COURSE RESERVE (in the Grey Fine Arts Library)
General Medieval
Anderson, Willliam, and Clive Hicks. The Rise of the Gothic. London, 1985.
Calkins, Robert. Monuments of Medieval Art. New York, 1979.
Camille, Michael. Gothic Art: Glorious Visions. New York, 1996.
Camille, Michael. The Gothic Idol: Ideology and Image-Making in Medieval Art. Cambridge and New York, 1989.
Erlande-Brandenburg, Alain. Gothic Art. New York, 1989.
Frisch, Teresa. Gothic Art, 1140-c. 1450: Sources and Documents. Englewood Cliffs, NJ, 1971.
Mâle, Emile. The Gothic Image: Religious Art in France in the Thirteenth Century. New York, 1972.
Snyder, James. Medieval Art: Painting, Sculpture, Architecture, 4th-14th Century. Englewood Cliffs, NJ and New York, 1989.
Stokstad, Marilyn. Medieval Art. 2nd ed. Boulder, CO and Oxford, 2004.
Toman, Rolf, ed. The Art of Gothic: Architecture, Sculpture, Painting. Cologne, 1998.
--1 copy of the coursepack is on reserve, too.
Architecture and Monumental Sculpture
Bony, Jean. French Gothic Architecture of the Twelfth and Thirteenth Centuries. Berkeley, 1983.
Gold, Penny Schine, The Lady and the Virgin: Image, Attitude and Experience in Twelfth-Century France, Chicago and London, 1985.
Dorothy Gillerman, ed. Gothic Sculpture in America, vol. 1, The New England Museums. New York, 1989.
Grodecki, Louis. Gothic Architecture. New York, 1977.
Icher, François. Building the Great Cathedrals. New York, 1998.
Jantzen, Hans. High Gothic: The Classic Cathedrals of Chartres, Reims, Amiens. Princeton, 1984.
Panofsky, Erwin. Abbot Suger on the Abbey Church of St. Denis and Its Art Treasures. 2nd ed. Princeton, 1989.
Stoddard, Whitney. Art and Architecture in Medieval France, rpt. New York, 1972.
Stained Glass and Ivories
Barnet, Peter, ed. Images in Ivory: Precious Objects of the Gothic Age. Princeton, 1997.
Brown, Sarah, and David O’Connor, Glass-Painters. Toronto and Buffalo, 1991.
Painting and Manuscript Illumination, including Marginalia

Avril, François, Manuscript Painting at the Court of France: The Fourteenth Century, 1310-1380. New York, 1978.
Camille, Michael. Image on the Edge: The Margins of Medieval Art. London and New York, 1992.
De Hamel, Christopher, A History of Illuminated Manuscripts. London and New York, 1994.
Dupont, Jacques, and Cesare Gnudi, Gothic Painting. Lausanne, 1979.
Guest, Gerald. Bible Moralisée. London, 1995.
Randall, Lilian M. C., Images in the Margins of Gothic Manuscripts. Berkeley, 1966.
Marks, Richard, and Nigel Morgan. The Golden Age of English Manuscript Painting, 1200-1500. New York, 1981.
Smith, Kathryn A., Art, Identity and Devotion in Fourteenth-Century England: Three Women and Their Books of Hours. London and Toronto, 2003.
Wieck, Roger S. Time Sanctified: The Book of Hours in Medieval Art and Life. Baltimore and New York, 1988.
Iconography
Ferguson, George, Signs and Symbols in Christian Art. London et. al., 1981.
Hassig, Debra, Medieval Bestiaries: Text, Image, Ideology. New York, 1995.
Strickland, Debra Higgs, Saracens, Demons and Jews: Making Monsters in Medieval Art. Princeton and Oxford, 2003.
History

Claster, Jill, The Medieval Experience, 300-1400. New York and London, 1982.
Duby, Georges, The Age of the Cathedrals. Chicago, 1981.