| Performing
Arts Research at New York University:
Doctoral Dissertations |
| LAST
NAME |
FIRST
NAME |
TITLE |
DEGREE |
YEAR |
| Abrahams |
Ruth |
The
Life and Art of Uday Shankar |
Ph.D. |
1986 |
| Aigen |
Kenneth |
The
Roots of Music Therapy: Towards an Indigenous Research Paradigm |
DA |
1991 |
| Allgood |
Dexter
B. |
A
Study of Selected Black Gospel Choirs in the Metropolitan New York Area |
Ph.D. |
1983 |
| Amato |
Joseph |
The
Works for Voice and Piano of Luigi Dallapiccola: An Eclectic Analysis |
Ph.D. |
1998 |
| Amir |
Dorit |
Awakening
and Expanding the Self: Meaningful Moments in the Music Therapy Process
as Experienced and Described by Music Therapists and Music Therapy Clients |
DA |
1992 |
| Anderson |
Bruce |
The
Solo Piano Music of Elliot Carter: A Performance Guide |
Ph.D. |
1988 |
| Angilette |
Elizabeth |
Glenn
Gould (1932-1982): A Study of his Contribution to a Philosophy of Music
and Music Education |
Ph.D. |
1988 |
| Arnason |
Carolyn |
The
Experience of Music Therapists in an Improvisational Music Therapy Group |
DA |
1988 |
| Baden-Semper |
Brenda |
Danced
Plays: a Sense of Place Combining Graham's Vision of Falling and Rising
and Strasberg's Concept of Relaxation |
Ph.D. |
2002 |
| Bak |
Cho-Yeon |
An
Eclectic Analysis and Performance Guide of Robert Schumann's First Two Violin
Sonatas, Opus 105 in A and Opus 121 in D |
Ph.D. |
2000 |
| Bancroft |
Richard
B. |
The
Historical Development of the Music Department of the State University College
at Fredonia, New York, Vol. 1 & 2 |
Ed.D. |
1972 |
| Banks |
Carol |
Playwriting
for Different Age Levels |
Ph.D. |
1988 |
| Barto |
Dan |
Owen
Davis: From MeloDrama to Realism |
Ph.D. |
1989 |
| Bejjani |
Fadi
Joseph |
A
Comparative Electromyographic and Acoustic Analysis of Violin Vibrato in
Healthy Professional Violinists |
Ph.D. |
1987 |
| Bender |
James |
Three
American Composers from the Young Composers Project: Style Analysis of Selected
Works by Emma Lou Diemer, Donald Martin Jenni and Richard Lane |
Ph.D. |
1988 |
| Berardinelli |
Paula |
Bill
Evans: An Analysis of his Musical Style and his Contributions as a Jazz
Pianist |
Ph.D. |
1992 |
| Bergenfeld |
Nathan |
"The
William Raylton Virginal Book" Tokyo, Nankin Music :Library MS N.3.35:
Transcription and Commentary, Vol. 1 & 2 |
Ph.D. |
1983 |
| Berk |
Ellyn |
An
Analysis and Comparison of the Aesthetics and Philosophy of Selected Music
Critics in New York: 1940-1975, Vol. 1 & 2 |
Ph.D. |
1978 |
| Berman |
Eric
M. |
Performance
Tasks Encountered in Selected Twentieth-Century Band Excerpts for Tuba:
Their Identification, Categorization and Analysis |
Ph.D. |
1981 |
| Berman |
Feigue |
Hasidic
Dance: A Historical and Theological Analysis |
Ph.D. |
1999 |
| Boccardi |
Robert |
An
Examination of Selected American Plays Produced in New York City between
1984 and 1993 Relating to the Issues of AIDS |
Ph.D. |
1994 |
| Bonous-Smit |
Barbara |
John
Harbison: His Life and Works with Piano |
Ph.D. |
1996 |
| Bottazzi |
Bruno |
A
Performance Guide to Selected Piano Music of Alberto Ginastera |
Ph.D. |
1983 |
| Bouzoukis |
Carol |
Fairy
Tales in the Treatment of Chronically-ILL Children |
Ph.D. |
1999 |
| Boyer |
Frank |
Artist
Writing as Discoursal Language |
Ph.D. |
2000 |
| Bradley |
Deborah |
Mark
Kopytman's Imaginal Realm: Echoes of Jewish and Arabic Music in a Modern
Israeli Piano Composition |
Ph.D. |
1996 |
| Bresciani |
Jeanne |
Myth
and Image in the Dance of Isadora Duncan |
Ph.D. |
2000 |
| Brett |
Douglas |
Franz
Liszts's Sonetti Di Petrarca: An Eclectic Analysis and Performance Guide |
Ph.D. |
1999 |
| Brobston |
Stanley
H. |
A
Brief History of White Southern Gospel Music and a Study of Selected Amateur
Family Gospel Music Singing Groups in Rural Georgia, Vol. 1 & 2 |
Ph.D. |
1977 |
| Brooks |
Richard
J. |
Structural
Functions of "Musical Gesture" as heard in Selected Instrumental
Compositions of the Twentieth Century: A Graphic Analytic Method, Vol. 1
& 2 |
Ph.D. |
1980 |
| Brosh |
Robert |
The
Compositional, Performance, and Analysis of Paralells and Temporal Dimensions
for Drumsets, Midi Percussion Electronics and Percussion Ensemble |
DA |
1995 |
| Brown |
Victoria |
Intergrating
Drama and Sign Language: A Multisensory Approach to Language Acquisition
and its Effect on Disadvantaged Preschool Children |
Ph.D. |
1990 |
| Bruscia |
Kenneth
E. |
An
Abstract of Auditory Short-term Memory and Selective Attention Amoung the
Mentally Retarded |
Ph.D. |
1979 |
| Buchannan |
Samuel |
Critical
Analysis of Style in Four Black Male Jubilee Quartets in the United States |
Ph.D. |
1987 |
| Bull |
Inez |
Ole
Bull's Activities in the United States between 1843 and 1880 |
Ph.D. |
1979 |
| Burchill |
Emily |
An
Acoustic Procedure to Document Performances of Selected Recorded 20th Century
American Art Songs |
Ph.D. |
1987 |
| Burgess |
Jean |
A
History of the Young People's Theatre at Center Stage, Baltimore, Maryland:
1963 - 1984 |
Ph.D. |
2002 |
| Burnstine |
Andrew |
A
History of Costume Design for the Big Apple Circus from 1985 to 1998 |
Ph.D. |
2001 |
| Burroughs |
Joan |
Haitian
Ceremonial Dance on the Concert Stage: The Contextual Transference and Trasformation
of Yanvalou |
Ph.D. |
1995 |
| Butterfield |
Lorraine |
An
Investigation of Rhythm in Piano Mazurkas of Alexandre Tansman: A Guide
for the Piano Instructor/teacher |
Ph.D. |
1990 |
| Byam |
Dale |
Zact:
Re-Thinking Community Theatre for Development in Africa |
Ph.D. |
1996 |
| Byrd |
Robert |
Unseen
Characters in Selected Plys of Eugene O'Neil, Tennessee Williams, and Edward
Albee |
Ph.D. |
1998 |
| Calabrese |
Helmut |
Selected
Compositional Procedures in Writing a String Quartet |
Ph.D. |
1996 |
| Calvin |
James |
Print
Advertisement Directed Toward the General Population and the Black Population
of the United States for the Years 1965, 1975 and 1985: A Comparative Study |
Ph.D. |
1987 |
| Caputo |
Michael |
Contemporary
Korean Solo Clarinet Music: Analysis with Performance Recommendations of
Three Compositions |
Ph.D. |
1998 |
| Carlin |
Patrick
I. |
An
Analysis of the Liturgical Music of the St. Louis Jesuits |
Ph.D. |
1982 |
| Caviglia |
Rosemary |
The
Solo Piano Music of Leo Kraft: An Analysis of "Partita No.1" and
"Venetian Reflections" |
DA |
1996 |
| Chang |
Yu-Shu |
An
Analysis of an Original Composition as an Example of Chinese and Western
Synthesis |
Ph.D. |
1996 |
| Chapman |
Ronald
T. |
Training
the Male Adolescent Singing Voice Prior to, during and following Voice mutation
using the "Vocal Behavior Training" Methodology of Dr. Raymond
Smolover |
Ph.D. |
1989 |
| Chen |
Mon-Shan |
Applications
of Ancient Chinese Music Nanguan in the Selected Words of Living Composer:
Wen Loong-Hsing |
Ph.D. |
2002 |
| Cheng |
De-Hai |
The
Creation and Evolvment of Chinese Ballet: Ethnic and Aesthetic Concerns
in Establishing a Chinese Style of Ballet in Taiwan and Mainland China |
Ph.D. |
2000 |
| Cheung |
Pang |
An
Analysis of Selected Piano Works of Wang Li-San |
Ph.D. |
1996 |
| Chew |
Seok-Kw |
An
Analysis of the Selected Music of Chou Wen-Chung in Relation to Chinese
Aesthetics |
Ph.D. |
1992 |
| Cho |
Eunsook |
Intergration
of Body and Mind through Kinesthetic Imagery: Nancy Topf's Repattering Technique
in Modern Dance Training and Creative Process |
Ph.D. |
1998 |
| Choe |
Sang-Cheul |
Seung-Hee
Choi, Pioneer of Korean Modern Dance: Her Life and Art under Japanese Occupation
1910-1945 |
Ph.D. |
1996 |
| Choi |
Min-Jung |
An
Analysis of Henriette Renie's Works: Symphonic Piece and Legend |
DA |
1995 |
| Choi |
Yulee |
The
Problem of Musical Style: Analysis of Selected Instrumental Music of the
Korean-Born Composer Isang Yun |
Ph.D. |
1976 |
| Chuang
|
Yue-Fun |
Preludes
and Fugues by Mendelssohn: Study of Unity and Formal Structure |
Ph.D. |
1997 |
| Chung |
Eui-Sook |
In
Search of the Choreographic Principles for a New Dance Form Based on an
Analysis of the Korean Shamanic Ritual "Jindu Shitkim-Kut" |
Ph.D. |
1996 |
| Chung |
Hye
Jeung |
Transformation
of Human Forms in Oskar Shlemmer's Total Dance Theatre |
Ph.D. |
2003 |
| Church |
Joseph |
Analysis
of Creative Process in the Composition of a New Musical Work: "Les
Fables" |
Ph.D. |
1996 |
| Cioffi |
Kathleen |
Alternative
Theatre in Poland |
Ph.D. |
1994 |
| Clarke |
Arthur |
Jamaican
Folk Psalm-- Choral Setting of Selected Psalms based on Jamacian Folk Melodies,
Rhythms and Harmonies, suitable for Jamacian Student's in Secondary Schools,
Churches and Music Festivals |
Ed.D |
1988 |
| Cohen |
Irving
Herschi |
The
Historical Development of the Double Bass |
Ph.D. |
1967 |
| Colangelo |
William |
The
Composer-Performer Paradigm in Giacinto Scelsi's Solo Works |
Ph.D. |
1996 |
| Collins |
Teresa |
A
Quantitative Assessment of the Current State of Music Theory Achievement
among Professional Army Band Musicians |
Ph.D. |
1994 |
| Connell |
Harold
G. |
A
Critical Evaluation of Songs Included in the Music Educators National Conference
Selective Choral Music Lists, 1946-1964, To Determine their Relationship
to the Church-State Issue |
Ph.D. |
1971 |
| Contino |
Rosalie |
Patrica
Zipprodt, Costume Designer: Her Contribution to the American Stage |
Ph.D. |
1997 |
| Coolman |
Todd |
The
Miles Davis Quintet of the mid 1960's: Synthesis of Improvisational and
Compositional Elements |
Ph.D. |
1995 |
| Cooper |
John |
An
Aesthetic Inquiry into a Process of Composition for the Jazz Orchestra |
Ph.D. |
1996 |
| Coorlawala |
Uttara |
Classical
and Contemporary Indian Dance: Overview, Criteria, and a Choreographic Analysis |
Ph.D. |
1994 |
| Corey |
Anne |
Susan
Glaspell, Playwright of Social Consciousness |
Ph.D. |
1990 |
| Costonis |
Maureen
Needham |
Ballet
Comes to America, 1792-1842: French contibutions to the Establishment of
Theatrical Dance in New Orleans and Philadelphia |
Ph.D. |
1989 |
| Crystall |
Ellen |
Esoteric
Traditions and Music in the Early Twentieth Century with an Appraisal of
Composer Cyril Scott |
Ph.D. |
1996 |
| Cummings |
Janice |
Temple
Dancing in Ancient Egypt |
Ph.D. |
2000 |
| Dabrusin |
Ross |
Some
Criteria for Structural Analysis: Implications for Performance |
Ph.D. |
1995 |
| Dailey |
Jeff |
The
Successful Failure: Arthur Sullivan's Ivanhoe |
Ph.D. |
2002 |
| Danchik |
Roger |
An
Explication and Resolution for the Problem of the Written Dramatic Text
and Performed Dramatic Text from the Perspective of the Philosophical Construct
of Susanne Langer |
Ph.D. |
1991 |
| D'Angelo |
James
P. |
Tonality
and its Symbolic Associations in Paul Hindemith's Opera Die Harmonie Der
Welt, Vol. 1 & 2 |
Ph.D. |
1983 |
| Danziger |
Robert |
Performance
Editions for Bassoon of Selected Recorder Works of Georg Phillip Telemann |
Ph.D. |
1978 |
| Davies |
Richard |
Cuban
Trumpet Playing: The Solo Performance Style of Alfredo "Chocolate"
Armenteros |
Ph.D. |
1999 |
| Davis
|
Nathan |
The
Baroque Violoncello and the Unaccompanied Cello Suites of J.S. Bach, B.M.V.
1007-1012 |
Ph.D. |
1986 |
| Dawson |
Gary |
American
Documentary Theatre: In Content, Form and Stagecraft since Martin Duberman's
"In White America: A Documentary Play" |
Ph.D. |
1996 |
| De
Frontera |
Nélida
Muñoz |
A
Study of Selected Nineteenth Century Puerto Rican Composers and their Musical
Output, Vol. 1 & 2 |
Ph.D. |
1987 |
| De
Sesa |
Gary |
A
Comparison Between a Descriptive Analysis of Leonard Bernstein's Mass and
the Critical Evaluations thereof |
Ph.D. |
1984 |
| Deimler |
Kathryn
George |
Quartal
Harmony: An Analysis of Twelve Piano Compositions by Twentieth Century Composers
by Kathryn George Deimler |
Ph.D. |
1981 |
| DelaRoche |
Elisa |
Hispanic
Theater in New York City: A Study of Three Companies--Intar, Puerto Rico
Traveling Theater Repertorio Español |
Ph.D. |
1990 |
| Dipalma |
Eleanor |
Liljan
Winfred Espenak: The Life and Work of an Early Pioneer in the Growing Profession
of Dance/Movement Therapy |
Ph.D. |
1993 |
| DiPrima |
John |
Towards
a Poetics of MonoDrama in Performance: The History and Analysis of Critical
Response to MonoDramas on the Stages of New York City from 1952-1996 |
Ph.D. |
1998 |
| Dodson |
Leon |
Adapting
Selected Compositions and Arrangements of Duke Ellington for the High School
Jazz Orchestra |
Ph.D. |
1979 |
| Douglas |
Rodney |
The
Concept and Practice of Mixed Racial Casting in New York Theatres and Other
Regions 1960-1990 |
Ph.D. |
2001 |
| Durakoglu |
Aysegul |
Contrapuntal
Lines and Rhythmic Organization in Selected Debussy Piano Etudes: A Structural
Analysis with Performance Implications |
Ph.D. |
1997 |
| Dzik |
Jonathan
F. |
An
Experiment Comparing Two Methods of Instruction to Determine Changes in
Attitudes of Selected High School General Music Students Toward Opera |
Ph.D. |
1976 |
| Eisman |
Lawrence
Warren |
The
Formulation and Testing of a Problem-Solving Approach to the Development
of Perceptive Listening Skills in Selected College Music Appreciation Classes |
Ph.D. |
1975 |
| Eliaz |
Eliran |
Transference
in Drama Therapy |
Ph.D. |
1989 |
| Estill |
Ann
H.M. |
The
Contributions of Selected Afro-American Women Classical Singers: 1850-1955 |
DA |
1982 |
| Fenn-Smith |
Jeremy |
Staging
Intersubjectivity: Queer Theory, Queer Theatre, Tony Kushner and Angels
in America |
Ph.D. |
2002 |
| Fermín |
Antonio |
The
Evolution of The Venezuelan Piano Waltz |
Ph.D. |
2000 |
| Ferrara |
Lawrence |
Referential
Meaning in Music: A Conceptual Model Based on the Philosophy of Martin Heidegger |
Ph.D. |
1978 |
| Figueroa |
Ivonne |
The
Musical Life of the Figueroa Sanabia Family |
Ph.D. |
1991 |
| Finetti |
Thomas |
An
Analytic Study of the Piano Music of Giovanni Sgambati |
Ph.D. |
1988 |
| Firestone |
Linda
A. |
"Memories
of Present Times Past": An Original Play about Women Past and Present
and an Analysis of its Creation |
Ph.D. |
1989 |
| Fishbaugh |
Ronald
L. |
Elements
of Romantic Tendency in Selected Keyboard Works of J.S. Bach: A Study with
References to the Visual Arts |
Ph.D. |
1978 |
| Folts |
Melvin
L. |
The
Relative Effect of Two Procedures, As Followed by Flute, Clarinet and Trumpet
Students while Practicing on the Development of Tone Quality and on Selected
Performance Skills: An Experiment in Student Use of Sound-Recorded Practice
Material |
Ed.D. |
1973 |
| Forinash
|
Michele |
A
Phenomenology of Music Therapy with the Terminally ILL |
DA |
1990 |
| Foster |
John |
The
Concept of Black Liberation Theology in the Plays of August Wilson |
Ph.D. |
2000 |
| Fowowe |
Moses
Oladipo |
A
Study of the Origins, Development and Significance of Southern Nigerian
Traditional Pottery |
Ph.D. |
1986 |
| Frank |
Gene |
The
Relationship between Myth and Historical Fact in Writing Plays about American
West: Two Examples of Original Scripts |
Ph.D. |
2000 |
| Friedman |
Michael |
Sorrow
as a Reflection of Chopin's Onto-Historical World in the Structure of his
Melodies: Analysis and Performance Guide |
Ph.D. |
2000 |
| Gangi |
Jane |
An
Examination of Interpretive Discourse in Selected Theories of Media Ecology
and Educational Theatre |
Ph.D. |
1995 |
| Gardenal
da Silva |
Fábio |
Brahms'
Piano Trio Op.8, In B Major: A Comparison between Early 1854 and Late 1891
Versions |
Ph.D. |
1993 |
| Gardner |
Carolyn |
Music
Therapy: Enhancing Communication between Family Caregivers and their Loved
Ones with Dementia |
DA |
1999 |
| Gartner |
Kenneth
Ralph |
The
Expansion of Pianism Since 1945 |
Ph.D. |
1979 |
| Gavalchin |
John
E. |
Temporality
in Music: a Conceptual Model Based on the Phenomenology of Paul Ricoeur
|
Ph.D. |
2000 |
| Geczy
|
Charles |
Contribution
by Steinway Family Members to the Technical and Acoustical Capabilities
of the Steinway Grand Piano |
Ph.D. |
1989 |
| Giardiniere |
David |
Voice
Matching: An Investigation into Vocal Matches, Their Effect on Choral Sound,
and Procedures of Inquiry Conducted by Weston Noble |
Ph.D. |
1991 |
| Gilvey |
John |
Gower
Champion as Director: An Analysis of his Craft in Four Broadway Musicals,
1961-1968 |
Ph.D. |
1996 |
| Glinsky |
Albert |
The
Theremin and the Emergence of Electronic Music |
Ph.D. |
1992 |
| Gold |
Michael |
The
Jazz Improvisations of the Tenor Saxophonist Warne Marsh: An Eclectic Analysis |
Ph.D. |
1995 |
| Gold
|
Edward |
On
The Significance of Franz Lehar's Operettas: A Musical Analytical Study |
Ph.D. |
1993 |
| Goldenzweig |
Hugo |
Selected
Piano Études of Frédéric Chopin: A Performance Guide |
Ph.D. |
1989 |
| Goldin |
Arianna |
Latvian
Composers in the United States and Canada: An Analytical Study with Suggestions
for Performance of their Instrumental Music |
Ph.D. |
1996 |
| Goldstein |
Joanna |
An
Analysis of Interpretation in Selected Recorded Performances of Beethoven's
Sonata, Opus III |
Ph.D. |
1985 |
| Gonzalez |
David |
Mythopoetic
Music Therapy: A Phenomenological Investigation into its Application with
Adults |
DA |
1992 |
| Gordon |
Barbara |
Maurice
Delage: A Stylistic Analysis of Selected Vocal Work |
Ph.D. |
1991 |
| Gottheim |
Vivian
I. |
Eve
of Saint John's Day: A Work in Words and Images Based on an Aesthetic Inquiry
into the Dramatic Dance Bumba-Meu-Boi as Presented in São Luís
of Maranhão, Brazil |
Ph.D. |
1984 |
| Gradone |
Richard
A. |
Enoch
Light (1905-1978): His Contributions to the Music Recording History |
Ph.D. |
1980 |
| Gribetz |
Gabriel |
The
Play as an Educational Event in Enhancing the Climate of an Inner City High
School |
Ph.D. |
1995 |
| Griffin |
Vesta |
The
Developing of a Rationale of a Music Program for Elementary Musically Gifted
Children |
Ph.D. |
1991 |
| Gross |
Tillie |
Parallels
in the Development of London's Royal Court, New York's Caffe Cino, and Café
La Mama from 1955 to 1969 |
Ph.D. |
1994 |
| Grossman |
Elayne |
An
Anthology of Selected Choral Music of the Jewish People for Developing Musicianship
in Grades 9 through 12 |
Ph.D. |
1986 |
| Guttman |
Hadassah |
Selected
Instrumental Works of Paul Ben-Haim: A Performance Guide |
Ph.D. |
1991 |
| Ha |
Young
Mi |
Characteristics
of Aaron Copland's American Style in Four Dance Episodes from Rodeo |
Ph.D. |
2000 |
| Habibian |
Maryam |
Iranian
Theatre In Exile: An Examination of Gholamhoseyn Sa'edi's Plays in Iran
and Abroad |
Ph.D. |
1993 |
| Hale |
Rebecca |
Le
Petit Théâtre du Vieux Carré of New Orleans, Louisiana:
1968 - 2001 |
Ph.D. |
2002 |
| Hammel |
Amy |
Singing
the Songs: A Qualitative Study of Music Therapy with Individuals Having
Psychiatric Illness as well as Histories of Childhood Sexual Abuse |
DA |
1995 |
| Hanson |
Laura |
Elements
of Modernism in the Musicals of Stephen Sondheim |
Ph.D. |
2001 |
| Hartung
|
Ulrich |
Die
Winterreise: An Argument for Performing the Cycle of Songs by Franz Schubert
in the Order of the Poems by William Mueller |
Ph.D. |
1992 |
| Havis |
Holly |
An
Interview Analysis Method Applied to an Investigation of Responses to the
Music of Philip Glass |
Ph.D. |
1991 |
| Heard |
Marcia |
Asadata
Dafora: the Origin of African Dance Traditions in American Concert Dance |
Ph.D. |
1999 |
| Heiland |
Teresa |
Intertwining
Choreography and Writing: a Qualitative Study of Writing Workshop Techniques
in a Dance Composition Class |
Ph.D. |
2001 |
| Heim |
Alyn
J. |
An
Experimental Study Comparing Self-Instruction with Classroom Teaching of
Elementary Rhythm Reading In Music |
Ph.D. |
1973 |
| Henry |
Mallika |
The
Player and the Playing: An Interperetive Study of Richard Courtney's Texts
on Learning Through Drama |
Ph.D. |
1999 |
| Hepner |
Lee
Alfred |
An
Analytical Study of Selected Canadian Orchestral Compositions at the Mid-Twentieth
Century |
Ph.D. |
1971 |
| Hinz |
Robert |
Aspects
of Harmony and Voice Leading in Four Solo Piano Performances by Clare Fischer |
Ph.D. |
1998 |
| Ho |
Dorian |
The
Solo Piano Music of Ma Shui-Long: A Performance Guide |
Ph.D. |
1989 |
| Hoffman |
Michael |
Fibonacci
Proportions in Composition: An Analysis of an Original Work for Jazz Orchestra |
Ph.D. |
1999 |
| Holden |
Jon |
Form
and Harmonic Techniques in the Two-Piano Works by Paul Bowles |
Ph.D. |
1995 |
| Holdridge |
Janice |
Music
in our Lives: A Naturalistic Study of Three High School General Music Classes |
Ph.D. |
1991 |
| Holliman |
Jamesetta
O. |
A
Stylistic Study of Max Reger's Solo Piano Variations and Fugues on Themes
by Johann Sebastian Bach and Georg Philipp Telemann |
Ph.D. |
1975 |
| Holsclaw |
Dennis |
A
Comparison of the Effectivness of a Theatre-in-Education Design and a Traditional
Didactic Design in an Alcohol Prevention Program: Changes in Self-Reported
Knowledge, Attitudes, and Motivations |
Ph.D. |
1996 |
| Holub |
Diane |
The
Actor Training Legacy of Sanford Meisner |
Ph.D. |
1994 |
| Hong |
You
Jin |
Catharsis
in Ritual and Theatre |
Ph.D. |
1992 |
| Horan |
Paul |
American
Opera in Higher Education: A Description of its Status at Selected Conservatories,
Colleges and Universities Offering a Bachelor's Degree |
Ph.D. |
1996 |
| Howard
|
Rubin |
The
Incorporation of Open Education Practices in Elementary Schools |
Ph.D. |
1985 |
| Hsu |
Madeleine |
Olivier
Messiaen, The Musical Mediator, and His Major Influences Liszt, Debussy,
and Bartok |
Ph.D. |
1984 |
| Hua |
Ivy |
The
Theme of Prejudice in Selected Plays from American Children's Theatre, 1956-1995 |
Ph.D. |
1999 |
| Huber |
Eugene
Robert |
Stephen
Sondheim and Horald Prince: Their Collaborative Contributions to the Development
of the Modern Concept Musical, 1970-1981 |
Ph.D. |
1990 |
| Huber |
Ralph
W. |
A
Qualitative Evaluation of an Interrelated Arts Course and a Comparison of
that Evaluation with a Quantitative Evaluation of the Same Course |
Ph.D. |
1983 |
| Hulton-Baker |
Robert |
Tibetan
Buddhist Drama |
Ph.D. |
1987 |
| Hwang |
In-Joo |
Aesthetic
Analysis of "Salpuri" Dance: Exemplar of Traditional Korean Dance |
Ph.D. |
1993 |
| Indenbaum |
Dorothy |
Mary
Howe: Composer, Pianist and Music Activist |
Ph.D. |
1993 |
| Inwood |
Mary |
"The
Long Christmas Dinner," by Paul Hindemith: An Eclectic Analysis |
Ph.D. |
1997 |
| Ito |
Sachiyo |
Origins
of Traditional Okinawan Dance |
Ph.D. |
1988 |
| Jew |
Kimberly |
The
Theatrical Experimentation of Elmer Rice |
Ph.D. |
1998 |
| Jones |
John
R.D. |
The
Choral Works of Undine Smith Moore: A Study of Her Life and Work |
Ph.D. |
1980 |
| Jones |
Joni |
The
Development of an African-Based Dramatic Structure |
Ph.D. |
1993 |
| Kane |
Nancy |
A
Formative Evaluation of Interactive MultiMedia Dance History Educational
Material: Nijinsky's "L'apres-Midi D'Un Faune" |
Ph.D. |
1996 |
| Kang |
Yunjoo |
The
Chopin Prelude Opus 28: An Eclectic Analysis with Performance Guide |
DA |
1994 |
| Kaplan |
Iris |
The
Experience of Pianists Who Have Studied the Alexander Technique: Six Case
Studies |
Ph.D. |
1994 |
| Kasayka |
Roseann |
To
Meet and Match the Moment of Hope: Transpersonal Elemants of the Guide Imagery
and Music Experience |
DA |
1991 |
| Kaufman |
Sula |
An
Approach to the Aesthetic Development of Young Children through the Folksong |
Ph.D. |
1979 |
| Kella |
John
Jake |
The
Development and Qualitative Evaluation of a Comprehensive Music Curriculum
for Viola, with an Historical Survey of Violin and Viola Instructional Literature
from the 16th through 20th Centuries, Including a Review of the Teaching
Concepts of William L |
Ph.D. |
1983 |
| Kellmann |
Rudolf
Hubert |
The
Development of a Music Education Program for Older Adults Suitable for Use
in Senior Citizens Centers, Retirement Homes, or Other Sites |
Ph.D. |
1984 |
| Key |
Nancy |
A
Narrative History of the Lake Charles Little Theatre, Lake Charles, Louisiana
from1927-1982 |
Ph.D. |
1987 |
| Kim |
Ji
Hun |
Compositional
Procedures in George Crumb's String Quartet Black Angels and Composition
of an Original String Quartet, Threnody for Victims of 9/11 |
DA |
2002 |
| Kim |
Jinsook |
An
Exploration of" Roles" in "Naerim Kut", The Korean Shaman
Initiation Rite |
Ph.D. |
1994 |
| Kim |
Juja |
The
Effects of Creative Dance Instruction on Creative and Critical Thinking
of Seventh Grade Female Students in Seoul, Korea |
Ed.D. |
1998 |
| Kim |
Mi
Hae |
Selected
Early Piano Sonatas of Alexander Scriabin: a Style Analysis |
Ph.D. |
2000 |
| Kim |
Paul
Sung |
Oliver
Messiaen's Catalogue d'Oiseaux for Solo Piano: A Phenomenological Analysis
and Performance Guide |
Ph.D. |
1989 |
| Kim |
Yuntae |
History
of Children's Theatre in Korea: from the Beginning to the Present Time,
1920-1998 |
Ph.D. |
1999 |
| Kirby |
Wayne
Joseph |
Electracoustically
Transmitted Sound as a Sculptural Medium |
Ph.D. |
1981 |
| Kivesto |
Lois |
The
Theatre of James Lapine: Playwright, Librettist, Director |
Ph.D. |
2001 |
| Klein |
Nancy
Kirkland |
The
Roots and Development of Public School Music in the State of Kentucky |
Ph.D. |
1986 |
| Kliszus |
Edward |
The
American Brass Quintet and Elliott Carter's Brass Quintet: Sound, Syntax
and Musical Expressivity |
Ph.D. |
2000 |
| Knott |
Barbara |
A
Study of Sandplay as a Drama Therapy Technique |
Ph.D. |
1994 |
| Knott |
Charles |
Archetypal
Enactment in Drama Therapy |
Ph.D. |
1995 |
| Kuo |
Chiang |
Images
of Masculinity in Contemporary American Drama: Albee, Shepard, Mamet and
Kushner |
Ph.D. |
1998 |
| Lajoie |
Stephen |
An
Analysis of Selected 1957 to 1962 Gil Evans Works Recorded by Miles Davis |
Ph.D. |
1999 |
| Lalama |
David |
The
Composition and Analysis of "Double Concerto for Saxophone and Piano" |
DA |
1998 |
| Lavender |
Larry |
Critical
Evaluation in the Choreography Class |
Ph.D. |
1994 |
| Laverty |
Mary
Ann |
Charles
H. Williams and the Hampton Institute Creative Dance Group and Their Use
of African Diasporic Dance 1934-1948 |
Ph.D. |
2003 |
| Lee |
Kangsoon |
Guidelines
for Creative Dance Instruction for Kindergarten Children in Korea |
Ph.D. |
1998 |
| Lee |
Myung-Sook |
The
Solo Piano Music of George Perle: A Performance Guide |
Ph.D. |
1991 |
| Lee |
Yeong-yee |
An
Analysis of the Relationship between Korean Art Songs and Traditional Korean
Vocal Music: A Unified Concept of Korean Music |
Ph.D. |
1989 |
| Lei |
Li |
The
Relevance of Newton's Laws and Selected Principles of Physics to Dance Techniques:
Theory and Application |
Ph.D. |
1999 |
| Leibowitz |
Leon |
The
Relationship of Continuation in Applied Music Study to Musical Aptitude,
Creativity and Scholastic Average in Four New York City Schools |
Ph.D. |
1978 |
| Lement |
Wendy |
Susanna
Rowson (1762-1824): Early American Dramatist, Actress and Educator |
Ph.D. |
2000 |
| Leshowitz |
Myron
H. |
A
Study of the Life and Work of Ferruccio Busoni and Analysis of His Waffentanz,
All Italia!, and Toccata for Use in Performance and Interpretation |
Ph.D. |
1979 |
| Lesser |
Joseph |
From
Street Comedian to Minsky's Burlesque: The Evolution of Burlesque Comedian
Joey Faye |
Ph.D. |
1987 |
| Levenherz |
Robin
|
Creating
a One-Woman Dramatic Autobiographical Monologue: Theoretical Principles
and a Sample Work |
Ph.D. |
1996 |
| Lewis |
Edward
L. |
A
Photographic Study of the Body Positions of Sixteen Trumpet Virtuosi While
Playing Selected Exercises |
Ph.D. |
1985 |
| Lien |
Mao-Shu |
An
Analysis and Performance Guide of Nikolai Sidelnikov's "America! It
is my love-Twelve Etude-Impressions for Piano Solo" |
Ph.D. |
2003 |
| Lindberg |
Patricia |
Theatre
for Young Audiences at Emerson College: An Historical Perspective of Contributions
to the Field of Educational Theatre |
Ph.D. |
1994 |
| Linton |
Michael
Roy |
George
Rochberg's Concord Quartets: An analysis of Grand Romanticism in the Twentieth
Century |
Ph.D. |
1987 |
| Lobalbo |
Anthony
Charles |
A
Performance Guide to Selected Piano Music of George Gershwin |
Ph.D. |
1982 |
| Loewy |
Joanne |
Music
Therapy Assessment: A Hermeneutic Inquiry in the Study of an Emotionally
Disturbed Boy |
DA |
1994 |
| Lowenborg |
Kim |
The
Effect of an Eclectic Approach on Middle School General Music Instruction |
Ph.D. |
1993 |
| Lubrecht |
Peter |
A
New Social Reality for Shakespeare: Teaching with Process Drama and Patrick
Tucker's Acting "Clues" |
Ph.D. |
2003 |
| Macahilig |
Suzanne |
A
Method for the Interpretation of Beethoven's Middle Period Piano Sonatas |
Ph.D. |
1992 |
| Mackenzie |
Donald
Matthew, Jr. |
The
Implications of Sir Herbert Read's Aesthetic Philosophy for Protestant Christian
Education Theory |
Ph.D. |
1978 |
| Maddox |
Robert
L. |
The
Construction and Validation of an Instrument to Measure Relevance Perceptions
in Band Students |
Ph.D. |
1973 |
| Mager |
Guillermo |
The
Status of Midi in the Curricula of Higher Education Institutions Offering
Degree Programs in Music |
Ph.D. |
1997 |
| Malave-Rodrigue |
Albanela |
Post
1945 Latin American Orchestral Art Music in Higher Education Music in General
Studies: A Proposed Curriculum for Colleges and Universities in New York
City |
Ph.D. |
1995 |
| Mamora |
Alfendy
Bontor |
The
Sacred Choral Music of Blythe Owen |
Ph.D. |
1979 |
| Maricle |
Sherrie |
An
Analysis of Concerto Pour Batterie Et Petite Orchestre by Darius Milhaud
and an Original Composition entitled Concertino for Solo Percussion and
Orchestra, with an Analysis and Performance Guide |
Ph.D. |
2000 |
| Maves |
Dale |
The
Art Song for Voice and Piano by Jean Coulthard: An Eclectic Analysis of
Selected Songs |
Ph.D. |
1996 |
| Maxwell |
Brian
Tracy |
The
Bloomsburg Theatre Ensemble, 1978-1998: Searching for a Community's Voice |
Ph.D. |
2000 |
| McCarren |
Paul |
Several
Teaching Manuals for Stage Acting Reinterpretated with the Help of the Spiritual
Exercises of Ignatius Loyola |
Ph.D. |
1990 |
| McEniry |
Deborah |
NYU
Summer Musical Theatre Program |
Ph.D. |
1990 |
| McGarry |
Frances |
A
History of the Young Playwrights Festival: the First Decade (1981-1991) |
Ph.D. |
2001 |
| McKinley |
Lily |
Stylistic
Development in Selected Symphonies of William Schumann: A Comparison of
Symphonies Numbers 3 and 9 |
Ph.D. |
1977 |
| Meissner |
Marla |
An
Aesthetic Inquiry into the Use of Lenape Indian Music in an Original Composition |
Ph.D. |
2000 |
| Menikoff |
Howard |
The
Relationship between the Bread and Puppet Theater and the Community of Glover:
As Exemplified by the Annual Domestic Resurrection Circus |
Ph.D. |
1992 |
| Miller |
Elizabeth |
Meditations
on Public Performance and Pregnancy: a Feminist Dance Analysis |
Ph.D. |
2002 |
| Miller |
Helen |
Macbeth
in Performance in the Twentieth Century: a Promptbook Examination of Stagings
by Four Directors over Half a Century -- Orson Welles, Glen Byam Shaw, Trevor
Nunn and Richard Jordan |
Ph.D. |
2002 |
| Miller |
Scott |
Starting
where the Teachers are: Teachers and their Program Leader Experience a Drama
Staff Development Program |
Ph.D. |
1999 |
| Mirrione |
James |
An
Examination of the Writing Process in Theatre-In-Education Plays |
Ph.D. |
1991 |
| Missiras |
Michael |
Reference,
Syntax, and the Compositional Process in Film Music |
Ph.D. |
1998 |
| Montalvo |
José |
Hector
Campos Parsi, His Life and Music: A Biographical Study with an Analysis
of Four Selected Works |
Ph.D. |
1992 |
| Montello |
Louise |
Utilizing
Music Therapy as a Mode of Treatment for Performance Stress of Professional
Musicians |
DA |
1989 |
| Montgomery |
Michael
F. |
A
Critical Analysis of the Modulations of W.A. Mozart in Selected Late Instrumental
Works |
Ph.D. |
1975 |
| Monty |
Rudy
A. |
Percussion
Method Books Used in Selected U.S. Public Schools: Analysis and a Supplemental
Guide for the Non-Percussionist Band Director |
Ph.D. |
1986 |
| Moore |
Kevin
Morris |
Linearity
of Voice Structure in Selected Works of Frédéric Chopin and
its Implications in Performance |
Ph.D. |
1978 |
| Morris |
Andréa
Helena |
A
Comparitve Study of the Development and Status of String Instrumental Music
Programs in the Public School System of Three Selected Eastern American
Cities |
Ph.D. |
1983 |
| Morrow |
Craig |
Franz
Liszt's Life and Music: A Dramatic Monodrama Piano Recital as Alternative
to the Traditional Piano Recital |
Ph.D. |
1993 |
| Munoz
de Fronte |
Nelida |
A
Study of Selected Nineteenth Century Puerto Rican Composers and their Musical
Output |
Ph.D. |
1988 |
| Nagler |
Joseph |
Children
in Crisis: Interventions through Music Therapy and Digital Music Technologies |
DA |
1993 |
| Naugle |
Lisa |
A
Study of On-line Collaborative Choreography Using Lifeforms and Internet
Communication |
Ph.D. |
2001 |
| Newhouse |
John |
An
Examination of Closed-Circuit Television Intergrated into Avant-Garde Theatre
Performance |
Ph.D. |
1988 |
| Nie |
James |
"Developing
Variation" in Brahms' Scherzos and Scherzo Substitutes |
Ph.D. |
2003 |
| Nordgren |
Elliot
Alfred |
An
Analytical Study of the Songs of Theodore Chanler (1902-1961) |
Ph.D. |
1980 |
| Nucci |
Annamaria |
The
Use of Music in Individual Psychotherapy |
Ph.D. |
1977 |
| Nutter |
Linda
Jean |
An
Eclectic Method for the Analysis of Concert Dance Forms: Adaptation, Application
and Assessment |
Ph.D. |
2000 |
| O'Donohue |
Deirdre |
The
Concept of Unity and Uniqueness in the Multi-Movement Works of Beethoven:
An Analysis of the Selected Piano Sonatas- Opus 31, No.3 and Opus 57 |
Ph.D. |
1987 |
| Oliva |
Giacomo
Mario |
Music
Curriculum Articulation for the Morris Hills Regional Dustrict Rockaway,
New Jersey |
Ph.D. |
1980 |
| Olson |
Karen |
The
Solo Viola's Role in Berlioz's Harold in Italy |
Ph.D. |
1999 |
| O'Neil |
Jane |
"The
Glass Menagerie" on the Broadway Stage (1945-1983) Major Interpretations
and Critical Responses |
Ph.D. |
|
| Osisek |
John |
Black
Humoor in the Farces of Joe Orton: Redefinition of a Classic Genre |
Ph.D. |
1992 |
| Palmer |
Carleton |
Field
- Dependence - Independence, and Differential Memory for Pictures and Words |
Ph.D. |
1977 |
| Park |
Youngae |
Analysis
of Two of Doris Humphrey's Dances: Implications for Choreographer-Composer
Collaboration |
Ph.D. |
1993 |
| Parsons |
Robert |
Analysis
of Igor Stravinsky's Dumbarton Oaks Concertoand
the Creation of an Original Work for Chamber Orchestra |
Ph.D. |
2003 |
| Paulmann |
John
Donohue |
A
Twentieth Century Application of Harold Adams Innis's Theory of Media Bias
Based on an Historical Evaluation of Disc abd tape Media in the Sound Recording
Industry, Vol. 1,2 & 3 |
Ph.D. |
1985 |
| Pejrolo |
Andrea |
The
Origins of Modal Jazz in the Music of Miles Davis: a Complete Transcription
and a Linear/Harmonic Analysis of Ascenseur Pour l'Echafaud (Lift to the
Scaffold) - 1957 |
Ph.D. |
2001 |
| Pellegrino |
Vincent |
The
Masks as a Means of Supporting Health Professionals Who Work with People
with Aids |
Ph.D. |
1992 |
| Petito |
Sue |
The
Piano Works of Luigi Dallapiccola (1904-1975): An Analysis for Performance |
Ph.D. |
1989 |
| Petruzzi |
Leon |
Lead
Trumpet Performance in the Thad Jones/Mel Lewis Jazz Orchestra: An Analysis
of Style and Performance Practices |
Ph.D. |
1993 |
| Pickering |
Charles
Kilbourn |
An
Experiment to Develop and Evaluate an Individualized Instructional Program
for A College Level Introductory Music Course |
Ph.D. |
1976 |
| Poppiti |
Kimberly |
Pure
Air and Fire: Horses and Dramatic Representations of the Horse on the American
Theatrical Stage |
Ph.D. |
2003 |
| Port |
Dennis
W. |
An
Analysis of the Neo-Romantic Choral Music of John Ness Beck |
Ph.D. |
1987 |
| Post |
Nora |
The
Development of Contemporary Oboe Technique |
Ph.D. |
1978 |
| Prestamo |
Manuel |
The
Role of Artistic Administrators in the Artistic Decisions of American Symphony
Orchestras |
Ph.D. |
1995 |
| Pucciani |
Donna |
Olga
Samaroff (1882-1948), American Musician and Educator |
Ph.D. |
1979 |
| Ramsey |
David |
The
Restoration of Communal Experiences During the Music Therapy Process with
Non-fluent Aphasic Patients |
DA |
2002 |
| Ramsier |
Paul |
An
Abstract of an Analysis and Comparison of the Motivic Structure of Octandre
and Integrales, Two Instrumental Works by Edgard Varese |
Ph.D. |
1972 |
| Rasheed |
Nefretete |
A
Biographical and Critical Investigation of the Stage Plays of Joseph A.
Walker |
Ph.D. |
1995 |
| Rasmindarya |
Richard
Issachar |
The
Evolution of the Indonesian Art Song: a Historical Study of a New Musical
Form in the Indonesian Music Repertoire |
PhD |
1999 |
| Rayner |
William |
Canticum
Sacrum Ad Honorem Sancti Marci Nominis (1955), by Igor Stravinsky: An Analysis
Accompanied by an Original Composition |
Ph.D. |
1997 |
| Reeves |
David |
Selected
Songs of Charles T. Griffes: An Examination of the Relationship between
Words and Music |
Ph.D. |
1989 |
| Reich |
Nancy
B. |
A
Commentary on and a Translation of Selected Portions of Vertraute Briefe
Geschrieben Auf Einer Reise Nach Wien und den Oesterreichischen Staaten
zu Ende Des Jahres 1808 und zu Anfang 1809 |
Ph.D. |
1972 |
| Rifkind |
Bryna |
The
Palo Alto Children's Theatre (1932-1997): Theatre by and for Children |
Ph.D. |
1998 |
| Rijnbout |
Frans |
The
"New Woman" in Plays by Harley Granville Barker and His Contemporaries |
Ph.D. |
1997 |
| Riley-Butler |
Kathleen |
Understanding
Interpretive Nuance in Piano Performance through Aural/Visual Feedback |
Ph.D. |
2000 |
| Riva |
Douglas
J. |
The
Goyescas for Piano by Enrique Granados: A Critical Edition |
Ph.D. |
1982 |
| Rizzo |
Jacques
C. |
Written
Jazz Rhythm Patterns: A Series of Original Accompanied Wind Instrument Duets
of an Intermediate Degree of Difficulty with Suggestions for their Performance |
Ph.D. |
1978 |
| Robbins |
Bonnie |
The
Effectiveness of Movement Strategies in Reductive Physically Aggressive
Behaviors in Five to Twelve Year Old Children Hospitalized for Severe Conduct
Disorders |
Ph.D. |
1988 |
| Robertson |
Patricia |
The
Role of Singing in the Christian Science Church: The Forming of a Tradition |
Ph.D. |
1996 |
| Robinson-Oturu |
Gail
M. |
The
Life and Legacy of Todd Duncan: a Biographical Study |
Ph.D. |
2000 |
| Rosenblum |
Myron |
Contributions
to the History and Literature of the Viola D'Amore: A Translation and Expansion
of Werner Eginhard Kohler's "Beiträge zur Geschichte und Literatur
Der Viola D'Amore" |
Ph.D. |
1976 |
| Rosenhaus |
Steven |
Harmonic
Motion in George Perle's Wind Quintet no. 4 |
Ph.D. |
1995 |
| Rubinstein |
Bat-Sheva |
A
Model for Developing Advanced Level Aural Cognition Focused on the Melodic
Elements in Selected Twentieth Century Music |
Ph.D. |
1989 |
| Sanchez-Escuer |
Alejandro |
Interpretation
of Extended Techniques Flute Solo Compositions by Mexican Composers: Analysis
and Performance Recommendations |
Ph.D. |
1995 |
| Sanders |
David |
The
Professional Preparation of the Audio Engineer: A Study of Studio Personnel
and Recommendations for School Curricula Design |
Ph.D. |
1994 |
| Sannuto |
John |
On
Contemporary Musical Dance Theatre: The Creation and Production of an Original
Work |
DA |
1997 |
| Sawyer |
Jacqueline |
Dance
Education at Risk in New York City Public Schools: A Study of Early Childhood
Teachers' Use of Creative Dance in the Curriculum |
Ph.D. |
1996 |
| Scarborough |
Cindy |
Creation
and Performance of Six Original Works by Six Choreographers Danced by One
Soloist Enhanced by Video Introduction for Analysis of Audience Perceptions |
Ph.D. |
1990 |
| Scheidemantle |
Cheryl |
The
Violin Works of Fritz Kreisler: An Analysis and Performance Guide |
Ph.D. |
1999 |
| Schelling |
Joyce
E. |
Towards
a Poetics of Selected Space Fiction Novels of Doris Lessing |
Ph.D. |
1987 |
| Schenk |
Elaine |
Musical
Meaning in the Philosophy of Gabriel Marcel |
Ph.D. |
1994 |
| Schneck |
Carolyn |
An
Investigation of the Music Performances during Concert Seasons 1979-1980
Through 1983-1984 in the Grace Rainy Rogers Auditorium of the Metropolitan
Museum of Art |
Ph.D. |
1987 |
| Schraft |
Robin |
An
Investigation of Computer-Aided Theatrical Scenic and Lighting Design |
Ph.D. |
1987 |
| Schroeder |
David |
The
Composition, Analysis and Recording of the Works: "Buster Keaton,"
"Big Mac Left Town," Patience of Saint,"Oneself," and
"The Path" |
DA |
1993 |
| Schulze-Johnson |
Virginia |
Boehm's
Cylindricial Flute of 1847: A Study of its Evolution, its Improved Performance
Characteristics, and its Major Proponents |
Ph.D. |
1992 |
| Sella |
David |
An
Application of Selected Body Structure and Postures of the Human Body to
the Fundamentals of Cello Technique |
Ph.D. |
1980 |
| Sharon |
Robert
B. |
A
Performance Guide to the Variations and Fugue on a Theme by Handel for piano
opus 24 by Johannes Brahms |
Ph.D. |
1981 |
| Sheffet |
Alice |
Pedaling
in the DVO Sonatas for Piano and Strings of Johannes Brahms |
Ph.D. |
1987 |
| Sherman |
Andrea |
An
Exploration of Intergenerational Relations through Dance between Profoundly
Deaf Individuals Who Are "Total Communicators" |
Ph.D. |
1993 |
| Shiffers |
Judith
L. |
An
Analysis of Selected Cello Compositions by Israeli Composers: The Synthesis
of East and West |
Ph.D. |
1981 |
| Sigal |
Harriet
F. |
The
Concert Vocal Works of Dominick Argento: A Performance Analysis |
Ph.D. |
1983 |
| Sinfelt |
Klaus |
An Ontological
Study of an Electroacoustic Entity: The Causality, Being, and Poiesis of
Gesang derJünglinge |
Ph.D. |
2003 |
| Smith-Allen |
Marytha |
The
Art of Eva Hesse, Mel Bocher and Vito Acconi as Indicative of Shifts in
Mainstream Art Between 1966 and 1973 |
Ph.D. |
1983 |
| Smithner |
Nancy |
Directing
the Acting Ensemble: Meredith Monk, Elizabeth LeCompte, and Anne Bogart |
Ph.D. |
2002 |
| Sorce |
Richard |
An
Investigation of Compositional Techniques in the Orchestral Works by Edward
MacDowell |
Ph.D. |
1991 |
| Spencer |
Richard |
Inferring
Augusto Boal's Early Conceptualizations about the Elements of Drama for
Forum Theatre |
Ph.D. |
2001 |
| Steinberger |
Karl
T. |
A
Performance Analysis of Five Recital Works for Euphonium |
Ph.D. |
1980 |
| Stenson |
John
F. |
Performance
problems in the Concert Arias of Mozart for the Tenor Voice |
Ph.D. |
1982 |
| Strauman |
Edward |
An Analysis
of Dance Suite for Orchestra by Béla Bartók and an Analysis
of an Original Dance Suite for Jazz Orchestra: Listen with Your Feet |
Ph.D. |
2002 |
| Summerfield |
Judith
Fishman |
Narrative
Compositions: An Exploration of Narrative in the Teaching of College Composition |
Ph.D. |
1986 |
| Sunico |
Raul |
Selected
Philippine Piano Concerti: A Performance Guide |
Ph.D. |
1992 |
| Sykes |
Joyce |
Drama
Therapy as a Treatment Modality for Facilitating the Completion of Unfinished
Business with Terminally ILL Adult Cancer Patients in a Hospice Setting:
Three Case Studies |
Ph.D. |
1997 |
| Sykora |
Wynifred |
An
Application of William Jame's Theories of Experience, Belief and Truth to
the Listening Process and the Evaluation Musical Experience |
Ph.D. |
1995 |
| Taylor |
Philip |
Our
Adventure of Experiencing: Drama Structure and Action Research in a Grade
Seven Social Studies Classroom |
Ph.D. |
1992 |
| Tepsic |
Martha |
Bread
and Tickets: An Histrorical Study of the Dance Events at Lewisohn Stadium,
1925-1945 |
Ph.D. |
1994 |
| Thomas |
Alison |
Stravinsky's
Sérénade en La: Structure and Performance |
Ph.D. |
2001 |
| Thomson |
Lynn |
Magnificent
Irreverence: George S. Kaufman's Strategies for Satire |
Ph.D. |
1996 |
| Tichy |
Charles |
The
First Seventy Years of Professional Theatre on Omaha, Nebraska |
Ph.D. |
1988 |
| Tick |
Michael |
Trinity
Repertory Company: The First Twenty Years |
Ph.D. |
1997 |
| Tolley |
John |
The
Development of the Ministry of Drama at First Presbyterian Church, Fort
Wayne, Indiana, 1968 -1988 |
Ph.D. |
1992 |
| Tomaino |
Concetta |
Music
on their Minds: A Qualitative Study of the Effects of Using Familiar Music
to Stimulate Preserved Memory Function in Persons with Dementia |
DA |
1998 |
| Tomaro |
Robert |
Contemporary
Compositional Techniques for the Electric Guitar in United States Concert
Music |
Ph.D. |
1994 |
| Torok |
Debra |
Paul
Hindemith's Ludus Tonalis: Analysis and its Performance Implications |
Ph.D. |
1993 |
| Townsend |
Alfred
S. |
Unity
and Variety in A Dylan Thomas Trilogy by John Corigliano (1938- ) |
Ph.D. |
1985 |
| Tyler |
Tyrone
W. |
A
Survey of Professional Preparation Programs in Music in Predominantly Black
Publicly Supported Institutions of Higher Learning in the Southwestern States |
Ph.D. |
1978 |
| Vallis |
Richard |
A
Study of Late Baroque Instrumental Style in the Piano Concertos of Brahms |
Ph.D. |
1978 |
| Van
Houten |
Karen |
High
School Musical Theatre and the Meaning Students Give their Involvement |
Ph.D. |
1999 |
| Villarini |
Awilda |
A
Study os Selected Puerto Rican Danzas for the Piano |
Ph.D. |
1979 |
| Villegas |
Alma |
The
Origins, Development and Process of Teatro Escambray in Cuba From 1968 to
1985 |
Ph.D. |
1995 |
| Vojta |
Barbara |
In
Praise of African-American Women: Female Images in the Plays of Alice Childress |
Ph.D. |
1993 |
| Von
Deck |
Marvin
L. |
Gustav
Mahler in New York: His Conducting Activities in New York City, 1908-1911 |
Ph.D. |
1973 |
| Walther |
Suzanne |
The
Form of Content: The Dance Drama of Kurt Joos |
Ph.D. |
1990 |
| Warfield |
Jean |
Christina's
Opera: A Full-Length Ballad Opera about Christina, Queen of Sweden |
Ph.D. |
1988 |
| Washington |
Paula |
Effects
of Behavior Rehearsal Training on the Brainwave Patterns and Performance
of Chamber Music Instrumentalists |
Ph.D. |
1993 |
| Waters |
Andrew |
Steve
Swallow: Electric Bass Innovator with Analysis of Selected Works |
Ph.D. |
2003 |
| Weidenaar |
Reynold |
The
Telharmonium: A History of the First Music Synthesizer, 1893-1918 |
Ph.D. |
1995 |
| Weiner |
Lowell |
The
Unaccompanied Clarinet Duet Repertoire From 1825 to the Present: An Annotated
Catalogue |
Ph.D. |
1980 |
| Welsh-Asante |
Kariamu |
Zimbabwean
Dance: An Aesthetic Analysis of the "Jerusarema" and "Muchongoyo"
Dances |
DA |
1993 |
| Weston |
Francine |
A
Comparison of Computerized Stage Lighting Memory Systems with Non-Computerized
Systems |
Ph.D. |
1991 |
| White |
Jack
O. |
Renold
Otto Schilke: His Contributions to the Development of the Trumpet |
Ph.D. |
1980 |
| Whitlock |
Prentice
Earle |
An
Abstract of the Analysis, Development of Form, and Interpretation of The
Epistle Sonatas of Wolfgang Amadeus Mozart |
Ph.D. |
1984 |
| Williamson |
Michael |
An
Original Work for Jazz Orchestra: With a Comparitve Analysis to Works by
Duke Ellington and Thad Jones |
DA |
1998 |
| Wilson
|
Ernest
Gerald |
The
Christian and Missionary Alliance: Development and Modifications of its
Original Objectives |
Ph.D. |
1984 |
| Wischner |
Claudia |
The
Storytelling Experience: How Selected Contemporary Storytellers Perceive
their Art |
Ph.D. |
1991 |
| Woertendyke |
Ruis |
The
Character of Abraham Lincoln as He Has Been Portrayed in the American Theatre
from 1861-1987 |
Ph.D. |
1991 |
| Wu |
Ingrid |
An
Examination on Undergraduate Music Curricula of Higher Education in Taiwan |
Ph.D. |
1987 |
| Wurst |
Patricia
Ann |
A
Study of the Baroque Oboe and Baroque Performance Practice as Applied to
the Preparation of Performance Editions of Three Cantatas from Der Harmonische
Gottesdienst by Georg Phillip Telemann |
Ph.D. |
1981 |
| Yap |
Oak-Joo |
Shakespeare's
Henry IV Parts One and Two on the New York Stage, 1761-1991 |
Ph.D. |
1999 |
| Yeh |
Chingwen |
Applications
of Taoist Principles and Practices in the Evolution of American Modern Dance |
Ph.D. |
2001 |
| Yim |
Celine |
"Interpretivism"
as used by Denzin and Lincoln for the Interpretation of Rachmaninoff Variations
on a Theme of Corelli, Op.42 |
Ph.D. |
2003 |
| Yoon |
Hae |
Two
String Works as a key to the Development of Ellen Taaffe Zwilich's Compositional
Style |
Ph.D. |
1997 |
| York |
Judith |
New
York City's Arts Partners: Teachers and Artists as Effective Partners for
Arts Education |
Ph.D. |
1990 |
| Yoshida |
Mariko |
The
Use of Process Drama to Promote Literate and Aesthetic Engagements with
American Literature in a Japanese College Classroom |
Ph.D. |
2003 |
| Yun |
Elise |
Alexander
Scriabin's Late Piano Poems: Language, Thought and Performance |
Ph.D. |
1998 |
| Zak |
Albert |
Paderewski's
Theme Varie OP.16, NR.3: An Eclectic Analysis |
DA |
1999 |
| Zilber |
Michael |
The
Composition of Music and Lyrics for the Music Drama "Summer of the
Black Sun" and Accompanying Chronicle of Collaborative Process for
Same |
DA |
1999 |