992
Seminar: Jusepe de Ribera, (G43.3317) F 1992
Seminar: Church Decoration in Seventeenth Century Spain, (G43.3399) S 1994
Spanish Painting 1598-1700, (G43.2337) S 1995, F 1997
Seminar: Art at the Court of Philip III of Spain, (G43.3399) S 1995
Seminar: Murillo and Devotional Painting in Seville, (G43.3315) S 1996
Seminar: Historiography of Spanish Art, (G43.3458) F 1996
Seminar: Velazquez, Rubens and van Dyck as Court Painters, (G43.3365) F 1997
Seminar: Devotional Painting in Seventeenth-Century Spain, (G43.3410) S 1998
Seminar: Velazquez in the Mirror of History, (G43.3599) F 1998
Seminar: Zurbarán in Spain and Spanish America, (G43.3368) F 1999
Seminar: Spanish Painting at the Hispanic Society of America (with M. Burke), (G43.3028) F 2000
Seminar: The Portrait in Spain and Spanish America, 1500-1700, (G43.3028.002) S 2001
Seminar: Painting in New Spain, 1550-1750, (G43.2533) F 2001
Seminar: The Late Goya, (G43.3031) F 2002
Seminar: Devotional Imagery in Spain and Spanish America, 1500-1800, (G43.3028) S 2003
Art at the Eighteenth Century Court of Spain and the Career of Goya, (G43.2030) F 2004
Seminar: Problems in New Spanish Painting of the Seventeenth Century, (G43.3033) F 2004

Buchberg, Karl D.
1993-1994, Adjunct Professor of Conservation; MoMA
Seminar & Lab: The Conservation Treatment of Prints and Drawings, (G43.3706) F 1993

Buchthal, Hugo.
1965-1971, Professor of Fine Arts
1971-1975, Ailsa Mellon Bruce Professor of Fine Arts
1975-1984, Professor Emeritus of Fine Arts
1984-1996, Ailsa Mellon Bruce Professor Emeritus of Fine Arts
Early Christian and Byzantine Art I, (G43.1243) F 1965
Seminar: Byzantine Illuminated Manuscripts, (G43.3109) F 1965
Early Christian and Byzantine Art II, (G43.1244) S 1966
Colloquium: Byzantine Manuscript Illumination in the Morgan Library, (G43.2182) S 1966
Byzantine Mosaics, (G43.2353) F 1966, (G43.2209) F 1970
Seminar: The “Macedonian” Renaissance, (G43.3413) F 1966
Seminar: The Virgil Manuscripts in the Vatican Library and their Relatives, (G43.3528) S 1967
Byzantine Illumination, (G43.2352) S 1967, (G43.2351) F 1969
Early Christian Art in Italy, (G43.2173) F 1967, F 1972
Seminar: Early Christian and Byzantine Objects in the Metropolitan Museum of Art, (G43.3201) F 1967
Seminar: The Story of Troy in Medieval Illumination, (G43.3204) S 1968
Middle Byzantine Art, (G43.2202) S 1968
Seminar: Problems in Byzantine Art, (G43.3200) S 1969
Constantinople and the Provinces in Early Byzantine Art, (G43.2206) S 1969
Seminar: The Mosaics of San Marco in Venice and Related Monuments, (G43.3219) F 1969
Seminar: Special Problems in Byzantine Illumination, (G43.3209) F 1970
An Introduction to Late Byzantine Art, (G43.2130) S 1971
Seminar: Byzantine Influences in Medieval Art of the Latin West, (G43.3216) S 1971
Seminar: Special Problems in Early Christian and Byzantine Art, (G43.3823) F 1972
Early Byzantine Art, (G43.2124) S 1973
Seminar: Special Problems in Byzantine Mosaics and Icons, (G43.3824) S 1973
The Art of the Middle Byzantine Period, (G43.2199) F 1973
Seminar: Byzantine Ivory Carving, (G43.3199) F 1973
Late Byzantine Art, (G43.2194) S 1974
Seminar: The Icons of Mount Sinai, (G43.3194) S 1974
Seminar: Early Byzantine Illumination, (G43.3244) S 1975
Byzantine Illumination, (G43.2180) S 1975

Burke, Marcus.
2000-2001, Adjunct Professor of Fine Arts; Hispanic Society
Seminar: Spanish Painting at the Hispanic Society of America (with J. Brown), (G43.3028) F 2000

Burleigh-Motley, Marian.
1982-1983, Adjunct Assistant Prof. of Fine Arts; Princeton
1984-1985, Adjunct Assistant Prof. of Fine Arts; Princeton
1987-1990, Adjunct Assoc. Prof. of Fine Arts; Met. Museum
1990-2002, Adjunct Professor of Fine Arts; Met. Museum
2002-2003, Institute Lecturer in the History of Art; Met. Mus.
1988-2003, Director, Curatorial Studies Program
Russian Revolutionary Art, 1860-1920, (G43.2590) F 1982
Seminar: Russia and the West, 1900-1930, (G43.3364) F 1984
Colloquium: Curatorial Studies I: Curatorial and Conservation Approaches to Works of Art in the Metropolitan Museum of Art, (G43.2750) S 1990, S 1991, S 1992, S 1993, S 1994, S 1995, S 1996, S 1997, S 1998, S 1999, S 2000, (G43.2037) S 2001, S 2002, S 2003

Butterfield, Andrew.
2000-2001, Adjunct Prof. of Fine Arts; Salander-O’Reilly Galleries
Seminar: Renaissance Bronzes at the Frick and Other New York Collections (with R. Stone), (G43.3026) F 2000

Caviness, Madeline.
1991-1992, Benjamin Sonnenberg Visiting Prof. of Fine Arts; Tufts
Women in Medieval Art, (G43.2069) F 1991
Seminar: The Gothic Cathedral: Chartres, (G43.3231) F 1991

Cescinsky, Herbert.
1927-1936, Lecturer on Fine Arts
Historic Styles of Decoration: English Furniture and Woodwork, (Fine Arts 4) S 1927, S 1928
Historic Styles and the Museum (English Period) (with R. Riefstahl), (Fine Arts 5) F 1936

Charola, A. Elena.
1997-1998, Adjunct Professor of Conservation
Lecture: Materials of Art and Archaeology I and III, (G43.2711 – 1st Year, G43.2721 – 2nd Year) (with R. Koestler) F 1997

Christiansen, Keith.
1997-1998, Adjunct Professor of Fine Arts; Met. Museum
2000-2002, Adjunct Professor of Fine Arts; Met. Museum
2002- , Institute Lecturer in the History of Art; Met. Museum
Seminar: Theory, Practice and Conventions in Renaissance Painting, (G43.3232) F 1997
Seminar: The Legacy of Caravaggio: Orazio and Artemesia Gentileschi, (G43.3028.001) S 2001
Seminar: Connoisseurship and Art History: Italian Painting 1400-1700, (G43.3035.002) S 2002
Seminar: Caravaggio, (G43.3026) S 2003
Seminar: Studies in Italian Paintings, (G43.3025.002) S 2004
Seminar: From City to Court: Fifteenth-Century Painting in Florence and Urbino, (G43.3025.002) S 2005

Chui, Sue Ann.
2000-2002, Fellow, Samuel H. Kress Program, Conservation
Lecture: Technology and Structure of Works of Art I (with G. Bisacca, D. Mahon, J. Soultanian, J. Sherman), (G43.2038.001) F 2000
Lab: Technology and Structure of Works of Art I (with G. Bisacca, D. Mahon, J. Soultanian, J. Sherman), (G43.2038.002) F 2000
Lecture: Technology and Structure of Works of Art I (with J. Dommermuth, J. Soultanian, J. Sherman and G. Bisacca), (G43.2038.005) F 2001
Lab: Technology and Structure of Works of Art I (with J. Dommermuth, J. Soultanian, J. Sherman and G. Bisacca), (G43.2038.006) F 2001

Clark, Anthony. 1975-1976, Adjunct Professor of Fine Arts Eighteenth-Century Roman Painting, (G43.3499) F 1975

Cohen, Jean-Louis.
1993- , Sheldon H. Solow Professor in the History of Architecture
Architecture 1945 to the Present, (G43.2190) S 1994
Seminar: Twentieth Century Architecture: The Changing Face of Americanism in European Theory and Design, (G43.3019) S 1994
Architecture ca. 1900, (G43.2179) S 1995, S 1999
Colloquium: Twentieth Century Architecture: Problems in Interpretation, (G43.2382) S 1995
Architecture 1914-1945, (G43.2180) S 1996, S 2000
Seminar: Modern Architecture: Visions of Paris in the Twentieth Century (with R. Sennett), (G43.3019) S 1996
Architecture Culture Since World War II, (G43.2393) S 1997
Seminar: Le Corbusier, (G43.3527) S 1997
Introduction to Modern Urbanism, (G43.2359) F 1997
Seminar: 20th Century Architecture: Interpreting Mies van der Rohe, (G43.3019) F 1997
Architecture in Russia 1861-1954, (G43.2373) F 1998
Seminar: Exposing Architecture: The Architecture of Exhibition, (G43.3522) F 1998
Seminar: The Architecture of Frank Lloyd Wright, (G43.3473) S 1999
Modern Architecture in Europe 1890-1925, (G43.2340) F 1999
Seminar: Architecture Since 1945, (G43.3670) F 1999
Colloquium: Problems in Interpretation in Architectural History (with M. Trachtenberg), (G43.2382) S 2000
Architecture Culture Since 1945, (G43.2032) S 2001
Seminar: The Rise of the Skyscraper: One Century of Theories and Designs, (G43.3032.001) S 2001
Le Corbusier: Architecture Discourse in the Machine Age, (G43.2032.001) S 2003
Seminar: Los Angeles: Urban Landscape and Architectural Creativity, (G43.3032.001) S 2003
Shaping the Modern City, (G43.2032.001) S 2004
Colloquium: The Visual Culture of the Metropolis: German Art and Architecture, 1871-1939 (with R. Lubar), (G43.2532) S 2004
Architecture and Urban Culture in France 1871-1968, (G43.2032.001) S 2005
Seminar: Architecture in Uniform: Designing for World War II, (G43.3032.002) S 2005

Conant, Kenneth John.
1928, Visiting Lecturer on Fine Arts; Yale
Church Building and Decoration from 320 to 1130, with Especial Reference to the Romanesque Style, (Fine Arts 40) S 1928

Connelly, Joan B.
1993-1994, Associate Professor of Fine Arts, Washington Sq.
1995-1996, Associate Professor of Fine Arts, Washington Sq.
2000-2001, Associate Professor of Fine Arts, Washington Sq.
2002-2003, Institute Lecturer for Conservation, Associate Professor of Fine Arts, Washington Sq.
Colloquium/Seminar: Dating and Provenance Studies in Art and Archaeology (with N. Baer), (G43.3967) S 1994, S 1996, (G43.3039.002) F 2000, (G43.3539.001) S 2003

Conservation Center Staff, 1960-Present
Seminar & Lab: Introduction to Materials and Examination of Objects of Art, (Fine Arts 011) F 1960, (Fine Arts 011 – 1st Year, 021 – 2nd Year) F 1961
Seminar & Lab: Introduction to Materials and Examination of Objects of Art, (Fine Arts 012 – 1st Year, 022 – 2nd Year) S 1962
Seminar & Lab: Methods of Construction of Works of Art, (Fine Arts 021) F 1960, (Fine Arts 013 – 1st Year, 023 – 2nd Year) F 1961
Seminar & Lab: Methods of Construction of Works of Art, (Fine Arts 014 – 1st Year, 024 – 2nd Year) S 1962
Lab: Care and Repair of Works of Art I, (Fine Arts 033) F 1960
Care and Repair of Works of Art II: Internship in Conservation, (Fine Arts 030, 031) S 1961
Internship in Conservation, (G43.3736) S 1963, S 1964, S 1965, S 1966, S 1967, S 1968, S 1969, S 1970, S 1971, S 1972, S 1973, S 1974, S 1975, S 1976, S 1977, S 1978, S 1979, S 1980, S 1981, S 1982, S 1983, S 1984, S 1985, S 1986, S 1987, S 1988, S 1989, S 1990, S 1991, S 1992, S 1993, S 1994, S 1995, S 1996, S 1997, S 1998, S 1999
Internship in Conservation, (G43.3737) F 1974, F 1975, F 1976, F 1977, F 1978, F 1979, F 1980, F 1981, F 1982, F 1983, F 1984, F 1985, F 1986, F 1987, F 1988, F 1989, F 1990, F 1991, F 1992, F 1993, F 1994, F 1995, F 1996, F 1997, F 1998
Seminar & Lab: Introduction to Practical Problems in Conservation, (Fine Arts 035) F 1960
Lab & Seminar: Laboratory Problems in Conservation I, (Fine Arts 037) F 1960
Lab & Seminar: Advanced Course in Materials of Art I, (Fine Arts 039) F 1960
Lecture & Lab: Materials of Art and Archaeology I and III, (G43.2711 – 1st Year, G43.2721 – 2nd Year) F 1962, F 1963, F 1964, F 1965, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1972, F 1973, F 1974, F 1975
Lecture & Lab: Materials of Art and Archaeology II and IV, (G43.2712 – 1st Year, G43.2722 – 2nd Year) S 1963, S 1964, S 1965, S 1966, S 1967, S 1968, S 1969, S 1970, S 1971, S 1972, S 1973, S 1974, S 1975, S 1976
Lecture & Lab: Technology and Structure of Works of Art I and III, (G43.2713 – 1st Year, G43.2723 – 2nd Year) F 1962, F 1963, F 1964, F 1965, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1972, F 1973, F 1974, F 1975
Lecture & Lab: Technology and Structure of Works of Art II and IV, (G43.2714 – 1st Year, G43.2724 – 2nd Year) S 1963, S 1964, S 1965, S 1966, S 1967, S 1968, S 1969, S 1970, S 1971, S 1972, S 1973, S 1974, S 1975, S 1976, S 1979
Lecture & Lab: Technology and Structure of Works of Art II and III, (G43.2714 – 1st Year, G43.2724 – 2nd Year) S 1994, S 1995, S 1996, S 1997, S 1998, S 1999, S 2000
Lecture: Technology and Structure of Works of Art II and III, (G43.2038.011 – I, G43.2038.012 – II) S 2002, S 2004, S 2005
Lab: Technology and Structure of Works of Art II and III, (G43.2038.013 – II, G43.2038.014 – III) S 2002
Seminar & Lab: Alteration and Deterioration of Works of Art I, (G43.3731) F 1962
Seminar & Lab: Alteration and Deterioration of Works of Art I and II, (G43.3731 – 3rd Year, G43.3741 – 4th Year) F 1963, F 1964, F 1965, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1972, F 1973, F 1974, F 1975, F 1976, F 1977, F 1978, F 1979, F 1980, F 1981, F 1982, F 1986
Seminar & Lab: Alteration and Deterioration of Works of Art I, (G43.3731) F 1983, F 1983
Seminar & Lab: Alteration and Deterioration of Works of Art I and II, (G43.3732 – 3rd Year, G43.3740 – 4th Year) S 1965, S 1966, S 1967, S 1968, S 1969, S 1970, S 1971, S 1972, S 1973, S 1974, S 1975, S 1976, S 1977, S 1978, S 1979, S 1980, S 1981, S 1982, S 1983, S 1987, S 1988
Seminar & Lab: Alteration and Deterioration of Works of Art II, (G43.3732) S 1984
Seminar & Lab: Alteration and Deterioration of Works of Art II and III, (G43.3732 – II, G43.3740 – III), S 1989, F 1989, S 1990
Seminar & Lab: Alteration and Deterioration of Works of Art III, (G43.3740) F 1990, S 1991, F 1991, S 1992, F 1992, S 1993
Seminar & Lab: Practical Problems of Preservation I, (G43.3733) F 1962
Seminar & Lab: Practical Problems of Preservation I and II, (G43.3733 – 3rd Year, G43.3743 – 4th Year) F 1963, F 1964, F 1965, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1972, F 1973, F 1974, F 1975, F 1976, F 1977, F 1978, F 1986, F 1987
Seminar & Lab: Practical Problems of Preservation I and II, (G43.3734 – 3rd Year, G43.3746 – 4th Year) S 1965, S 1966, S 1967, S 1968, S 1969, S 1970, S 1971, S 1972, S 1973, S 1974, S 1975, S 1976, S 1977, S 1978, S 1979, S 1980
Seminar & Lab: Practical Problems of Preservation II and IV, (G43.3734 – 3rd Year, G43.3746 – 4th Year) S 1987, S 1988
Seminar & Lab: Treatment of Deteriorated Works of Art I, (G43.3735) F 1962
Seminar & Lab: Treatment of Deteriorated Works of Art I and II, (G43.3735 – 3rd Year, G43.3745 – 4th Year) F 1963, F 1964, F 1965, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1972, F 1973, F 1974, F 1975, F 1976, F 1977, F 1978, F 1979, F 1980, F 1981, F 1982, F 1983, F 1984, F 1985, F 1986, F 1987
Seminar & Lab: Treatment of Deteriorated Works of Art I and II, (G43.3738 – 3rd Year, G43.3748 – 4th Year) S 1965, S 1966, S 1967, S 1968, S 1969, S 1970, S 1971, S 1972, S 1973, S 1974, S 1975, S 1976, S 1977, S 1978, S 1979, S 1980, S 1981, S 1982, S 1983, S 1984, S 1985, S 1986
Seminar & Lab: Treatment of Deteriorated Works of Art II and IV, (G43.3738 – 3rd Year, G43.3748 – 4th Year) S 1987, S 1988
Seminar & Lab: Treatment of Deteriorated Works of Art I-IV, (G43.3735 – I, G43.3738 – II, G43.3745 – III, G43.3748 – IV) F 1988, S 1989, F 1989, S 1990, F 1990, S 1991, F 1991, S 1992, F 1992, S 1993, F 1993, S 1994, F 1994, S 1995, F 1995, S 1996, F 1996, S 1997, F 1997, S 1998, F 1998, S 1999, F 1999, S 2000
Seminar & Lab: Treatment of Deteriorated Works of Art I-IV, (G43.3040.007 – I, G43.2040.008 – II, G43.3040.009 – III, G43.3040.010 – IV) F 2000, S 2001
Seminar & Lab: Treatment of Deteriorated Works of Art II-IV, (G43.3040.010 – II, G43.3040.011 – III, G43.3040.012 – IV) F 2001, F 2002
Seminar & Lab: Treatment of Deteriorated Works of Art I-IV, (G43.3040.009 – I, G43.2040.010 – II, G43.3040.011 – III, G43.3040.012 – IV) S 2002, S 2003, S 2004, S 2005
Seminar & Lab: Treatment of Deteriorated Works of Art III-IV, (G43.3040.011 – III, G43.3040.012 – IV) F 2003, F 2004
Seminar & Lab: Individual Problems in Examination and Treatment, (G43.3744) S 1964, S 1965, S 1966, S 1967, S 1968, S 1969, S 1970, S 1971, S 1972, S 1973, S 1974, S 1975, S 1976, S 1977, S 1978, S 1979, S 1987, S 1988, (G43.3744 – I, G43.3749 – II) S 1989, S 1990, S 1991, S 1992, S 1993, S 1994, S 1995, S 1996, S 1997, S 1998, S 1999, S 2000
Seminar & Lab: Individual Problems: Examination and Analysis II, (G43.3040.011) S 2001, (G43.3540.010) S 2002, S 2003, S 2004, S 2005
Seminar & Lab: Individual Problems in Examination and Treatment, (G43.3749) F 1964, F 1965, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1972, F 1973, F 1974, F 1975, F 1976, F 1977, F 1978, F 1986, F 1987, (G43.3744 – I, G43.3749 – II) F 1988, F 1989, F 1990, F 1991, F 1992, F 1993, F 1994, F 1995, F 1996, F 1997, F 1998, F 1999
Seminar & Lab: Individual Problems: Examination and Analysis II, (G43.3040.011) F 2000
Seminar & Lab: Individual Problems: Examination and Analysis I-II, (G43.3540.007 – I, G43.3540.008 – II) F 2001, F 2002, F 2003, (G43.3540.008 – I, G43.3540.009 – II) F 2004
Seminar & Workshop: Techniques in Restoration, (G43.3742) S 1964, S 1965, S 1966, S 1967, S 1968, S 1969, S 1970, S 1971, S 1972, S 1973, S 1974, S 1975, S 1976, S 1977, S 1978, S 1979, S 1987, S 1988
Seminar & Workshop: Techniques in Restoration, (G43.3747) F 1964, F 1965, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1972, F 1973, F 1974, F 1975, F 1976, F 1977, F 1978, F 1986, F 1987
Historical Sources in the Study of Art Materials, (G43.2726) S 1969, S 1970, S 1971, S 1972
Historical Sources in the Study of Art Materials, (G43.2725) F 1970
Colloquium: Materials, Media, and Techniques – Technical Considerations for the Art Historian, (G43.2727) F 1972, F 1973, F 1975, F 1976, F 1977, F 1978, F 1979, F 1980, F 1981, F 1982, F 1983
Colloquium: Materials, Media, and Techniques – Technical Considerations for the Art Historian, (G43.2728) S 1973, S 1974, S 1975, S 1976, S 1977, S 1978, S 1979, S 1980, S 1981, S 1982, S 1983, S 1984
Colloquium: Materials, Media, and Techniques – Technical Considerations for the Art Historian II, (G43.2728) S 1985, S 1995

Cook, Walter W. S.
1928-1932, Associate Professor of Fine Arts
1932-1953, Professor of Fine Arts
1953-1962, Professor Emeritus of Fine Arts
1933-1941, Chairman of Dept. of Fine Arts
1941-1953, Head of Dept. of Fine Arts
1941-1949, Director of Institute of Fine Arts
Art of the Middle Ages (with J. Shapley, T. Whittemore and C. Sherrill), (Fine Arts 41) F 1928
Spanish Painting to the Sixteenth Century, (Fine Arts 243) F 1928
* Spanish Painting During the Romanesque Period, (Fine Arts 245) F 1928
General History of Art (Medieval, Renaissance and Modern Art) (with R. Offner, A. McMahon, J. Shapley and W. Pach), (Fine Arts 12) S 1929
Proseminar: Methods and Bibliography of the Fine Arts, (Fine Arts 201) F 1929
*,& Romanesque Art in Spain, (Fine Arts 48) F 1929, (Fine Arts 48a) S 1930
General History of Art (Medieval, Renaissance and Modern Art) (with R. Offner, H. Cross, E. Bossange, C. Sherrill and C. Sprague), (Fine Arts 12) S 1930
* Romanesque Painting in Spain, (Fine Arts 245) F 1932
* History of Illuminated Manuscripts in Spain, (Fine Arts 249) S 1933, S 1934
Methods of Research (at Frick Art Reference Library), (Fine Arts 201) F 1933, F 1934, F 1935, F 1936, F 1937, F 1938
& Methods of Research (at Frick Art Reference Library), (Fine Arts 202) S 1934, S 1935, S 1936, (with A. P. McMahon) S 1937, (with A. P. McMahon) S 1938, S 1940, S 1941, S 1942, S 1943, S 1944, S 1945, S 1946
Methods of Research (with K. Lehmann, D. Tselos, G. Schoenberger, M. Weinberger, R. Offner, W. Friedlaender, A. Salmony), (Fine Arts 202) S 1947
Medieval Spanish Art, (Fine Arts 42a) F 1933, F 1942, F 1943
* Spanish Art (From the Stone Age to the Romanesque Period), (Fine Arts 41) F 1934, F 1940, F 1941
*,& Spanish Art (From the Stone Age to the Romanesque Period), (Fine Arts 42) S 1938, (Fine Arts 242) S 1940
Seminar: Spanish Painting During the Gothic Period, S 1935
Spanish Art (Romanesque Period), (Fine Arts 42) S 1935
* Problems in the Romanesque Art of France and Spain (with M. Aubert), (Fine Arts 293) F 1935
Problems in the Romanesque Art of France and Spain (with H. Focillon), (Fine Arts 294) S 1936
& Early Gothic Art in France and Spain (with M Aubert), (Fine Arts 291) F 1936
* Spanish Painting: Romanesque and Gothic, (Fine Arts 232) S 1937
Problems in the Romanesque Art of France and Spain (with H. Focillon), (Fine Arts 293) F 1937, F 1939
*,& Later Gothic Art in France and Spain (with M. Aubert), (Fine Arts 277) F 1938
Spanish Painting During the Middle Ages, (Fine Arts 276) S 1939
Pre-Romanesque Art in France and Spain (with M. Aubert), (Fine Arts 247) F 1940
Spanish Painting During the Gothic Period, (Fine Arts 46) S 1941, S 1942
Problems in Spanish Art, (Fine Arts 235) F 1941, (Fine Arts 236) S 1942
Romanesque Sculpture in Spain, (Fine Arts 243) F 1941
Gothic Sculpture in Spain, (Fine Arts 244) S 1942
* Spanish Painting, F 1942, S 1943, F 1943, S 1944
& Architecture and Sculpture in Spain, (FA 281?) F 1942
Gothic Architecture and Sculpture in Spain, S 1943, S 1944
Romanesque Architecture and Sculpture in Spain, F 1943
Spanish Art to the Gothic Period, (Fine Arts 55) F 1944
Spanish Baroque Painting, (Fine Arts 53) F 1944
Seminar: Problems in Spanish Art, (Fine Arts 335) F 1944, F 1945, etc.
Seminar: Problems in Spanish Art, (Fine Arts 336) S 1945, etc.
Romanesque and Gothic Art in Spain, (Fine Arts 86) S 1945
* Spanish Painting, (Fine Arts 41) F 1945, (Fine Arts 45) F 1946
Spanish Painting, (Fine Arts 42) S 1945, (Fine Arts 336) S 1946
Velazquez and the School of Madrid to Goya, (Fine Arts 63) F 1945
Medieval Spanish Art, (Fine Arts 47) F 1946
Medieval Spanish Art (Romanesque and Gothic), (Fine Arts 48) S 1947
Fundamental Principles of Romanesque Sculpture (with J. Baltrusaitis), (Fine Arts 276) S 1947
& Moorish and Mudejar Art in Spain, (Fine Arts 85) F 1947, (Fine Arts 45) F 1950, (Fine Arts 215) F 1954
* Renaissance Art in Spain, (Fine Arts 41) F 1947
*,& Illuminated Manuscripts in Spain, (Fine Arts 278) S 1948, (Fine Arts 52) S 1951
Romanesque Sculpture in Spain (with G. Gaillard), (Fine Arts 256) S 1948
* Baroque Art in Spain, (Fine Arts 42) S 1948
Romanesque Art in Spain, (Fine Arts 97) F 1948, (Fine Arts 43) F 1950, (Fine Arts 217) F 1954
Spanish Painting (Romanesque and Franco-Gothic), (Fine Arts 91) F 1948
Ancient Art in Spain, (Fine Arts 85) F 1949
Renaissance Architecture and Sculpture in Spain, (Fine Arts 41) F 1949
Early Medieval Art in Spain, (Fine Arts 68) S 1950, (Fine Arts 257) F 1955
Gothic and Renaissance Painting in Spain, (Fine Arts 40) S 1950
Gothic Art in Spain, (Fine Arts 48) S 1951
Seminar: Romanesque Painting in Spain, (Fine Arts 379) F 1955
Seminar: Moorish and Mozarabic Art in Spain, (Fine Arts 315) F 1956
Gothic Painting in Spain, (Fine Arts 215) F 1956
Ancient Art in Spain, (Fine Arts 232) S 1958
Seminar: Manuscript Illumination in Spain, (Fine Arts 316) S 1958
Romanesque and Gothic Art in Spain and Portugal: Architecture, Sculpture, Painting, (Fine Arts 244) S 1959
Moorish Art in Spain, (Fine Arts 234) S 1960
Romanesque and Gothic Painting in Spain, (Fine Arts 227) F 1960
Spanish Painting (1000 to 1500) (4 lectures), F 1961

Coomaraswamy, Ananda K.
1928, 1931, Visiting Lecturer on Fine Arts; Boston MFA
Art and Culture of India, (Fine Arts 79) F 1928
Indian Sculpture, (Fine Arts 70) S 1931

Coremans, Paul. 1953, Special Visiting Lecturer; Ghent University
The Van Eyck Altarpiece of the Mystic Lamb in the Laboratory (only 4
meetings), March 1953

Cornell, Grace. 1927, Lecturer on Fine Arts
Principles of Form and Color (with C. Sprague), (Fine Arts 1) F 1927

Costello, Jane. 1962-1966, Associate Professor of Fine Arts, Washington Sq.
1966-1973, Professor of Fine Arts, Washington Sq.
Seventeenth-Century French Painting, (G43.1504) S 1963
The International Style After 1600, (G43.1514) S 1965
Seminar: Iconographical Studies of the “Painters of Reality” in Seventeenth
Century France, (G43.3525) F 1966
Colloquium: Problems Relating to Peter Paul Rubens, (G43.2503) F 1967
The Formation of Style in Painting in Paris After 1620, (G43.2502) S 1969
Seminar: Poussin, (G43.3534) S 1972

Cross, Herbert R. 1928-1930, Lecturer on Fine Arts
1930-1935, Assistant Professor of Fine Arts
Introduction to the History of Art, (Fine Arts 2) S 1927, S 1928
The Technique and Criticism of Painting, (Fine Arts 10) S 1928
Renaissance and Modern Art, (Fine Arts 52) S 1929
General History of Art, (Fine Arts 11+12) F+S 1930-1931, F+S 1931-1932,
F+S 1932-1933, F+S 1934-1935
History of American Art, (Fine Arts 83) F 1927, F 1928, F 1929, F 1930, F 1931
General History of Art (Ancient Art and Art of the Near and Far East) (with R. Riefstahl and T. Whittemore), (Fine Arts 11) F 1929
General History of Art (Medieval, Renaissance and Modern Art) (with R. Offner, W. Cook, E. Bossange, C. Sherrill and C. Sprague), (Fine Arts 12) S 1930
Italian Sculpture, (Fine Arts 51) S 1930
Italian Sculpture, (Fine Arts 51) S 1931
The Technique and Appreciation of Painting, (Fine Arts 10) S 1932, F 1932
American Art, (Fine Arts 83) F 1933
Greek Sculpture, (Fine Arts 33) F 1934
Italian Renaissance Sculpture, (Fine Arts 72) S 1935

D’Ancona, Mirella L. 1966-1967, Adjunct Assistant Professor of Fine Arts; Hunter Col.
Seminar: Trecento Painting and Illumination in Venice and Padua, (G43.3210) S 1967

de Diego, Estrella.
1998-1999, King Juan Carlos I Visiting Professor of Spanish Culture and Civilization; King Juan Carlos I Center;
Universidad Complutense de Madrid
Seminar: Great Masters: Dali (with R. Lubar), (G43.3508) S 1999

de Lorey, Eustache.
1936-1938, Visiting Lecturer on Fine Arts; Louvre Mohammadan Art of Persia (with R. Riefstahl), (Fine Arts 78) S 1936
Islamic Decorative Art (with R. Ettinghausen), (Fine Arts 84) S 1937
Painting in Islam (with R. Ettinghausen), (Fine Arts 90) S 1938

Dean, Bashford. 1926, Professor of Fine Arts Metal Work of the Middle Ages and of the Renaissance, (Fine Arts 248) S 1926

Delacorte, Malcolm.
1969-1989, Research Associate in Conservation

der Nersessian, Sirarpie.
1930, 1936 Visiting Lecturer on Fine Arts
Seminar: Byzantine Manuscripts, (Fine Arts 236) S 1931
* Armenian Illuminated Manuscripts (at Pierpont Morgan Library), (Fine Arts 237) F 1936

Deuchler, Florens. 1968-1973, Adjunct Professor of Fine Arts; Cloisters
Seminar: Royal Illuminated Manuscripts From Paris, 1200-1325, (G43.3206) S 1969
Seminar: European Arts Around 1200 (with W. Sauerlaender), (G43.3218) S 1970
Seminar: French Gothic Tapestries, (G43.3220) S 1970
Medieval Art in Tuscany, (G43.2213) F 1970
Seminar: Medieval Monastic Architecture, (G43.3224) S 1972

DeWald, Ernest T. 1932, Visiting Lecturer on Fine Arts; Princeton
The Development of Medieval Art in Northern Europe, (Fine Arts 43) S 1932

Dilley, Arther U.
1937-1938, Lecturer on Fine Arts
* Oriental Rugs, (Int. Dec. 51) F 1937, S 1938

Dommermuth, Jean.
2001-2002, Guest Lecturer, Conservation Center
2002- , Institute Lecturer for Conservation
Lecture: Technology and Structure of Works of Art I (with S. Chui, J. Soultanian, J. Sherman and G. Bisacca), (G43.2038.005) F 2001
Lab: Technology and Structure of Works of Art I (with S. Chui, J. Soultanian, J. Sherman and G. Bisacca), (G43.2038.006) F 2001
Lecture: Technology and Structure of Works of Art I (with G. Bisacca, J. Soultanian, J. Sherman and N. Gutman), (G43.2038.005) F 2002, F 2003, F 2004
Lab: Technology and Structure of Works of Art I (with G. Bisacca, J. Soultanian, J. Sherman and N. Gutman), (G43.2038.006) F 2002, F 2003, F 2004
Practical Problems of Preservation: Easel Paintings II (with J. Dommermuth), (G43.3540.002) S 2005

Douglas, Charlotte.
1988-1991, Professor, Dept. of Slavic Languages and Literature
1991-2000, Associate Professor, Dept. of Slavic Lang. & Lit.
2000-2001, Professor of Russian & Slavic Studies, Washington Sq.
Russian Painting in the 1920’s, (G91.2105) S 1989
Seminar: Kazimir Malevich, (G91.2290) S 1990, S 1993
Seminar: The Idea of the Spiritual in Modern Russian Art, (G91.3009) F 1990
Modern Russian Painting, (G91.2101) S 1991, S 1995
Seminar: Russian Painting in the 1920;s, (G43.2105) S 1992
Colloquium: Russian Women Artists of the Avant-Garde, (G43.2108) S 1997
Seminar: History of Russian Constructivism, (G43.2113) S 2001

Drexler, Arthur.
1963-1964, Lecturer on Fine Arts; MoMA
* Ideas of Modern Architecture, (G43.2989) F 1963

Dwyer, Dianne. see Modestini, Diane Dwyer.

Ecke, Gustav.
1959, Visiting Professor of Fine Arts
Seminar: Nephrite and Bronze From Shang Through Han, (Fine Arts 313) F 1959
Chinese Painting as Seen Today, (Fine Arts 209) F 1959

Edwards, Richard.
1988-1989, Benjamin Sonnenberg Visiting Professor of Fine Arts
Colloquium: Chinese Paintings in the Late Sung and Wang Dynasties, (G43.3596) S 1989

Eglington, Guy.
1927, Lecturer on Fine Arts
The Museum of Tomorrow, (Fine Arts 8) S 1927

Eisler, Colin.
1958-1962, Assistant Professor of Fine Arts
1962-1968, Associate Professor of Fine Arts
1968-1978, Professor of Fine Arts
1978- , Robert Lehman Professor of Fine Arts
Netherlandish and Related Painting 1400-1550, (Fine Arts 261) F 1958
Colloquium: Museum Training I: Introduction, (Fine Arts 236) S 1959, (Fine Arts 284) S 1960, (Fine Arts 276) S 1961, S 1962, (G43.2750) S 1963, S 1964, S 1965
Seminar: Museum Training and Connoisseurship II: Connoisseurship (coördinated by C. Eisler), (Fine Arts 377) F 1960, F 1961, (G43.3751) F 1964, F 1965
Seminar: Selected Dutch and Flemish Sixteenth- and Seventeenth-Century Artists Represented in the Metropolitan Museum of Art, (Fine Arts 353) F 1959
Netherlandish and Related Painting, (Fine Arts 235) F 1960
Seminar: Art of the Renaissance in France, (Fine Arts 345) F 1960
Italian Fifteenth Century Painting, (Fine Arts 246) S 1961
Seminar: Relations Between Italian and Northern Art in the Fifteenth Century, (Fine Arts 339) F 1961
Art of the Renaissance in France, (Fine Arts 145) F 1961
An Introduction to North Italian Painting of the Fifteenth Century, (Fine Arts 148) S 1962
Painting of the Fifteenth Century in Central Italy, (G43.2462) S 1963 Eyckian Art, (G43.1296) S 1964
Painting in Fifteenth Century Italy, (G43.1143) F 1964
Art of the Netherlands, 1464-1570, (G43.1502) S 1965
Fifteenth Century Painting in the Netherlands, (G43.1512) S 1966
Seminar: Problems in the Style and Significance of Netherlandish Painting, 1400-1550, (G43.3354) S 1966
Painting in Fifteenth Century Florence, (G43.1145) F 1966
Seminar: Netherlandish Art of the Sixteenth Century, (G43.3367) F 1966
The Arts in Sixteenth Century France, (G43.1358) S 1968
Seminar: Problems in Cataloguing European Non-Italian Paintings, (G43.3418) S 1968
Painting in Florence, 1400-1500, (G43.1401) F 1968
Seminar: Pollaiuolo Studies, (G43.3423) F 1968
Dutch and Flemish Painting 1460-1560, (G43.2354) S 1969
Seminar: Michelangelo Problems, (G43.3404) S 1969
Seminar: Luke and Pygmalion, (G43.3427) F 1969
Colloquium: The Role of Print Making in Western European Art, 1400-1600, (G43.2419) F 1970
Seminar: The Stieglitz Circle, 1914-1946, (G43.3609) F 1970
North Italian Painting From the International Style to the Beginning of the High Renaissance, (G43.2310) S 1971
Seminar: Problems in Tuscan Painting From Masaccio to Filippino Lippi, (G43.3434) S 1971
Painting in Northern Italy From the International Style to the Death of Giovanni Bellini, (G43.1303) F 1971
Seminar: Transitions in Fifteenth-Century Netherlandish Art, (G43.3433) F 1971
Colloquium: Diffusion of Style in Western European Art 1300-1600, (G43.2406) S 1972
Seminar: Problems in Tuscan Art 1400-1500, (G43.3434) S 1972
Aspects of Netherlandish Painting and Related Northern European Painting of the Fifteenth Century, (G43.2347) F 1972
Seminar: Painting in Tuscany 1450-1500, (G43.3303) F 1972, (G43.3369) F 1982
Netherlandish Painting From Bouts to Bruegel, (G43.2298) S 1974
Seminar: Allegory and Tapestry, (G43.3298) S 1974
Quattrocento Painting in Padua, Mantua, Venice and Verona, (G43.2343) F 1974
Seminar: The Art of Quattrocento Ferrara, (G43.3309) F 1974
Art in France From Fouquet to Philibert de L’Orme, (G43.2312) S 1975
Seminar: Romanism in Sixteenth-Century Northern Europe, (G43.3300) S 1975
Early Netherlandish Painting, (G43.2295) F 1975, F 1978
Seminar: The Artist in His Studio, (G43.3295) F 1975
Painting in Mantua, Padua, Ferrara and Urbino From 1400-1506, (G43.2479) F 1976
Seminar: The Art of Masaccio, (G43.3479) F 1976
Northern Painters and Italy From Fouquet to Goltzius, (G43.2464) S 1977
Seminar: Guild and Academy, (G43.3464) S 1977
Painting in Venice, 1350-1500, (G43.2333) F 1977
Seminar: The Sculpture of Claus Sluter – Sources and Influences, (G43.3311) F 1977
French Art of the Sixteenth Century, (G43.2334) S 1978, (G43.2343) S 1983, S 1984
Seminar: Music in Art, (G43.3310) S 1978
Seminar: Drawings of the Bellini, (G43.3235) F 1978
A Century of Netherlandish Painting, 1480-1580, (G43.2297) F 1979, (G43.2237) S 1985
Seminar: Exchanges Between North and South in the Sixteenth Century, (G43.3469) F 1979
Painting and the Graphic Arts in Florence and Siena, 1400-1500, (G43.2372) S 1980
Seminar: Drawing Toward Sculpture, (G43.3488) S 1980
Seminar: Genre Elements in Northern Italian Art of the Fifteenth Century, (G43.3409) S 1981
Painting in Northern Italy From the International Style to the High Renaissance, (G43.2358) S 1981
Art of Northern Italy From ca. 1475 to Early Sixteenth Century, (G43.2357) F 1981
Seminar: Decorative Arts of the French Renaissance 1400-1600, (G43.3363) F 1981
Early Netherlandish Painting 1400-1500, (G43.2333) S 1982, (G43.2339) F 1984, (G43.2216) S 1994
Seminar: Re-Thinking Early Netherlandish Painting, (G43.3347) S 1982
Tuscan Fifteenth-Century Painting, (G43.2360) F 1982
Seminar: When Artists Organize, (G43.3464) S 1983
Seminar: Artists’ Letters, (G43.3439) S 1984
Seminar: Early Netherlandish Painting, 1400-1500, (G43.3347) F 1984
Seminar: A Century of Netherlandish Painting, 1480-1580, (G43.3349) S 1985
Colloquium: Image of Artist, (G43.2376) S 1986
Seminar: Early Netherlandish Painting in the Thyssen Collection, (G43.3352) S 1986
Painting in Fifteenth-Century Germany, (G43.2313) F 1988
Seminar: Painting in Fifteenth-Century Spain, (G43.3407) F 1988
Painting in Fifteenth-Century France and Spain, (G43.2407) S 1989
Seminar: Problems in Fifteenth-Century European Painting, (G43.3251) S 1989
Diffusion of Style: Patterns of Fifteenth-Century Western European Painting (Outside Italy), (G43.2273) S 1990
Seminar: The Art of Hugo van der Goes, (G43.3573) S 1990
Colloquium: Venetian Painting From its Origins to the Death of Giovanni Bellini, (G43.2284) F 1990
Seminar: Told by Lines – Print Narrative, (G43.3396) F 1990
Florentine Painting of the Fifteenth Century, (G43.2035) S 1991
Seminar: The Art of Masaccio, (G43.3385) S 1991
Painting in Tuscany 1400-1500, (G43.2248) F 1991
Seminar: German Painting of the Fifteenth Century, (G43.3251) F 1991
Colloquium: Early Netherlandish Art Emphasizing New York Collections,
(G43.2216) S 1992
Seminar: French Painting of the Fifteenth Century, (G43.3288) S 1992
Painting in Northern Italy in the Fifteenth Century, (G43.2222) S 1993
Seminar: The Inspired Artist, (G43.3688) S 1993
French Renaissance Art, (G43.2410) F 1993
Seminar: From Gothic to Renaissance – How and Why?, (G43.2273) F 1993
Seminar: Art of Robert Campin, (G43.3282) S 1994
Diffusion of Style in Western European Art 1300-1600, (G43.2273) S 1996
Seminar: Multiples in the Renaissance, (G43.3688) S 1996
Colloquium: Tapestries: 1350-1550, (G43.3243) F 1996
Seminar: Special Problems in Renaissance Art: Luke and Pygmalion, (G43.3861) F 1996
Colloquium: New Ways to Early Netherlandish Art, (G43.2216) S 1997
Seminar: The Scenography of Bibiena, (G43.3331) S 1997
Colloquium: The Inter-Renaissance: Diffusion of Style, 1350-1550, (G43.2273) S 1998
Seminar: Early Netherlandish Art: Eyckian, (G43.3282) S 1998
Early Netherlandish Paintings in the Metropolitan Museum of Art, (G43.2216) F 1998
Seminar: Art in Florence 1450-1500, (G43.3284) F 1998
Colloquium: Print Narratives, (G43.2231) S 1999
The Inter-Renaissance – Arts and Agencies 1350-1550: Reciprocal Reception of Images and Techniques, North and South of the Alps, (G43.2273) S 1999
Colloquium: Northern Continental Arts From the International Style to ca. 1500, (G43.2058) F 1999
Seminar: Bloomsbury in America, (G43.3571) F 1999
The French Renaissance – Recent Reappraisals, (G43.2273) S 2000
Seminar: Visualizing the Encyclopédie, (G43.3396) S 2000
Colloquium: Bloomsbury in America, (G43.2532) S 2001
Seminar: Concepts and Images of Creativity in Biblical and Later Devotional Literature and Art, (G43.3024) S 2001
Quattrocento Pictorial Arts North of Florence, (G43.2525) S 2002
Seminar: Pioneer “Old Master” Drawing Collecting in America, (G43.3035.003) S 2002
Colloquium: Quattrocento Pictorial Arts North of Florence, (G43.2525) S 2003
Seminar: New Directions in the Studies of Northern European Art, 1430-1530, (G43.3024) S 2003
German Art From the International Style to the Death of Dürer, (G43.2527) F 2003
Seminar: Problems in Venetian Renaissance Painting, (G43.3025) F 2003
German Painting, Sculpture and the Graphic Arts, c. 1400-1520, (G43.2027) S 2004
Colloquium: The Painted Altarpiece in Italy, 1200-1520 (with G. Bisacca), (G43.2525.002) S 2004
Colloquium: Western European Altarpieces, 1380-1530 (excluding Italy & England), (G43.2527) F 2004
Seminar: Bloomsbury in America, (G43.3027) F 2004

Elderfield, John.
1994-1995, Adjunct Professor of Fine Arts; Met. Museum
Seminar: Private Spaces: Matisse and Others, (G43.3502) F 1994

Elliott, Huger.
1928-1933, Director of Educational Work; Metropolitan Museum of Art
Contemporary Art: An Analysis of Present-Day Art as Affected by That of the Past, (Fine Arts 69a-69b) F+S 1928-1929
Tradition and Contemporary Art: An Analysis of Present-Day Art as Affected by that of the Past, (Fine Arts 69a-69b) F+S 1929-1930, F+S 1930-1931, F+S 1931-1932
Social Aspects of Architecture (Fine Arts 20a-20b) F+S 1932-1933, F+S 1933-1934

Ellis, Margaret Holben.
1985-1987, Adjunct Assoc. Prof. of Conservation; Met. Museum
1987-1995, Associate Professor of Conservation
1995- , Professor of Conservation
1987-1999, Chairman of the Conservation Center
1999-2002, Sherman Fairchild Chairman, Conservation Center
Seminar & Lab: Individual Problems in Examination and Treatment: Paintings on Paper, (G43.3744) S 1986
Seminar & Lab: The Conservation Treatment of Prints and Drawings, (G43.3706) S 1987, S 1988, S 1989, S 1990, S 1991, S 1992, F 1992, F 1994, F 1995, F 1997, F 1998, F 1999, (G43.3040.001) F 2001, F 2002, S 2004, F 2004
Seminar & Lab: Techniques of Paper Conservation, (G43.3709) F 1987
Seminar & Lab: Problems in Paper Conservation, (G43.3702) F 1988, F 1990, F 1991, S 1993, S 1995, S 1996, S 1998, S 1999, (G43.3040.001) S 2001, (G43.3040.002) S 2002, S 2003
Seminar: The Technical Connoisseurship of Works of Art on Paper, (G43.2539.004) S 2004
Seminar: Readings in Paper Conservation, (G43.3040.015) F 2004
Seminar: The Technical Connoisseurship of Twentieth-Century Works of Art on Paper, (G43.3040.016) S 2005
Seminar & Lab: The Conservation Treatment of Prints and Drawings II, (G43.3040.001) S 2005

Ettinghausen, Richard.
1937-1938, Lecturer on Fine Arts
1960-1966, Adjunct Professor of Fine Arts; Freer Gallery of Art
1966-1969, Professor of Fine Arts
1969-1979, Hagop Kevorkian Professor of Fine Arts
Islamic Decorative Art (with E. de Lorey), (Fine Arts 84) S 1937
Introduction to Mohammedan Art, (Fine Arts 89) F 1937
Painting in Islam (with E. de Lorey), (Fine Arts 90) S 1938
Mohammedan Decorative Arts in New York Museums and Collections, (Fine Arts 65) F 1938
Colloquium: Painting in the Muslim East, (Fin Arts 308) S 1961
Colloquium: The Decorative Arts of the Islamic World, (Fine Arts 318) S 1962
Seminar: Problems of Persian Painting, (G43.3002) S 1963
* A Survey of Islamic Architecture, (G43.2116) S 1964, S 1965, (G43.2078) S 1978
Seminar: Problems in Islamic Art, (G43.3110) F 1965
Seminar: The Art of the Islamic Manuscript, (G43.3136) S 1966
Seminar: Problems in Connoisseurship: The Arts of Islam, (G43.3005) F 1966
A Survey of the Architecture, Paintings and Decorative Arts of Islam, (G43.1116) S 1967
Seminar: Persian Ceramics, (G43.3015) F 1967
Seminar: Arab Painting, (G43.3016) S 1968
Persian Art of the Islamic Period, (G43.2012) S 1968
Art of Turkey, (G43.2019) F 1968
Seminar: Discussion of Islamic Objects, (G43.3025) F 1968
Seminar: Islamic Metalwork, (G43.3006) S 1969, (G43.3051) F 1973
The Architecture of the Islamic World, (G43.2021) F 1969
Decorative Arts of the Islamic World, (G43.1001) F 1970, F 1973, (G43.1010) S 1979
Seminar: Special Problems of Islamic Pottery and Metalwork, (G43.3031) F 1970
Seminar: Problems of Muslim Iconography, (G43.3034) S 1971
Islamic Art in Its Characteristic Manifestations, (G43.2002) S 1972
Seminar: Problems in the Art of Painting in the Islamic World, (G43.3044) S 1972
Realism and Imagination in Islamic Art, (G43.1007) F 1972
Seminar: Ceramic Studies, (G43.3045) F 1972
Carpets and Textiles of the Islamic World, (G43.1004) S 1973
A Survey of Painting in the Islamic World, (G43.1006) S 1975
Seminar: Problems in Islamic Paintings, (G43.3044) S 1975
Causes and Manifestations of Islamic Art, (G43.1005) F 1975
Seminar: Studies in Iconography, (G43.3075) F 1975
Survey of the Minor Arts of the Islamic World, (G43.1002) S 1976
Seminar: Studies in Islamic Ceramics, (G43.3076) S 1976
Painting in the Islamic World, (G43.1015) F 1976
Seminar: Studies of Objects in the Metropolitan Museum, (G43.3053) F 1976
Seminar: Art and Daily Life in the Muslim World, (G43.3080) S 1977
Seminar: Problems of Islamic Miniature Painting, (G43.3096) S 1978
Seminar: Aspects of Islamic Ceramics, (G43.3097) F 1978
Seminar: Analyses of Objects in the Metropolitan Museum, (G43.3090) S 1979

Fahy, Everett.
1969-1970, Associate Professor of Fine Arts
1970-1973, Adjunct Professor of Fine Arts; Metropolitan Museum
1973-1980, Adjunct Professor of Fine Arts; Frick
Seminar: Late Fourteenth Century Painting in Florence, (G43.3348) S 1970
Painting in Italy from 1400 to 1500, (G43.2348) S 1970
Sixteenth-Century Italian Painting, (G43.2424) S 1971
Seminar: Venetian Paintings in the Metropolitan Museum of Art: A Chronological Survey of All the Venetian Paintings in the Collection, (G43.3500) S 1972
Changes in Italian Painting Around 1500, (G43.2346) S 1973
Seminar: Domenico Ghirlandajo and Late Fifteenth-Century Florentine Painting, Sculpture and Architecture, (G43.3308) S 1975
Seminar: Aspects of the Revival of Antiquity in Florentine Art of the Last Quarter of the Fifteenth Century, (G43.3312) S 1976
Seminar: Painting in Florence, 1490-1510, (G43.3468) S 1977
Seminar: The Early Italian Paintings in the Frick Collection, (G43.3377) F 1977
Seminar: Problems in Fourteenth-Century Sienese Painting, (G43.3292) S 1979
Seminar: The Quattrocento Decoration of the Sistine Chapel, (G43.3466) S 1980

Fischer, Henry G.
1962-1966, Adjunct Assistant Professor of Fine Arts; Met. Museum
1966-1980, Adjunct Professor of Fine Arts; Met. Museum Ancient Egyptian I, (G43.2525) F 1962, F 1963, F 1964, F 1965, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1975
Ancient Egyptian II, (G43.2526) S 1963, S 1964, S 1965, S 1966, S 1967, S 1969, S 1970, S 1971, S 1972, S 1976
Ancient Egyptian III, (G43.2527) F 1963, F 1964, F 1965, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1972, F 1973, F 1974, F 1976
Ancient Egyptian IV, (G43.2528) S 1964, S 1965, S 1966, S 1967, S 1969, S 1970, S 1971, S 1972, S 1973, S 1974, S 1975, S 1976
Archaeology and Minor Arts of Ancient Egypt, (G43.2452) S 1967, S 1970
Seminar: Egyptian Statuary of the Old and Middle Kingdoms, (G43.3018) S 1968, (G43. 3013) F 1968
The Minor Arts of Ancient Egypt, (noncredit) S 1979

Fischer, Martin.
1931, Visiting Professor on Fine Arts
The Painter’s Craftsmanship, (Fine Arts 32) S 1931

Focillon, Henri.
1936-1939, Visiting Lecturer on Fine Arts; Yale
* Problems in the Romanesque Art of France and Spain (with W. S. Cook), (Fine Arts 294) S 1936
* Problems in the Romanesque Art of France and Spain (with W. S. Cook), (Fine Arts 293) F 1937, F 1939

Fontein, Jan.
1979-1980, Adjunct Professor of Fine Arts; Boston Museum of Fine Arts
1980-1981, Benjamin Sonnenberg Visiting Prof. of Fine Arts; Boston MFA
1981-1982, Adjunct Professor of Fine Arts; Boston Museum of Fine Arts
Seminar: Buddhist Art and Architecture of Southeast Asia, (G43.3059) F 1979
Seminar: Problems in Han Archaeology, (G43.3017) F 1980
Seminar: Problems in Korean Archaeology, (G43.3027) S 1982

Ford, Barbara.
1991-1992, Adjunct Associate Prof. of Fine Arts; Met. Museum
Literary Imagery in Japanese Art, (G43.2012) F 1991

Frankl, Paul.
1954, Visiting Lecturer on Fine Arts; Princeton - IAS
Seminar: Mediaeval Stained Glass, (Fine Arts 378) S 1954

Frankl, Paul Theodore.
1927-1928, Lecturer on Fine Arts
1928-1930, Assistant Professor of Fine Arts
Contemporary Decorative Art, (Fine Arts 69) F 1927, S 1928, F 1928, S 1929, F 1929, S 1930
A Symposium on Arts and Crafts Today (et al), (Fine Arts 68) S 1928

Frantz, James H.
1981-1984, Adjunct Associate Prof. of Conservation; Met. Museum
1984-2002, Adjunct Professor of Conservation; Met. Museum
2002- , Institute Lecturer for Conservation; Met. Museum
Conservation: Laboratory Problems, (G43.3972) S 1982
Lecture & Lab: Materials of Art and Archaeology II and IV, (G43.2712 – 1st Year, G43.2722 – 2nd Year) (with N. Baer) S 1985, S 1986, S 1989
Lecture & Lab: Materials of Art and Archaeology II and IV (with N. Baer), (G43.2711 – 1st Year, G43.2721 – 2nd Year) F 1986
Seminar & Lab: Alteration and Deterioration of Works of Art I: Technology and Conservation of Metals, (G43.3731) F 1985, F 1987
Lab: Introduction to Laboratory Techniques, (G43.2711) F 1988, F 1989, F 1990, F 1991, F 1992, F 1993, F 1994, F 1995, F 1996, F 1997, F 1998, F 1999, (G43.2038.007) F 2000, (G43.2038.003) F 2001, F 2002
Seminar & Lab: Alteration and Deterioration of Works of Art I, (G43.3731) F 1988
Seminar & Lab: Alteration and Deterioration of Works of Art: Metals, (G43.3731) F 1989, F 1990, F 1991, F 1992, F 1993, F 1994, F 1995, F 1996, F 1998
Lab: Materials Laboratory II and IV, (G43.2712 – II, G43.2722 – IV) S 1989, S 1990, S 1992, S 1994, S 1996, S 1998, S 2000
Lecture & Lab: Materials of Art and Archaeology II and IV, (G43.2712 – 1st Year, G43.2722 – 2nd Year) S 1991, S 1993, S 1995, S 1997, S 1999
Lecture: Materials of Art and Archaeology II and IV, (G43.2038.001 – 1st Year, G43.2038.002 – 2nd Year) S 2001, (G43.2038.007 - 1st Year, 43.2038.008 – 2nd Year) S 2003, S 2005
Lab: Materials Laboratory II and IV, (G43.2038.003 – 1st Year, G43.2038.004 – 2nd Year) S 2001, (G43.2038.009 – I, G43.2038.010 – II) S 2002, S 2003, S 2005
Seminar & Lab: Alteration and Deterioration of Works of Art, (G43.3540.011) S 2003
Lab: Introduction to X-Ray Methods, (G43.2038.003) F 2003, F 2004
Lab: Instrumental Methods, (G43.2038.009 – 1st Year, G43.2038.010 – 2nd Year) S 2004
Seminar: Individual Problems: Examination and Analysis: XRD and XRF, (G43.3540.007) F 2004

Friedlaender, Walter.
1935-1937, Visiting Professor of Fine Arts
1937-1944, Professor of Fine Arts
1944-1967, Professor Emeritus of Fine Arts
* Rubens and the Early Baroque, (Fine Arts 267) F 1935
Seminar: Advanced Colloquium in Baroque Painting, (Fine Arts 339) F 1935, S 1936
* French Painting from the Sixteenth to Eighteenth Centuries, (Fine Arts 228) S 1936, S 1948
*,& French Painting of the Seventeeth and Eighteenth Centuries, (Fine Arts 225) F 1936, F 1939, F 1944
& Seminar: Advanced Colloquium in Eighteenth- and Nineteenth-Century Painting, (Fine Arts 341) F 1936, (Fine Arts 342) S 1937
* From David to Cezanne, (Fine Arts 226) S 1937, S 1940, S 1945, (Fine Arts 293)
F 1948, (Fine Arts 294) S 1949
* Italian Painting of the Sixteenth Century, (Fine Arts 227) F 1937, F 1945
* Seminar: Mannerism in the Sixteenth Century, (Fine Arts 327) F 1937
*,& Italian Painting of the Late Cinquecento, (Fine Arts 246) S 1938
Seminar: Baroque Art, (Fine Arts 348) S 1938
* Rubens and Baroque Painting in Italy, (Fine Arts 297) F 1938
* French Drawings of the Sixteenth and Seventeenth Centuries (at Pierpont Morgan Library), (Fine Arts 268) S 1939
& French Painting of the Sixteenth and Seventeenth Centuries, (Fine Arts 228) S 1939
Florentine and Central Italian Painting of the Sixteenth Century, (Fine Arts 227) F 1940
Later Venetian and North Italian Painting, (Fine Arts 228) S 1941
*,& Painting in Italy in the Late Sixteenth and Seventeenth Centuries, (Fine Arts 229) F 1941
* Baroque and Realism in the Painting of Northern Europe, (Fine Arts 225) F 1941
Seminar: Special Problems in Baroque Painting, (Fine Arts 379) F 1941
Seminar: Interpretation of Literary Sources, (Fine Arts 381) F 1941, (Fine Arts 382) S 1942
Mannerism and Early Baroque Painting In Italy, F 1942
* French Painting in the Sixteenth and Early Seventeenth Centuries, (Fine Arts 226) S 1942
From Rococo to Realism, (Fine Arts 230) S 1942
Seminar: Special Problems in French Painting, (Fine Arts 380) S 1942
Painting of the Baroque Period, S 1943, F 1943
Seminar: Problems in Baroque Painting, (Fine Arts 325) F 1945, F 1946, etc.
Seminar: Problems in Baroque Painting, (Fine Arts 326) S 1945, S 1946, etc.
Introduction to Italian Painting of the Baroque (Later Venetian and North Italian), (Fine Arts 228) S 1946
Painting of the Early Baroque, (Fine Arts 225) F 1946
Methods of Research (with W. Cook, D. Tselos, G. Schoenberger, M. Weinberger, R. Offner, K. Lehmann, A. Salmony), (Fine Arts 202) S 1947
* Painting in the High Baroque, (Fine Arts 226) S 1947
Seminar: Interpretation of Literary Sources of Baroque Art, (Fine Arts 382) S 1948
Seminar: Theory and Art of Mannerism, (Fine Arts 331) F 1949
Seminar: Rubens in Italy, (Fine Arts 324) S 1950, (Fine Arts 313) F 1954
Seminar: Problems of the Baroque, (Fine Arts 367) F 1950
Seminar: Caravaggio and his Followers, (Fine Arts 368) S 1951
Seminar: French Mannerism and Classicism in the Sixteenth Century, (Fine Arts 355) F 1951
Seminar: Classicism in France, (Fine Arts 356) S 1952
Seminar: French Painting in the Eighteenth Century, (Fine Arts 323) F 1952
French Painting from David to Delacroix, (Fine Arts 252) S 1953
Caravaggio and his Time, (Fine Arts 251) F 1953, (G43.2671) F 1963
Seminar: Stoical Subject Matter in European Painting, (Fine Arts 372) S 1954
Seminar: Baroque Painting About 1600 and After, (Fine Arts 387) F 1955
David to Delacroix, (Fine Arts 278) S 1956, (G43.2539) F 1964
Seminar: Landscape Painting, (Fine Arts 323) F 1956
Introduction to Baroque Painting 1600-1650, (Fine Arts 226) S 1957
Nicolas Poussin and Claude Lorrain, (Fine Arts 251) F 1957
Seminar: Introduction to Literary Sources and Artistic Theory in the Seventeenth Century, (Fine Arts 334) S 1958
Baroque and Classicism in Seventeenth Century Painting, (Fine Arts 263) F 1958
Seminar: Special Problems in Baroque Art, (Fine Arts 358) S 1959, (Fine Arts 262) S 1960
Painting Outside Central Italy, 1550-1700, (Fine Arts 267) F 1959
Painting in the High Baroque, (Fine Arts 255) F 1960
Seminar: Rubens Problems, (Fine Arts 352) S 1961
Stylistic Phases in Painting From Mengs to Manet, (Fine Arts 251) F 1961
Seminar: European Painting 1775-1860, (Fine Arts 350) S 1962
Venetian Painting of the Sixteenth Century, (G43.2501) F 1962
Seminar: The Influence of Italian Painting on Rubens, (G43.3504) S 1963
Seminar: Problems of Baroque and Classicism, (G43.3406) S 1964
Seminar: Problems in Nineteenth-Century French Painting, (G43.3614) S 1965
Sixteenth Century Venetian Painting, (G43.2523) F 1965
Seminar: Special Problems in Sixteenth Century Italian Painting, (G43.3480) S 1966
Caravaggio and his Time, (G43.2529) F 1966
Seminar: Titian Problems, (G43.3420) S 1967

Gaillard, Georges.
1948, Visiting Lecturer on Fine Arts; University of Lille
* Romanesque Sculpture in Spain (with W. Cook), (Fine Arts 256) S 1948

Gat, Leslie Ransick.
2001-2002, Guest Lecturer, Conservation Center
2002- , Institute Lecturer for Conservation
Seminar & Lab: Individual Problems: Examination and Analysis I: Approaching the Treatment of Three-Dimensional Works of Art, (G43.3540.009) S 2002, S 2003
Seminar & Lab: Introduction to Objects Conservation (with M. Marincola), (G43.3040.013) F 2003, F 2004
Seminar & Lab: Individual Problems: Examination and Analysis: Archaeological Metals (with E. Howe and D. Schorsch), (G43.3540.007) S 2004

Goldberg, Vicki.
1996-1997, Adjunct Professor of Fine Arts
Colloquium: Problems in Photography, (G43.2360) S 1997

Goldschmidt, Adolph.
1931, 1936 Visiting Lecturer on Fine Arts; Univ. of Berlin
Seminar: German Sculpture of the Renaissance, (Fine Arts 363) S 1931
Manuscript Decoration of German Secular Literature in the Gothic Period (at Pierpont Morgan Library), (Fine Arts 241) F 1936

Goldwater, Robert J.
1934-1942, Instructor in Fine Arts
1948, 1950, 1955, Visiting Lecturer on Fine Arts; Queens College
1957-1973, Professor of Fine Arts
1962-1973, Chairman of Student Academic Affairs
* Prehistoric and Primitive Art, (Fine Arts 34) S 1935, S 1936
* Prehistoric and Primitive Art (with E. A. Hoebel), (Fine Arts 33) F 1937
Modern Painting Since 1830, (Fine Arts 45) F 1936
Forerunners of Modern Painting (El Greco to Delacroix), (Fine Arts 54) S 1937
Aspects of Modern Art (with A. Rindge, J. McAndrew and J. J. Sweeney), (Fine Arts 62) S 1937
Principles of Modern Art (with D. Tselos), (Fine Arts 73) F 1937
Painting in the Nineteenth Century (1780-1910), (Fine Arts 70) S 1938
Principles of Modern Art (1775-1875) (with D. Tselos), (Fine Arts 87) F 1938
Principles of Modern Art: 1875-1938 (with D. Tselos), (Fine Arts 88) S 1939
Modern Painting, (Fine Arts 67) F 1939
* Italian Painting and the Renaissance, (Fine Arts 86) S 1940, S 1941
Modern Painting: The Nineteenth Century, (Fine Arts 47) F 1941
* Problems in Modern Painting, (Fine Arts 167) F 1941
Modern Painting: The Twentieth Century, (Fine Arts 48) S 1942
Modern Criticism, (Fine Arts 218) S 1948
Seminar: Problems in Modern Art, (Fine Arts 330) S 1950
American Painting, (Fine Arts 170) S 1955, (Fine Arts 161) F 1958
African and Oceanic Art, (Fine Arts 101) F 1957, (Fine Arts 170) S 1962,
(G43.2600) S 1963, F 1964
Seminar: Problems in Modern Art, (Fine Arts 342) S 1958
Seminar: Meaning and Symbolism in Twentieth-Century Art, (Fine Arts 374) S 1959
Colloquium: Post-Impressionist Painting, (Fine Arts 273) F 1959
Seminar: Cubism and its Consequences, (Fine Arts 365) F 1960
American Painting From 1800-1960, (Fine Arts 164) S 1961
Seminar: Modern Sculpture: Cubism and Beyond, (Fine Arts 367) F 1961
American Painting Since the Civil War, (G43.1603) F 1962, (G43.2615) F 1965
Seminar: Abstract Art: Intentions and Interpretations, (G43.3606) S 1963
Seminar: Synthetism, Symbolism and Fin de Siècle, (G43.3671) F 1964
Seminar: American Painting 1910-1960, (G43.3682) S 1965
Seminar: Modern Sculpture Since Cubism, (G43.3627) F 1965
Impressionism to Cubism, (G43.1631) F 1966
Seminar: Cezanne, (G43.3710) S 1967
Twentieth Century Sculpture, (G43.2805) F 1967
Seminar: Cubist Art and Theory, (G43.3604) S 1968
Seminar: Art Criticism, (G43.3660) S 1968, S 1970, (F43.3661) F 1970
Seminar: Problems in Modern Sculpture, (G43.3601) F 1968
The Symbolist Period: 1880-1905, (G43.2613) F 1971
Seminar: Symbolist Period, (G43.3628) S 1972
Twentieth Century Sculpture, (G43.2805) F 1972

Grancsay, Stephen V.
1934-1936, 1949, Lecturer on Fine Arts; Curator of Arms at Met
Arms and Armor, (Fine Arts 47) S 1935, F 1949
* Metal Work in Art, (Fine Arts 40) S 1936

Greenway, Lauder.
1946-1949, Vice-Chairman, Institute of Fine Arts
1949-1953, Acting Director of Institute of Fine Arts

Groys, Boris.
2004-2005, Institute Lecturer, NYU – Washington Square
Seminar: Moscow Conceptualism, (G43.3032.003) S 2005

Guillaume, Jean.
1997-1998, Lila Acheson Wallace Visiting Prof of Fine Arts; Sorbonne
Seminar: The French Château From the Fifteenth to the Seventeenth Century, (G43.3867) S 1998

Guth, Christine.
1985-1986, Adjunct Assistant Professor of Fine Arts
Japanese Sculpture, 600-1300, (G43.2026) S 1986

Gutman, Nica.
2002- , Fellow, Samuel H. Kress Program, Conservation
Lecture: Technology and Structure of Works of Art I (with G. Bisacca, J. Dommermuth, J. Soultanian, J. Sherman), (G43.2038.005) F 2002, F 2003, F 2004
Lab: Technology and Structure of Works of Art I (with G. Bisacca, J. Dommermuth, J. Soultanian, J. Sherman), (G43.2038.006) F 2002, F 2003, F 2004
Practical Problems of Preservation: Easel Paintings II, (G43.3540.002) S 2003, (with J. Dommermuth) S 2005
Practical Problems of Preservation: Easel Paintings I (with D. Modestini), (G43.3540.001) F 2003
Seminar & Lab: Practical Problems of Preservation: Easel Paintings III, (G43.3540.002) S 2004

Hague, Marion.
1924, Lecturer on Fine Arts
Historic Lace and Embroidery, (Fine Arts 94) S 1924

Halm, Peter.
1963, Adjunct Professor of Fine Arts; Graphische Sammlung, Munich
Seminar: Problems in the Study of German Drawings of the Fifteenth and Sixteenth Centuries: Technique and History, (G43.3352) S 1963
Northern European Drwaing From the Fifteenth to the Eighteenth Century: An Introduction, (G43.2362) S 1963

Hambourg, Maria Morris.
1988-1989, Adjunct Assoc. Prof. of Fine Arts; Met. Museum
Photography, 1913-1939, (G43.2365) S 1989

Hansen, Donald P.
1963-1966, Assistant Professor of Fine Arts
1966-1970, Associate Professor of Fine Arts
1970-1976, Professor of Fine Arts
1976-1998, Stephen Chan Professor of Ancient Middle Eastern Art and Archaeology
1998- , Craig Hugh Smyth Professor of Fine Arts
1973-1982, Chairman of Student Academic Affairs
1982- , Director of Graduate Studies
1991-1992, Deputy Director of Institute of Fine Arts
Art and Archaeology of Mesopotamia, (G43.2081) F 1963
Seminar: Persian Art of the First Millennium B.C., (G43.3009) F 1963
Ancient Painting of Egypt and Western Asia, (G43.2084) S 1964
Seminar: Sumerian and Akkadian Art, (G43.3010) S 1964
Assyrian and Neo-Babylonian Art, (G43.2163) F 1964, (G43.2109) F 1981
Seminar: Problems of Phoenician Art, (G43.3035) F 1964
Art of Ancient Iran, (G43.2208) S 1965
Seminar: Narration in Ancient Near Eastern Art, (G43.3008) S 1966
Art and Archaeology of Early Mesopotamia, (G43.2107) F 1966, (G43.2082) S 1970, (G43.2107) F 1973, (G43.1081) F 1976, (G43.2105) F 1986, F 1990, F 1994, F 1998, (G43.2017) F 2001
Seminar: Problems in Parthian and Sasanian Art, (G43.3037) F 1966
Seminar: Problems in the Art and Archaeology of the Uruk and Jamdat Nasr Periods, (G43.3208) S 1967, (G43.3197) F 1973, (G43.3208) S 1979, (G43.3111) F 1982, (G43.3085) S 1989
Seminar: Problems in Ancient Near Eastern Art of the Second Millennium B.C., (G43.3019) F 1967, (G43.3086) S 1977, (G43.3019) F 1971, (G43.3112) F 1981
Art and Archaeology of Early Anatolia, (G43.2015) F 1967
Seminar: Problems in Assyrian Art, (G43.3020) S 1968, (G43.3065) F 1978
Archaeological Field Work in Iraq (in Iraq), (G43.3027, G43.2029) F 1968, F 1969, (G43.3027) F 1970, F 1972, (G43.3027, G43.3193) F 1974, (G43.3027) F 1974, F 1977, (G43.3134) F 1983, (G43.3107) S 1990
Seminar: Metalwork of Iran in the Second and First Millennia B.C., (G43.3004) S 1969
Seminar: The Royal Cemetery at Ur, (G43.3036) S 1971, (G43.3032) S 1996
Art and Archaeology of Early Iran, (G43.2031) F 1971, (G43. 2032) S 1976, (G43.1111) F 1985, (G43.2120) F 1988, F 1996, (G43.2017) F 2003
Seminar: Problems in the Art and Archaeology of Early Iran, (G43.3052) S 1972, (G43.3055) F 1976, (G43.3133) S 1986, (G43.3117) F 1986, S 1997
Seminar: Problems in Parthian and Sasanian Art (with P. Harper), (G43.3070) S 1974
Seminar: Problems in Mesopotamian Art and Archaeology of the First Millennium B.C., (G43.3064) S 1975
Seminar: Problems in the Art and Archaeology of the Early Dynastic Period in Mesopotamia, (G43.3042) S 1978
Art and Archaeology of Early Iran and Mesopotamia, (G43.2079) F 1978, (G43.2112) F 1982
Art and Archaeology of Early Mesopotamia and Iran II, (G43.2112) F 1980
Seminar: Problems in the Art and Archaeology of Mesopotamia From the Third Dynasty of Ur Through the Old Babylonian Period, (G43.3195) F 1979
Seminar: The Early Dynastic and Akkadian Periods in Mesopotamia, (G43.3115) F 1980, (G43.3134) F 1988, F 1990
Seminar: Art and Archaeology of Early Iran, (G43.3117) S 1981, F 1992
Seminar: Problems in Art and Archaeology of the First Millennium B.C., (G43.3120) S 1982, F 1985
Seminar: Aegean and the Orient in the Second Millennium B.C.: The International Style (with G. Kopcke), (G43.3130) S 1983
Seminar: Problems in the Art and Archaeology of Mesopotamia and Syria (2350-1600 B.C.), (G43.3112) S 1984, S 1987
Seminar: Problems in Ancient Near Eastern Art in the Second Millennium B.C.: Syria and Mesopotamia, (G43.3127) S 1985
Seminar: Egyptian, Near Eastern and Aegean Ivories of the Late Bronze Age (with B. Bothmer and G. Kopcke), (G43.3103) F 1989
Colloquium: Assyrian and Neo-Babylonian Art and Archaeology, (G43.2116) F 1989
Seminar: Problems in the Art and Archaeology of Mesopotamia and Syria in the Bronze Age, (G43.3112) S 1991
Colloquium: Art and Archaeology of Early Iran, (G43.2120) S 1992
Colloquium: Art and Archaeology of Assyria and Neo-Babylonia, (G43.2116) F 1992
Seminar: Archaeology of Early Dynastic Mesopotamia, (G43.3036) S 1993
Seminar: Art and Archaeology of Early Mesopotamia: The State of Lagash, (G43.2105) F 1993
Assyrian and Neo-Babylonian Art and Architecture, (G43.2116) F 1997
Seminar: Akkadian Period in Mesopotamia, (G43.3134) S 1998, (G43.3017) S 2002
Seminar: Special Problems in Near Eastern Art: The Rise of Civilization in Mesopotamia and Egypt (with D. O’Connor), (G43.3819) F 1999
Seminar: The Arts of Greater Mesopotamia in the Early Second Millennium B.C., (G43.3017) S 2003
Seminar: Art and Archaeology of the Uruk and Jamdat Nasr Periods in Greater Mesopotamia, (G43.3017) S 2004
Seminar: Neo-Assyrian Relief Sculpture, (G43.3017) S 2005

Harper, Prudence Oliver.
1973-1974, Adjunct Professor of Fine Arts; Metropolitan Mus.
1998-2000, Adjunct Professor of Fine Arts; Met. Museum
Seminar: Problems in Parthian and Sasanian Art (with D. Hansen), (G43.3070) S 1974
The Art of the Near East in the Sasanian Period (3rd – 7th Century A.D.), (G43.2406) S 1999, S 2000

Harris, Ann Sutherland.
1974-1975, Adjunct Associate Professor of Fine Arts
Seminar: Painting in Rome and Bologna, 1610-1670, (G43.3313) F 1974

Harrison, Evelyn B.
1972-1973, Adjunct Professor of Fine Arts; Princeton University
1974-1990, Edith Kitzmiller Professor of the History of Fine Arts
1990- , Edith Kitzmiller Prof. Emerita of the History of Fine Arts
1990- , Adjunct Professor of Fine Arts
Greek Sculpture and Sculptors of the Fifth Century B.C., (G43.2126) S 1973
Greek Sculpture of the Fifth Century B.C., (G43.2141) F 1974, F 1976, (G43.2142) S 1979, (G43.2183) F 1981, S 1984, S 1986, (G43.2160) S 1989, (G43.2130) S 1991, F 1994, F 1997
Seminar: Attic Gravestones, (G43.3147) F 1974, (G43.3121) S 1991
Greek Sculpture of the Fourth Century, (G43.1110) S 1975, S 1977, F 1979, (G43.2184) S 1982, F 1984, S 1987, F 1989, F 1992, F 1995, F 1999
Seminar: Archaic Greek Architectural Sculpture, (G43.3072) S 1975
Archaic Greek Sculpture, (G43.1099) F 1975, (G43.2145) F 1977, (G43.2145) S 1980, (G43.2182) F 1982, F 1985, F 1987, (G43.2143) F 1990, F 1993,
F 1996
Seminar: Roman Copies of Greek Sculpture, (G43.3163) F 1975, (G43.3237) F 1985
Seminar: Attic Sanctuaries and Their Sculpture, (G43.3143) F 1976
Seminar: The Sculptures of the Parthenon, (G43.3148) S 1977, (G43.3209) S 1982
Seminar: Greek Portraits, (G43.3169) F 1977
Greek and Roman Sculpture in the Athenian Agora, (G43.2146) S 1978
Seminar: Stylization and Iconography of Dress in Greek Art, (G43.3164) S 1978, (G43.3144) F 1990
Seminar: Hadrianic and Early Antonine Sculpture, (G43.3168) S 1979
Seminar: Aphrodite and Venus Types in Greek and Roman Sculpture, (G43.3175) F 1979
Seminar: Studies in the Relationship of Painting and Sculpture in Fifth-Century Greek Art, (G43.3180) S 1980
Seminar: Apollo Types in Greek and Roman Art, (G43.3213) F 1981
Seminar: Greek and Roman Sculpture: Artemis and Diana Types, (G43.3213) F 1982
Greek and Roman Portrait Sculpture, (G43.2187) S 1983
Seminar: Stylization and Iconography of Dress in Greek Art, (G43.3164) S 1983
Seminar: Problems in Greek Architectural Sculpture, (G43.3207) S 1984, (G43.3173) S 1999
Seminar: Greek and Roman Sculpture: Athena and Minerva Types, (G43.2313) F 1984
Early Hellenistic Sculpture, (G43.2201) S 1985
Seminar: Greek and Roman Sculpture: Herakles Types, (G43.3212) S 1985
Seminar: Late Archaic and Early Classical Greek Sculpture, (G43.3135) S 1986
Seminar: Narrative in Greek Sculpture, (G43.3233) S 1987
Seminar: Problems in the Sculptures of the Parthenon, (G43.3209) F 1987, (G43.3122) S 1996
Seminar: Iconographical Problems in Archaic and Classical Greek Art, (G43.3108) S 1989
Seminar: Greek and Roman Marble Sculpture: Technical Aspects, (G43.3174) F 1989
Seminar: Sculpture and Sculptors of the Fifth Century B.C.: Phidias and His Circle, (G43.3090) S 1993
Seminar: Archaism and Classicism in Greek and Roman Sculpture, (G43.3096) S 1994
Seminar: Greek Sculpture and Sculptors of the Fourth Century B.C.: Problems of Attribution, (G43.3258) S 1995
Seminar: Statuary Types in Greek and Roman Art: Assimilation in Divine Figures, (G43.3152) S 1997
Seminar: Problems in Greek Painting, (G43.3080) S 1998
Seminar: The Iconography of Growing Up in Ancient Greek Art, (G43.3144) S 2000
Seminar: Archaic Into Classical Greek Sculpture in the First Half of the Fifth Century BCE, (G43.3019) F 2000
Seminar: Personifications as Gods and Gods as Personifications, (G43.3019) S 2001
Seminar: The Parthenon in Athens: New and Old Problems Concerning the Parthenon and its Sculptures, (G43.3019) S 2002
Seminar: Classicism in Greek and Roman Sculpture, (G43.3019) S 2003
Seminar: Dionysios in Greek and Roman Art, (G43.3019) S 2004
Seminar: Ancient Portrait Sculpture, (G43.3019) S 2005

Haseloff, Arthur.
1932, Visiting Lecturer on Fine Arts; University of Kiel
The History of Miniature Illumination in Medieval Europe, (Fine Arts 234) S 1932
Seminar: The History of Italian Art in the Middle Ages, (Fine Arts 354) S 1932
Seminar: The Book Illumination of France and Germany, (Fine Arts 332) S 1932

Haverkamp-Begemann, Egbert.
1966-1967, Adjunct Associate Prof. of Fine Arts; Yale
1977-1984, Professor of Fine Arts
1984-1993, John Langeloth Loeb Prof. in the Hist. of Art
1993- , John L. Loeb Prof. Emeritus in the History of Art
1993- , Adjunct Professor of Fine Arts
Seminar: Rembrandt, (G43.3520) S 1967, (G43.3411) F 1999
Rembrandt, (G43.2378) S 1978, S 1980, (G43.2534) F 1982, (G43.2263) S 1989
Seminar: Dutch Paintings in the Metropolitan Museum of Art, (G43.3378) S 1978
Dutch Painting of the Seventeenth Century Except Rembrandt, (G43.2377) F 1978
Seminar: Dutch Seventeenth Century Paintings in the Metropolitan Museum of Art, (G43.3377) F 1978, (G43.3574) S 1983
Rubens, (G43.2380) S 1979
Seminar: Dutch Seventeenth-Century Drawings, Mainly in the New York Area, (G43.3394) S 1979, S 1980, (G43.3326) S 1988
The Art of Drawing in the Netherlands From van Eyck to the End of the
Seventeenth Century, (G43.2379) F 1979
Seminar: Dutch Seventeenth-Century Paintings in the Metropolitan Museum, (G43.3377) F 1979
Dutch Painting of the Seventeenth Century in East Coast Museums, (G43.2532) S 1981
Seminar: Studies in Rembrandt, (G43.3581) S 1981
Colloquium: Meanings in Seventeenth-Century Painting in the Netherlands, (G43.2539) F 1981
Seminar: Dutch Prints of the Sixteenth and Seventeenth Centuries, (G43.3573) F 1981, (G43.3571) S 1984
Dutch and Flemish Painting of the Sixteenth Century, (G43.1394) S 1982
Seminar: Studies in Rubens, (G43.3583) S 1982
Seminar: The Nature of Landscape in Dutch Art of the Seventeenth Century, (G43.3571) F 1982
Colloquium: Amsterdam and Antwerp as Centers of Art, 1500-1700, (G43.2528) S 1983
Colloquium: Literature and Painting in Haarlem ca. 1550-1650 (with Jacob w. Smit), (G43.2539) S 1984
Colloquium: Art, Method and History: Dutch and Flemish Fifteenth- to Seventeenth-Century Painting, (G43.2528) F 1985
Seminar: Drawings as Interpretation of Art, (G43.3576) F 1985
Colloquium: Influences: Italy and the Netherlands, (G43.2540) S 1986
Seminar: Dutch Paintings: The Study of the Paintings as Objects, (G43.3575) S 1986
Netherlandish Landscape: Sixteenth to the End of the Seventeenth Century, (G43.2528) F 1986
Seminar: Rembrandt Etchings, (G43.3581) F 1986, (G43.3453) F 1990
Seminar: Work of Art: Creation and Role, (G43.3688) S 1987
Seminar: Sixteenth- and Seventeenth-Century Landscape in the Netherlands, (G43.2529) S 1987
Colloquium: Studies in Rembrandt, (G43.3411) S 1988
Colloquium: Netherlandish Art of the Sixteenth and Seventeenth Centuries:
Recent Interpretations, (G43.2071) F 1988
Seminar: Drawings in USSR Museums, (G43.3062) F 1988
Seminar: Paintings as Originals, Mainly Dutch and Flemish, (G43.3448) S 1989
Colloquium: Master and Pupil, (G43.2330) F 1990
Colloquium: Naturalism, Imagination and Meaning in Dutch Painting of the
Seventeenth Century, (G43.3328) S 1991
Seminar: Venice and the North: Artistic Relationships Between the Netherlands and Venice in the Sixteenth and Seventeenth Centuries, (G43.3257) S 1991
Dutch Painting of the Seventeenth Century, (G43.2262) F 1991, (G43.2325) S 1994
Seminar: Johannes Vermeer, (G43.3314) F 1991
Prints in the Netherlands, 1600-1700, (G43.2264) S 1992
Seminar: Dutch Paintings of the Seventeenth Century in New York Collections, (G43.3313) S 1992
Colloquium: Methods: History and Issues (with J. Hay), (G43.2320) F 1993
Seminar: Dutch and Flemish Drawings, (G43.3450) F 1993
Seminar: Dutch Seventeenth Century Painting, (G43.3869) S 1994
Seminar: Maarten van Heemskerck, (G43.3257) F 1994
Seminar: Peter Paul Rubens, (G43.3423) S 1995
Seminar: Dutch Seventeenth Century Drawings, (G43.3326) F 1995
Seminar: Dutch and Flemish Painting of the Sixteenth and Seventeenth Centuries: Recent Interpretations, (G43.3869) S 1996
Seminar: Rembrandt and his Sources, (G43.3411) F 1996
Seminar: Studies in Rubens – Drawings, (G43.3454) S 1997
Seminar: Mannerism in the Netherlands, (G43.3301) F 1997
Seminar: Dutch and Flemish Paintings, Seventeenth Century: New York
Collections, (G43.3447) F 1998
Seminar: Holland and Flanders in the Seventeenth Century, (G43.3029) F 2000
Seminar: Dutch and Flemish Drawings, Sixteenth and Seventeenth Centuries: New York Collections, (G43.3029) F 2001
Seminar: Rubens Drawings: Theory and Practice (with M. Westermann), (G43.3029) S 2005

Hay, A. John.
1982-1988, Associate Professor of Fine Arts
1994-1995, Lila Acheson Wallace Visiting Professor of Fine Arts; UC Santa Cruz
Chinese Landscape Painting and Landscape in the Fourteenth Century A.D., (G43.2022) F 1982
Colloquium: Chinese Painting, ca. 1550 to ca. 1700, (G43.2013) S 1984
Seminar: Gardens in Chinese Pictorial Art: Their Contents and Meaning, (G43.3014) S 1984
The Achievement of Landscape in Chinese Painting, (G43.2009) F 1984
Seminar: Chinese Figure Painting: From Beginnings to Maturity, (G43.3006) F 1984
Chinese Painting: Themes and Methods, (G43.1000) S 1985
Seminar: Traditional Connoisseurship in Chinese Painting, (G43.3000) S 1985
Chinese Art From Neolithic to A.D. 6, (G43.2022) F 1985
Seminar: Chinese Painting of the Southern Sung, (G43.3001) F 1985
Chinese Painting of the Yuan Dynasty (1279-1368), (G43.2010) S 1986
Seminar: The Arts of the Han Dynasty (206 B.C. – A.D. 220), (G43.3015) S 1986
Art in Eighth-Century China, (G43.2019) S 1987
Seminar: Painting in China, 1600-1717, (G43.3002)
Chinese Painting in the Ming Dynasty, (G43.2020) F 1987
Seminar: Subject and Symbol in Chinese Art, (G43.3604) F 1987
Landscape and Symbol in Chinese Art: The Dragon, (G43.2082) S 1988
Seminar: Chinese Painting After 1700, (G43.3586) S 1988
Chinese Landscape of the Tenth Through Twelfth Centuries: Cultural Meaning in the Structures of Visual Space, (G43.2082) S 1995
Seminar: Narratives of Self and History in Chinese Painting of the Yuan Dynasty (1260-1368) S 1995

Hay, Jonathan. 1990-1995, Assistant Professor of Fine Arts
1995- , Associate Professor of Fine Arts
Chinese Painting up to the Twelfth Century, (G43.2080) F 1990, S 1994
Seminar: Ancient Greece, Ancient China: Archaeological and Art Historical
Interpretation (with G. Kopcke), (G43.3223) F 1990
Decorative Arts in the Ming and Qing Dyanasties, (G43.2134) S 1991
Seminar: Painting and Dissent in Eighteenth Century China, (G43.3601) S 1991
Chinese Painting From the Twelfth to Nineteenth Centuries, (G43.2001) S 1992
Seminar: Women as Patrons in Chinese History, (G43.3092) S 1992
Modern Chinese Art, 1865-1949: Painting and Print Media, (G43.2001) S 1993, S 1999
Seminar: The Pursuit of Strangeness in Chinese Painting, ca. 1750 – ca. 1700,
(G43.3598) S 1993
Colloquium: Methods: History and Issues (with E. Haverkamp-Begemann), (G43.2320) F 1993
Colloquium: Early Chinese Texts on Painting, (G43.2001) F 1993
Seminar: The Painting of Shitao (1642-1707), (G43.3002) S 1994
Painting and Independent Opinion in Eighteenth Century China, (G43.2205) F 1995
Seminar: Art and Imperial Ideology in Eighteenth Century China (with J. Waley-Cohen), (G43.3258) F 1995
Seminar: Problems in Chinese Visuality: The Representation of Looking, Sixteenth to Twentieth Century, (G43.3604) S 1996
Chinese Painting, 1500-1850, (G43.2001) F 1996
Seminar Wen Zhengming (and Literati Painting) Reconsidered, (G43.3598) F 1996
Painting and the Ming-Qing Cataclysm, (G43.2082) S 1998
Seminar: Problems in Chinese Painting of the Early Northern Song Dynasty (ca. 960-1010), (G43.3584) S 1998
Seminar: Research Problems in Qing Dynasty Painting (1644-1911), (G43.3586) S 1999
Origins of the Picture Surface in China, (G43.2080) F 1999
Seminar: Research Problems in Chinese Painting, (G43.3811) F 1999
The Visuality of Skin in Early Modern Chinese Art, (G43.2134) S 2000
Seminar: Research Problems in Chinese Painting, (G43.3812) S 2000
Color in Ming and Qing Dynasty Art, (G43.2035) S 2001
Seminar: Socialist Themes in Post-1949 Chinese Ink Painting, (G43.3010) S 2001
Seminar: Museum Seminar, (G43.3035) F 2001
The Forbidden City in Chinese Pictorial Art, (G43.2035) S 2002
Seminar: Problems in Chinese Visuality: Color in Painting, (G43.3035.001) S 2002
The Image Field Before Painting, From the Neolithic to the Han Dynasty, (G43.2004) F 2003
Seminar: The Connoisseurship of Conceptual Craft, (G43.3035) F 2003
Colloquium: The Image Field in Chinese Painting, (G43.2505) S 2004
Colloquium: Sensuous Surfaces: Luxury in Early Modern China, (G43.2506) S 2004
Colloquium: Connoisseurship in the Era of Social Interpretation, (G43.2535) F 2004
Seminar: Qing Dynasty Painting: Introduction to Primary Sources, (G43.3006) F 2004
Colloquium: Theories of Modernity, (G43.2536) S 2005
Seminar: Ink Painting in Socialist China, 1949-1976, (G43.3010) S 2005

Haynes, Elizabeth.
1937-1940, Lecturer on Fine Arts
The Decorative Arts in America (Decoration and Furnishings from the Days of Early Settlement to the Beginning of the Twentieth Century), (Int. Dec. 45) F 1937, (Int. Dec. 48) S 1938, F 1938, F 1939, F 1940
Historic Costume, (Fine Arts 8) S 1939, S 1940

Hearn, Maxwell K.
1993-1994, Adjunct Professor of Fine Arts; Met. Museum
2004-2005, Institute Lecturer, Metropolitan Museum
Seminar: Painting of the Yuan Dynasty (1279-1368), (G43.3596) F 1993
Seminar: Connoisseurship Issues in Chinese Painting, (G43.3006) S 2005

Held, Julius.
1936-1941, Lecturer on Fine Arts
* Dutch Painting of the Seventeenth Century, (Fine Arts 10) S 1936, S 1938, S 1940
* Rubens and Flemish Painting of the Seventeenth Century, (Fine Arts 9) F 1936, S 1937
Seminar: Rembrandt and his School, (Fine Arts 350) S 1937
Flemish Painting of the Sixteenth and Seventeenth Centuries, (Fine Arts 72) S 1939, (Fine Arts 60) S 1941

Heller, Nancy J.
1992-1993, Adjunct Associate Professor of Conservation
Lecture & Lab: Technology and Structure of Works of Art II and III, (G43.2714 –
1st Year, G43.2724 – 2nd Year), (with G. Wheeler) S 1993

Herzfeld, Ernst.
1936-1940, Visiting Lecturer on Fine Arts; Princeton - IAS
* Art of the Ancient Near East, (Fine Arts 43) F 1936
* Seminar: Ancient Art of Western Asia, (Fine Arts 343) S 1937
Seminar: Art of the Ancient Near East, (Fine Arts 305) F 1937
Seminar: Art of the Ancient Near East, (Fine Arts 306) S 1938, S 1940
Seminar: Archaeology of Ancient Iran, (Fine Arts 334) S 1939

Heydenreich, Ludwig Heinrich.
1970-1971, Adjunct Professor of Fine Arts
1972-1974, Adjunct Professor of Fine Arts
Art and Science in Leonardo, (G43.2415) F 1970
Seminar: The New Leonardo Manuscripts in Madrid, (G43.3437) F 1970
Seminar: Patron and Architect in the Italian Renaissance, (G43.3439) S 1972
Italian Architecture From 1480-1530, (G43.2367) F 1972
Italian Architecture of the Early Renaissance, 1420-1480, (G43.2335) F 1973
Seminar: Architectural Drawings of the Renaissance in Italy, (G43.3335) F 1973

Hills, Patricia.
1973-1974, Adjunct Associate Professor of Fine Arts; Whitney Museum
Seminar: Genre Painting in America, 1830-1910, (G43.3598) S 1974

Hills, Paul.
1994-1995, Benjamin Sonnenberg Visiting Prof. of Fine Arts; U. of Warwick
Venice and Color: 1380-1580, (G43.2284) S 1995
Seminar: Tintoretto, (G43.3298) S 1995

Hirsh, Marilyn.
1987-1988, Adjunct Associate Professor of Fine Arts
Art of India: Indus Valley to Post-Gupta, ca. 2300 B.C. – 600 A.D., (G43.2094) S 1988

Hitchcock, Henry-Russell. 1932, Visiting Lecturer on Fine Arts; Wesleyan Univ.
1948, Visiting Lecturer on Fine Arts; Smith College
1957, Visiting Professor of Fine Arts; Smith
1969-1987, Adjunct Professor of Fine Arts
Styles of Modern Art and Their Origins (with R. Offner, F. Kimball and M. Schapiro), (Fine Arts 167) F 1932
*? Nineteenth-Century Architecture (England and the Continent), (Fine Arts 70) S 1948
Seminar: Problems in Nineteenth- and Twentieth-Century Architecture, (Fine Arts 338) S 1957
Seminar: Renaissance Architecture in Northern Europe, (G43.3407) F 1969
Nineteenth Century Architecture I: From the French Revolution to the American Civil War, (G43.2507) F 1969
Nineteenth Century Architecture II: From the Civil War to World War II, (G43.2608) S 1970
Renaissance Architecture in Northern Europe, 1500-1620, (G43.2417) F 1970, (G43.2418) S 1973, (G43.2336) S 1975
Seminar: H. H. Richardson and His Contemporaries, (G43.3651) F 1970
Seminar: Rococo Architecture: More Especially, Church Architecture in Southern Germany, 1720-1760, (G43.3584) S 1971
English Architecture: Sixteenth and Seventeenth Centuries, (G43.2521) F 1971
Seminar: Frank Lloyd Wright and His American Contemporaries, (G43.3611) F 1971
Seminar: English Architecture 1500-1900, (G43.3624) S 1972
Colloquium: Modern Architecture, 1902-1932, (G43.2610) S 1972
Victorian Architecture, 1835-1885, (G43.2617) F 1972
Seminar: Romantic Classicism in Architecture, 1770-1870, (G43.3625) F 1972
Seminar: Anglo-Palladian Architecture, Seventeenth and Eighteenth Centuries, (G43.3634) S 1973
Architecture From Late Victorian to Arts and Crafts in England and America, 1865-1914, (G43.2653) F 1973
Seminar: High Victorian Gothic in England and America, 1850-1875, (G43.3647) F 1973
The French House, 1670-1789, (G43.2546) S 1974
Seminar: Frank Lloyd Wright and the Prairie School, 1887-1920, (G43.3654) S 1974
Seminar: H. H. Richardson and His New York Contemporaries, (G43.3652) S 1975
Seminar: Public Buildings of the U.S. Erected in the Nineteenth Century, (G43.3649) F 1975
Early Modern Architecture in Europe, 1890-1925, (G43.2649) F 1975
Seminar: Inigo Jones and English Architecture From Elizabeth I to Charles II, (G43.3650) S 1976
Chicago in the 1880’s and 90’s, (G43.2650) S 1976
Seminar: Early Modern Architects, 1880-1920, (G43.3599) F 1976
Seminar: American Architecture: Later Nineteenth Century (1865-1895), (G43.3596) S 1977
Colloquium: The International Style, Fifty Years After, (G43.2647) F 1977
Seminar: French Eighteenth-Century Architecture, (G43.3659) F 1978
Seminar: Victorian Architecture, (G43.3658) S 1979
Seminar: English Architecture in the Nineteenth Century, (G43.3597) F 1979
Seminar: Renaissance Architecture of Northern Europe, (G43.3442) S 1980

Hoebel, E. Adamson.
1937, Assistant Professor of Sociology
Prehistoric and Primitive Art (with R. Goldwater), (Fine Arts 33) F 1937

Homburger, Otto.
1937, Visiting Professor of Fine Arts; Formerly Univ. of Marburg
English Illuminated Manuscripts Before the Gothic Period (at Pierpont Morgan Library), (Fine Arts 269) F 1937

Howard, Angela.
1988-1989, Adjunct Assistant Professor of Fine Arts
1992-1993, Adjunct Professor of Fine Arts; Rutgers
1996-1997, Benjamin Sonneberg Visiting Professor of Fine Arts
The Arts of Buddhist China, (G43.2005) F 1988, F 1992, S 1997

Howe, Ellen. 1991-1995, Adjunct Associate Professor of Conservation; Met. Museum
1995-2000, Adjunct Professor of Conservation; Met. Museum
2000-2002, Adjunct Professor of Conservation
2002- , Institute Lecturer for Conservation; Met. Museum
Seminar & Lab: Practical Problems of Preservation: Archaeological and Ethnographic Materials (with J. Levinson and E. Pearlstein), (G43.3733) F 1991
Seminar & Lab: Practical Problems of Preservation: Inorganic Archaeological and Ethnographic Materials, (G43.3733) (with J. Levinson and E. Pearlstein) S 1993, F 1993, S 1995, F 1995, S 1997, F 1997, F 1998, F 1999, (G43.3040.005) F 2000, (G43.3040.003) F 2001, F 2002
Seminar & Lab: Individual Problems: Examination and Analysis: Archaeological Metals (with L. Gat and D. Schorsch), (G43.3540.007) S 2004

Huth, Hans.
1940, Lecturer on Fine Arts
* Seminar: Museum Training, (Fine Arts, 312) S 1940

Indictor, Norman.
1970-1979, Research Associate in Conservation
1979-1993, Adjunct Professor of Conservation; Brooklyn College
Lecture & Lab: Materials of Art and Archaeology II and IV, (G43.2712 – 1st
Year, G43.2722 – 2nd Year) S 1980, S 1982, S 1984, (with N. Baer) S 1986, (with N. Baer) S 1988
Lecture: Materials of Art and Archaeology I and III, (G43.2711 – 1st Year, G43.2721 – 2nd Year) F 1989, (with N. Baer) F 1991
Seminar & Lab: Individual Problems in Examination and Treatment, (G43.3749) (with A. King) F 1980
Seminar: Laboratory Problems in Paper Conservation, (G43.3750) S 1981
Seminar & Lab: Practical Problems of Preservation II and IV: Textiles (with N. Kajitani), (G43.3734 – 3rd Year, G43.3746 – 4th Year) S 1982, S 1984, S 1985
Lecture & Lab: Chemical Problems in Library and Archives Conservation I, (G43.3741) F 1983, F 1985, (G43.3701) F 1986, F 1988
Lecture & Lab: Chemical Problems in Library and Archives Conservation II, (G43.3740) S 1984, S 1985, (with N. Baer) S 1986, (G43.3705) (with N. Baer) S 1988, S 1989
Colloquium & Lab: Adhesives and Consolidants (with N. Baer), (G43.3700) F 1986, F 1988
Lecture & Lab: Chemical Problems in Cellulosic Materials, (G43.3705) S 1990, S 1991
Seminar & Lab: Alteration and Deterioration of Works of Art II: Problems in the Deterioration of Museum-Related Materials, (G43.3732) F 1990

Janson, Horst W.
1950-1979, Professor of Fine Arts, Washington Sq.
1979-1983, Professor Emeritus of Fine Arts, Washington Sq. & IFA
Modern Painting from David to Cezanne, (Fine Arts 23) F 1950
Modern Painting from Cezanne to the Present, (Fine Arts 24) S 1951
Modern Sculpture, (Fine Arts 41) F 1951
Seminar: Donatello, (Fine Arts 347) F 1952
French Painting from Courbet to Cezanne, (Fine Arts 123) F 1953
Florentine Sculpture of the Early Renaissance, (Fine Arts 246) S 1955
Modern Sculpture: Canova to Calder, (Fine Arts 141) F 1956, (G43.2651) F 1964, (G43.1609) F 1968
Italian Early Renaissance Sculpture, (Fine Arts 247) F 1957, (G43.2345) F 1965, (G43.1403) F 1967
Seminar: Literary Sources of Early Renaissance Art in Italy, (Fine Arts 347) F 1958
Seminar: Italian Early Renaissance Sculpture, (Fine Arts 341) F 1960, (G43.3288) S 1977
The International Style: Gothic Painting and Sculpture 1370-1420, (Fine Arts 237) F 1961, (G43.2361) F 1966
Seminar: Problems in the Art of the International Style, (G43.3401) F 1962
From Rococo to Romanticism: European Painting, 1750-1800, (G43.1511) F 1963
Seminar: Donatello and his Contemporaries, (G43.3342) S 1964
Seminar: Problems in Fifteenth and Sixteenth Century Italian Sculpture, (G43.3454) S 1966
Seminar: Problems in Italian Early Renaissance Sculpture, (G43.3328) S 1968
Fifteenth Century Florentine Sculpture, (G43.2373) F 1972
19th Century Sculpture From Canova to Rodin, (G43.1609) F 1973
Seminar: Nineteenth-Century Sculpture, (G43.3555) F 1974
Nineteenth Century Sculpture From Canova to Rodin, (G43.1610) S 1979
Seminar: Problems in Tomb Sculpture, (G43.3490) S 1980
Seminar: European Sculpture, 1800-1850, (G43.3627) S 1981
European Sculpture 1848-1914, (G43.2578) S 1982
Seminar: Neoclassic Sculpture, 1750-1850, (G43.3626) S 1983

Joint Committee on Museum Training, 1956-1982
Joint Committee on Curatorial Studies, 1982-Present
Seminar: Museum Training and Connoisseurship II: Connoisseurship, (Fine Arts 361) F 1956, F 1957, F 1958, F 1959, (Fine Arts 377) F 1960, F 1961, (G43.3751) F 1962, F 1963, F 1964, F 1965, F 1966, F 1966, F 1967, F 1968, F 1969, F 1970, F 1971, F 1972, F 1973, F 1974, F 1975, F 1976, F 1977, F 1978, F 1979
Seminar: Museum Training and Connoisseurship III: Internship, (Fine Arts 363) F 1957, F 1958, F 1959, F 1960, F 1961, (G43.3761, 3762) F+S 1962-1963, F+S 1963-1964, F+S 1964-1965, F+S 1965-1966, F+S 1966-1967, F+S 1967-1968, F+S 1968-1969, F+S 1969-1970, F+S 1970-1971, F+S 1971-1972, F+S 1972-1973, F+S 1973-1974, F+S 1974-1975, F+S 1975-1976, F+S 1976-1977, F+S 1977-1978, F+S 1978-1979, F+S 1979-1980
Museum Training I: Introduction, (G43.2750) S 1979, S 1980, S 1981, S 1982
Colloquium: Museum Training II, (G43.2751) F 1980, F 1981
Colloquium: Museum Training III: Internship, (G43.2761) F 1980, F 1981
Colloquium: Museum Training III: Internship, (G43.2762) S 1981, S 1982
Colloquium: Curatorial Studies II, (G43.2751) F 1982, F 1984, F 1985, F 1986, F 1987, F 1988
Colloquium: Curatorial Studies II: Cataloguing Dutch Paintings in the Collection of the Metropolitan Museum of Art (directed by W. Liedtke), (G43.2751) F 1989
Colloquium: Curatorial Studies II: Preparing a Seurat Retrospective (directed by G. Tinterow), (G43.2751) F 1990
Colloquium: Curatorial Studies II: Problems in the Interpretation of Italian Paintings (directed by K. Christiansen), (G43.2751) F 1991
Colloquium: Curatorial Studies II: Problems in Exhibitions of Medieval Art (directed by C. Little), (G43.2751) F 1992
Colloquium: Curatorial Studies II: Problems in Exhibitions of African Art (directed by K. Ezra), (G43.2751) F 1993
Colloquium: Curatorial Studies II: Exhibiting Italian Renaissance Works of Art (directed by L. Kanter), (G43.2751) F 1994
Colloquium: Curatorial Studies II: Tuscan Drawings of the Fifteenth Century (directed by G. Goldner), (G43.2751) F 1995
Colloquium: Curatorial Studies II: Problems in Presenting Byzantium (directed by W. Wixom and H. Evans), (G43.2751) F 1996
Colloquium: Curatorial Studies II: Walker Evans and his Archive (directed by M. Hambourg and J. Rosenheim), (G43.2751) F 1997
Colloquium: Curatorial Studies II: The Drawings of Leonardo and his Circle (directed by C. Bambach), (G43.2751) F 1998
Colloquium: Curatorial Studies II: Exhibitions of Twentieth-Century Art (directed by N. Rosenthal), (G43.2751) F 1999
Colloquium: Curatorial Studies II: From Leonardo to Caravaggio: The Origins of Naturalism in Italian Art (directed by A. Bayer and K. Christiansen), (G43.2751) F 2000
Colloquium: Curatorial Studies II: Gauguin in New York Collections (directed by C. Ives and M. Shelley), (G43.2537) F 2001
Colloquium: Curatorial Studies II: Prague, The Crown of Bohemia (1347-1437) (directed by B. Boehm), (G43.2537) F 2002
Colloquium: Curatorial Studies II: Byzantium: Faith and Power (1261-1557) (directed by H. Evans), (G43.2537) F 2003
Colloquium: Curatorial Studies II: Moments of Vision: Venice and the Islamic World ca. 1300-1700 (directed by M. Carboni), (G43.2537) F 2004
Colloquium: Curatorial Studies III: Internship, (9 month internship – F G43.2761, S G43.2762, Summer either), F 1982, S 1983, F 1983, S 1984, F 1984, S 1985, F 1985, S 1986, F 1986, S 1987, F 1987, S 1988, F 1988, S 1989, F 1989, S 1990, F 1990, S 1991, F 1991, S 1992, F 1992, S 1993, F 1993, S 1994, F 1994, S 1995, F 1995, S 1996, F 1996, S 1997, F 1997, S 1998, F 1998, S 1999, F 1999, S 2000, (G43.3037) F 2000, S 2001, F 2001, S 2002, F 2002, S 2003, F 2003, S 2004, F 2004, S 2005
Curatorial Studies I: Introduction, (G43.2750) S 1983, S 1985, S 1986, S 1987, S 1988, S 1989
Colloquium: Curatorial Studies I: Curatorial and Conservation Approaches to Works of Art in the Metropolitan Museum of Art, (G43.2037) S 2004, S 2005

Jordan, Jim.
1974-1979, Assistant Professor of Fine Arts
1979-1980, Associate Professor of Fine Arts
German Expressionist Painting, (G43.2621) F 1974, F 1977
Seminar: Problems in American Art of the Early Twentieth Century, (G43.3557) F 1974
American Painting of the Early Twentieth Century, (G43.2684) S 1975
Seminar: Paul Klee, (G43.3680) S 1975
American Painting From the Civil War to 1900, (G43.2627) F 1975, F 1978
Seminar: Painting and Sculpture 1930-1940: The International Aspects, (G43.3561) F 1975
Impressionism and Post-Impressionism, (G43.2612) S 1976
Seminar: Innovation and Tradition in Late Nineteenth-Century American Art, (G43.3556) S 1976
Art Between the World Wars: European and American Painting, 1920-1940, (G43.2686) S 1977, (G43.2682) S 1980
Seminar: Abstract Art, 1910-1960, (G43.3686) S 1977
Seminar: Problems in Realism and the Figure in American Art, (G43.3683) F 1977
Aspects of French Painting, 1900-1920, (G43.2634) S 1978
Seminar: The Blue Rider, (G43.3676) S 1978
Seminar: Cubism, (G43.3675) F 1978
American Painting From 1900 to 1945, (G43.2616) S 1979
Seminar: Problems in Late Nineteenth-Century American Art, (G43.3568) S 1979
Seminar: Origins of the New York School, (G43.3572) S 1980

Juliano, Annette.
1980-1983, Adjunct Associate Professor of Fine Arts
Seminar: Arts of the Six Dynasties in China, ca. 300-600 A.D., (G43.3019) S 1981
Seminar: Eastern Chou China, (G43.3021) F 1981
Art of the Chinese Tomb: Neolithic to T’ang, ca. 5000 B.C. – A.D. 906, (G43.2022) F 1983

Kajitani, Nobuko.
1980-1982, Adjunct Associate Prof. of