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Courses - Spring 2013

 Course content and class availability are subject to change.  The course, Workshop: Spain Through Its Culture and Language (0 -2 credits) is a required course for all students. All students must take a Spanish Language course, unless they have already completed Advanced Grammar and Composition.

Click on a course name to see a course description and a sample syllabus from a past semester. Current syllabi may differ. Please note that we are in the process of uploading syllabi and plan to have more available online soon.  In the meantime, if you have an urgent need for a course syllabus, please email global.academics@nyu.edu

Please review the NYU Madrid Registration Guidelines for important information before registering for classes.

A list of all courses offered at the Global Academic Centers, organized by department, can be found here.

Spring 2013 | Fall 2013 | Spring 2014
 

Required Course for All Students

Students are connected to life in Spain through language and cultural history in multiple activities: museum visits; a day trip to Segovia; practical training workshops (students choose one) in cuisine, wine, dance; and lectures with experts in Spanish cinema, literature, politics, history, and sociology.

Sample Syllabus


Spanish Language 

All students are required to take a Spanish language course (or course taught in Spanish) for graded credit.  This course cannot be taken Pass/Fail.

Continuation of SPAN-UA 3 or SPAN-UA 3A. Readings and discussions of contemporary Hispanic texts and review of the main grammatical concepts of Spanish. Completion of this course fulfills the MAP foreign language requirement. 

 

Sample Syllabus

Open to students with no previous training in Spanish and to others on assignment by placement test. NYU students: After completing this course, students who wish to continue studying Spanish must take a qualifying exam. Students who pass the exam may go into SPAN-UA 20. Students who do not pass the qualifying exam go into SPAN-UA 18. (Not offered in Madrid.) Completes the equivalent of a year's elementary course in one semester.

Sample Syllabus

Completes the MAP language requirement for NYU students. Prerequisite for NYU students: SPAN-UA 2 or SPAN-UA 10 and passing grade on qualifying exam.

Promotes proficiency in reading and writing as well as oral performance. Completes the equivalent of a year's intermediate course in one semester.

Sample Syllabus

Prerequisites: SPAN-UA 20 or SPAN-UA 4; permission of the department; or a satisfactory score on the SAT II, AP or NYU language placement exam. For non-native speakers only.

Advanced course designed to expand and consolidate lexical and grammatical understanding of the language and to introduce fundamental principles of expository writing as they apply to Spanish, through exercises, readings, and intensive practice of various expository prose techniques and styles. For nonnative speakers only.

 

Sample Syllabus


Courses Taught in Spanish at the Intermediate Level

To be taken concurrently with Intermediate Spanish (SPAN-UA 9020 or SPAN-UA 9004)

Only for students concurrently registered in SPAN-UA 9020.

The course is designed for students that would like to perfect their Spanish, as they expand their knowledge regarding literature, cinema, and social and political problems that exist today within modern Spanish society. The reading of different dramatic texts and viewing of various films throughout the semester will serve to expand lexicon, strengthen grammar and improve the student's style. The objective of this course is that the students familiarize themselves with everyday language of current newspapers and magazines, at the same time as they enter into the world of Spanish literature.

The most important goal of the course is to offer a methodologically simple approximation that helps the student to develop a greater verbal and communicative dexterity. To this end, every week the students will analyze and debate the cultural and literary content texts that are to be studied and every two weeks the students will present a written composition of the topics covered in class. In the classroom linguistic correction will be emphasized along with auditory practice through the use of a wide range of materials and resources: theoretical explanations, comprehension and vocabulary exercises, film viewing, as well as exercises that highlight certain morphological aspects or grammatical usage of Spanish. 

Sample Syllabus

Only for students concurrently registered in SPAN-UA 9020.

This course is directed to students in V95.9020 that would like to perfect their Spanish and acquire knowledge about Hispanic language and culture in the United States. The study and debate in class on a variety of materials (literary texts and periodicals, advertisements, radio programs from the Internet, movies) will permit us to take on current topics related to the Hispanic presence in American society, for example, emigration, border culture, Hispanic media, "Latin" identity, problems of gender and ethnicity, the political importance of Hispanic communities and bilingualism.

The principal objective of the course is the development of the student's communicative capacity through written and oral presentations, debates, and commentaries on each week's materials, as well as listening comprehension and vocabulary exercises. As a secondary objective, the student should acquire a consciousness of the reality of the United States as a place of encounter and transformation of different cultures, including Hispanic cultures that today play a predominant role. 

Sample Syllabus


Courses Taught in Spanish at the Advanced Level

 Prerequisite of SPAN-UA 100 or to be taken concurrently with SPAN-UA 9100 with permission of the director.

Art History Students: This course counts for Art History elective credit.

A gallery course focusing on the baroque schools of Rubens and Rembrandt, "tenebrist" painting, Velázquez, and the etchings and paintings of Goya. Ends with a survey of the painters of the 18th and 19th centuries.

Sample Syllabus

Prerequisite of SPAN-UA 100 or to be taken concurrently with SPAN-UA 9100 with permission of the director.

A survey of Spanish cinema from the early beginnings of the silent movie to the present day. Important figures, such as Luis Buñuel, Luis García Berlanga, Edgar Neville, Juan Antonio Bardem, Fernando Fernán Gómez, Carlos Saura, and others are studied, as well as the phenomenon of cinema as a reflection of the political, social, and cultural development of the country and its people. A selection of the most representative films is shown in class.

Sample Syllabus 

Prerequisite of SPAN-UA100 or to be taken concurrently with SPAN-UA 9100 with permission of the director.

From the 8th century until the 17th century, Islam played a crucial role in the history of the Iberian Peninsula. Today this period is often portrayed as one of inter-religious harmony, while al-Andalus is simultaneously mourned in contemporary Islamist discourse as a lost paradise. While we look at the history of Al-Andalus and assess the importance of the contributions of Al-Andalus to Europe and America, we evaluate the significance of its legacy in modern Spain. Furthermore, we will study the protagonist role that Spain has played in relations between Europe and the Mediterranean Islamic countries during the Modern Age. Students will gain further understanding and contextualization of current Arab-Muslim geopolitics. As a case study, we will address the Spanish Protectorate in Morocco, as well as its ensuing process of decolonization and the consequences that shape the current international relations between the two neighboring countries, Spain and Morocco.

Note:  Students MUST acquire a multi-entry visa in order to participate on the trip to Morocco.

Sample Syllabus

Prerequisite of SPAN-UA 100 or to be taken concurrently with SPAN-UA 9100 with permission of the director.

A study of Spain and its integration into the European Common Market. The historical background examines Europe in the aftermath of World War II, Spain under Franco's dictatorship and its relationship to other European countries, as well as the events leading up to the actual foundation of the European Economic Community (EEC). Emphasis is on the negotiations leading to Spain's incorporation into the EEC, and a detailed analysis is given of the present-day European Common Market and its goals for the future.

Sample Syllabus 

Prerequisite of SPAN-UA 100 or to be taken concurrently with SPAN-UA 9100 with permission of the director.

This course is designed for students who wish to attain a command of Spanish in relation to the worlds of business and international relations. Special emphasis on the development of oral expression through activities that focus on business practices. 

Sample Syllabus

For students of Spanish speaking background this course replaces SPAN-UA 9100.

Comparison of Spanish and English grammar, syntax, and style, mainly by examining American and Spanish movie scripts and plays. Special attention is paid to colloquial expressions, cognates in both languages.

Sample Syllabus

Prerequisite of  SPAN-UA 100 or to be taken concurrently with SPAN-UA 9100 with permission of the director.

Introduction to literary analysis through close readings of texts from the early to modern periods of peninsular Spanish and Spanish American literatures. Engages students in the practice of textual explication, provides basic critical skills, and encourages reflection on literature as a system.

Sample Syllabus

This course provides an introduction to the making of modern Spain through the study of key cultural practices in literature, visual art, film, and performance from the 19th century to the present. We ask: what are the different materials that Spanish artists and writers have chosen to articulate the often complex understandings they have of themselves, their nation(s), their relation to modernity (its opportunities and challenges), and the broader international community? Rather than assume simplistic answers to these questions, or take for granted a relation between a specific form, be it literary, visual or performative, this class will ask students to critically approach Spanish culture by learning about specific works (and the close analysis of them) and the contexts within which they exist (when they were made, how they were perceived, and how we come to study them today). The time frame for this class is the mid-nineteenth century through the late-twentieth century. Among the different media and materials we will look at are:  fiction, poetry, film (fiction and documentary), painting, poster art, photography, performance, and architecture. Readings will be taken from a variety of sources (not just one textbook) and we will try as often as possible to incorporate works of art, films, lectures, and performances that are taking place in our community. The goal of this class is for students to actively engage in an informed analysis of cultural works from Spain in order for each student to better understand and question the relation between cultural forms and questions of national identity, tradition, modernity, and authorship as they relate to the historical moment and location in which they are produced. 

Sample Syllabus

A study of society, culture, and ethnic groups in Spain and Iberoamerica. The Latin American social reality and the most important historical processes that have shaped present-day Latin America are discussed, as well as the cultural relationship that exists between Spain and Iberoamerica.

Sample Syllabus 

Prerequisite of  SPAN-UA 200 or to be taken concurrently with SPAN-UA 9200 with permission of the director.

In this course, we will read both the first and second part of the Don Quijote and analyze it's significance from literary, philosophical, political and social perspectives.

Sample Syllabus   

Prerequisite of SPAN-UA 100 or to be taken concurrently with SPAN-UA 9100 with permission of the director. For students of Spanish speaking background this course replaces SPAN-UA 9100.

This course will provide students with basic journalistic skills so that they may report on their cultural experience in Spain. We will work with newspaper articles, podcasts, radio and TV programs from the Spanish media to cover current social, political and cultural issues, such as immigration, national identities, regional differences, gender roles, tourism and famous personalities. The coverage of political and cultural developments in Spain in the American media will also be examined to complement our newsgathering and research. Course projects include the publication of a blog with articles on the students´ experience at NYU in Madrid – planned trips, visits to museums and other activities - as well as visits to a radio or TV station in Madrid. Our aim will be to acquire a broad understanding of contemporary Spanish society while developing new linguistic skills in Spanish. 

Este curso plantea el surrealismo como hecho histórico, y como sistema vigente, de alguna utilidad para establecer relaciones creativas. Se desarrollará un temario basado en el estudio del fenómeno surrealista, desde sus precedentes históricos, sus creadores y sus descendientes. Realizando, ejercicios prácticos para que los alumnos tengan su propia experiencia surrealista. Es fundamental la participación al máximo en las clases aportando las ideas  compartiendo opiniones sobre los temas de estudio. Creando un espíritu de “tertulia” con la participación de todos.

Prerequisite for NYU students: SPAN-UA 30 and concurrently with SPAN-UA 100 or permission of the director of undergraduate studies. For non-native Spanish speakers only.

The course Debating Current Issues in Spain aims to develop students’ awareness about the contemporary culture of Spain, while improving students’ oral competence in Spanish. With this purpose, the course will analyze different conversational techniques and linguistic resources in order to facilitate the students’ performance on presentations, debates, formal and informal conversations, interviews, reports, etc. The culture and daily life of Spain in the 21st century will be examined through these oral practices in Spanish. Spain will be presented in its diversity, richness, and uniqueness with the help of supporting materials such as newspaper articles, TV and radio programs, commercials, short films, chats, etc. Finally, our goal is that the students gain an understanding of the new culture and that they be able to create new intercultural spaces by means of the comparisons to their own culture. This course is based on culture, language and training in oral communication. 

Sample Syllabus


Courses Taught in English 

Evaluates, from the management point of view, marketing as a system for the satisfaction of human wants and as a catalyst of business activity. Deals with the subject at all levels from producer to consumer and emphasizes the planning required for the efficient use of marketing tools in the development and expansion of markets. Concentrates on the principles, functions, and tools of marketing, including quantitative methods. Utilizes cases and projects to develop a problem-solving ability in dealing with specific areas.

Prerequisites: STAT-UB 103 Statistics for Business Control and Regression/Forecasting Analysis (also accepted: STAT-UB 1, ECON-UA 18, or ECON-UA 20), ECON-UB 1 Microeconomics (also accepted: ECON-UA 2 or ECON-UA 5), and ACCT-UB 1 Principles of Financial Accounting.

A rigorous course developing the basic concepts and tools of modern finance. Basic concepts of return and risk are explored in detail with a view to understanding how financial markets work and how different kinds of financial instruments are valued. These instruments, including equities, fixed income securities, options, and other derivative securities become vehicles for exploring various financial markets and the utilization of these markets by managers in different kinds of financial institutions to enhance return and manage risk. The course includes a segment on the use and application of computer-based quantitative technology for financial modeling purposes.

 Art History Students: This course counts for Art History elective credit.

A gallery course focusing on the baroque schools of Rubens and Rembrandt, "tenebrist" painting, Velázquez, and the etchings and paintings of Goya. Ends with a survey of the painters of the 18th and 19th centuries.

Sample Syllabus

Open to all students. For NYU, fulfills MAP Cultures & Contexts requirement.

Takingadvantage of its location in Madrid, this course analyzes the ways inwhich historical, geopolitical, cultural, artistic, and popular viewsfunction to constitute and continuously transform a national culture.Specifically, the course concentrates on epistemological constructionsof Spain—the idea of Spain—that emerges from competing external andinternal perspectives. Students will examine how this national cultureis constructed in three modules. The first analyzes Spain from NorthAfrican perspectives as, on the one hand, the traditional site and mythof a lost paradise in Sephardic nostalgic poetry as well asHispano-Arabic literary traditions and, on the other, as the place towhich some contemporary, radical movements view as a strategic goal.The second module looks at American perspectives in which the idea ofSpain pits notions of Spanish imperial power and grandeur against theBlack Legend, a term that protestant circles in Europe and the UnitedStates promoted to attack the legitimacy of Spain’s New World empire.The third perspective focuses on European views and analyzes thedepiction of Spain as the embodiment of German and French Romanticideals beginning at the end of the 17th century and the reemergence ofthe same notion during the Spanish Civil War (1933-36). Throughout thecourse, students will have the opportunity to examine some of the principal textual and visual images that contribute to the historicaland contemporary construction of a national culture that emerged atgeographic and cultural crossroads.

Sample Syllabus

 

This course examines the interaction between two coupled systems, the Earth system and humanity’s political systems. Beginning with an analysis of the effects of anthropogenic industrial carbon dioxide gas emissions on the Earth system as derived from the scientific evidence this course attempts to understand the reaction of the global, European and Spanish political governance systems to these transformations. In order to understand something as apparently specific as the impact of climate change in the Iberian peninsula and the Spanish state’s response to it we must first understand, therefore, how the United Nations and the European Union are responding to climate change since the Spanish political system’s control and mitigation policies are largely determined by these two larger governance systems’ responses.

Sample Syllabus 

This course is a study of comparative human rights between European countries, including
Spain, and the United States of America. International human rights legislation imposes
the same obligations on all signatory countries. Despite this, however, interpretation and
application of these rights vary considerably between countries. Students will explore a set
of controversial issues in order to understand the complex differences between the United
States and European countries’ interpretation of human rights obligations, and will also look
at how these differences are portrayed in society by comparing international and national
media coverage of the issues.

Sample Syllabus

 

This course is an introduction to urban politics in Europe. It is designed to provide the student with practical and theoretical tools to understand and critically analyze European cities. We will take a close look at the social, political and urban challenges these cities are currently facing.

 

The recent changes in both Spain and Portugal are only the latest in a series of important transformations which these two countries have undergone over the past fifty years or so. In that time, they have both gone from being predominantly rural societies where the majority of the population live and work on the land to become industrial societies not unlike those of northern Europe and North America. Yet the underlying cultural heterogeneity of the peoples of the Iberian Peninsula has meant that different regions have often had very distinct reactions to the various pressures towards political, economic and social change. 

As well as introducing you to some of the basic concepts used in the study of social change, this course concentrates on examining the ethnographic diversity of the various regions of Spain and Portugal. Knowledge of this underlying diversity is essential in comprehending the importance that regionalism has played in Iberian history and its relevance to the understanding of the acceptance or rejection of such change by the different regions in contemporary Spain and Portugal. The course will specifically examine the rapidly changing role of women in both countries.

 

Studies the principal poetry and dramatic works in relation to the historical period culminating in the Spanish Civil War and contemporary literary movements from impressionism to surrealism.

Sample Syllabus 


Required Courses for the Fast-track Spanish for Beginners Program

Prerequisite: one semester of college Spanish or High School equivalent. All three courses must be taken concurrently; students must have permission of the director of undergraduate studies. This program completes the CAS language requirement, and yields 16 points.

This course has two separate components.

Intensive Language
This section is designed to offer the student basic communicative skills in Spanish in an efficient and concentrated way. The student will be exposed to linguistic—functional, grammatical, and lexical— objectives which are clearly defined. Moreover, cultural topics related to the Spanish speaking world will be examined in each unit. Oral and written competence are the primary focus, thus ensuring a communicative ability at all levels.

Practicum

This section focuses on the practice of the contents previously introduced in the grammar class. Consequently, the linguistic (grammar, lexicon, functions, orthography, and pronunciation), sociolinguistic (social conventions, courtesy, customs, etc…), and pragmatic (cultural surroundings, etc…) competencies, adequate for this level, will be worked on. This practice will especially focus on oral expression, including some written exercises with the aim of getting the student to communicate in real life. 

Sample Syllabus

This course has two separate components.

Intensive Language
For the first four weeks this language class is focused on furthering the students` knowledge of Spanish by means of a series of units in which the functional linguistic, grammatical, and lexical objectives are well defined. In these units, more complex language topics will be covered such as the correct selection of past tenses or the modal selection in complex sentences. Moreover, cultural topics related to the Spanish-speaking world will be examined in each of these units. Then, during these last four weeks of the immersion program, the students will strengthen the foundations of Spanish by means of a detailed review of the most conflictive points for English speakers in the process of learning Spanish.

Module on Spanish through Different Linguistic Tasks: Projects

This section of activities allows the student to complete a series of tasks or projects. From a perspective that views learning as a process, this module makes the student participate and be responsible for his/her work, cooperating with others as well as working independently. All of this will be carried out inside the classroom as well as outside, with the constant supervision of the professor. 

Sample Syllabus

This course has three separate components.

Module on Real life Situations through Drama Representation
This section uses theatrical exercises to improve knowledge and drill both written and oral Spanish skills.
This module will help reduce inhibition by means of games and theatrical exercises, with the final aim to improve expression in Spanish. Students will receive feedback on pronunciation by means of dramatic readings, tongue twisters, and small representations in class. Students will have to create their own theatrical texts, supervised and corrected by the professor.

Module on Spain Today: Pair Group Student Project
The module aims to perfect the students’ Spanish while increasing their knowledge of literature, cinema, as well as the social and political problems that exist today in modern Spanish society. Through the reading of different texts as well as the projection of films, the students’ lexicon, grammar, and written and oral style will be expanded and improved. The definitive objective of this course is to achieve that the student become familiarized with the direct and everyday language of current newspapers and magazines, meanwhile initiating the student in the world of Spanish literature.

Module on the Creation of a Journal: An Overview of Hispanic Literature, Film, and Art

The purpose of this module is to introduce the student to various aspects of Spanish and Latin American culture by means of reading as well as producing journalistic texts. The students will become familiar with the distinct genres of written press—news, reviews, interviews, chronicles, report, and opinion articles—based on the reading and in-class commentary of magazine and newspaper articles in Spanish. The analysis and discussion of the assigned articles will allow the integration of grammatical aspects, vocabulary, and idiomatic expressions common in journalistic language.  

Sample Syllabus

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Upcoming Application Deadlines

Spring Semester


Priority: September 15

Regular: October 15

Applications received after October 15 will be reviewed on a rolling basis. Admission will be granted only when space is available and time allows for required travel documents to be attained.

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