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| Class 2: Realism from the Renaissance to the 18th Century |
| 1. Mantegna. Dead Christ. C. 1501 |
| 2.
Velasquez. Don Juan de Austria, Court Jester. Mid-17th
century (left) and Velasquez. Pablo de Valladolid, Court Jester. C. 1633 (right) |
| 3. Antoine Le Nain. The Old Flute Player. 1644 |
| 4. Jacob van Ruisdael. View of Haarlem from the Dunes at Overveen. C. 1670 |
| 5. Meindert Hobbema. The Avenue. 1689 |
| 6. Fragonard. Washing. St. Louis. Mid-18th century |
| 7.
Anon. Les Petits Métiers de Paris (image d'Épinal).
1861 (left) and Anon. Card-making: Workshop and Tools from the Encyclopedie. Mid-18th century (right) |
| 8.
Etienne, Chevalier de Lorimier. First Aerial Voyage Made
in the Presence of the Dauphin (etching). 1783 (left) and Thomas Baldwin. A Balloon Prospect from Above the Clouds (etching). 1786 (right) |
| Class 3: Melodrama |
| 9. William Hogarth. The Killing of the Earl from Marriage à la Mode. 1743-45 |
| 10. Henry Fuseli. The Nightmare. 1781 |
| 11. William Mallord Turner. The Fifth Plague of Egypt. 1800 |
| 12. John Martin. Macbeth. Early 19th century |
| 13. Baron Gros. Napoleon at the Battle of Eylau, 1807. 1808 (overall + detail) |
| 14. Théodore Géricault. Raft of the Medusa. 1819 |
| 15. Eugène Delacroix. Liberty Leading the People: The 28th of July. 1830 |
| Class 4: The Romantic-Realist Landscape in England & the United States |
| 16. John Constable. Weymouth Bay. 1816 |
| 17. John Constable. Elm Tree. C. 1821 (overall & detail) |
| 18. William Mallord Turner. Transept of Tintern Abbey (watercolor). c. 1794 |
| 19.
William Mallord Turner. Monte Rosa. After 1840 (top)
and Claude Monet. Cliffs at Pourville. 1897 (bottom) |
| 20. Richard Parkes Bonington. The Normandy Coast. C. 1824 |
| 21.Thomas Cole. Tree Study (drawing). c. 1825 |
| 22. Thomas Cole. The Course of Empire: Destruction. 1836 |
| 23.
Thomas Cole. A View of the Mountain Pass Called the Notch
of the White Mountains. 1839 |
| 24. Albert Bierstadt. Sunset, Yosemite Valley. 1868 |
| Class 5: The Romantic-Realist Landscape in Germany and the United States |
| 25. Caspar David Friedrich. The Cross in the Mountains. 1808 |
| 26.
William Borlase. Tolmen in Cornwall. 1769 (top) and Caspar David Friedrich. Cairn in Autumn. 1820 (bottom) |
| 27. Caspar David Friedrich. Mist. 1807 |
| 28. Caspar David Friedrich. The Great Precinct at Dresden. C. 1832 |
| 29. Christen Kobke. View of Osterbro from Dosseringen. 1838 |
| 30. Fitz Hugh Lane. Schooner Before Approaching Storm. 1860 |
| 31.
Caspar Wolf. Second Fall of the Staubbach. 1785 (left)
and Carleton E. Watkins. El Capitan, 3,600 Feet. 1866 (right) |
| Class 6: The Romantic-Realist Landscape in France |
| 32.
Pierre-Henri de Valenciennes. Rooftop in Sunlight.
1782-84 (top) and Pierre-Henri de Valenciennes. Rooftop in Shadow. 1782-84 (bottom) |
| 33. Camille Corot. The Colosseum seen through the Basilica of Constantine. 1825 |
| 34.
Nicholas Poussin. Burial of Phocion. 1648 (top) and Théodore Rousseau. A Road in the Jura. Mid-19th century (bottom) |
| 35. Camille Corot. The Bridge at Mantes. 1868-70 |
| 36. Camille Corot. The Boatman of Mortefontaine. 1865-70 |
| Class 7: Visual Tourism: Oil, Watercolor, (Lithography), and Photography |
| 37.
Hubert Robert. Project for the Refurbishing of the Grande
Galerie in the Louvre. 1796 (top) and Hubert Robert. Imaginary View of the Grande Galerie in Ruins. 1796 (bottom) |
| 38.
John Sell Cotman. Durham Cathedral (watercolor).
1805 (left) and Gustave Le Gray. Notre Dame (photo) 1858 (right) |
| 39.
Anon. Two Colossi of Rameses II at the Entrance to the
Amon Temple (engraving) from Description de l’Egypte. Early 19th century (left) and Maxime du Camp. The Colossus of Abu Simbel (photo). 1851 (right) |
| 40.
Anon. Examples of Wrought Iron (engraving) from the
Encyclopedie. 18th century (left) and Eugène Atget. Staircase, 91, rue de Turenne (photo). 1911 (right) |
| Class 8: Genre Painting in Germany |
| 41. Caspar David Friedrich. Woman by the Window. 1822 |
| 42. Georg Kersting. Couple at Window. 1817 |
| 43.
Adolph von Menzel. Berlin-Potsdam Railway. 1847 (top)
and William Mallord Turner. Rain, Steam, and Speed—The Great Western Railway. 1844 (bottom) |
| 44. Adolph von Menzel. Weekday in Paris. 1869 |
| 45. Adolph von Menzel. Iron Mill.1875 |
| 46. Adolph von Menzel. Living Room with the Artist’s Sister. 1847 |
| 47. Adolph von Menzel. Lighted Stairwell at Night. 1848 |
| 48. Adolph von Menzel. Studio Wall. 1872 |
| Class 9: Genre Painting in England and the United States |
| 49. William Sidney Mount. Dance of the Haymakers. 1845 |
| 50. George Caleb Bingham. Raftsmen Playing Cards. 1847-50 |
| 51. Winslow Homer. The Veteran in a New Field. 1865 |
| 52.
Jules Breton. The Potato Harvest. Salon of 1868 (left)
and Winslow Homer. Girl with Pitchfork. 1867 (right) |
| 53.
Winslow Homer. On the Beach, Two are Company, Three are
None (wood engraving). 1872 (top) and Winslow Homer. Long Branch, New Jersey. 1869 (bottom) |
| 54. William Frith. The Railway Station. 1862 |
| 55. William Holman Hunt. The Awakening Conscience. 1853 |
| 56. John Everett Millais. The Rescue. 1855 |
| Class 10: France—Prints & Cartoons |
| 57. C.J. Traviès. Liard, Ragpicker-Philosopher. 1834 |
| 58. C.J. Traviés. Liberated People. C. 1831 |
| 59. Henry Monnier. The Corps de Ballet. 1828-30 |
| 60. Henry Monnier. The Cat. 1828 |
| 61. Paul Gavarni. The Laundress. 1857 |
| 62. Paul Gavarni. Disguised Women. Mid-19th century |
| 63. Morlon. Boaters of the Seine, Port of Call at Asnières. 1860 |
| 64. Honoré Daumier. Rue Transnonain. 1834 |
| 65.
Honoré Daumier. The Nights of Penelope Before
the Return of Odysseus. 1842 (left) and Honoré Daumier. The Nights of Penelope after the Return of Odysseus. 1842 (right) |
| 66. Daumier. During the Performance of a Tragedy. 1852 |
| Class 11: Daumier, Millet and Genre Painting in France |
| 67. Eugène Boudin. Beach at Trouville. 1860s |
| 68. François Bonvin. Woman Ironing. 1858 |
| 69. Jean-François Millet. The Sower. 1850 |
| 70. Jean-François Millet. The Gleaners. 1857 |
| 71. Jules Breton. The Gleaners. 1854 |
| 72. Honoré Daumier. The Melodrama. C. 1856-60 |
| 73. Honoré Daumier. The Third-Class Carriage. 1862 |
| 74. Honoré Daumier. The Washerwoman. 1863 |
| Class 12: Courbet—Social ThemesClass 12: Courbet—Social Themes |
| 75. Gustave Courbet. After Dinner at Ornans. C. 1849 |
| 76. Gustave Courbet. The Stone Breakers 1850 |
| 77. Gustave Courbet. A Burial at Ornans. 1850 |
| 78.
Courbet. The Artist’s Studio: a Real Allegory Determining
a Phase of Seven Years of My Artistic Life. 1854-55, displayed at Courbet’s “Pavilion of Realism,” 1855 |
| 79. Courbet. The Artist’s Studio: a Real Allegory Determining a Phase of Seven Years of My Artistic Life (detail of central group). 1854-55 |
| Class 13: Courbet—Self-Portraits, Nudes, Landscapes |
| 80. Gustave Courbet. Man with Leather Belt. 1845-46 |
| 81. Gustave Courbet. Self-Portrait: The Desperate One. 1843 |
| 82. Gustave Courbet. Women Bathing. 1853 |
| 83. Gustave Courbet. Woman with a Parrot. 1866 |
| 84. Gustave Courbet. The Wave. 1869 |
| 85. Gustave Courbet. The Source of the Loue. C. 1860 |
| 86.Gustave Courbet. Greyhounds on the Beach. 1866 |
| 87. Gustave Courbet. The Chateau de Chillon. C. 1874 |
| Class 14: Discussion section |
| Class 15: mid-term |
| Class 16: Manet, Velasquez, and Parisian Types |
| 88. Gustave Courbet. Max Buchon. C. 1854 |
| 89. Édouard Manet. Théodore Duret. 1868 |
| 90. Édouard Manet. Mlle V… in the Costume of an Espada. 1862-63 |
| 91. Édouard Manet. Absinthe Drinker. 1858-59 |
| 92. Édouard Manet. The Old Musician. 1862 |
| 93. Édouard Manet. The Balcony. 1868-69 |
| 94. Édouard Manet. Portrait of Victorine Meurent. 1862 |
| 95. Édouard Manet. The Fifer. 1866 |
| Class 17: Manet, Zola, and the Nude |
| 96. Édouard Manet. Le Dejeuner sur l’Herbe (Luncheon on the Grass). 1863 |
| 97. Édouard Manet. Olympia. 1863 |
| 98. Édouard Manet. Portrait of Emile Zola. 1868 |
| Class 18: Degas as a Realist |
| 99. Edgar Degas. The Bellelli Family. 1858-67 |
| 100. Edgar Degas. The Cotton Market. 1873 |
| 101. Edgar Degas. Laundresses. 1886 |
| 102. Edgar Degas. The Dance Class. 1876 |
| 103. Edgar Degas. Dancers Practicing at the Barre. 1876-77 |
| 104. Edgar Degas. The Orchestra of the Paris Opera. 1870 |
| 105. Edgar Degas. The Little Ballet Dancer, 14 Years Old (sculpture). 1880 |
| Symbolist Realism: an International Movement |
| 106. Gustave Caillebotte. Young Man at His Window. 1875 |
| 107. Gustave Caillebotte. View through a Balcony Grill. 1880 (left) and Henri Matisse. Coffeepot, Carafe, and Fruit Dish. 1909 (right) |
| 108. Gustave Caillebotte. Boulevard Seen from Above. 1880 |
| 109. Gustave Caillebotte. Floor Scrapers. 1875 |
| 110. Gustave Caillebotte. Paris Street, Rainy Day. 1877 |
| 111. Frédéric Bazille. The Family Reunion. 1867 |
| 112. Gustave Caillebotte. Canoes. 1877 |
| 113.
Jan Vermeer. The Concert. 17th century (left) and Vilhelm Hammershoi. Interior with Piano and Woman in Black, from Home in Strandgade. 1901 (right) |
| 114. Vilhelm Hammershoi. Open Doors, Strandgade 30. 1905 |
| Class 20: America: Eakins and Sargent |
| 115. Thomas Eakins. Max Schmitt in a Single Scull. 1871 |
| 116. Thomas Anshutz. Steelworkers—Noontime. C. 1882 |
| 117. Thomas Eakins. The Thinker. 1900 |
| 118. Thomas Eakins. The Gross Clinic. 1875 |
| 119. John Singer Sargent. Daughters of Edward D. Boit. 1882 |
| Class 21: Monet and Renoir in the 1860s |
| 120. Claude Monet. Storm Seascape. 1865 |
| 121. Claude Monet. On the Beach, Trouville. 1870 |
| 122. Claude Monet. Road in the Forest of Fontainebleau. |
| 123. Claude Monet. Village Street, Honfleur. 1865 |
| 124.
Charles Marville. View from the Bridge of Sts-Pères,
Paris (photo). c. 1854 (top) and Pierre-Auguste Renoir. The Pont des Arts. C. 1867 (bottom) |
| 125. Claude Monet. Madame Gaudibert. 1868 |
| 126. Claude Monet. The Luncheon. 1868 |
| Class 22: Monet in the 1870s |
| 127. Ernst Meissonier. Ruins of the Tuileries. 1871 |
| 128. Claude Monet. Luncheon on the Grass (sketch). 1865-66 |
| 129. Claude Monet. Unloading Coal, Argenteuil. 1872 |
| 130. Claude Monet. The Bridge at Argenteuil. 1874 |
| 131. Claude Monet. Boulevard des Capucines. 1873-74 (left) and detail of figures (right) |
| 132. Claude Monet. Woman with a Parasol: Mme. Monet with Son. 1875 |
| 133. Claude Monet. Gare Saint-Lazare. 1877 |
| Class 23: The Diffusion of the Optical Style |
| 134. Claude Monet. The Red Hood (Mme Monet). 1873 |
| 135. Pierre-Auguste Renoir. Nude in the Sunlight. 1876 |
| 136. Pierre-Auguste Renoir. The Box (La Loge). 1874 |
| 137. Pierre-Auguste Renoir. Luncheon of the Boating Party. 1881 |
| 138. Camille Pissarro. Hillside at Jallais, Pontoise (Metropolitan Museum). 1867 |
| 139. Camille Pissarro. Entrance to the Village of Voisins. 1872 |
| 140. Camille Pissarro. A Cowherd on the Route de Chou, Pontoise. 1874 |
| 141. Paul Cézanne. A Modern Olympia. C. 1869-70 |
| 142. Paul Cézanne. Turn in the Road at Montgeroult. 1899 |
| Class 24: Later Manet and Degas—Optical vs. Decorative Color |
| 143. Édouard Manet. Mme Manet on the Sofa (pastel). 1874 |
| 144. Pierre-Auguste Renoir. Sleeping Girl. 1880 |
| 145. Édouard Manet. Nana. 1877 |
| 146. Édouard Manet. Bar at the Folies-Bergères. 1881-82 |
| 147. Hiroshige. Ferryman. 1856 |
| 148.
Edgar Degas. Mlle Desgranges (Chanteuse with a Glove)
(pastel). 1878 (left) and Edgar Degas. Chanteuse with a Glove. 1878 (right) |
| 149.
Edgar Degas. Dancer from the Corps de Ballet (photo).
C. 1896 (left) and Edgar Degas. Ballet Dancers (pastel). c. 1896 (right) |
| Class 25-26: Impressionism Abroad |
| 150. Mary Cassat. Girl Arranging Her Hair. 1886 |
| 151. James Whistler. Nocturne in Blue and Gold: Valparaiso. 1866 |
| 152. Childe Hassam. Rainy Day, Boston. 1885 |
| 153. Wilhelm Leibl. Countess Rosine Treuberg. 1878 |
| 154. Max Liebermann. Dutch Sewing School. 1876 |
| 155. Vincenzo Cabianca. Departure of the Fishing Boat. 1861 |
| 156. Angelo Morbelli. For Eighty Cents a Day. 1895 |
| Class 26-27: The End of Impressionism-The Begining of Symbolism: |
| 157. Claude Monet. Branch of the Seine Near Giverny. 1897 (Boston MFA) |
| 158. Claude Monet. Poplars. 1891 |
| 159.
Claude Monet. Rouen Cathedral. 1894 (Met Museum
of Art, NY) (left) and Claude Monet. Rouen Cathedral. 1894 (Nat. Gall., D.C.) (right) |
| 160. Georges Seurat. House and Garden. 1882 |
| 161. Giovanni Segantini. The Evil Mothers. 1894 |
| 162. Pierre-Auguste Renoir. Two Girls at the Piano. 1893 |
| 163. Pierre-August Renoir. Woman Combing Her Hair. 1907 |
| 164. Vincent Van Gogh. The Sower. 1888 |