List
of Plates:
| 11/5
- The Frick Collection |
| |
| 1.
Giovanni Bellini, St. Francis in
Ecstasy,
tempera and oil on panel, ca. 1480 (Italian
Renaissance) |
| 2.
Hans Holbein the Younger, Sir
Thomas
Moore, oil on panel, 1527 (Northern
Renaissance) |
| 3.
Agnolo Bronzino, Lodovico
Capponi,
oil on panel, ca. 1550-55 (Mannerism) |
| 4.
El Greco, St. Jerome, ooc,
1590-1600
(Mannerism) |
| 5.
Georges or Etienne de la Tour, The Education
of the Virgin, ooc, ca. 1650 (French
Baroque) |
| 6.
Rembrandt van Rijn, The Polish
Rider,
ooc, ca. 1655 (Dutch Baroque) |
| 7.
Rembrandt van Rijn, Self-Portrait,
ooc, 1658 (Dutch Baroque) |
| 8.
Jan Vermeer, Mistress and
Maid, ooc,
ca. 1665-70 (Dutch Baroque) |
| 9.
Francois Boucher, The Arts and
Sciences
(eight panels), ooc, 1750-52 (Rococo) Architecture
and Chemistry;
Painting and Sculpture; Astronomy and Hydraulics;
Poetry
and Music; Fowling and Horticulture; Fishing and
Hunting; Comedy and
Tragedy;
Singing and Dancing |
| 10.
Francois Boucher, The Four
Seasons
(four canvases), ooc, 1755 (Rococo) Spring; Summer;
Autumn;
Winter |
| 11.
Jean-Honore Fragonard, The
Progress
of Love, ooc, 1771-73 (Rococo) The Pursuit; The
Meeting;
The Lover Crowned; Love Letters; Reverie; Love
Triumphant;
Love the Avenger; Love the Jester; Love the
Sentinel; Love
Pursuing a Dove |
| 12.
Thomas Gainsborough, Mall in St.
James
Park, ooc, 1783 (English
Rococo/Romanticism) |
| 13.
Gilbert Stuart, George
Washington,
ooc, 1795-96 (American; Federalist
Period) |
| 14.
J. M. W. Turner, The Harbor of
Dieppe,
ooc, 1826? (Romanticism) |
| 15.
J. M. W. Turner, Cologne: The
Arrival
of a Packet Boat: Evening, oil and possibly
watercolor
on canvas, 1826 (Romanticism) |
| 16.
John Constable, Salisbury
Cathedral
from the Bishop's Garden, ooc, 1826
(Romanticism)** |
| 17.
Jean-Auguste-Dominique Ingres, The
Comtesse
D'Haussonville, ooc, 1845
(Neoclassicism) |
| 18.
Edgar Degas, The Rehearsal,
ooc,
1878-79
(Impressionism) |
| 19.
James Abbot McNeill Whistler, Robert,
Comte de Montesquiou-Fezensac, ooc, 1891-92
(American
Impressionism) |
| 20. James
Abbot McNeill Whistler,
Lady Meux, ooc, 1881 (American
Impressionism) |
| 21.
James Abbot McNeill Whistler, Mrs. Frederick
R. Leyland, ooc, 1872-73 (American
Impressionism) |
| |
| ooc
= oil on canvas |
| **STUDENTS,
PLEASE NOTE: As part of a special exhibition at the
Frick
from Sept. 21st through December 31st entitled,
"Constable's
Salisbury Cathedral: Two Versions Reunited," the
Metropolitan
Museum of Art's painting by John Constable,
Salisbury Cathedral
from the Bishop's Grounds, ooc, ca. 1824-25, will be
on
display next to the Frick's version of this subject
so that
viewers may examine these two works side-by-side and
compare
them. |
|
|