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Blessed Night
by Pierre Alexandre

I felt free, better than I had felt for days on end. I had just been kicked out of the apartment of my would-be friend and agent, after it had proved that, really, I could be no profit. How quickly I could turn from low presence to a terrible burden in just a few hours could dazzle as somewhat magical, but then, a few minutes had been more than enough for Ford (the model agency, not the motor company) to inform me that even they could not sponsor me for an employment-based visa unless I already had a solid professional background.
Too bad. When I reported the fact to my friend/agent, she stated I had no reason to stay anymore, she made me pack my luggage (which I had happily kept mostly unpacked) and leave. It was eight at night, a beautiful October night in Manhattan, and I had nowhere to go. I used a free phone number to get in touch with the airplane company which had brought me to the States, and spent half an hour laughing with the girl on the other end, who did everything she could to help me through. And more. She gave me all the necessary information so I could expect to get a ticket back to France the very next day, when the company desk would open at the airport of Newark--where surely I could sleep, in the meantime.
At least, it would have been safe place. But what, I was in the core of the Big Apple, couldn't the night be spent in many other ways? So I thought, and so my night trip began, a piece of luggage in each hand. My first stop was at the bus station, nonetheless, where a very friendly guy working there told me of all I needed to get to Newark. Just ten dollars, and a bus was leaving every twenty minutes. Most convenient. We chatted for some one hour or two, or more, exchanged e-mail addresses, and then again I was on my way.
On Broadway, soon. But disappointed. All the shows were nearly over, and you could not even go to the movies after eleven. Sad. At one point, I stopped at a Mexican restaurant, for I had swallowed nothing since dawn and it was quite cheap. I was surprised to realize that the whole staff there was Chinese. I uttered a bad Chinese "thank you" (xičxie) when I was handed my taco; it was enough to break the ice, and we began to talk about one thing and another, between broad smiles.
Still smiling, departing, soon I was on Broadway again, having walked for some three hours with my luggage and feeling more than half tired. My back was aching, too. I took a rest to admire the work of street artists, drawing your portrait for a share of good bucks. I had none to spend away, of course, yet I exchanged a few words with an older man from Shanghai, who proved quite interested by my coming from France and proposed to work for what French money I had left. Not much, honestly, but I did not need it. So I had my portrait drawn, while talking a bit about France, the Far East, immigration and family. I had a necessary rest, then, I enjoyed the blather, it felt good. When it was over, I took the man's address and promised to send him a few more French coins. I will within the coming days.
That artistic break over, I resumed my roving. There was surprisingly little to do, but then, I was not a knowledgeable New Yorker, and I sure had no money to waste. By one in the morning, I was still walking thus, tired and not really smiling anymore, when I heard the voice. Not a human voice, that is, but a voice nonetheless, which filled the air all around, echoed by the tall buildings of the night as in the day they would play with the sunlight. It was New York. It was jazzy Big Apple itself, singing with the tenor voice of a sax, to bestow color to the heart, and warmth to my bones. I could not guess where it came from, not by the sole sound; it was just there-everywhere-, it was the very night, made music.
Broadway was nearly empty, by then, quite surprisingly. I finally could spot the musician, and what could I do if not carry my luggage a bit further, across the street and up to the man. I waited there till he had finished, enraptured as he was, to give a few of my last coins while he was packing up. He was an immigrate, as were all the people I had talked to that very night. He was Polish, like my grandfather. He was a magician with music, and we talked about his art for a while. He offered me his CD, I gave him the Horns of Elfland, he had me read some letters from Van Gogh--as much a painter with words as with more material colors.
We talked about the power of words, of art, of music. I told him how, after I had been kicked out, I had been in the subway to the bus station, and in the train there, there were three vocal musicians and I had made an acrobatic dance show on their merging rhythms and how by the end everyone in the running train was smiling, weary as they were. It was magic, it was worth doing. For the smile, for the emotion, the feeling right, the sheer pleasure of it. They were black, I white; they were of no fixed abode, what I knew I was only for a while. We were not alike, in many ways, and yet in the moment, in the music we were.
There are things worth living, finally. The saxophonist smiled, he told me of New York, of his love for the gigantic chaotic city, its cultural patterns interwoven, flowing into each other endlessly but never really merging. Its violence and its soul, its life beating fast but deep. The coldness of some lives and the kinship of strangers. We talked and walked, and he invited me to stay at his place.
We were both a bit anxious, of course. Fear doesn't fully disappear with music. But it proved a bond strong enough for him to offer a stay, and for me to accept. We went our way, since then, we walked on the same tune. We came across a street merchant, who had received that very day a beautiful automatic watch. A real wonder, either a perfect copy or a stolen original. Two hundred and sixty dollars for the tourist, and still a good deal. Of course, we were broke. And yet, the eyes of my saxophonist were gleaming, and the street merchant knew we were not of the "other kind." We were street kin, if you wish, and the price went down. I had a few bills left, I could spend as much as forty dollars and still have enough to take the bus to Newark. I haggled with the merchant, hard and smiling, we agreed on fifty dollars. Barely. The saxophonist gave the ten missing dollars, and we left on a hug with the merchant. It was obvious he felt a pang for having dealt his watch for so little. But it was also obvious that he felt somewhat relieved that my friend had it. For he would really care for it, for he deserved it. For we had all given and given up something, in fact, and this watch was heavy and shining with that warm feeling of something shared.
That was not much, in itself. But in such a city, ruthless as it can be, it had… meaning. The night was blessed, blessed by music as we went back to the saxophonist's place, a four-store house in Brooklyn which someone let him use till it was sold. It was empty, clean, a palace in a safe and quiet neighborhood, fifteen minutes away from Manhattan. I fell in love, as my new friend had. Had I had the necessary near million, I would have bought the place immediately.
For the moment, though, I had barely enough to go to the airport. I brought my luggage to the fourth floor, twelve times bigger than my last university room, then went back down to share a last meal with my saxophonist. It was so good, having felt so hungry! We parted then and went to sleep. My friend offered me his sweaters and other clothes to make myself a comfortable bed, but for a night, I decided that bare floor was good enough. I just laid there a few of my own clothes, did accept cushions for a pillow, and soon was asleep.
It had been four in the morning, at eight I was up. I was only a bit stiff, and in fact I felt really well. I washed my hair, changed myself, I took the Good Earth and began to read. Later, my friend would wake up, we would have a delicious and healthy breakfast-cereals, milk and fruit-and then, we would settle in the garden. It was cooler than cold, the air so pure it was like sparkling; it was the very end of October and yet winter would only gently, nearly shyly announce its later visit.
I had been unweaving some martial motions there, waiting for my friend, in a succession which was no longer so much of a series of combinations than of a multiple flow, that of the soft breeze, just as natural and deep as my own breathing. I am no master in any art, for having practiced too many and not enough of any, but this one time I can tell that it was right. Every motion, every step, every breath.
Blessed morning, born from a blessed night. The saxophonist and I talked a lot about a lot, and I was rather surprised to discover that this man, who knew nothing of the Zen spirit on any theoretic basis, still knew more than most of the so-called specialists I had known. His music had guided him, beyond technique mastered, just as could have some martial art, in fact, or the art of calligraphy or some other form of self-awareness or no-self. The Zen spirit is as difficult to explain as music itself.
Some things cannot be told, they must be experienced. Sometimes, it takes years before you can hope to reach what you are striving for, and then, you cannot reach it but when you stop to strive for it. When you stop to do and you begin to be, when the technique has become so natural that you don't think about it any more than you think about your own breathing; when you can expand beyond your own self, thus also accept to be part of a greater whole. We all are part of a greater whole, which is never the same greater whole that politicians and other gurus will tell you about.
Forget it, I lost the thread of my story. It is nearly over, anyway. What can I say more? Not much. I phoned to the airport, I could get a plane; my friend was sorry to see me go, and I was sorry to go, though I knew I had to, by then, as I know I shall be back. I gave him my favorite book, Songmaster, then he had us have a most copious and delicious lunch before we went to the ferry. Magical trip, close to that ocean I love, to admire the city from another angle. Finally, he came with me up to the bus station, where we parted on an au revoir, --and some eighteen hours later, I was back to France.
< The End. (Or is it?) >
 
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