VOLUME 21
CONTENTS

Revelations on Pages and Stages
Nina Auerbach

"Signs of Things Taken": Testimony, Subjectivity, and the Nineteenth-century Mug Shot
Jennifer M. Green

Under Cover of Sympathy: Ressentiment in Gaskell's Ruth
Audrey Jaffe

John Bull and His "Land Ohne Musik"
Emily Auerbach

Reform, Rescue, and the Sisterhoods of Middlemarch
Michael Cohen

It Thought It Were a Mouse-Trap: The Sylvie and Bruno Books as Archetypal Menippean Satire
Edmund Miller

Family Secrets and the Mysteries of The Moonstone
Elisabeth Rose Gruner

The Sorrows of Carlyle: Byronism and the Philosophic Critic
Andrew Elfenbein

The Empire as Metaphor: England and the East in The Mysteries of Edwin Drood
John S. DeWind

Observation and Domination in Hardy's The Woodlanders
Cates Baldridge

Sir Walter Besant and the "Shrieking Sisterhood"
Earl A. Knies

A Cinderella Among the Muses: Barrett Browning and the Ballad Tradition
Marjorie Stone

WORKS IN PROGRESS

E. M. Forster at the End
Richard Dellamora

Retelling the Story of Science
Barbara T. Gates

"Certain Learned Ladies": Trollope's Can You Forgive Her? and the Langham Place Circle
Margaret F. King

Muscular Anxiety: Degradation and Appropriation in Tom Brown's Schooldays
Donald E. Hall

Looking at Cleopatra: The Expression and Exhibition of Desire in Villette
Jill L. Matus

REVIEW ESSAYS

Feminism, History, and the Nineteenth-Century Novel
Deborah Epstein Nord

"A Terrible Beauty is Born": Textual Scholarship in the 1990s
Judith Kennedy

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