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Jill Neimark

Literature Art Spirit

 

 

D.H. Lawrence

Gods in the Dark Forest

 

Robert Olmstead

Selected Passages

 

Rumi

Story Water

 

Julio Cortazar

Clearcut

 

Derek Walcott

Coral

 

Frank Gehry

Museo Bilbao

 

Joseph Enzweiler

Christmas 1963

 

Michael Ventura

The Queen of Cups

 

Anne Carson

The Life of Towns

 

Edward Abbey

Desert Solitaire

 

Kim Addonizio

Dead Girls

Jane Kenyon

Having it Out With Melancholy

 

George Seferis

Epiphany

 

Raven’s Music

 

Christ What an Asshole

 

Gangaji

 

Michael Hutchison

 

Sue Mingus

 

“A writer, or any man, must believe that whatever happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for one's art.  One must accept it.  For this reason, I speak in a poem of the ancient food of heroes: humiliation, unhappiness, discord.  Those things are given to us to transform, so that we may make from the miserable circumstances of our lives things that are eternal, or aspire to be so. 
 
I want to end with a line of Goethe: Alles Nahe werde fern, everything near becomes distant. Goethe was referring to the evening twilight.  Everything near becomes distant.  It is true.  At nightfall, the things closest to us seem to move away from our eyes.  So the visible world has moved away from my eyes, perhaps forever. 
 
Goethe could be referring not only to twilight but to life.  All things go off, leaving us.  Old age is probably the supreme solitude - except that the supreme solitude is death.  And everything near becomes distant also refers to the slow process of blindness, of which I hoped to show, speaking tonight, that this is not a complete misfortune.  It is one more instrument among the many - all of them so strange - that chance provides."

--Jorge Luis Borges

 

 

 

 Late Fragment

And did you get what
you wanted from this life, even so?
I did.
And what did you want?

--Raymond Carver