Class 1: The Invention 1. Nièpce (French), “Cardinal d’Amboise,” photoetching, 1826 2. Nièpce, “View of Courtyard,” heliograph, 1826 3. Daguerre (French), “Boulevard du Temple, Paris,” daguerreotype, 1838 4. Daguerre, “The Artist’s Studio,” daguerreotype, 1838 5. Daguerre, “Palais Royal, Paris,” daguerreotype, 1839-1840 6. Fox Talbot (British), “Botanical Specimens,” photogenic drawing (photogram), 1839 7. Fox Talbot, “Window at Lacock Abbey,” calotype, 1835 8. Fox Talbot, “Notre-Dame, Paris,” calotype, 1843 9. Fox Talbot, “The Open Door,” calotype, 1843 10. Fox Talbot, “Laocoon,” negative print, calotype, c.1840 11. Bayard (French), “Self-Portrait as a Drowned Man,” direct paper positive, 1840 Class 2: The Early Years Part 1: 1. LeSecq (French), “Notre-Dame of Paris,” 1860 2. Baldus (French), “Panorama of the Cité, Paris,” 1864 3. LeSecq, “Place du Carrousel, Tuileries, Paris,” 1852 4. Baldus, “Place du Carrousel, Tuileries, Paris,” 1860 5. Baldus, “Landscape with the viaduct at Chantilly," 1855 6. Ducamp (French), “Colossus of Abu Simbel, Egypt,” 1850 6b. Charnay (French), "Madagascar," 1863 6c. Anonymous (American), "Ellen, Aged 22," c.1870 6d. Prince Bonaparte, (French), ""3 Women at Univ. Expo., Paris," 1889 6e. Augustus Washington (American), Untitled, 1855 6f. Uchida Kuichi (Japanese), Portrait of the Emperor (Meiji), 1873 7. Marville (French), “Rue Daubenton, Paris,” 1864 7b. Marville (French), “Rue de Rivoli,” 1870 8. Marville, “Tearing down the Avenue de l’Opéra, Paris,” c. 1865 9. Delmaet and Durandelle (French Studio), “Construction of the Opera, Paris,” 1865-1872 10. B.B. Turner (British), “Crystal Palace, Hyde Park,” 1851 Class 2: The Early Years Part 2: 11. LeGray (French), “Return of the Prince President, Place de la Concorde, Paris,” 1852 12. LeGray, “Seascape,” c. 1856 13. LeGray, “Camp at Chalons: Guard at Dawn,” 1858 14, Nadar (French), “4 aerial views of Paris,” 1858 15. Nadar, “Sewers of Paris,” 1861 16. Nadar, “Paris Catacombs,” 1861 17. Nadar, “Dumas père,” 1857 18. Mayer and Pierson (French Studio), “Countess de Castiglione,” 1856-60 18b. P.L. Pierson (French), " Countess de Castiglione as La Vengeance," 1865-1867 19. Disderi (Italian in France), “Carte-de-visite,” 1860 20. Bayard, “The Grocer, Paris,” 1843 21. Braun (French), “Rue de Rivoli, Paris,” c.1860 22. Braun, “The Pont Neuf, Paris,” c.1860 23. Nègre (French), “Fallen Horse, or Rubberneckers, Paris,” 1851 24. Nègre, “Chimney Sweeps, Paris,” 1852 Class 3: Photography as Art 1. Delacroix and Durieu (French), “Art Study,” 1853 2. Rejlander (Swedish, in England), “Two Ways of Life,” 1857 3. Rejlander, “Sleep,” 1860 4. Rejlander, “The Dream,” c. 1860 5. Dr. Diamond (British), “Portrait of Insane Woman,” 1850s 6. Robinson (British), “Fading Away,” 1858 7. Robinson, “The Lady of Shalott,” 1861 8. Robinson, from the series “Little Red Riding Hood,” 1858 9. Cameron (British, born India), “The Kiss of Peace (G. Watts),” 1867 10. Cameron, “Beatrice (May Prinsep),” 1870 11. Cameron, “The Death of Elaine,” from the King Arthur cycle, 1874 12. Lady Hawarden (British), “Untitled,” early 1860s 13. Lady Hawarden, “Untitled,” early 1860s 14. C. Sherman (American), "Untitled Film Still," 1975 15. G. Crewdson (American), "Untitled, NYT," 2004 16. Georgiana Berkeley (British), "Collage (Salon)," 1865 17. Georgiana Berkeley, "Collage (Turtle)," 1865 18. Jeff Wall, The Storyteller, 1986 19. Cindy Sherman, Untitled #85, 1981 20. Nan Goldin, Self-portrait with Brian, NYC, 1983 21. Gregory Crewdson, Untitled (from Twilight series), 2000-01 Class 4: Realism... 1. Adalbert Cuvelier (French), “Landscape,” 1853 2. Eugene Cuvelier (French), “Landscape,” early 1860s 3. Emerson (British, born Cuba), “Poling Marsh Hay,” 1886 4. Emerson, “During the Reed Harvest,” 1886 5. Emerson, “Haymaker with Rake,” 1886 6. Emerson, “Gathering Water Lilies,” 1886 7. Emerson, “Cantley Wherries waiting for turn of tide,” 1886 8. Stieglitz (American), “A Good Joke,” 1887 Class 5: Pictorialism 1. F. Evans (British), “Ely Cathedral: In Memory of the Normans,” c. 1900 2. F. Evans, “Wells Cathedral: Sea of Steps,” 1903 3. Nègre (French), “Chartres Cathedral,” 1856 4. Demachy (French), untitled, c. 1900 5. Kuehn (Austrian), untitled, c. 1905 5b. Kurokawa Suizan (Japanese), untitled, 1906 6. F.H. Day (American), “The Vigil,” 1899 7. F.H. Day, “Ethiopian Chief,” 1897 8. F.H. Day, “Self-Portrait as crucified Christ,” 1898 9. Stieglitz (American), “Paula, Berlin,” 1889 10. Stieglitz, “The Terminal, NYC,” 1893 11. Stieglitz, “Flatiron Building, NYC,” 1903 12. White (American), “Spring Triptych,” 1898 13. White, “Ring Toss,” c. 1900 14. Kasebier (American), “Blessed Art Thou Among Women,” 1900 15. Kasebier, “Portrait of Miss N.,” 1902 16. Steichen (American, living in Paris), “Rodin: The Thinker,” 1902 17. Steichen, “Flatiron Building: Evening,” 1905 Class 6: Stieglitz...and the Concept of Equivalence 1. Stieglitz, “The Steerage,” 1907 2. Stieglitz, “The Hand of Man, New York,” 1902 3. Stieglitz, “New York from the Shelton Hotel,” 1935 4. Stieglitz, “Georgia O’Keefe,” 1918 (portrait with art work) 5. Stieglitz, “Georgia O’Keefe,” 1919 (torso) 6. Stieglitz, “Georgia O’Keefe,” 1933 (Hands with wheel) 7. Stieglitz, “Apples and Gable, Lake George,” 1922 8. Stieglitz, “Equivalent,” 1931 9. M. White (American), “Ritual Branch,” 1958 10. Siskind (American), “Chicago,” 1948 10b. Roy DeCarava (American), Dancers, 1956 11. Sommer (American), “Max Ernst,” 1946 12. Laughlin (American), “Vision of Dead Desire,” 1954 13. Meatyard (American), Untitled, c. 1965 Class 7: American Modernism 1. Strand (American), “Lathe,” 1923 2. Strand, “Wall Street,” 1915 3. Strand, “White Fence,” 1916 4. Sheeler (American), “Bucks County Barn,” 1916 5. Sheeler, “River Rouge Plant: Power House,” 1927 6. Coburn (American, moved to England), “Octopus, New York,” 1912 7. Coburn, “Vortograph,” 1917 8. Brugière (American), “Light Abstraction,” 1928-1930 9. Steichen (American), “Pears and Apple,” 1919 10. Steichen, “Empire State Building, NYC,” 1932 Class 8: European Modernism Between the Wars 1. Rodchenko (Russian), “New Moscow Power Station,” 1930 2. Rodchenko, “At the Telephone,” 1930 3. Krull (German working in France), from “Métal,” 1927 4. Blossfeldt, Karl (German), “Nature Study,” 1900-1928 5. Sander (German), “Unemployed Man, Cologne,” 1928 6. Renger-Patzsch (German), “Semperium,” 1926 7. Renger-Patzsch, “Stairwell,” 1929 7a. Renger-Patzsch, "Glasses," 1925 7b. Tomatsu Shomei (Japanese), Beer Bottle after the A-Bomb Explosion, 1961 8. Moholy-Nagy (Hungarian, in Germany), “Berlin,” 1928 9. Moholy-Nagy, “Lucia Moholy,” 1926 10. Bellmer (German), “Poupée,” 1936 11. Moholy-Nagy, “Photogram,” 1923 12. Moholy-Nagy, “Jealousy,” 1927 13. Heartfield (German), “Hurrah, the butter is finished,” 1935 13b. Romare Bearden (American), The Block II, 1972 14. Hoch (German), “The Tamer,” 1930 15. Cahun (French), Untitled, from Aveux non avenus, 1929-1930 15a. Claude Cahun (French), Self-Portrait, 1921 15b. Rodchenko, "Crisis," Photomontage from the Cycle Against the War, 1923 15c. El Lissitsky (Russian), "Industrial Socialism," Moscow, 1935 15d. El Lissitsky (Russian), "Industrial Socialism," Moscow, 1935 15e. Hannah Hoch (German), "Abduction" from The Ethnographic Museum, 1925 16. Man Ray (American, living in Paris), “Dora Maar,” 1936 17. Man Ray, “Rayogram,” 1923 18. Hosoe Eikoh (Japanese), Ordeal by Roses #32, 1961 19. Moriyama Daido (Japanese), Stray Dog, 1971 20. Klutsis (Russian),"Electrification," silver print, 1920 21. Klutsis, "Great Projects," lithograph, 1930 21b. Kulagina, "Cover for Krasnaia Niva (Red Field)," no. 12, 1930 22. Kruger (American), "Gaze," 1981 23. Kruger, "Surveillance," 1985 Class 9: Weston, Mortenson and Photographic Purism 1. Modotti (Italian, working in Mexico), “Worker’s Hands,” 1926 2. Alvarez Bravo (Mexican), “Good Reputation Sleeping,” 1936 3. Weston (American), “Excusado,” 1925 4. Weston, “Nude,” 1925 5. Brandt (English, born in Germany), “Nude,” 1953 6. Weston, “Chambered Nautilus,” 1929 7. Weston, “Pepper #30,” 1930 8. Cunningham (American), “Magnolia Blossom,” 1925 9. Weston, “Eroded Rock,” 1930 10. Weston, “Dune,” 1936 11. Weston, “Nude Floating,” 1939 12. Weston, “Gold Circle Mine, Death Valley,” 1939 13. Weston, “Point Lobos,” 1946 14. Weston, “Surf, Pt. Lobos,” 1945 15. Mortenson (American), “L’Amour,” 1936 Class 10: The Decisive Moment, and the Snapshot Aesthetic 1. Lartigue (French), “Simone,” 1901 2. Kertesz (Hungarian, living in Paris and NY), “Satiric Dancer,” 1926 3. Kertesz, “Meudon,” 1928 4. Brassai (Rumanian, living in Paris), “Mme. Bijoux,” 1932 5. Brassai, “Streetwalker,” 1932 6. Cartier-Bresson (French), “Spain,” 1933 7. Cartier-Bresson, “Paris,” 1932 8. Cartier-Bresson, “India,” 1948 9. Frank (German/Swiss, naturalized American), “Political Rally, Chicago,” 1955 10. Frank, “Movie Premiere,” 1955 11. Frank, “Trolley, New Orleans,” 1955 12. Winogrand (American), untitled from The Animals, 1969 13. Winogrand, untitled from Women are Beautiful, 1975 14. Meyerowitz (American), “New York City,” c. 1975 Class 11: Landscape: Natural, Social... 1. A. Adams (American), “Moonrise over Hernandez, N.M.,” 1944 2. A. Adams, “Sierra Nevada,” 1934 3. R. Adams (American), “Oregon,” c. 1978 4. R. Adams, “California,” c. 1978 5. W. Evans (American), “Bethlehem, Pa.," 1935 6. W. Evans, “W. Va. Coal Miner’s House,” c. 1936 7. W. Evans, “Roadside Shop, La.,” 1936 8. Morris (American), Untitled, 1930s 9. Callahan (American), “Chicago,” 1949 10. Callahan, “Trees in Winter,” 1950 11. Callahan, “Eleanor and Barbara, Chicago,” 1953 12. Metzker (American), “Juniper Street,” 1966 13. Friedlander (American), Untitled, 1965 14. Ruscha (American), untitled from 26 Gasoline Stations,1962 Class 12: ... and Virtual: Postmodernism and the Digital Age Since these works will probably not be on the Final Exam, they have not been posted.