Arts of China Consortium (formerly Chinese and Japanese Art History WWW Virtual Library) hosted by the Institute of Fine Arts, New York University INDEX	ACC INFO + INDEX
	ATTEND
	CALLS
	GRADUATE PROGRAMS/STUDENTS
	GRANTS
	LINKS
	POSITIONS

The Arts of China Consortium (ACC) was founded in 2002 to promote the study and understanding of Chinese art history, archaeology, and visual and material culture, and to support the research and professional activities of its members. To encourage more informal dialogue among members, ACC conducts an e-mail listserv and maintains this website to provide information on graduate programs in Asian art, lectures/symposia/conferences, grants/fellowships, positions available, and web links to facilitate research and pedagogy. In keeping with the broad range of members' research and pedagogical practice, posted entries relate to the visual and material culture within the historical boundaries of China and Japan. ACC is currently working towards gaining affiliation with the College Art Association and the Association for Asian Studies, where ACC hopes to organize annual thematic panel sessions.

We welcome faculty and graduate students in art history and related fields, museum professionals, independent scholars, and serious collectors worldwide to become members of ACC. Please contact Kathleen Ryor to request membership and enrolment in the e-mail listserv. To contribute news of upcoming events in your area and to suggest improvements to this site, send an e-mail message to Nixi Cura.

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Index to new entries added 1 Jan - 5 Feb 2012
[follow ACC on twitter for instant updates or RSS feed]

POSITIONS AVAILABLE (including PhD studentships + post-docs)
CALLS FOR PAPERS/PARTICIPATION
TO ATTEND: Conferences, Symposia, Seminars, Lectures
GRADUATE STUDENT DIRECTORY
FELLOWSHIPS AND GRANTS
LINKS TO OTHER WEBSITES RELATED TO ASIAN ART

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POSITIONS AVAILABLE
(includes PhD studentships + post-docs)

• Albert-Ludwigs-Universität Freiburg: PhD positions, "Friends, Patrons, Clients"
• American Museum of Natural History: pre-/post-doc, new Asia wing
• British Museum and Bristol Museum and Art Gallery: Trainee Curator, Far Eastern Culture
• Chinese Arts Centre, Manchester, UK: Chair
• College Art Association: Editorial Intern
• ETH Zurich: PhD studentships, History and Theory of Architecture
• Haverford College: post-doc, modern and/or contemporary Japanese culture or history
• Heinrich-Heine-Universität Düsseldorf: PhD scholarships, "Alter(n) als kulturelle Konzeption und Praxis [Age as cultural concept and praxis]"
• Ithaca College: pre-doc
• Justus-Liebig-Universität Gießen: post-doc + PhD positions
• Ludwig-Maximilians-Universität: Center for Advanced Studies, post-docs
• Royal College of Art: PhD studentship, History of Art, Architecture and Design
• Staatliche Museen zu Berlin [National Museums in Berlin]: museum assistant (in training)
• Thomas & Associates, Inc.: Chinese Contemporary Art and Chinese Traditional Works of Art
• Universität Zürich: PhD/post-doc places, "Asien und Europa (Asia and Europe)"
• Université catholique de Louvain: PhD studentship, "Photofilmic Images"
• University College London: Lecturer, History of Art and Material Studies
• University of California, Los Angeles: post-docs, "Imperialism and Fundamentalism in Nineteenth-Century Eurasia"
• University of Cambridge: post-docs, Centre for Research in the Arts, Social Sciences and Humanities
• University of Central Florida: Asian religious and cultural studies
  
• University of East Anglia
  • MA scholarships  
  • PhD studentships
• University of Edinburgh: PhD scholarships, history of art/architecture
• University of Glasgow: PhD scholarships, History of Art, Architecture and Design
• University of Oregon: Contemporary Art History with Asia Focus
• University of Oxford: Junior Research Fellowship, Balliol College
• University of San Francisco: Executive Director, Center for the Pacific Rim
• University of Southern California: post-docs, Korean Studies Institute
• Victoria & Albert Museum: Exhibitions Research Assistant, Masterpieces: Chinese Painting from the 8th to 19th Centuries
• Wellcome Trust: project curator

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CALLS FOR PAPERS/PARTICIPATION

• "The Art of Trading Art: Negotiating the Economic Value of European Art in Asia and the Americas, 1600-1900"
• The Body in a Global World
• "Brücken [Bridges]"
• "Buddhist Traditions: New Directions" presenters' lodging and meals covered
• Chinese Military History Society
• "Color, Commerce, and Consumption in Global Historical Perspective" travel (economy class) and accommodation covered
• "Colour in the 17th and 18th Centuries: Connexions between Science, Art, and Technology"
• "Comics und Politik [Comics and politics]"
• "Conflict, Consensus, and the Crossing of Boundaries in the Premodern World" limited travel funds available
• "Constructing Interstitial Heritage: Architectures, Visions & Experiences"
• "Cosmopolitan China" accommodation and food provided
• Cross-Currents: East Asian History and Culture Review
• "Entanglement of Histories, Circulation of Knowledge and Transfer of Technologies: Dimensions of Transcultural Statehood? (1500-1900)" accommodation and travel expenses reimbursed for select applicants
• European Junior China Scholars Conference limited funding for accommodation travel within China
• "1. Forum Ostasiatische Kunstgeschichte [First East Asian art history forum]"
• "50 Years of Exploring Frontiers" (WCAAS)
• "From Influence to Translation: Art of the Global Middle Ages"
• Art History Supplement: "History of Conservation"
• "The Inter-Asian Equation: Exploring Policy and Humanities" some funding available for students requiring accommodation
• "Interference Strategies for Art"
• Japan Studies Association Journal
• Journal of International and Global Studies
• "Korea: Art and Artistic Relations with Europe/Poland"
• kunsttexte.de: "Die Mediale Durchdringung des oeffentlichen Raums [The medial penetration of public space]"
• Michigan Journal of Asian Studies
• Modern Art Asia
• Monde(s), Histoire, Espace, Relations
• "Moralism, Fundamentalism, and the Rhetoric of Decline in Eurasia, 1600-1900"
• National Endowment for the Humanities Summer Program 2013
• "New Institutions"
• "Photography and Museums: Displayed and Displaying"
• "Process, Patron, and Public"
• "Questioning Urban Modernity"
• RadicalAesthetics-RadicalArt
• "Religion And The Trans..."
• "Rivalry in the Arts"
• "Spaces of (Dis)location"
• Stanford Journal of East Asian Affairs
• "The Two Cultures: Visual Art and Science c.1800-2011"
• Virginia Review of Asian Studies
• Wechselbeziehungen zwischen Text und Bild: Komplementarität, kultureller Bezug, Analogie [Interactions between text and image: complementarity, cultural reference, analogy]

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TO ATTEND: Conferences, Symposia, Seminars, Lectures

• "The Afterlife, Architecture, and Drama: Jin-Yuan Tombs in Southern Shanxi"
• Ancient Chinese Bronze Mirrors from the Lloyd Cotsen Collection lectures
• "Appreciating the Calligraphy and Painting of the Qianlong Emperor"
• "Art during the Reign of Eternal Happiness of the Empire of Great Brilliance (The Yongle emperor of the Ming dynasty, 1403-24)"
• "Bamboo"
• China through the Lens of John Thomson: 1868-1872 lectures
• "Chinese Art in an Age of Revolution: Fu Baoshi (1904–1965)"
• "Claiming a Place in the Modern World: Japanese Prints in the Twentieth Century"
• "Collecting Japanese Ceramics for the British Museum in the Later 19th Century"
• "Connecting Worlds: Modern Chinese Ink Paintings at the British Museum"
• "Decoding Sogdian Funerary Art in China: Politics, Religion, and Transculturation in the Sixth Century"
• "Discussion with Craig Clunas: Approaches to Visual and Material Cultures"
• "The Doll Collection of Hatsuko Ohno"
• "Exhibiting Asia in the 21st Century"
• "Exploring the Semiotics of Propaganda: Posters from the Chinese Cultural Revolution and National Socialist Party"
• Forms in Modern Chinese Painting and Japan events
• "From Traveling Palace to Mountain Estate: Recovering Historical Narratives in Qing Imperial Landscape Architecture"
• "Galloping Toward the Future—The Art and Times of Xu Beihong"
• "Genuine or Fake? Establishing Authenticity in Traditional Chinese Painting"
• Goldene Impressionen: Japanische Malerei 1400-1900 [Golden impressions: Japanese art 1400-1900] lectures
• "The History of the Tokyo National Museum Collection: With a Focus on Calligraphic Works"
• "Imagining the Tomb of the First Emperor of China"
• "Innovation/Adaptation: 5,000 Years of Making Art in China"
• "Intimacy and Voyeurism: The Public/Private Divide in Photography" (SPE)
• Japanese Masterpieces from the Museum of Fine Arts, Boston lectures
• "Japanese Prints on the World Stage: The Modern Transformation of a Traditional Medium"
• "Japanese Street Fashion from Meiji to Now"
• "Japan's Metabolism Movement"
• "[Kichijôten and the art of Kanemitsu Akiyoshi]"
• Colin Mackenzie lecture
• "[The modern architecture of Nara National Museum: Materials at the Center for Buddhist Art (formerly the Nara County Relics Bureau), Past and Present]"
• "The Modern Moment of Chinese Sculpture"
• "La naissance de l'histoire de l'art au Japon (XVIIe-XIXe siècles) [The birth of art history in Japan (17th-19th centuries)]"
• "The National Treasure: Autumn and Winter Landscapes, by Sesshu"
• "Okinoshima: the Shôsôin of the Sea"
• One Hundred Camellias: Blossoms Heralded in Literature lectures
• "Painting with Pottery in the Peacock Room"
• "Parameters of Identity: Practice, Place, and Tradition in East Asia"
• "Pour une histoire culturelle de l'Islam en Chine [For a cultural history of Islam in China]"
• "Preparation for the Afterlife: Tomb Treasures of Han China"
• "Re-envisioning American Art History: Asian American Art, Research, and Teaching" $2,700 for participants' travel, lodging and related expenses
• "Song Dong in Conversation"
• "Storytelling in Japanese Art"
• "Sumi-e Traditions and Anticipations"
• "Taction: The Drama of the Stylus in Oriental Calligraphy"
• "Teahouses and Tea Vessels of the Tokyo National Museum Collection"
• "Tehching Hsieh"
• Things Chinese: Antiques, Crafts, Collectibles
• "Timely Images: Chinese Art Related to Seasonal Festivals"
• Traditions Revised - Japanese Fans from the Ishizumi Family Collection seminar
• "Transformation of the Former Explosives Magazine: The Future of the Past"
• "Transforming Minds: Buddhism in Art"
• "The True Sources of Hiroshige's Famous Tokaido Series (1832–33)"
• "Tvar a telo zeny v soucasném cínském umení [Faces and bodies of women in contemporary Chinese art]"
• "The 'Two Asukas' of the Final Kofun Period: Tsukamari Kofun Tumulus, Osaka; and Kengoshizuka Kofun Tumulus, Nara"
• "Ville et architecture après le 11 mars: Comment les architectes régénèrent-ils le local? [City and architecture after March 11: How have architects regenerted the local?]"
• "Visions of Canton, 1700-1850"
• "Voices of Mono-ha Artists: Contemporary Art in Japan, Circa 1970"
• "[The world of Yayoi Kusama]"
• Xu Bing--The Art of Rewriting China lectures

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GRADUATE PROGRAMS/STUDENTS
(includes links to departments and advisers)

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FELLOWSHIPS AND GRANTS
(post-docs and subject-specific Master's/Ph.D. studentships also appear under POSITIONS AVAILABLE above)

• American Institute of Indian Studies (AIIS)
• Association for Asian Studies: China and Inner Asia Council
• Institut national d'histoire de l'art (INHA)
• Middlebury Language Schools: Kathryn Davis Fellowships for Peace
• Northeast Asian History Foundation

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LINKS TO OTHER WEBSITES RELATED TO ASIAN ART
(museums, books, research + reference, pedagogy)

• Associazione Italiana Studi Cinesi
• Beijing Fine Art Academy: Art Museum and Qi Baishi Memorial Museum
• Cross-Currents: East Asian History and Culture Review
• European Association for Chinese Studies
• Idemitsu Museum, Moji
• Itabashi Art Museum  
• Museum für Lackkunst (Museum of Lacquer Art)
• Museum of Modern Art, Saitama
• National Gallery in Prague
• Rockbund Art Museum

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Last modified 5 Feb 2012. [follow ACC on twitter for instant updates or RSS feed] Copyright ©1996-2012 by Nixi Cura. This web page may be linked to any other web pages. Contents may not be altered. Unauthorized use or electronic dissemination is prohibited by applicable laws. URL: http://www.nyu.edu/gsas/dept/fineart/html/chinese/index.html	ACC INFO + INDEX
	ATTEND
	CALLS
	GRADUATE PROGRAMS/STUDENTS
	GRANTS
	LINKS
	POSITIONS