Helen Frankenthaler: A Symposium
Friday, October 23rd, 2015
The James B. Duke House
1 East 78th Street
New York, NY 10075
Full schedule below
This symposium explored new perspectives on the work of artist Helen Frankenthaler (1928-2011). The event took place at the Institute’s James B. Duke House on October 23, 2015. Co-organized by Robert Slifkin, Associate Professor of Fine Arts, Institute of Fine Arts, and Pepe Karmel, Associate Professor of Art History, NYU, in partnership with the Helen Frankenthaler Foundation, this afternoon program featured presentations by five leading scholars of postwar modern art.
Eric de Chassey (Director, Académie Française, Rome) addressed Frankenthaler's "Negotiations" between nature and abstraction and between process and gesture. Anna C. Chave (Professor, CUNY Graduate Center and Queens College, New York) spoke on "Frankenthaler's Fortunes," and how social privilege may have affected her position—and self positioning—in the art world. Pepe Karmel gave a "Weather Report" on opticality and liquidity in the work of Frankenthaler and Gerhard Richter. Katy Siegel (Thaw Professor, Stony Brook University) discussed "The heroine Paint," and how decoration, feminism, and materiality have evolved in the years after Frankenthaler. Harry Cooper (Curator and Head of Modern Art, National Gallery of Art, Washington, D.C.) served as respondent. The symposium included a screening of Perry Miller Adato's documentary Frankenthaler: Toward a New Climate, made for PBS in 1978. For the detailed program please click here.
Helen Frankenthaler has long been recognized as one of the great American artists of the twentieth century. An heir to first-generation Abstract Expressionism, she invented the technique of “staining” color directly into raw canvas, and was a leader among the Color Field painters of the 1960s. Refining her own abstract vocabulary from the 1970s onward, she continued working productively through the opening years of this century. Influential on other artists after Morris Louis and Kenneth Noland first saw her work in the early 1950s, since 2000 her art has inspired a new generation of younger painters such as Carrie Moyer, Jackie Saccaccio, and Mary Weatherford. Her work is represented in museum collections worldwide and has been the subject of numerous national and international exhibitions and substantial publications.
Patricia Rubin, Judy and Michael Steinhardt Director of the IFA, noted, “We are pleased to have the opportunity to work with the Helen Frankenthaler Foundation on this important event that will help shape the discourse on Frankenthaler’s work for a new generation of scholars.”
Friday, October 23rd, 2015
Organizers: Robert Slifkin, Associate Professor of Fine Arts, Institute of Fine Arts, and Pepe Karmel, Associate Professor of Art History, New York University
Opening remarks by: Robert Slifkin, Associate Professor of Fine Arts, Institute of Fine Arts , and Elizabeth Smith, Executive Director, Helen Frankenthaler Foundation
Screening of Frankenthaler: Toward a New Climate (1978) by Perry Miller Adato
Anna Chave, Professor, CUNY Graduate Center and Queens College, NY: “Frankenthaler’s Fortunes”
Eric de Chassey, Director, Académie Française, Rome: “Negotiations”
Break for refreshments
Katy Siegel, Thaw Professor, Stonybrook University: “‘The heroine Paint’: After Frankenthaler”
Pepe Karmel: “Weather Report”
Harry Cooper, Curator and Head of Modern Art, National Gallery of Art, Washington, D.C.: Respondent
The Institute of Fine Arts is an international leader in research and graduate teaching. We are committed to global engagement and advancing the fields of art history, archaeology, and the theory and practice of conservation. New York City, with its incomparable resources and vitality, provides a backdrop and extended campus for our activities. Our work takes place on-site and beyond our walls through fieldwork, off-site teaching, cultural advocacy, and curatorial and conservation collaborations.
The New York City-based Helen Frankenthaler Foundation, established and endowed by the artist during her lifetime, is dedicated to promoting greater public interest in and understanding of the visual arts. It supports the artist’s legacy through a variety of initiatives, including exhibitions, loans of artworks, research and publications, conservation, grants, and educational programs for the public and the scholarly community. As the principal beneficiary of Frankenthaler’s estate, it additionally maintains an archive of original papers and materials pertaining to her life and work and a collection of her artwork in a variety of media. For additional information on the Foundation, visit its website at: //www.frankenthalerfoundation.org.
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