| LAST NAME | FIRST NAME | TITLE | CHAIR | DEGREE | FIELD |
| Cheng | De-Hai | The Long March to Chinese Ballet: The Ethnic and Aesthetic Concerns in Adapting Chinese Ballet as Performing Art in Taiwan and China (1954-1994) | Suzanne Walther | Ph.D. | Dance Education |
| Chung | Hye Jeung | Oskar Schlemmer's Transformation of Human Form in his Total Dance Theatre | John Gilbert | Ph.D. | Dance Education |
| Heard | Marcia | Asadata Dafora: The Origin of African Dance Traditions in American Concert Dance | Patricia Rowe | Ph.D. | Dance Education |
| Miller | Elizabeth | Meditations on Public Performance and Pregnancy | Berenice Fisher | Ph.D. | Dance Education |
| Laverty | Mary Ann | The Pioneering of Hampton Institute Creative Dance Group and their Use of African Diasporic Dance Forms | Alistair Martin-Smith | Ph.D. | Dance Education |
| Smithner | Nancy | Directing the Acting Ensemble at the End of the Millennium: Meredith Monk, Elizabeth Le Compte, and Anne Bogart | Alistair Martin-Smith | Ph.D. | Dance Education |
| Burgess | Jean | A History of the Young People's Theatre at Center Stage, Baltimore Maryland - 1963-1984 | Alistair Martin-Smith | Ph.D. | Educational Theatre |
| Burnstine | Andrew | A History of Costume Design for the Big Apple Circus | Nancy Swortzell | Ph.D. | Educational Theatre |
| Daily | Jeff | The Successful Failure: Arthur Sullivan's Ivanhoe | Lowell Swortzell | Ph.D. | Educational Theatre |
| Douglas | Rodney | The Concept and Practice of Mixed Racial Casting in Selected American Theatres from 1960-1990 | Lowell Swortzell | Ph.D. | Educational Theatre |
| Feinstein | Majorie | A Description of Educational Theatre Practices Applied to Learning Interpersonal Conflict Management Strategies in the Interpersonal Communication College Classroom | Robert Taylor | Ed.D | Educational Theatre |
| Hale | Rebecca | Le Petit Theatre Du Vieux Carre: 1968-1997 | Lowell Swortzell | Ph.D. | Educational Theatre |
| Hanson | Laura | Elements of Modernism in the Musicals of Stephen Sondheim | Lowell Swortzell | Ph.D. | Educational Theatre |
| Heller | William | Teaching Shakespeare in the Elementary School Using Drama, Theatre and Technology | Alistair Martin-Smith | Ph.D. | Educational Theatre |
| Kennedy | Jeffery | The Artistic Life of the Provincetown Playhouse, 1918-1929 | Lowell Swortzell | Ph.D. | Educational Theatre |
| Kivesto | Lois | The Theatre Work of James Lapine: Playwright, Librettist, Director | Lowell Swortzell | Ph.D. | Educational Theatre |
| McGarry | Frances | A Process for Developing Young Playwrights: The New York City Young Playwrights Festival, 1981-1991 | Lowell Swortzell | Ph.D. | Educational Theatre |
| Miller | Helen | "Macbeth" In Performance in the Twentieth Century: An Examination of Stagings by Four Directors over Half a Century | Lowell Swortzell | Ph.D. | Educational Theatre |
| Moran Martinez | Manuel | The Development of "Teatro Escolar" | Lowell Swortzell | Ph.D. | Educational Theatre |
| Sorensen | Candace | Drama and Theatre at Henry Street Settlement: 1893-1993 | Lowell Swortzell | Ph.D. | Educational Theatre |
| Tamrongween | Teeraneete | The Asian-American Theatre Movement in New York City: 1970-1990 | Lowell Swortzell | Ph.D. | Educational Theatre |
| Kim | Ji | Compositional Procedures in Gearge Crumb's String Quartet Black Angels | John Gilbert | DA | Music Composition |
| Parsons | Robert | A Style Analysis of Two Chamber Orchestra Works | Lawrence Ferrara | Ph.D. | Music Composition |
| Washington | Gary | The Later Music of Arvo Part: Three Eclectic Analysis | Lawrence Ferrara | Ph.D. | Music Composition |
| Wogalter | Glenn | A Directive Notation for Synthesized Sound Events Based on Stream Segregation | Kenneth Peacock | Ph.D. | Music Composition |
| Guedes | Carlos Alberto | Mapping Dance to Musical Rhythm: The Creation of a Computational Algorithm for Musical Gesture | George Fisher | Ph.D. | Music Composition |
| Zilber | Michael | Proposal for Summer of the Black Sun: A Music Drama | Tom Boras | DA | Music Composition |
| Brown-Barton | Grace | Jamaican Folk Songs and Instructional Method Used in Communicating Them in the Primary Schools of Jamaica, West Indies | Rodney Miller | Ed.D | Music Education |
| Kerlin | Jerry | The Trasmisson of Dance and Music amoung Irish-Americans in New York City: Learning Theory and Irish Sensibility | John Gilbert | Ph.D. | Music Education |
| Michelis | Rainer | The Development and Evaluation of An Algorithm for Structuring Musical Data generated by an Acoustic Musical Instrument for use in a Computer-Based Instructional System | Kenneth Peacock | Ph.D. | Music Education |
| Parker | William | Learning Jazz: A descriptive Study of the Jazz Program at the New School for Social Research | Tom Boras | Ed.D | Music Education |
| Bihimani | Raj | An Analysis of the Piano Works of Henri Dutilleux | John Gilbert | Ph.D. | Music Performance |
| Brody | Samuel | The Piano Ensemble Music of Elliot Carter: An Analysis and Performance Guide | Dinu Ghezzo | Ph.D. | Music Performance |
| Butler | Kathleen | The use of Midi as a Tool for Comparison of Performance Interpretations of the Chopin Nocturne in F Major | Kenneth Peacock | Ph.D. | Music Performance |
| Chuang | Yue-Fun | Preludes and Fugues by Felix Mendelssohn: Study of Unity and Formal Structure | Robert Rowe | Ph.D. | Music Performance |
| Chen | Mon Shan | Applications of Ancient Chinese Music "Nanguan" in the selected Works of Contempoary Composer Wen Loomg-Hsing | Tom Boras | Ph.D. | Music Performance |
| Engle | Judith | Redeeming the War Horse: Rhetorical Perspectives in the Analysis and Performance of Chopin's Ballades | John Gilbert | Ph.D. | Music Performance |
| Kim | Sung-Eun | Chopin Polonaise-Fantaise, Opus 61: An Eclectic Analysis | John Gilbert | DA | Music Performance |
| Kletzien | San San | Sergei Prokofieff's Complete Violin Sonatas: An Analysis and Performance Guide | John Gilbert | Ph.D. | Music Performance |
| Kondo | Kyoko | An Analysis and Performance of the Solo Piano Music Of Toru Takemitsu | Tom Boras | DA | Music Performance |
| Lien | Mao-Shu | An Analysis and Performance Guide of Nikolai Sidelnikovc's America! It is My Love--12 Etude Impressions for Solo Piano | John Gilbert | DA | Music Performance |
| Midroit | Max | An Analysis of Benjamin Britten's "Diversions" for Piano (Left Hand) and Orchestra | John Gilbert | Ph.D. | Music Performance |
| Minelli | David | A Performance Analysis of Brahm's Opus 120 Sonatas for Clarinet and Piano | George Fisher | Ph.D. | Music Performance |
| Nie | James | Brahms Piano Quartet in G Minor | Kenneth Peacock | Ph.D. | Music Performance |
| Petrides | Ron | A Stylistic Analysis of Stephen Albert's Symphony River Run | John Gilbert | Ph.D. | Music Performance |
| Schoettler | Peter | An Analysis and Adaptation for Brass Quintet of selected Madrigals of Don Carlo Gesualdo | Kenneth Peacock | Ph.D. | Music Performance |
| Shigeta | John | Jay Jay Johnson-Kai Winding Quintet | Thomas Boras | Ph.D. | Music Performance |
| Viswanathan | Sundar | An Analysis of the Jazz Improvisation and Composition in selected Works from the Blue Note Records Period of Tenor Saxophonist Joe Henderson from 1963-1967 | Tom Boras | Ph.D. | Music Performance |
| Williams | Ralph | Song Cycles of GottFried Von Einem (1918-1996): A Performance Analysis | John Gilbert | Ph.D. | Music Performance |
| Austin | Diane | A Qualitative Study of Analytically Oriented Music Therapy with Individual Adults | Barbara Hesser | DA | Music Therapy |
| Ramsey | David | Multifaceted Manifestations of Communication in Group Music Therapy | DA | Music Therapy |