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The eighteenth century, often dubbed the Age of Enlightenment, is characterized by significant scientific investigation and technological invention. England and France were the primary centers of this activity, and the prominent thinkers of this period included Newton, Locke, and Diderot. A renewed belief in human progress and perfectibility accompanied the rise of cities and the growth of industrialization

and an urban working class. None of these changes, however, is visible in Rococo art, a style associated primarily with the aristocracy. The Rococo (ca. 1700/15 - 1775) emerged in France, where aristocratic taste for witty repartee and sensuous frivolity found a counterpart in an artistic style featuring pastel colors, lush settings, ample, elegant figures, and scenes of amorous intrigue and sensual intimacy. The Rococo style was used for the decoration of interior spaces, and the Parisian h™tels and country chateaux where (primarily female) Rococo patrons held salons and insulated themselves from growing social unrest were planned and conceived as total works of art. Paintings and sculpture as well as furniture and other accessories were combined to create sumptuous environments; the Boucher and Fragonard rooms at the Frick Collection give a sense of the effect of a typical Rococo interior.

List of Plates:

11/5 - The Frick Collection
 
1. Giovanni Bellini, St. Francis in Ecstasy, tempera and oil on panel, ca. 1480 (Italian Renaissance)
2. Hans Holbein the Younger, Sir Thomas Moore, oil on panel, 1527 (Northern Renaissance)
3. Agnolo Bronzino, Lodovico Capponi, oil on panel, ca. 1550-55 (Mannerism)
4. El Greco, St. Jerome, ooc, 1590-1600 (Mannerism)
5. Georges or Etienne de la Tour, The Education of the Virgin, ooc, ca. 1650 (French Baroque)
6. Rembrandt van Rijn, The Polish Rider, ooc, ca. 1655 (Dutch Baroque)
7. Rembrandt van Rijn, Self-Portrait, ooc, 1658 (Dutch Baroque)
8. Jan Vermeer, Mistress and Maid, ooc, ca. 1665-70 (Dutch Baroque)
9. Francois Boucher, The Arts and Sciences (eight panels), ooc, 1750-52 (Rococo) Architecture and Chemistry; Painting and Sculpture; Astronomy and Hydraulics; Poetry and Music; Fowling and Horticulture; Fishing and Hunting; Comedy and Tragedy; Singing and Dancing
10. Francois Boucher, The Four Seasons (four canvases), ooc, 1755 (Rococo) Spring; Summer; Autumn; Winter
11. Jean-Honore Fragonard, The Progress of Love, ooc, 1771-73 (Rococo) The Pursuit; The Meeting; The Lover Crowned; Love Letters; Reverie; Love Triumphant; Love the Avenger; Love the Jester; Love the Sentinel; Love Pursuing a Dove
12. Thomas Gainsborough, Mall in St. James Park, ooc, 1783 (English Rococo/Romanticism)
13. Gilbert Stuart, George Washington, ooc, 1795-96 (American; Federalist Period)
14. J. M. W. Turner, The Harbor of Dieppe, ooc, 1826? (Romanticism)
15. J. M. W. Turner, Cologne: The Arrival of a Packet Boat: Evening, oil and possibly watercolor on canvas, 1826 (Romanticism)
16. John Constable, Salisbury Cathedral from the Bishop's Garden, ooc, 1826 (Romanticism)**
17. Jean-Auguste-Dominique Ingres, The Comtesse D'Haussonville, ooc, 1845 (Neoclassicism)
18. Edgar Degas, The Rehearsal, ooc, 1878-79 (Impressionism)
19. James Abbot McNeill Whistler, Robert, Comte de Montesquiou-Fezensac, ooc, 1891-92 (American Impressionism)
20. James Abbot McNeill Whistler, Lady Meux, ooc, 1881 (American Impressionism)
21. James Abbot McNeill Whistler, Mrs. Frederick R. Leyland, ooc, 1872-73 (American Impressionism)
 
ooc = oil on canvas
**STUDENTS, PLEASE NOTE: As part of a special exhibition at the Frick from Sept. 21st through December 31st entitled, "Constable's Salisbury Cathedral: Two Versions Reunited," the Metropolitan Museum of Art's painting by John Constable, Salisbury Cathedral from the Bishop's Grounds, ooc, ca. 1824-25, will be on display next to the Frick's version of this subject so that viewers may examine these two works side-by-side and compare them.
Related links:

The Frick Collection