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The cathedral was the great corporate enterprise of the Gothic period. Architects, masons, sculptors, glaziers, metalworkers, and other artisans were employed to create structures that were meant to symbolize the eternal, the Heavenly City on earth. Gothic architects were able to build to unprecedented heights by employing three major structural principles/elements -- the pointed arch, the rib vault, and the flying buttress-creating a seemingly weightless, transparent architecture in which nearly every line is a vertical one, and light, space, and stone interact in complex ways. Light was associated with divinity in medieval theology, and the Gothic cathedral provided a framework for hundreds of stained glass windows containing imagery from the Old and New Testament or the lives of the saints.

The Cathedral Church of Saint John the Divine was begun according to a design based on Byzantine and Romanesque architecture by the firm of Heins and LaFarge. When Ralph Adams Cram took over the project, he transformed the Cathedral into a Gothic structure. Work continues on the cathedral today, notably on the portal, whose sculpture is Gothic in style and symbolism but with the addition of imagery reflecting the church's urban New York setting.

List of Plates:

Lecture 10/8 - Cathedral of St. John the Divine, founded 1892; designed by Heins and LaFarge, and Ralph Adams Cram
 
1. Aerial view, showing crossing dome
2. Plan of the cathedral
3. West facade, showing sculpted portals and rose window
4. Detail of West facade, showing central portal with Christ in Majesty in tympanum
5. Detail of St. Peter, from the trumeau of the North portal
6. Saints Lawrence, Vincent, Joan of Arc, and Denis, from the jambs of the North portal
7. Rose window of the West facade
8. Nave piers
9. Stained glass lancet window from the nave
10. View into crossing and choir from the nave
11. The choir
12. View into choir and apse vault