By 1974 sexual politics was front-page news. In the wake of the Summer of Love, Roe v. Wade, and Stonewall, gender and sexuality came to be regarded as a fluid and malleable set of shifting identities. Downtown New York enjoyed an all-too-brief and rare period of sexual freedom—not only in life, but also in the work. Ana Mendieta and Carolee Schneemann created art addressing the body and domestic violence. Robert Mapplethorpe and Karen Finley staged and documented sexual taboos. Feminists such as Hannah Wilke and Lynda Benglis joined drag queens like Ethyl Eichelberger to tackle macho male stereotypes, and Annie Sprinkle went from porn star to performance artist. At times confrontational, at times humorous, the Downtown scene struggled to survive as the onset of AIDS and its attendant cultural backlash decimated the populations and spirit of its vibrant communities.




Flyer for a women’s dance party at Club 57, 1982.
April Palmieri Papers, Fales Library

Club 57 was a leading underground club in New York during the late 1970s and early ’80s. This flyer, which advertises a “women only” night, is one of hundreds produced by the club to promote its ever-changing menu of events.