TOPICS
Introduction to the Course
Course Description
Course Objectives
Establishing Your Internet Account
Using E-mail for Class
CLASSICISM IN MUSIC
"Re-Discovering" Greece
Baroque Style Contrasted
Ideals of Classical Western Art
A Moment of Confluence
PRELUDE TO THE CLASSIC PERIOD IN MUSIC
Models and Styles
Synthesis of Diverse Practices
ASCENDANCY of INSTRUMENTAL MUSIC
Multi-Movement Forms
Instrumental Development
Aristocracy Replaces the Church as Patron of the Arts
City States and Public Concerts
Musician as Entrepreneur
Stabilizing of Orchestra
- Mannheim
- Vienna
- Milan
- London
- Paris
The Classical Orchestra
The Development of the Pianoforte
Solidification and Expansion of Tonality
18TH CENTURY MUSIC AND THE INTERNATIONAL SCENE: THE WESTERN WORLD AT MID-CENTURY
Germany and Northern Europe
- Carl Philip Emanuel Bach (1714--1788)
- Johann Gottlieb Graun (1703-1771)
- Johann Christian Bach (1735-1782)
- Johann Stamitz (1717-1757)
- Franz X. Richter (1709-1789)
- Christian Cannabich (1731-1798)
- Ignatz Holzbauer (1711-1783)
- Mathias Monn (1717-1750)
- Georg Christoph Wagenseil (1715-1777)
- Wilhelm Friedman Bach (1710-1784)
France
- Francois Couperin (1668-1733)
- Jean-Philipe Rameau
Italy
- Guiseppe Tartini (1692-1770)
- Giovanni Battista Sammartini (1701-1775)
- Domenico Scarlatti (1685-1750)
- Giovanni Platti (1690-1763)
- Giovanni Rutini (1723-1797)
- Domenico Cimarosa (1749-1801)
- Giovanni Paisiello (1740-1816)
- Giovanni Guiseppi Cambini (1746-1825)
England
- Ballads
- Music and Musicians as Imports (Handel and "The Beggar's Opera")
- The London Concert Scene
Russia
- Russian Connection to France
America and The Colonies
European "Chauvinism"
FRANZ JOSEPH HAYDN (1732-1809)
WOLFGANG AMADEUS MOZART (1756-1791)
The Young Genius
Master and Innovator
Mozart's Contributions to All Genre
VARIATION AND DEVELOPMENTAL TECHNIQUES
Techniques for Development
- importance of melodic and rhythmic motives
- repetition and sequence
- fragmentation
- diminution
- augmentation
- retrogression
- tonality and modulation
- harmonic variation
- rhythmic transformation
Theme and Variation
THE SONATA
THE SYMPHONY
Sinfonia
The Three Movement Symphony
Orchestral Quartets
The Symphony Comes of Age
THE CONCERTO
Concerto Grosso
The Emergence of the Solo Concerto
VOCAL MUSIC AND OPERA
Mozart's Operas
Haydn's Songs
The Oratorio
Opera as a Growing Force
CHAMBER MUSIC
Trio
Divertimento
String Quartet
HIGH CLASSICISM: A BRIEF MOMENT OF DISTILLATION
Elements of Classical Style
Style and Form
ROOTS OF ROMANTICISM
The emergence of the dramatic in the sonata and symphony
Discovery of the "real Shakespeare"
Links to the Baroque and Empfindsamkeit
LUDWIG VAN BEETHOVEN (1770-1827)
The First Symphony as a Point of Departure: "Good-bye to Classicism"
The Eruption of the Tonal System
THE FRAGILE CONFLUENCE DISSOLVES
A return to unity of mood
The Nurturing of Extremes
The Loss of Restraint
The Striving for the Grand
Political Turmoil and the death of Aristocracy
The American Revolution
The French Revolution
Course Assignments
Book Assignments
Term Project
Class Projects Underway
Evaluation
Policy on Incompletes
References
Book Abstracts
Discography