EXHIBITION CHECKLIST
Vito Acconci
Where We Are
Now (Who Are We Anyway?), 1976
Photodocumentation of installation at Sonnabend
Gallery, 420 West Broadway, New York
(three color photographs with sound)
Sheets: 24 x 20 in. each
Courtesy the artist
Scott Burton
Bronze Chair
(Street Furniture), 1975
Photodocumentation of installation at Artists Space, Wooster Street, New
York (two gelatin silver prints)
Sheets: 6 5/8 x 10 1/8 in. (16.8 x 25.7 cm) and 5 7/16
x 9 15/16 in. (13.8 x 25.3 cm)
Scott Burton Papers, Box 23, The Museum
of Modern Art Archives, New York
Stefan Eins
Crowbar, 1974
Hand-forged steel
36 x 3 in. (91.4 x 7.6 cm)
Collection of the artist
John Fekner and Don Leicht
YOUR SPACE
HAS BEEN INVADED, 1982
Painted stencil template on oaktag board
11 x 56 in. (27.9 x 142.2 cm)
Frame: 14 x 60 in.
Courtesy the artists
Peter Hujar
Leroy Street, 1983
Vintage gelatin silver print
14 ½ x 14 5/8 in. (36.8 x 37.1 cm)
Courtesy Matthew
Marks Gallery, New York
Justen Ladda
Bookburning, 1981
Photograph by Martha Cooper
Photodocumentation of installation (color photograph)
Sheet: 14 x 11 in. (35.6 x 27.9 cm)
Courtesy Justen Ladda
Gordon Matta-Clark
Day’s End
(Pier 52), 1975
C-print
Mount: 48 x 41 in. (121.9 x 104.1 cm)
Image: 36 x 25 in. (91.4 x 63.5 cm)
Courtesy the Estate of Gordon Matta-Clark and David
Zwirner, New York
Adrian Piper
Framed “Dear
Friends” Cards, 1986
Ink on paper
2 x 3 ½ in. (5.1 x 8.9 cm) each
Framed: 12 ¼ x 13 ½ x 1 in. (31.1 x 34.3 cm)
Collections of Peter Norton and Eileen Harris Norton, Santa Monica
Adam Purple
The Garden of
Eden, Forsythe
Street, New York, c. 1984
Photographs by Harvey Wang
Photodocumentation of installation (two C-prints)
Sheets: 16 x 20 in. (40.6 x 50.8 cm) each
Courtesy the photographer
Christy Rupp
Hooray for
Westway, c. 1979
Cardboard relief
20 x 22 x 3 in.
Courtesy the artist
Robert Smithson
Untitled, n.d.
Ink on Max’s Kansas
City menu
16 x 13 in. (40.6 x 33 cm)
Collection of Tom Otterness and Coleen Fitzgibbon, New York
Martha Wilson
Fundraising
letter for “Franklin Freezer, Inc.,” 1978 [2005]
Typewritten letter
Sheet: 11 x 8 ½ in. (27.9 x 21.6 cm)
Frame: 16 x 13 in. (40.6 x 33 cm)
Courtesy the artist
Krzysztof Wodiczko
Projection on
the AT&T Building,
New York, 1984
Photodocumentation of installation (gelatin silver
print)
Sheet: 14 x 11 in. (35.6 x 27.9 cm)
Frame: 16 x 13 in. (40.6 x 33 cm)
Collection of Hal
Bromm, New York
Projection on
the Memorial Arch, Grand Army Plaza, Brooklyn, New Year’s
Eve, 1984
Photodocumentation of installation (gelatin silver
print)
11 x 14 in. (27.9 x 35.6 cm)
Frame: 13 x 16 in. (33 x 40.6 cm)
Collection of Hal
Bromm, New York
David Wojnarowicz
Mask for the series Rimbaud in New York, c. 1977
Magic marker on photocopy with rubber bands
11 ¼ x 9 in. (28.6 x 22.9 cm)
David Wojnarowicz Papers, Fales Library, New York
University
Untitled [Forty-second
Street] from the series Rimbaud in New York,
1977–79
Vintage gelatin silver print
Sheet: 8 x 10 in. (20.3 x 25.4 cm)
Frame: 13 x 18 in.
David Wojnarowicz Papers, Fales Library, New York
University
Untitled [Diner] from the series Rimbaud in New York,
1977–79
Vintage gelatin silver print
Sheet: 8 x 10 in. (20.3 x 25.4 cm)
Frame: 13 x 18 in.
David Wojnarowicz Papers, Fales Library, New York
University
Untitled [Duchamp] from the series Rimbaud in New
York, 1977–79
Vintage gelatin silver print
Sheet: 8 x 10 in. (20.3 x 25.4 cm)
Frame: 13 x 18 in.
David Wojnarowicz Papers, Fales Library, New York
University
Untitled [Palm Reading] from the series Rimbaud in New
York, 1977–79
Vintage gelatin silver print
Sheet: 8 x 10 in. (20.3 x 25.4 cm)
Frame: 13 x 18 in.
David Wojnarowicz Papers, Fales Library, New York
University
Jeannette Ingberman, Editor
Illegal America (exhibition
catalogue, New York:
Exit Art, 1982)
Printed book encased in cardboard sleeve with dollar
bill
[dims]
Fales Library, New York University
Invitation for Illegal
America at Franklin Furnace, organized by Jeannette Ingberman, 1982
Offset
7 x 5 in. (17.8 x 12.7 cm)
Downtown Flyers Collection, Fales Library, New York
University
Poster for the Real
Estate Show, 1980
Designed by Becky Howland
Stencil on newspaper, laminated
22 x 29 in. (55.9 x 73.7 cm)
Courtesy the artist
Laurie Anderson
New York Times / China Times, 1979
Collage
on canvas
Sheet:
13 ¼ in. x 10 ¼ in.
Collection
of John Solomon, Los Angeles
Ida Applebroog
Sure I’m Sure, 1979–80
Ink
and rhoplex on vellum
Six
panels, 17 x 69 in. (43.2 x 175.3 cm) overall
Courtesy
Ronald Feldman Fine Arts, New York
Troy Brauntuch
Untitled,
1980
White
pencil on black paper
Frame:
28 x 42 in. (71.1 x 106.7 cm)
Collection
of Thomas Solomon, Los Angeles
Sue Coe
Reagan Speaks for Himself, 1984
Mixed
media and collage on white etching paper
30
¾ x 23 in. unframed
Courtesy
the artist and Galerie St. Etienne,
New York
Juan Downey
Drawing
from the video installation Plato Now, 1972
Mixed
media on paper
40 x
30 in.
Collection
of John Hanhardt, New York
Richard Foreman and the Ontological
Hysteric Theater Company
Total Recall, 1971
Photographs
by Babette Mangolte
Photodocumentation
of performance at Foreman’s loft, 52
Wooster Street, New York
(three
gelatin silver prints)
Sheets:
11 x 14 in. (27.9 x 35.6 cm) each
Frames:
13 x 16 in. each
Richard
Foreman Papers, Fales Library,
New York University
Robert Gober
Atlanta, 1979
Graphite
on paper
Sheet:
4 x 5 1/8 in.
Frame:
12 7/8 x 14 1/8 in.
Collection
of the artist, courtesy the artist and Matthew
Marks Gallery, New York
Leon Golub
Henry Kissinger, from the series Portraits of Power, 1976
Acrylic
on canvas
20 ½
x 16 ½ in. (52.1 x 41.9 cm)
Private
collection, New York
Duncan Hannah
Crime of Passion, 1976
Acrylic,
charcoal, and spraypaint on canvas
34 x
54 in. (86.4 x 137.2 cm)
Frame:
36 x 56 in. (91.4 x 142.2 cm)
Courtesy
the artist
Continental Film Review, 1981
Collage
Sheet:
11 x 14 in. (27.9 x 35.6 cm)
Frame:
15 x 18 in. (38.1 x 45.7 cm)
Courtesy
the artist
John Jesurun
Chang in a
Void Moon, Episode 21, “The
Barbarities of Insulin,” February 7, 1983
Performed by Ruth Gray and Helena White
Photograph by Kirk Winslow
Photodocumentation of performance at Pyramid Club, New York (gelatin silver
print)
Sheet: 12 x 15 in.
Frame:
13 x 16 in. (33 x 40.6 cm)
Courtesy
John Jesurun
Ray Johnson
Silhouette University, July 22, 1976
Pen
and ink on paper
11 x
8 ½ in.
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Barbara Kruger
Untitled (When I Hear the Word Culture I Take out My
Checkbook), 1985
Photograph
with artist’s frame
139
x 68 in. (353.1 x 172.7 cm)
Collections
of Peter Norton and Eileen Harris Norton, Santa
Monica
Christopher Knowles
Letter to Grandparents, 1977
Typewritten
letter
Sheet:
11 x 8 ½ in. (27.9 x 21.6 cm)
Courtesy
the Estate of Holly Solomon
Stephen Lack
Youth Found Slain, 1976
Photostat
on paper
Sheet:
18 x 27 in. (45.7 x 68.6 cm)
Frame:
19 x 28 in. (48.3 x 71.1 cm)
Courtesy
the artist and Dorfman Projects, New
York
Hitler’s Teeth/Revealed, 1975
Photostat
on paper
Sheet:
18 x 27 in. (45.7 x 68.6 cm)
Frame:
19 x 28 in. (48.3 x 71.1 cm)
Courtesy
the artist and Dorfman Projects, New
York
Justen Ladda
Russians Invading Afghanistan, Dec. 31, 1979, 1980
Vinyl
emulsion, watercolor, and Letraset transfers on newsprint
Sheet:
6 ¼ x 6 ¾ in. (15.9 x 17.1 cm)
Frame:
8 x 10 in. (20.3 x 25.4 cm)
Courtesy
the artist
The Shah of Iran in His Last Days, 1980
Vinyl
emulsion and watercolor on newsprint
3 ½
x 4 ½ in. (8.9 x 11.4 cm)
Frame:
8 x 10 in. (20.3 x 25.4 cm)
Courtesy
the artist
The End of Rhodesia
and the Beginning of Zimbabwe,
1980
Vinyl
emulsion and watercolor on newsprint
6 ½
x 7 in. (16.5 x 17.8 cm)
Frame:
8 x 10 in. (20.3 x 25.4 cm)
Courtesy
the artist
Reagan Election Campaign, 1980
Vinyl
emulsion and watercolor on newsprint
6 ¾
x 7 in. (17.1 x 17.8 cm)
Frame:
8 x 10 in. (20.3 x 25.4 cm)
Courtesy
the artist
Sherrie Levine
After Egon Schiele, 1982
Six
color and three black-and-white photographs (from a set of 18)
Sheets:
14 x 11 in. (35.6 x 27.9 cm) each
[SLE-41.1]
Courtesy
the artist and Paula Cooper Gallery, New York
Joe Lewis
Auto’s, 1982
Offset
on acetate, frosted glass, fluorescent light, and wood
25 ½
x 21 x 5 ½ in. (64.8 x 53.3 x 14 cm)
Courtesy
the artist
Robert Longo
Untitled,
from the series Men in the City, 1981
Charcoal
and graphite on paper
96 x
60 in.
Holzer
Family Collection
Christian Marclay
Recycled Records, 1981
Collaged
vinyl record
12
in. (30.5 cm) diameter
Courtesy
the artist and Paula
Cooper Gallery
Richard Prince
Untitled (Living Rooms), 1977
4
Ektacolor prints, ed. 8/10
Each:
20 x 24 in. (50.8 x 61 cm)
The Museum of Contemporary
Art, Los Angeles,
89.29. Purchased with funds provided by the National Endowment for the Arts, a
Federal Agency, and Councilman Joel Wachs
Tim Rollins & K.O.S.
Absalom, Absalom! (after William Faulkner), 1983
Xerograph,
edition 1 of 15
Sheet:
13 ¾ x 8 ¼ in. (34.9 x 21 cm)
Courtesy
the artists
Martha Rosler
The Bowery in two inadequate descriptive systems, 1974–75
Suite of 45 gelatin silver prints of text and images
on 24 mount boards
Mounts: 11 13/16 x 23 5/8 in. (30 x 60 cm) each of 24
Courtesy
the artist
Susan Rothenberg
Untitled,
1981
Charcoal
on paper
Sheet:
27 ¾ x 20 in. (70.5 x 50.8 cm)
Collection
of Miani Johnson, New York
David Salle
Untitled,
1981
Acrylic
on paper
40 x
26 in. (101.6 x 66 cm)
The Museum of Contemporary
Art, Los Angeles,
85.79. The Barry Lowen Collection
Cindy Sherman
Untitled Film Still #65, 1980
Gelatin
silver print
10 x
8 in. (25.4 x 20.3 cm)
The Museum of Contemporary
Art, Los Angeles,
95.56. Purchased with funds provided by the friends of Marsha Kleinman in her
memory
Laurie Simmons
Ballet Strip-In, 1982
Cibachrome
print
30 x
40 in., edition of 5
Courtesy
the artist and Sperone Westwater,
New York
Untitled
live ballet project, c. 1980
Two
gelatin silver prints
Image:
6 ½ x 13 ½ in.
Paper:
9 x 14 in.
Courtesy
the artist and Sperone Westwater,
New York
Nancy Spero
Gratian’s Dictum, 1979
Paint
and typewritten collage on paper
40 ½
x 16 ¾ in. (102.9 x 42.5 cm)
Courtesy
the artist and Galerie Lelong,
New York
Squat Theatre
Mr. Dead and Mrs. Free, 1981
Photograph
by Paula Court
Photodocumentation
of performance (gelatin silver print)
Sheet :
8 x 10 in. (20.3 x 25.4 cm)
Courtesy
the photographer
Pig,
Child, Fire, 1977
Photodocumentation
of performance with John Lurie (gelatin silver print)
8 x
10 in. (20.3 x 25.4 cm)
Frame:
13 x 16 in.
The
Mark Hall Amitin / World of Culture for the Performing Arts, Inc. Archive,
Fales Library, New York University
William Wegman
Landscape, 1976
Ink
on paper
Sheet:
11 x 8 ½ in. (27.9 x 21.6 cm)
Courtesy
the Estate of Holly Solomon
French 3, 1980
Polaroid
color print
Sheet:
24 x 20 in. (61.0 x 50.8 cm)
Collection
of Thomas Solomon, Los Angeles
NOT
EXHIBITED AT THE GREY
ART GALLERY
David Wojnarowicz
Human Head II, New
York, September 5, 1977
Mixed
media journal
12 x
7 ½ in. (30.5 x 19.1 cm)
David
Wojnarowicz Papers, Fales Library,
New York University
[vitrine
/ open]
[Artist’s
journal], New York, June 6–August 28, 1979
Mixed
media journal
9
3/8 x 7 ¼ in. (23.8 x 18.4 cm)
David
Wojnarowicz Papers, Fales Library,
New York University
VIDEO
Michel Auder
Made for Denise, 1977
Video
transferred to DVD
4
minutes, color, sound
Courtesy
the artist and Newman Popiashvili Gallery
My Love, 1978
Video
transferred to DVD
5
minutes, color, sound
Courtesy
the artist and Newman Popiashvili Gallery
Dara Birnbaum
Technology /
Transformation: Wonder Woman, 1978–79
Video transferred to DVD
5:50 minutes, color, sound
The Avery Fisher
Center for Music and Media, New York
University, courtesy Electronic Arts Intermix
Christian Marclay
Record Players, 1983–84
Video
transferred to DVD, unlimited edition
5
minutes, color, sound
Courtesy
the artist and Paula
Cooper Gallery
Michael Smith
Secret Horror, 1980
Directed
by Mark Fischer; produced for the Artists Television Network
Video
transferred to DVD
13:38
minutes, color, sound
Courtesy
the artist and Electronic Arts Intermix
The Wooster Group
Excerpt
from “Part I: ‘Tag/Dance with Gun/The Pick Up/The Ghost,’” from Rumstick
Road, 1977
Super-8mm
transferred to DVD (performance documentation)
Directed
by Elizabeth LeCompte; composed by Spalding Gray and Elizabeth LeCompte in
collaboration with Libby Howes, Bruce Porter, and Ron Vawter; performed by
Spalding Gray, Libby Howes, and Ron Vawter; designed by Jim Clayburgh with
Elizabeth LeCompte; technical direction by Bruce Porter and Bruce Rayvid; stage
managers: Gabrielle Lansner and Kate Valk
Filmed
by Elizabeth LeCompte
Courtesy
the Wooster Group
Excerpt
from “The Fifth Examination of the Text: ‘The Cocktail Party,’” from Nayatt School, 1978
16mm
transferred to DVD, 10 minutes (performance documentation)
Directed
by Elizabeth LeCompte; composed by Spalding Gray and Elizabeth LeCompte in
collaboration with Libby Howes, Bruce Porter, and Ron Vawter; performed by
Spalding Gray, Libby Howes, Ron Vawter, Ursula Easton, Tena Cohen, Michael
Rivkin, and Eric Moskowitz; designed by Bruce Porter and Elizabeth LeCompte;
lighting by Jim Clayburgh
Filmed
by Ken Kobland
Courtesy
the Wooster Group
Kathy Acker
Top Stories no. 9: New York City in 1979 (Buffalo: Hallwalls, 1981)
Printed
book
8 ¼
x 5 3/8 in. (21 x 13.7 cm)
The
Downtown Collection, Fales Library,
New York University
Implosion (New
York: Wedge, 1983)
Design
by Mark Magill
Printed
book
8 x
5 in. (20.3 x 12.7 cm)
The
Downtown Collection, Fales Library,
New York University
Rip Off Red: Girl Detective, 1973
Autograph
manuscript
22 x 18 in. (55.9 x 45.7 cm)
The
Downtown Collection, Fales Library,
New York University
Hello, I’m Erica Jong (New York: Contact II, 1982)
Illustrations
by Michael McClard
Printed
book (first edition)
8
5/8 x 5 in. (21.9 x 12.7 cm)
The
Downtown Collection, Fales Library,
New York University
John Ahearn
Poster
for the film Shame, 1978
Mixed
media
Courtesy
the artist
Animation cels from Amos
Poe’s film Unmade Beds, 1976
Framed
together, approx. 21 ½ x 6 ¾ in.
Courtesy
the artist
Art by Bruce Carleton and Ken
Weiner for John Holmstrom’s photo-comic Mutant
Monster Beach Party, 1978
Directed
and lettered by John Holmstrom, written by Legs McNeil
Sheets:
25 ¼ x 22 ¼ in. (64.1 x 56.5 cm) and 21 x 17 in. (53.3 x 43.2 cm)
Courtesy
John Holmstrom / Punk Magazine
each
Eric Bogosian
Notebook for Heaven, Heaven, Heaven and Sheer
Heaven, 1978
Autograph
manuscript
11 x
8 ¾ in. (27.9 x 22.2 cm)
Eric
Bogosian Papers, Fales Library,
New York University
Assorted
material for Funhouse, 1982–83
Three
typewritten autograph pages
Sheets:
11 x 8 ½ in. (27.9 x 21.6 cm) each
Eric
Bogosian Papers, Fales Library,
New York University
Bomb, vol.
1, no. 1, spring 1981
[Sarah
Charlesworth image on cover]
14 x
10 ¾ in. (37.5 x 27.3 cm)
Fales Library, New York University
East Village Eye, vol. 1, no. 1, May 1979
17 x
11 in. (43.2 x 27.9 cm)
Fales Library, New York University
East Village Eye, vol. 1, no. 4, September 1979
[Christof
Kohlhofer dollar bill centerfold]
17 x
11 in. (43.2 x 27.9 cm)
Fales Library, New York University
Flyer for Kidnapped directed by Eric Mitchell,
1977
Photocopy
11 x
8 ½ in.
Collection
of Eric Mitchell, Paris
Spalding Gray
Seven Scenes from a Family Album (New York: Benzene Editions, 1981)
Printed
book
8 ¼
x 5 ¼ in. (21 x 13.7 cm)
The
Downtown Collection, Fales Library,
New York University
Duncan Hannah
Poster
art for Amos Poe’s film Unmade Beds, 1976
Collage
30 x
20 in.
Courtesy
Amos Poe
Richard Hell
Journal from Patti, 1974–79
Autograph
manuscript
11 x
8 ½ in. (27.9 x 21.6 cm)
Richard
Hell Papers, Fales Library,
New York University
Gary Indiana
Shanghai (New
York: Wedge, 1983)
Printed
book
5 x
8 in. (12.7 x 20.3 cm)
The
Downtown Collection, Fales Library,
New York University
Jim Jarmusch and Eszter
Balint on location for Jarmusch's film Stranger
than Paradise, New York,
1982
Photograph
by Stephen Torton
Gelatin
silver print enlarged from original Polaroid
Sheet:
8 x 10 in. (20.3 x 25.4 cm)
Courtesy
Jim Jarmusch
Jim Jarmusch and Chris Parker
on location for Jarmusch's film Permanent
Vacation, New York,
1979
Photographer
unknown
Gelatin
silver print
Sheet:
8 x 10 in. (20.3 x 25.4 cm)
Courtesy
Jim Jarmusch
Richard Kostelanetz
Tabula Rasa: A Constructivist Novel (New York: RK Editions, 1978)
Printed
book
8 ½
x 8 ½ in. (21. 6 x 21.6 cm)
The
Downtown Collection, Fales Library,
New York University
Patrick McGrath
Blood and Water and Other Tales (New York: Poseidon, 1988)
Printed
book
6 x
9 in. (15.2 x 22.9 cm)
Fales Library, New York University
New York Rocker, February 1976
17 x
11 in. (43.2 x 27.9 cm)
Fales Library, New York University
New York Rocker, September–October 1977
17 x
11 in. (43.2 x 27.9 cm)
Fales Library, New York University
Page from Nick Detroit, 1976
Written
and directed by Legs McNeil, photography by Chris Stein
32 ½
x 25 in. (82.6 x 63.5 cm)
Courtesy
John Holmstrom / Punk Magazine
Gary Panter
Okupant X (Providence,
R.I.: Diana’s Bimonthly Press, 1979)
Printed
book
8 ½
x 5 ½ in. (21.6 x 14 cm)
The
Downtown Collection, Fales Library,
New York University
Miguel Piñero
Autobiography, c.
1979
Manuscript
on 3 sheets of legal paper
12 ½
x 8 in. (31.8 x 20.3 cm); in plastic sleeve:
12 ½ x 8 ½ (31.8 x 21.6 cm)
Courtesy
Exit Art Archives
Suzan Pitt
Animation
cel from the film Asparagus, 1978–79
Sheet:
12 ¼ x 15 ¾ in.
Frame:
17 x 20 ¼ in.
Collection
of Mimi Gross, New York
Postcard for the Super-8 Series at Agee Room, c. 1981
5 x
3 in.
Downtown
Flyers Collection, Fales Library,
New York University
Poster for Bette Gordon’s
film Variety, 1983
Photographs
by Nan Goldin
Offset
Sheet:
24 x 18 in. (61 x 45.7 cm)
Courtesy
Bette Gordon, New York
Poster for Charlie Ahearn’s
film The Deadly Art of Survival, 1979
Offset
22 ¾
x 28 ¾ in.
Courtesy
Charlie Ahearn
Poster for Eric Mitchell’s
film Underground USA at St. Marks
Cinema, 1980
Offset
21
1/3 x 16 5/8 in.
Collection
of Eric Mitchell, Paris
Poster for Red Italy, directed by Eric Mitchell,
1979
Offset
11 x
17 in.
Collection
of Eric Mitchell, Paris
Poster for Film Festival at New Cinema, featuring Kidnapped, directed by Eric Mitchell,
and Men in Orbit, directed by John Lurie, c. 1977
Offset
11 x
17 in.
Collection
of Eric Mitchell, Paris
Richard Prince
Wild History (New
York: The Press, 1985)
Printed
book
6 x 9 in. (15.2 x 22.9 cm)
Fales Library, New York University
Production stills from the set of Underground USA with Terry Toye and Jackie Curtis, directed by Eric
Mitchell, 1980
Black-and-white
photographs
7 x
5 in.
Collection
of Eric Mitchell, Paris
Production stills from the
set of Kidnapped, directed by Eric
Mitchell, 1977
[Patti
Astor and Anya Phillips; Gordon Stevenson and Anya Phillips; Anya Phillips,
Eric Mitchell, and Gordon Stevenson]
Black-and-white
photographs
7 x
9 ½ in. each
Collection
of Eric Mitchell, Paris
Publicity brochure for Sara Driver’s film You Are Not I, 1981
Offset
Designed by Sara Driver
Sheet: 11 x 16 in. (27.9 x 40.6 cm)
Frame: 14 ¾ x 20 7/8 in. (37.5 x 53 cm)
Courtesy the artist
Raw, vol. 1,
no. 1, fall 1980
14 ¼
x 10 ½ in. (36.2 x 26.7 cm)
The
Downtown Collection, Fales Library,
New York University
Raw, vol. 1,
no. 2, winter 1980
14 ¼
x 10 ½ in. (36.2 x 26.7 cm)
The
Downtown Collection, Fales Library,
New York University
Jack Smith
“Fear
Ritual of Shark Museum,” in Avalanche, December 1974
16 ½
x 11 ¼ in. (41.9 x 28.6 cm)
Fales Library, New York University
Forbidden Blossom of Port Moresby: Recipe for 1, c. 1979
Pen
and ink on paper
11 ¾
x 8 ¾ in. (29.8 x 22.2 cm)
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Lynne Tillman
Madame Realism (New
York: The Print Center, 1984)
Illustrations
by Kiki Smith
Printed
book (first edition)
8 x
5 in. (20.3 x 12.7 cm)
The
Downtown Collection, Fales Library,
New York University
Lynne Tillman
Haunted Houses (New
York: Poseidon, 1987)
Printed
book
8
7/8 x 5 7/8 in. (22.5 x 14.9 cm)
The
Downtown Collection, Fales Library,
New York University
Laurie Anderson
From “For Instants Part 3,” 1975
Black-and-white
photograph
Frame:
15 ¼ x 18 ¼ in. (38.7 x 46.4 cm)
Collection
of Thomas Solomon, Los Angeles
White on White: A Song in 24/24 Time, 1976
Collage
on paper
Sheet:
13 ¼ x 10 ¼ in. (33.7 x 26.0 cm)
Collection
of Thomas Solomon, Los Angeles
Ross Bleckner
Untitled,
1986
Oil
on canvas
22 x
18 ¼ in. (55.9 x 46.4 cm) framed
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Jonathan Borofsky
I Dreamed That Blacks Were Marching, c. 1975
Pen
and ink on paper
12 x
14 in.
Collection
of Jeffrey Deitch, New York
Glenn Branca
Untitled,
1985
Ink
on paper
Frame:
26 ¾ x 35 ½ in. (66 x 90.2 cm)
Collection
of Nicole Klagsbrun, New York
Sarah Charlesworth
Unidentified Woman, Hotel de Aragón, Madrid,
1980
Unique
gelatin silver print with wood frame
78 x
42 in. (198.1 x 106.7 cm)
Collection
of Ara Arslanian, New York
Papo Colo
Superman 51, 1977
Photodocumentation of performance (gelatin silver
print)
Image: 40 x 29 1/8 in. (101.6 x 74 cm)
Sheet: 44 ¼ x 33 3/8 in. (112.4 x 84.8 cm)
El Museo del Barrio, New York. Gift of the artist with additional support from
“PROARTISTA: Sustaining the Work of Living Contemporary Artists,” a fund from
the Jacques and Natasha Gelman Trust, 2003.18.5
Jack Goldstein
Untitled
(Airplanes), 1981
Acrylic
on canvas
96 x
72 in. (243.8 x 182.9 cm)
Collection
of Melva Bucksbaum and Raymond Learsy, Connecticut
A Suite of 7-inch Records with Sound Effects, 1976–77
Edition
25 of 100
Collection
of Michèle C. Cone, New York
Ron Gorchov
Untitled,
1975
Oil
on canvas
17 ¾
x 25 in. (45.1 x 63.5 cm) (irregular shape)
Grey Art Gallery,
New York University Art Collection. Gift of Lawrence L. DiCarlo,
1981.8.1
Peter Halley
Prison with Conduit, 1981
Acrylic,
Day-Glo acrylic, and Roll-a-Tex on canvas (2 parts)
54 x
36 in. (137.2 x 91.4 cm)
Addison
Gallery of American Art, Phillips
Academy. Gift of the
artist (PA 1971), Addison Art
Drive
Scott Heiser
Betsey Johnson Fashion Show, n.d.
Vintage
gelatin silver print
11 x
14 in.
Courtesy
the Estate of Scott Heiser
Fernando Sanchez Fashion Show, 1980
Vintage
gelatin silver print
11 x
14 in. [unframed, estate to frame]
Courtesy
the Estate of Scott Heiser
Kansai Yamamoto, 1979
Vintage
gelatin silver print
11 x
14 in. [unframed, estate to frame]
Courtesy
the Estate of Scott Heiser
Shamask, 1982
Vintage
gelatin silver print
11 x
14 in. [unframed, estate to frame]
Courtesy
the Estate of Scott Heiser
Tehching Hsieh
One Year Performance (Time Piece), April 11, 1980, to April 11, 1981
Photodocumentation
of performance (gelatin silver print) and artist’s statement
Photograph
(sheet): 14 x 10 in. (35.6 x 25.4 cm)
Statement:
11 x 8 ½ in. (27.9 x 21.6 cm)
Courtesy
the artist
Robert Kushner
Pink, 1974
Chiffon,
jersey, metallic chiffon, and silk
71 x
75 in. (180.3 x 190.5 cm)
Courtesy
the artist
Matt Mullican
Under Hypnosis,
1982
Photograph
by Paula Court
Photodocumentation
of performance at the Kitchen, New
York (gelatin silver print)
Sheet :
8 x 10 in. (20.3 x 25.4 cm)
Frame:
Courtesy
the photographer
Joseph Nechvatal
Trial and Error, 1981
Graphite
on paper
11 x
14 in. (27.9 x 35.6 cm)
Courtesy
the artist
Stature, 1982
Graphite
on paper
11 x
14 in. (27.9 x 35.6 cm)
Courtesy
the artist
Nam June Paik
Untitled, 1973
Three-color
silkscreen print
12 x
9 in. (30.5 x 22.9 cm)
Collection
of John Hanhardt, New York
Judy Rifka
Museum Wallpaper, 1982
Oil
on linen, two panels
72 x
24 in. (182.9 x 61 cm) each
Courtesy
the artist
Oliver Wasow
Untitled,
1983
Photomicrograph
Frame:
5 ¾ x 7 ¾ in. (14.6 x 19.7 cm)
Collection
of Michèle C. Cone, New York
Untitled,
1983
Photomicrograph
Frame:
5 ¾ x 7 ¾ in. (14.6 x 19.7 cm)
Collection
of Michèle C. Cone, New York
Robert Wilson
Queen Victoria Chairs, 1977
Etching
and aquatint on Arches paper
Sheet:
26 ¾ x 38 ¼ in. (67.9 x 97.2 cm)
Grey Art Gallery,
New York University Art Collection. Gift of
Margery and Harry Kahn, 1982.48a
VIDEO
Joan Jonas
Disturbances, 1974
Video
transferred to DVD
11
minutes, black and white, sound
The Avery Fisher Center
for Music and Media, New York University, courtesy Electronic
Arts Intermix
Coleen Fitzgibbon
Document, 1974–75
16mm
microfilm and audiocassette (originally shown on analytic projector),
transferred to DVD
17:53
minutes, black and white, sound
Courtesy
the artist
Charlemagne Palestine
First
of Four Motion Studies, 1974
Video
transferred to DVD
13:24
minutes, black and white, sound
The Avery Fisher Center
for Music and Media, New York University, courtesy Electronic
Arts Intermix
Amos Poe and Ivan Kral
The Blank Generation, 1976
Film
transferred to DVD
55
minutes, black and white, sound
Courtesy
the artist
Carolee Schneemann
Up To and Including Her Limits, 1976
Film
transferred to DVD
29
minutes, color, sound
Courtesy
the artist and Electronic Arts Intermix
Robin Winters
Boredom Tension Surprise, 1975
16mm
film transferred to DVD
13:30
minutes, color
Courtesy
the artist
Laurie Anderson
Top Stories no. 2: Words in Reverse (Buffalo: Hallwalls, 1979)
Printed
book
8 ¼
x 5 ½ in. (20.6 x 14 cm)
The
Downtown Collection, Fales Library,
New York University
[Downtown PS3551.N373 W67 1979 Box]
Constance DeJong
Modern Love (New
York: Standard Editions, 1977)
Printed
book
7 x
4 in. (17.8 x 10.2 cm)
Fales Library, New York University
Invitation to the exhibition Lives, 1975
[dims]
Collection
of Jeffrey Deitch, New York
Poster for Amos Poe and Ivan
Kral’s film The Blank Generation, 1976
Offset
17 ½
x 11 in. (44.5 x 27.9 cm)
Richard
Hell Papers, Fales Library,
New York University
John Ahearn
Robin Winters, 1979
Acrylic
on plaster
16 x
12 x 6 in. approx.
Collection
of Red Grooms, New York
Johnny, 1979
Acrylic
on plaster
16 x
12 x 6 in.
Collection
of the artist, courtesy Alexander and Bonin, New York
David Armstrong
Cookie at Bleecker
St., NYC, 1977
Gelatin
silver print
Image:
15 ½ x 15 ½ in. (39.4 x 39.4 cm)
Sheet:
20 x 16 in. (50.8 x 40.6 cm)
Courtesy Matthew Marks Gallery, New York
John and Evan Lurie, E. 3rd St., NYC, 1980
Gelatin
silver print
Image:
18 5/8 x 18 7/8 in. (47.3 x 47.9 cm)
Sheet:
24 x 20 in. (61.0 x 50.8 cm)
Courtesy Matthew Marks Gallery, New York
Roberta Bayley
Richard Hell, Legs McNeil, and Andy Warhol, 1976
Gelatin
silver print
Sheet:
16 x 20 in. (40.6 x 50.8 cm)
Courtesy
Barry Neuman / Modern Culture, New
York
Chuck Close
Phil / Fingerprint, 1981
Lithograph
50 x
38 in. (147.3 x 96.5 cm)
Edition
of 36, unsigned artist’s proof
Courtesy
the artist and Pace Editions, Inc.
Nan Goldin
Cookie at Tin Pan Alley, NYC, 1983
Cibachrome
print
30 x
40 in. (76.2 x 101.6 cm)
Courtesy Matthew Marks Gallery, New York
Greer in Her Tub, NYC, 1983
Cibachrome
print
30 x
40 in. (76.2 x 101.6 cm)
Courtesy Matthew Marks Gallery, New York
Bob Gruen
Lipstick Killers (New York Dolls), 1974
Gelatin
silver print
Sheet:
11 x 14 in. (27.9 x 35.6 cm)
Courtesy
the artist
Duncan Hannah
Diego Cortez, 1980
Ink
on paper
Sheet:
11 x 14 in. (27.9 x 35.6 cm)
Frame:
15 x 18 in. (38.1 x 45.7 cm)
Courtesy
the artist
Peter Hujar
David Wojnarowicz, 1981
Vintage
gelatin silver print
Image:
14 ¾ x 14 7/8 in.
Sheet:
19 11/16 x 16 in.
Courtesy Matthew Marks Gallery, New York
Candy Darling on her Deathbed, 1974
Vintage
gelatin silver print
15
7/8 x 19 7/8 in. (40.3 x 50.5 cm)
Courtesy Matthew Marks Gallery, New York
Robert Mapplethorpe
Holly Solomon,
1976
Three
framed gelatin silver prints
22 ¾
x 50 ¾ in. (57.8 x 128.9 cm) overall
Courtesy
the Estate of Holly Solomon
Patti Smith, 1975
Color
photograph
Frame:
31 x 27 in. (78.7 x 68.6 cm)
Collection
of Thomas Solomon, Los Angeles
Self-Portrait, 1975
Gelatin
silver print
20 x
16 in.
Robert
Mapplethorpe Foundation, New York
Patrick McMullan
Teri Toye Modeling in Stephen Sprouse’s Fashion Show
at the Ritz, 1983
Gelatin
silver print
Sheet:
14 x 11 in.
Frame:
16 x 13 in.
Courtesy
Patrick McMullan, New York
Amos Poe
Eric Mitchell [on a motorcycle], 1976
Gelatin
silver print
22 x
17 in.
Courtesy
the artist
Tseng Kwong Chi
Puck Ball (The Gang’s All Here), 1983
Vintage
gelatin silver print
36 x
36 in. (91.4 x 91.4 cm)
Courtesy
Muna Tseng Dance Projects, Inc.
East Meets West “Danceteria” I, 1980
59
vintage Polaroid prints
44 ¼
x 45 ¾ in. (112.4 x 116.2 cm)
Courtesy
Muna Tseng Dance Projects, Inc.
Self-Portrait with World Trade
Center, 1980
Gelatin
silver print
36 x
36 in. (91.4 x 91.4 cm)
Courtesy
Muna Tseng Dance Projects, Inc.
David Wojnarowicz
Untitled
self-portrait, n.d.
Color
Polaroid
4 ¼
x 3 3/8 in. (10.8 x 8.6 cm)
David
Wojnarowicz Papers, Fales Library,
New York University
April Palmieri’s Mudd Club
I.D. card, c. 1981
April
Palmieri Papers, Fales Library,
New York University
Miguel Piñero’s Dramatist
Guild I.D. card, 1979
2 ½
x 3 ¾ (6.4 x 9.5 cm); in plastic sleeve:
3 ½ x 4 5/8 (8.9 x 11.7 cm)
Courtesy
Exit Art Archives
5
The Mock Shop
Richard Bosman
Smokers,
1982
Linoleum
cut on paper towel
Private
collection, New York
Jeff Koons
New Hoover
Celebrity III, 1980
Vacuum
cleaner, Plexiglas tubes, fluorescent lights
38 x
20 x 11 in. (96.5 x 50.8 x 27.9 cm)
The Museum of Contemporary
Art, Los Angeles,
97.66. Gift of the Lannan Foundation
Max Kozloff
Discount Haberdasher, Broadway near Houston, 1977
Color
photograph
Sheet:
14 x 11 in. (35.6 x 27.9 cm)
Collection
of Thomas Solomon, Los Angeles
Mimi Gross
Four
plaques from 8 American Servicemen Die in
Iran, 1980
Majolica
glaze on stoneware
Approx.
24 x 24 in. each
Courtesy
the artist
Mike Howard
Untitled,
from The Trip to Paris Sweepstakes, 1985
Oil
on canvas
Private
collection, New York
Louise Lawler
Going
Through the Motions, 1986
Embossed
glass, edition 10 of 10
Private
collection, New York
James Nares
Red X, 1977
Oil
on cardboard
51 x
51 in.
Collection
of Julian Schnabel, New York
ONLY AT THE GREY
ART GALLERY
Tom Otterness
Untitled
[display stand with plaster multiples], 1980
Plaster
and plastic
Stand:
19 x 27 x 27 in. (48.3 x 68.6 x 68.6 cm)
Sign:
2 ¼ x 9 ¾ x 3 in. (5.7 x 24.8 x 7.6 cm)
Courtesy
the artist and Marlborough Gallery,
New York
ONLY
AT THE GREY ART GALLERY
SMALL ARTIST MULTIPLES
Colab’s A More Store,
December 1981
Photodocumentation
of installation at White Columns, New
York (two gelatin silver prints)
Photographs
by Lisa Kahane
Sheets:
11 x 14 in. each
Frames:
13 x 16 in. each
Courtesy
the photographer
Stephen Frailey
Coaster,
1983
Polaroid,
laminated
Private
collection, New York
Matthew Geller
“Post” Headlines Calendar, 1982
Printed
calendar
11 x
4 ¼ in. (27.9 x 10.8 cm)
Collection
of Becky Howland, New York
Robert Goldman (Bobby G)
Cruise Missile Sox, c. 1982
Silkscreen
on cotton
14 x
4 ½ in. (35.6 x 11.4 cm)
Collection
of Becky Howland, New York
Helicopter [Christmas
ornament], n.d.
Paint
on corrugated cardboard
8 x
2 ¼ in. (20.3 x 5.7 cm)
Collection
of Becky Howland, New York
Money Talks [pin],
n.d.
Ink
on matboard
4 ¼
x 2 ¼ in. (10.8 x 5.7 cm)
Collection
of Becky Howland, New York
Keith Haring
Invitation
to Paradise Garage [handkerchief], 1984
Silkscreen
on cotton
Collection
of Kim Hastreiter, New York
Pin
[barking dog], n.d.
Plastic and metal
Ron Kolm Papers, Fales Library,
New York University
Becky Howland
Love Canal Potato, 1980
Paint
on plaster and plastic eye
3 x
5 ¼ in. (7.6 x 13.3 cm)
Courtesy
the artist
Lung Cancer Ashtray, 1982
Glazed
ceramic
9 x
8 ½ in. (22.9 x 21.6 cm)
Courtesy
the artist
Marzipan
Moneybags, 1983
Marzipan and food dye
1
7/8 x 1 ½ in, 4 ¾ in. diameter (4.8 x 3.8 cm, 12.1 cm diameter)
Courtesy
the artist
Money Bag Snot Rag, 1984
Silkscreen
on cotton
15 ½
x 16 ¼ in. (39.4 x 41.3 cm)
Courtesy
the artist
Oil Tanks on Fire [candle holder], 1984
Cast
ceramic
5 ¼
x 7 x 3 ½ in.
Courtesy
the artist
Rifle and Money Bags [Christmas ornament], n.d.
Paint,
photocopy, and glue on wood
2 ¾
x 6 ½ in. (7.0 x 16.5 cm)
Courtesy
the artist
Oil Rig and Money Bags [Christmas ornament], n.d.
Paint,
photocopy, and glue on wood
5 ¾
x 3 ¾ in. (14.6 x 9.5 cm)
Courtesy
the artist
Christof Kohlhofer
Fake Money, n.d.
Printed
paper
2
5/8 x 6 ¼ in (6.7 x 15.9 cm)
Collection
of Becky Howland, New York
Ron Kolm
“Nightfighter,” from Matchbook Poems, vol. 1, no. 2., n.d.
Printed
matchbook
1 ½
x 1 in.
Ron
Kolm Papers, Fales Library,
New York University
Christy Rupp
Rat Plaque [Christmas
ornament], n.d.
Paint
on wood with string
4 x
5 7/8 in. (10.2 x 14.9 cm)
Collection
of Becky Howland, New York
David Sandlin
Land of 1000 Beers [placemat], 1985
Offset
11 x
17 in.
Courtesy
the artist
Visit Sexland [bumper
sticker], 1985
Silkscreen
3 x
12 in.
Courtesy
the artist
Kiki Smith
Cigarette Packs, n.d.
Paint
on wood
4 ¼
x 3 3/8 in. (10.8 x 8.6 cm)
Collection
of Becky Howland, New York
each ($5 total)
Bee and Poison [T-shirt],
n.d.
Silkscreen
on hand-dyed cotton
22 ½
x 26 ¼ in. (57.2 x 66.7 cm)
Collection
of Becky Howland, New York
Kathleen Thomas
Untitled
[bullets], n.d.
Bullets,
plaster, metal.
5 ½
x 1 ½ x 1 ¾ in. (14 x 3.8 x 4.4 cm) each
Collection
of Becky Howland, New York
Robin Winters
Porcelain
Mugs
Unglazed
porcelain
4 ¾
x 4 x 7 ½ in. (12.1 x 10.2 x 19.1 cm); 4 ½ x 4 ¼ x 7 ½ in. (11.4 x 10.8 x 19.1
cm)
Collection
of Becky Howland, New York
FASHION and DESIGN
Jean-Michel Basquiat
Man Made,
1981
Oil
and acrylic on lab coat
48 x
36 in.
Collection
of Larry Warsh, New York
Designer unknown
Dress
for Cat-Pee-Scent, 1984
Paint
and marker on cotton T-shirt with organdy skirt
Collection
of Kiki Smith, New York
Designer unknown
T-shirt
for Ian's, 5 Saint Marks Place,
New York, 1978
Silkscreen
on cotton with leather straps, buckles, and pin
Collection
of Kim Hastreiter, New York
Keith Haring
Day-glo
tube skirt (for Vivienne Westwood), 1982
Silkscreen
on jersey
Collection
of Kim Hastreiter, New York
Blanket
(for Vivienne Westwood), 1982
Mixed
media
72 x
48 in.
Collection
of Kim Hastreiter, New York
Betsey Johnson
Lycra
ensemble from Artifacts at the End of a
Decade, 1981
Edited
by Carol Huebner and Steven Watson
Portfolio
of artist editions, edition of 100
15 x
18 in. (38.1 x 45.7 cm)
Fales Library, New York University
Stephen Sprouse
T-shirt,
1984
Silkscreen
on cotton
Collection
of Kim Hastreiter, New York
Reversible
coat, 1984
Satin
Collection
of Kim Hastreiter, New York
Jacket,
1981
Silver
leather
Collection
of Kim Hastreiter, New York
Andre Walker
Coat,
1982
Plush
Collection
of Kim Hastreiter, New York
BOOKS, MAGAZINES, FLYERS,
POSTERS
Ida Applebroog
I Can Do Anything:
A Performance, 1977
Self-published
artist’s book
Edition
170 of 500
7 ¾
x 6 ¼ (19.7 x 15.9 cm)
Franklin
Furnace Archive, Inc.
Joe Brainard
12 Postcards, Series 1 (Calais, Vt.: Z Press, 1975)
Envelope: 4 ¾ x 6 ¼ in. (12.1 x 15.9 cm); cards: 4 x 6
in. (10.2 x 15.2 cm)
Franklin
Furnace Archive, Inc.
Tim Burns
A Pedestrian Series of Post Cards, 1976
Self-published
artist’s book
11 x
8 5/8 in. (27.9 x 21.9 cm)
Franklin
Furnace Archive, Inc.
Catalogue from
Castelli-Sonnabend Videotapes and Films, vol. 1, no. 1, 1974
11 ¼
x 9 7/8 in. (28.6 x 25.1 cm)
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Theresa Hak Kyung Cha
Dictée (New
York: Tanam Press, 1982)
8 x
5 1/2 in. (20.3 x 14.0 cm)
Franklin
Furnace Archive, Inc.
Barbara Ess, editor
Just Another Asshole #6, 1983
Printed
book
7 ½
x 4 ¼ in. (19.1 x 10.8 cm)
The
Downtown Collection, Fales Library,
New York University
Jackie Ferrara
Drawings (New York: Lapp Princess
Press with Printed Matter1977)
6 x
6 in. (15.2 x 15.2 cm)
Franklin
Furnace Archive, Inc.
Flyer for Mike Howard’s
exhibition The Trip to Paris Sweepstakes at
Gracie Mansion Gallery, 1985
Offset
Private
collection, New York
Simone Forti
Handbook in Motion (Halifax, Nova Scotia: Press of the Nova Scotia College of Art and
Design, and New York: New York University Press, 1974)
9
1/8 x 6 7/8 in. (23.2 x 17.5 cm)
Franklin
Furnace Archive, Inc.
Les Levine
Impulse (New
York: Museum of Mott Art, 1976)
8 ¼
x 10 ¾ in. (21.0 x 27.3 cm)
Franklin
Furnace Archive, Inc.
Dona Ann McAdams
They’re Juggling Our Genes: The Nuclear Survival Kit, 1981
Self-published
spiral-bound artist’s book of photocopy postcards
5 x
8 in.
Courtesy
the artist
Cookie Mueller
Top Stories no. 19–20: How to Get Rid of Pimples (New York: Top Stories, 1984)
Photographs
by David Armstrong, Nan Goldin, and Peter
Hujar
Printed
book
8
½ x 5 3/8 in. (21.6 x 13.7 cm)
The
Downtown Collection, Fales University,
New York University
Lucio Pozzi
Five Stories
(New York: John Weber Gallery, 1974)
8 ¼
x 5 ½ in. (21.0 x 14.0 cm)
Franklin
Furnace Archive, Inc.
Public Illumination magazine, c. 1979–1984
Boxed
collectors’ edition (nos. 5–15) and display stand
Display:
4 ¾ x 3 5/8 x 1 ½ in. (12.1 x 9.2 x 3.8 cm)
Plexi
box: 7 3/8 x 3 5/8 x 2 ¾ in. (18.7 x 9.2 x 7 cm)
Ron
Kolm Papers, Fales Library,
New York University
TV Magazine,
vol. 1, no. 1, spring 1983
8 ½
x 5 ½ in. (21.6 x 14 cm)
Jaime
Davidovich Papers, Fales Library,
New York University
Wedge, nos.
3–5, Winter, Spring, and Summer 1983
10
¼ x 8 ¾
(26 x 22.2 cm)
Fales Library, New York University
Jean-Michel Basquiat
No Hay Crimen [de
Classe], 1983
Oilstick
on paper mounted on canvas
44 ½
x 27 ¼ in. (113 x 69.2 cm)
Collection
of John Cheim
Jimmy Best, 1981
Collage
with marker ink
Sheet:
24 x 18 in.
Frame:
Collection
of Larry Warsh, New York
Lynda Benglis
Sigma, 1973
Aluminum
screen, cotton bunting, plaster, acrylic, and glitter
18 ½
x 13 x 10 in. (47.0 x 33.0 x 25.4 cm) [irregular shape]
Grey Art Gallery,
New York University Art Collection, Gift of Paul
Brach and Miriam Schapiro, 1982.38
Mike Bidlo
Jack the Dripper at Peg’s Place, 1982
Photodocumentation
of installation at P.S. 1 (two gelatin silver prints)
Photographs
by Lisa Kahane
Sheets:
11 x 14 in. each
Frames:
13 x 16 in. each
Courtesy
the photographer
Untitled, 1982
Mixed
media on paper
24 x
20 in.
Collection
of Hal Bromm, New York
David Bowes
Jimi Is Love, c.
1981–82
Oil
on canvas
22 x
18 in.
Collection
of Ulli Rimkus, New York
Colette
Self-Portrait Transformation from Bed Series II, 1975–76
Mixed
media and photograph on lightbox
22 x
18 x 6 in. (66 x 35.6 x 15.2 cm)
Courtesy the artist, Maison Lumière, New York
Arch Connelly
Personal Explosion, 1984
Acrylic
and fake gems on plywood
48 x
24 in. (121.9 x 61.0 cm)
Collection
of Jimmy Wright, New York
Leaf, 1984
Costume jewelry, plastic,
and acrylic on wood
14 x
9 x 7 in.
Collection
of Jimmy Wright, New York
Donna Dennis
Maquette
for Subway Station with Yellow and Blue, 1973
Pencil,
gouache, and hot glue on paper, pebbleboard, and balsawood
8 ½
x 4 ½ x 5 ¼ in. (21.6 x 11.4 x 13.3 cm)
Collection
of Thomas Solomon, Los Angeles
Jane Dickson
Subway Stairs, 1983
Oilstick
on canvas
24
in. (61 cm) diameter (tondo)
Courtesy
the artist and Marlborough Gallery,
New York
Arnold Fern
Untitled, 1984
Mixed
media collage
7 7/8
x 11 in. (20 x 27.9 cm
Grey Art Gallery,
New York University Art Collection, Gift of Lynn
Gumpert, 2003.2
Luis Frangella
Anita, 1984
Acrylic
on cardboard
19 ½
x 19 x 10 in.
Collection
of Hal Bromm, New York
Tina Girouard
Test Pattern (sequence 2), 1974
Drawing
on graph paper
Frame:
14 x 14 in. (35.6 x 35.6 cm)
Collection
of Thomas Solomon, Los Angeles
Robert Goldman (Bobby G)
Greed and Death, 1980
Mixed
media
13 ¾
x 30 in. (34.9 x 76.2 cm)
Collection
of Scott Miller, Brooklyn
Rodney Alan Greenblat
Flying Shopping Plaza, 1984
Pencil
on paper with artist’s frame
Sheet:
9 ½ x 12 ¾ in. (24.1 x 32.4 cm)
Courtesy
the Estate of Holly Solomon
David Hammons
Elephant Dung Sculpture, 1978
Elephant
dung, paint, and gold leaf
5 ¼
x 6 x 5 ¼ in. (13.3 x 15.2 x 13.3 cm)
Private
collection, New York
Keith Haring
Crib, 1981
Marker
and enamel on found crib
42 x
55 x 30 in.
Collection
of Hal Bromm, New York
Untitled,
1982
Marker
on paper
Sheet:
10 x 8 in.
Frame:
13 ½ x 10 ¾ in.
Collection
of Larry Warsh, New York
Candace Hill-Montgomery
Birthday Cake,
1982–83
Mixed
media
7 ½
x 8 x 8 in. (at widest point)
Collection
of Michèle C. Cone, New York
Valerie Jaudon
Duck Hill, 1979
Oil
on linen
18 x
18 in. (45.7 x 45.7 cm)
Collection
of Thomas Solomon, Los Angeles
Kiely Jenkins
Fish Disco Tank, c. 1980
Mixed
media in glass aquarium
46 ¾
x 24 ¼ x 12 ½ in.
Collection
of Larry Warsh, New York
John Kelly
Diary of a Somnambulist, 1985
Photograph
by Dona Ann McAdams
Photodocumentation
of performance at Limbo Lounge (gelatin silver print)
Sheet:
11 x 14 in.
Frame:
13 x 16 in. (33 x 40.6 cm)
Courtesy the photographer
Thomas Lanigan-Schmidt
Rat and Miscellaneous Objects, 1980
Aluminum
foil and cellophane
2½
in. high (6.5 cm)
Grey Art Gallery,
New York University Art Collection. Gift of Mr.
and Mrs. Neil Schmidt, 1977.38
Purple Box Chapel, n.d.
Mixed
media
21 x
11 x 14 in. (53.3 x 27.9 x 35.6 cm)
Collection
of Thomas Solomon, Los Angeles
Maripol
Like a Virgin, 1979–85
Vitrine
with fashion memorabilia
60 x
24 x 24 in.
Courtesy
the artist
Ree
Morton
One of the Beaux Paintings (#4), 1975
Oil
and celastic on wood
24 x
24 in. (61 x 61 cm)
Estate
of Ree Morton, courtesy Alexander and Bonin, New York
Nicolas Moufarrège
Untitled,
1983
Embroidery
on canvas
25 ½
x 19 5/8 (64.8 x 49.8 cm)
Collection
of Michèle C. Cone, New York
Izhar Patkin
Knife, 1983
Stencil
painting on ironing board
37 x
10 ½ x 8 ½ in.
Courtesy
the artist
Judy Pfaff
Untitled,
1979
Plastic
and mixed media on mylar
30 ½
x 45 ¼ in. (77.5 x 114.9 cm)
Courtesy
the Estate of Holly Solomon
Rammellzee
Untitled,
n.d.
Spray
paint, splatter paint, and marker on paper
Collection
of Julian Schnabel, New York
Walter Robinson
Something of Value, 1982
Acrylic
on canvas
48 x
36 in. (121.9 x 91.4 cm)
Collection
of Ulli Rimkus, New York
Christy Rupp
Rubble Rats, 1979
Concrete
with bricks
24 x
26 x 18 in. each
Courtesy
the artist
Kenny Scharf
Jetsons (with
Dragons), 1980
Acrylic and spray paint on canvas
37 x 30 in. (94 x 76.2 cm)
Collection of Justin Warsh, New York
Untitled
(Elroy with Dragon), 1981
Acrylic Day-Glo on canvas
11 x 14 in. (27.9 x 35.6 cm)
Collection of Ethan Warsh, New York
Julian Schnabel
Draw-A-Family, 1974
Rhoplex
on canvas
96 x
72 in.
Courtesy
the artist
John Torreano
Float, 1977
Acrylic
and glass jewels on canvas
21 x
21 in. (53.3 x 53.3 cm)
Courtesy
the artist
Alan Vega
Alien, 1976 [2001]
Mixed media
46 x 42 in. (116.8
x 106.7 cm)
Courtesy
Deitch Projects, New York
Martin Wong
40 Die in Flaming Roach Motel, 1983
Oil
on canvas
24 x
18 in.
Collection
of Hal Bromm, New York
Joseph Zucker
The Natchez
vs. the Robert E. Lee, 1974
Cotton,
acrylic, and rhoplex
36 x
48 in. (91.4 x 121.9 cm)
Collection
of Thomas Solomon, Los Angeles
Rhonda Zwillinger
Give Me Liberty
or Give Me Romance, 1983
Oil
on masonite in mixed-media artist's frame
35
1/4 x 54 1/2 x 4 in.
Private
collection, courtesy Pavel Zoubok
Gallery, New York
VIDEO
Kit Fitzgerald and John
Sanborn
Performed
by David Van Tieghem
Ear to the Ground from Antarctica, 1982
Video
transferred to DVD
4:25
minutes, color, sound
The Avery Fisher
Center for Music and Media, New York
University, courtesy Electronic Arts Intermix
Courtney Harmel
Downtown 1984, 1984
Video
transferred to DVD (performance documentation)
15:40
minutes, color, sound
Courtesy
the artist
Ann Magnuson and Tom Rubnitz
Made for TV, 1984
Video
transferred to DVD
Approx.
14 minutes, color, sound
Courtesy
Ann Magnuson and the Rubnitz family
Glenn O’Brien’s television
show, TV Party
Halloween
episode, October 30, 1979
Video
transferred to DVD
58
minutes, black and white, sound
Courtesy
Glenn O’Brien and Brink Films
Barry Shils
Love Comix, 1982
In
collaboration with Steve Brown, Ann Magnuson, and Andy Rees
Video
transferred to DVD
8
minutes, color, sound
Courtesy
the artist
_____________________________________________________________________________________________
Jean-Michel Basquiat, Futura
2000, Fab Five Freddy, Keith Haring, Haze, and Kenny Scharf
Untitled,
1981
Mixed
media on fiberglass vase
24 x
20 ¼ in. (61 x 51.4 cm)
Collection
of Justin Warsh, New York
Jean-Michel Basquiat, Dondi,
Fab Five Freddy, Futura 2000, Kiely Jenkins, and Kenny Scharf
Dress for Patti Astor, c. 1981
Mixed
media on dress
30 x
22 in. (76.2 x 55.9 cm)
Collection
of Larry Warsh, New York
7
DE-SIGNS
Jean-Michel Basquiat
Postcard,
c. 1979
Mixed
media on paper
5
5/8 x 4 ¼ in. (14.3 x 10.8 cm)
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Four
untitled drawings for MTV, 1985
Ink
on paper
Frame:
15 ¼ x 27 ¼
Collection
of Peter Dougherty, New York
Gretchen Bender
Untitled (Aramis Man), from the series The Pleasure Is Back, 1981
Silkscreen on tin
24 x
48 in. (61 x 121.9 cm) overall
Collection
of Jonathan Bender, Los Angeles
John Fekner
TOXIC JUNKIE [Giuliani and police looking at stencil], 1983
Gelatin silver print
Sheet: 6 ¼ x 9 ½ in.
Frame: 9 x 11 ¼ in.
Courtesy the artist
TOXIC JUNKIE,
1983
Color photograph
Sheet: 6 ¼ x 9 ½ in.
Frame: 9 x 11 ¼ in.
Courtesy the artist
Day Gleeson and Dennis Thomas
[PAD/D (Political Art Documentation/Distribution, 1979–88)]
Art for the Evicted, 1984
Offset
Museum
of Modern Art Library, New York,
PAD/D Collection
Ilona Granet
Missiles for Minors, from the series Street Signs for World War III, 1980
Silkscreened
enamel on metal
11 x
14 in. (27.9 x 35.6 cm)
Courtesy
the artist
Missiles Manage Millions, from the series Street Signs for World War III, 1979
Silkscreened
enamel on metal
11 x
17 in. (27.9 x 35.6 cm)
Courtesy
the artist
Jenny Holzer
The Living Series: YOU
REALIZE THAT YOU’RE ALWAYS SHEDDING…, 1980–2
Enamel
on metal
21 x
23 in. (53.3 x 58.4 cm)
Edition
1 of 5
Courtesy
the artist and Cheim & Read, New York
The Living Series: IF YOU’RE
SMART, YOU WATCH FOR CHANGES…, 1980–2
Enamel
on metal
21 x
23 in. (53.3 x 58.4 cm)
Edition
1 of 5
Courtesy
the artist and Cheim & Read, New York
The Living Series: It can be
startling to see someone’s breath…, 1980–2
Enamel
on metal
21 x
23 in. (53.3 x 58.4 cm)
Edition
3 of 5
Courtesy
the artist and Cheim & Read, New York
The Living Series: it takes
awhile before you can…, 1980–2
Enamel
on metal
21 x
23 in. (53.3 x 58.4 cm)
Edition
1 of 5
Courtesy
the artist and Cheim & Read, New York
The Living Series: somebody
just robbed a stereo store…, 1980–2
Enamel
on metal
21 x
23 in. (53.3 x 58.4 cm)
Edition
1 of 5
Courtesy
the artist and Cheim & Read, New York
The Living Series: many dogs
run wild in the city…, 1980–2
Enamel
on metal
21 x
23 in. (53.3 x 58.4 cm)
Edition
2 of 5
Courtesy
the artist and Cheim & Read, New York
Christof Kohlhofer
I Am Very Hungry, 1979
Collage
and marker on cardboard
Sheet:
16 x 19 ¼ in.
Frame:
23 x 29 in.
Collection
of the artist
Gordon Matta-Clark
Graffiti (Satans), 1973
Hand-colored
photograph
20 x
31 ¾ in. (50.8 x 80.6 cm) [print size, unframed]
Courtesy
the Estate of Gordon Matta-Clark and David Zwirner, New York
Graffiti (Soul Power), 1973
Black-and-white
diptych photograph
24 x
40 in. (61.0 x 101.6 cm) [print size, unframed]
Courtesy
the Estate of Gordon Matta-Clark and David Zwirner, New York
Matt Mullican
18
drawings from the series Untitled / Signs, 1975–76
Rapidograph
ink on paper
Sheets :
14 x 14 in. (35.6 x 35.6 cm) each
Courtesy
the artist and Tracy Williams, Ltd., New
York
Anton van Dalen
Shooting Gallery, 1982
Offset
poster
18 x
24 in.
Fales Library, New York University
Lawrence Weiner
A Bit of Matter and a Little
BIT More, 1976
Stenciled
spray paint
Dimensions
variable
Collection
Daled, Brussels
David Wojnarowicz
Untitled
[burning house]
Stencil
with spray paint
10 x
8 7/8 in. (25.4 x 22.5 cm)
David
Wojnarowicz Papers, Fales Library,
New York University
Untitled
[falling man]
Stencil
with spray paint
7 ½
x 8 ½ in. (19.1 x 21.6 cm)
David
Wojnarowicz Papers, Fales Library,
New York University
Untitled
[soldier with gun]
Stencil
with spray paint
12 ¾
x 12 ¾ in. (32.4 x 32.4 cm)
David
Wojnarowicz Papers, Fales Library,
New York University
Early Band Poster II, 1980–81
Spray
paint on paper
17 ½
x 14 in. (44.5 x 35.6 cm)
David
Wojnarowicz Papers, Fales Library,
New York University
Zephyr
Animation
cel for Charlie Ahearn’s Wild Style, 1982
10 ¼
x 12 ½ in.
Jean-Michel Basquiat
Photodocumentation
of two street works (Iris print), c. 1982
Sheets:
8 ½ x 11 in.
Photograph
by Martha Cooper / Courtesy Martha Cooper
Richard Hambleton
Photodocumentation
of street work (Iris print), c. 1982
Sheet:
11 x 8 ½ in.
Photograph
by Mar Photograph by Martha Cooper / Courtesy Martha Cooper
Christof Kohlhofer
[Mickey
Mouse swastika T-shirt], c. 1982
Silkscreen
on fabric
26 x
31 ½ in. (66 x 80 cm)
David
Wojnarowicz Papers, Fales Library,
New York University
Mervyn Kurlansky and Jon Naar
Text
by Norman Mailer
The Faith of Graffiti (New York: Praeger, 1974)
Printed
book
13
5/8 x 10 ½ in. (34.6 x 26.7 cm)
The
Downtown Collection, Fales Library,
New York University
Sol LeWitt
Photogrids (New
York: P. David Press, 1977)
Printed
book
10 ¼
x 10 ¼ in. (26 x 26 cm)
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Tom Otterness
Sign
for 3 Mercer Store, c. 1980
Paint
on canvas
41 ¾
x 36 ½ in.
Collection
of Becky Howland, New York
Lee Quinones
Mural
at a Lower East Side basketball court, c. 1981
Photodocumentation
of installation (Iris print)
Sheet:
8 ½ x 11 in.
Photograph
by Martha Cooper / Courtesy Martha Cooper
David Sandlin
Poster
for Benefit for Catholic Workers at Pyramid, 8BC, and Limbo Lounge, 1984
Offset
40 x
26 in.
Courtesy
David Sandlin
Sign for the gallery Fashion
Moda
Painted
by Martin Wong
Paint
and Lettraset on wood
24 x
40 in. (61 x 101.6 cm)
Fashion
Moda Archive, Fales Library,
New York University
Sign for the Ridiculous
Theatrical Company
Painted
by Christopher Scott
Paint
on wood
33 x
60 in. (83.8 x 152.4 cm)
Fales Library, New York University. Gift of the friends of Christopher Scott
Arturo Vega
Eagle Belt Buckle Strip [Ramones logo prototype], 1975
Gelatin
silver photobooth strip mounted on graph paper
8 ½
x 3 in.
Courtesy
the artist
Letterhead
for the Ramones, c. 1975
Designed
by Arturo Vega
11 x
8 ½ in.
Courtesy
the designer
Assorted flyers and posters
from the collections of:
Peter Dougherty, New York
(37)
Arto Lindsay, New York (9)
Fales Library, New York University (2)
Arturo Vega, New York (1)
Sue Coe
Syphilis, 1981
Mixed
media and collage on white etching paper
Courtesy
Galerie St. Etienne, New York
Jimmy DeSana
Rope, 1977
Vintage
gelatin silver print
5 ¼
x 2 in. [image]
20 ¼
x 16 ¼ in. [framed]
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Condom, 1979
Cibachrome
print
Image:
16 x 20 in.
Frame:
18 x 24 in.
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Untitled
[toilet], n.d.
Cibachrome
print
Image:
13 x 18 ¾ in.
Frame:
18 x 24 in.
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Jane Dickson
Paradise Alley [first
version], 1982
Acrylic
on textured vinyl
46 x
26 in.
Courtesy
the artist and Marlborough Gallery,
New York
Ethyl Eichelberger
Queen Liz,
1984
Photograph
by Dona Ann McAdams
Photodocumentation
of performance at P.S. 122 (gelatin silver print)
Sheet:
11 x 14 in.
Frame:
13 x 16 in. (33 x 40.6 cm)
Courtesy
the photographer
Karen Finley
I Like the
Dwarf on the Table When I Give Him Head,
September 1983
Photograph by Danuta Otfinowski
Photodocumentation of performance at Franklin Furnace,
New York
(gelatin silver print)
Sheet: 14 x 11 in. (35.6 x 27.9 cm)
Frame: 16 x 13 in. (40.6 x 33 cm)
Courtesy the artist and the photographer
Charles Gatewood
Le Clique 1 [gold
dancer], 1978
Gelatin
silver print
14 x
17 in.
Courtesy
the artist
Le Clique 2 [girl
pulling up dress], 1978
Gelatin
silver print
11 x
14 in.
Courtesy
the artist
Le Clique 3 [man
and candle], 1978
Gelatin
silver print
11 x
14 in.
Courtesy
the artist
Richard Kern
Lydia Lunch &
Foetus, 1983
Photograph
14 x
11 in.
Courtesy
the artist
Sally Venu,
1983
Photograph
11 x
14 in.
Courtesy
the artist
Greer Lankton
Dale’s Navel, 1984
Painted
plaster
4 x
4 x 1 in.
Collection
of Carolyn Louise Newhouse, Potterville, New Jersey
Robert
Mapplethorpe
Larry, 1979
Gelatin
silver print
20 x 16 in.
Robert Mapplethorpe Foundation, New York
Ana Mendieta
Alma Silueta en
Fuego, 1975
8mm film transferred to DVD
3:30
minutes, color
Edition
of six
Courtesy the Estate of Ana Mendieta Collection and Galerie Lelong, New
York
Tim Miller
Postwar,
1981
Photograph
by Paula Court
Photodocumentation
of performance at the Kitchen (gelatin silver print)
Sheet :
8 x 10 in. (20.3 x 25.4 cm)
Courtesy
the artist and the photographer
Klaus Nomi
Photodocumentation
of performance at Irving
Plaza, c. 1978 (gelatin
silver print)
Photograph
by Harvey Wang
Sheet:
20 x 16 in.
Courtesy
the photographer
Kembra Pfahler
Early Availablism, 1983
3
cibachrome prints
10 x
8 in. each
Courtesy
the artist
Richard Prince
Untitled (Richard Prince and Cindy Sherman), 1980
2
Ektacolor prints
Edition
9 of 10 with 2 artist’s proofs
Images:
20 x 24 in. (50.8 x 61 cm) each
Frames:
24 ¼ x 55 in. (62.2 x 139.7 cm) overall
Private
collection, New York
David Sandlin
Three Graces, 1983
Offset
38 x
27 in.
Collection
of the artist
Carolee Schneemann
Interior Scroll, 1975
Ink
on paper scroll in Plexiglas box
Box:
39 x 8 x 7 in., Scroll: 36 x 2 ¾ in.
Courtesy
the artist
Kiki Smith
Severed Limbs,
1980
Acrylic
on canvas
48 x
48 in. (121.9 x 121.9 cm)
Courtesy
the artist
Annie Sprinkle
Untitled
[bug], n.d.
Gelatin
silver print
Sheet: 8 x 9 7/8 in.
Image: 6 5/8 x 9 ½ in.
Collection
of Leslie Barany, New York
Untitled
[two navels], n.d.
Gelatin
silver print
Sheet:
9 7/8 x
8 in.
Image: 7 ¼ x
4 5/8 in.
Collection
of Leslie Barany, New York
Diane Torr
W.O.W.-a-Go-Go,
October 1981
Photograph
by Mariette Pathy Allen
Photodocumentation
of performance at the Women’s One World Festival, New York, (gelatin silver print)
Image:
16 x 20 in.
Mount:
20 x 24 in.
Courtesy
the artist and Mariette Pathy Allen
William Wegman
Reduce / Increase, 1975
Altered
black-and-white photograph
Sheet:
14 x 11 in. (35.6 x 27.9 cm)
Collection
of Thomas Solomon, Los Angeles
Hannah Wilke
Inspiration Point, from the series Needed-Erase-Her,
1974
Kneaded
erasers on postcard on painted wood
15 ¼
x 17 ¼ x 2 in. (38.7 x 43.8 x 5.1 cm)
Courtesy
Ronald Feldman Fine Arts, New York
Old Station Scene, from the series Needed-Erase-Her, 1974
Kneaded
erasers on postcard on painted wood
16 x
18 x 2 in. (40.6 x 45.7 x 5.1 cm)
Courtesy
Ronald Feldman Fine Arts, New York
Marxism and Art: Beware of Fascist Feminism, 1977
Offset
poster
Sheet: 11 ½ x 9 in. (29.2 x 22.9 cm)
Frame:
20 5/8 x 16 ½ in. (52.4 x 41.9 cm)
Courtesy
Ronald Feldman Fine Arts, New York
David Wojnarowicz
Untitled
[nude with dog mask], c. 1980
Vintage
gelatin silver print
Image:
4 ¾ x 4 ¾ in.
Frame:
11 ½ x 11 ½ in.
Collection
of Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Arnie Zane
Untitled
[self-portrait, torso], c. 1975
Gelatin
silver print
Sheet:
5 1/4 x 5 1/4 in. (13.3 x 13.3 cm)
Mat:
11 5/8 x 11 3/8 in. (29.5 x 28.9 cm)
Courtesy
Bill T. Jones and Paula Cooper Gallery,
New York
Untitled
[Bill, torso], c. 1974
Gelatin
silver print
Sheet: 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm)
Mat: 15 3/4 x 13 1/4 in. (40 x 33.7 cm)
Courtesy Bill T. Jones and Paula Cooper Gallery, New York
Advertisement
for Lynda Benglis, “Metallized Knots,” at Paula Cooper
Gallery, Artforum, November 1974
Collection of
Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Annie Sprinkle Hot Shit, January 1979
Published by
Annie Sprinkle in association with the Cottage Press Foundation
Limited
edition
10 7/8 x 7 1/8
in.
Collection of
Leslie Barany, New York
Annie Sprinkle’s Bazoombas, vol. 1, no. 1, April, May, June 1985
Published by
Red Lion Publications, North Hollywood,
California
11 x 8 ½ in.
Collection of
Leslie Barany, New York
Announcement
for Lynda Benglis, “Metallized Knots,” at Paula Cooper
Gallery, 1974
Photograph by
Annie Liebowitz
10 x 6 ¾ in.
(25.4 x 17.1 cm)
Collection of
Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Jane Dickson
Hey Honey Wanna Lift? (New York: Appearances Press, 1980)
Printed book
(first edition)
8 5/8 x 5 in.
(21.9 x 12.7 cm)
The Downtown
Collection, Fales Library, New York University
Flyer for a women’s dance party at Club 57 [Yo Women!
Wanted], 1982
Photocopy
11 x 8 ½ in. (27.9 x 21.6 cm)
April Palmieri
Papers, Fales Library, New York University
Flyer for Sweet
Blondes of Youth, starring John Sex and Alexis del Lago, Danceteria, 1982
Photocopy
8 ½ x 11 in.
(21.6 x 27.9 cm)
April Palmieri
Papers, Fales Library, New York University
Invitation for
Robert Mapplethorpe’s first solo show, Polaroids,
at Light Gallery, New York, 1973
Printed paper envelope with black-and-white Polaroid
3 ½ x 4 ½ in.
Collection of
Philip E. Aarons and Shelley Fox Aarons, M.D., New York
Dona Ann
McAdams
Publicity
still for Carnival Knowledge’s Second
Coming, performance at Franklin Furnace, 1984
in
collaboration with Annie Sprinkle and Club 90
Photodocumentation
(gelatin silver print)
Sheet: 11 x 14
in.
Frame: 13 x 16
in. (33 x 40.6 cm)
Courtesy Dona
Ann McAdams