The premises of these exhibitions challenge traditional approaches to the study of drawings, which have been based on geographical and chronological categories. We shall consider these issues, as well as the nature of drawing itself. The fluidity and intimacy implicit in drawing makes it an ideal medium for experimentation. We shall consider the traditional role of drawing as a preparatory process as well as the more recent practice of making drawings as finished works for exhibition or sale, paying special attention to the relationship of the artist to his materials, subject-matter, and public. Considering these issues, we will visit MoMA's new study room to study the collection further.