Contact: Alyssa Plummer
Renegade American Photographer Subject of Retrospective
New York City, March 29, 2009—New York University’s Grey Art Gallery is pleased to announce the first retrospective of the American photographer John Wood. John Wood: On the Edge of Clear Meaning, on view at the Grey Art Gallery from May 12 through July 18, 2009, is the most comprehensive exhibition of the artist’s work to date. Featuring the full range of his career from the 1960s to the present, the show includes over 150 photographs, mixed-media works, and artists’ books. A selection of Wood’s photomontages, Quiet Protest, will be on view concurrently at the International Center of Photography.
Born in California in 1922, John Wood has consistently challenged traditional photography, often incorporating painting, drawing, and collage as well as cliché verre, solarization, and offset lithography. The artist emphasizes the role of drawing in his work: “Mark making, calligraphy, the kinetic motion of the movement of the hand, are very important to me; probably more important than anything else.” Transgressing the boundaries of straight photography, Wood’s practice helped usher in an alternative approach to the medium. His diaristic, multi-media compositions revel in their combinations of text and imagery, anticipating today’s digital era with its delight in manipulation.
His early childhood was marked by the Depression, and his family moved frequently. After serving in the Army Air Corps as a B-17 pilot during World War II, he enrolled at the Institute of Design in Chicago. Wood trained as a visual designer and photographer, studying with Harry Callahan and Art Sinsabaugh to hone both conceptual and formal issues in his work. He left Chicago to teach photography and printmaking at the School of Art and Design at Alfred University in Alfred, New York, where he would live for thirty-five years. He now resides in Baltimore, Maryland with his wife, Laurie Snyder, who teaches photography at the Maryland Institute College of Art. They migrate each summer to their home and studio in Ithaca, New York.
In keeping with the Grey Art Gallery’s tradition of presenting the work of under-represented artists, this exhibition introduces John Wood as a master of various multi-media processes and testifies to his insatiable curiosity about new materials and repeated use of favorite sources. Through disciplined but lively investigation of different media, the artist eroded traditional definitions of photography and produced work that is both powerful and subtle. As Lynn Gumpert, Director of the Grey, notes, “John Wood has been a life-long teacher, inspiring and training numerous students, artists, and arts professionals. We are honored to bring the breadth of his work to New York City, home to many art schools, colleges, and universities.”
John Wood: On the Edge of Clear Meaning was coordinated by Nathan Lyons, Director Emeritus of the Visual Studies Workshop in collaboration with Marie Via, Director of Exhibitions, Memorial Art Gallery, and Alison Nordstrom, Curator of Photography, George Eastman House. The exhibition was on view at all three locations in fall 2008. The presentation of John Wood: On the Edge of Clear Meaning at the Grey Art Gallery is made possible in part by the Abby Weed Grey Trust, Ruth Davidson Abrams Endowment, and the Grey’s Director’s Circle, Inter/National Council, and Friends.
Accompanying the exhibition is a 174-page book that includes 140 illustrations in black-and-white and color, along with an essay assessing Wood’s work by David Levi Strauss, a complete biography and bibliography compiled by William S. Johnson, and a study of his role as an educator by Ezra Shales. Complementing the book is a DVD showing Wood at work and incorporating a page-turning program of Wood’s book works.
Grey Art Gallery, New York University, 100 Washington Square East, New York, NY 10003
About the Grey Art Gallery:
Exhibitions organized by the Grey have encompassed all the visual arts: painting, sculpture, drawing and printmaking, photography, architecture and decorative arts, video, film, and performance. In addition to producing its own exhibitions, which often travel to other venues in the United States and abroad, the Gallery hosts traveling shows that might otherwise not be seen in New York and produces scholarly publications, many of which are distributed worldwide.