List of Plates
Lecture 1:
no slides from Lecture 1
Lecture 2: Dead End Kids: The Avant-Garde Circa 1905

1. Paul Cézanne. Still Life with Fruit Dish. 1879-80
2. Henri Matisse. Still Life with Oranges. 1899
3. Paul Signac. Mantes. 1900
4. Henri Matisse. Luxe, Calme, et Volupté. 1904-05

5. André Derain. Westminster Bridge. 1906
6. Édouard Manet. Olympia. 1863
7. Maurice de Vlaminck. Large Nude on Sofa. 1905
8. Henri Matisse. Blue Nude (Souvenir of Biskra). 1906-07

9. Henri Matisse. Blue Tablecloth: Still Life with Coffeepot, Carafe, and Fruit. 1909
10. Henri Matisse. Dance. 1909
Lecture 3: Picasso from Zero to Hero (or Cubism—The Prequel)
11. Pablo Picasso. Family of Saltimbanques. 1905
12. Pablo Picasso. Woman with Raised Arm. 1905 (formerly Stein collection)
13. Pablo Picasso. Two Nudes. 1906
14. Picasso. Study for Les Demoiselles d’Avignon. 1907 (Basel Kunstmuseum)
15. Marie Laurencin. The Young Women. 1910-11
16. Geometric Krater. From the Dipylon cemetery, Athens. C. 740 B.C. (left), and Pablo Picasso. Figure studies for Les Demoiselles d’Avignon. 1907 (right)
17. Senufo figure from Ivory Coas (left) and Pablo Picasso, Standing Nude (“Yellow Nude”), 1907 (right)
18. Pablo Picasso. Les Demoiselles d’Avignon. 1907
19. Two heads from central figures in Les Demoiselles d’Avignon and Squatting figure from right of Les Demoiselles d’Avignon
20. Pablo Picasso. Study for Three Women. Winter 1907-08
21. Pablo Picasso. Three Women. Spring 1908
22. Georges Braque. Three Figures. Spring 1908
23. Georges Braque. Houses at L’Estaque. Summer 1908
24. Picasso. Cottage and Trees at La Rue des Bois. Summer 1908
Lecture 4: The Second Cubist Style, 1910-12: Open Form and the Grid
25. Pablo Picasso. Head of a Woman. Plaster sculpture, fall 1909 (left) and Pablo Picasso. Seated Woman. Summer 1909 (right)
26. Georges Braque. The Chateau at La Roche-Guyon. Summer 1909 (left) and Georges Braque. Le Sacré-Coeur. Winter 1909-10 (right)
27. Pablo Picasso. Standing Nude. Spring 1910 (left) and Pablo Picasso. Standing Nude (“The Fire Escape”). Fall 1910 (right)
28. Pablo Picasso. Girl with a Mandolin. Fall 1910 (left) and Pablo Picasso. Woman with a Mandolin. Summer 1910 (right)
29. Georges Braque. Le Portugais. 1911
30. Pablo Picasso. Ma Jolie: Woman with a Zither. 1911-12
31. Georges Braque. Homage to Bach. 1911-12
32. Picasso. The Poet. 1912 [overall and detail]
33. Pablo Picasso. Still Life with Chair Caning. 1912
Lecture 5: Salon Cubism, French Cubist Sculpture, and Brancusi and
Lecture 6: The International Influence of the First & Second Cubist Styles: Futurism, Vorticism, Rayonism, and Synchromism
34. Fernand Léger. The Bridge. 1909
35. Francis Picabia. Dance at the Spring. 1912
36. Morgan Russell. Synchromy in Orange: To Form. 1913-14
37. Pablo Picasso. Portrait of Wilhelm Uhde. 1910
38. Mikhail Larionov. Portrait of Vladimir Tatlin. 1911
39. Natalia Goncharova. Green and Yellow Forest. 1912
40. Robert Delaunay. Eiffel Tower. 1910
41. Robert Delaunay. Window on the City #4. 1910-11
42. Gino Severini. Dynamic Hieroglyph of the Bal Tabarin. 1912
43. Jules-Étienne Marey. Bird in Flight (chronophotograph). 1880s (top) and Giacomo Balla. Study of Paths of Movement (Swifts). 1913 (bottom)
44. Umberto Boccioni. Unique Forms of Continuity in Space. 1913
45. Raymond Duchamp-Villon. Horse. 1914
46. Constantin Brancusi. Maiastra. 1910 (left) and Constantin Brancusi. Bird in Space. 1919 (right)
47. Marcel Duchamp. Nude Descending a Staircase, No. 2. 1912
Lecture 7: The Third Cubist Style, 1912-16: Planar Construction
48. Georges Braque. Fruit Dish and Glass. Early September 1912
49. Pablo Picasso. Guitar, Sheet Music, and Glass. Fall 1912
50. Pablo Picasso. Guitar (construction). Fall 1912
51. Pablo Picasso. Man with a Hat. Fall 1912
52. Pablo Picasso. Student with a Pipe. Spring 1914
53. Pablo Picasso. Woman with Chemise in an Armchair. 1913
54. Fernand Léger. Exit the Ballets Russes. 1914
55. Juan Gris. Breakfast. 1914
56. Juan Gris. Landscape with Houses at Céret. 1913
57. Jean Metzinger. The Factory. 1917
Lecture 8: Geometric Abstraction in Holland and Russia: De Stijl, Suprematism, Constructivism
58. Piet Mondrian. The Red Tree. 1908
59. Piet Mondrian. Tree. 1911-12
60. Piet Mondrian. Composition N. III. 1921-25
61. Theo Van Doesburg. Simultaneous Counter Composition. 1929-30
62. Gerrit Rietveld. Design for House for Mme Truus Schroder. 1924 (top) and Gerrit Rietveld. Schroder House (interior). 1924 (bottom)
63. Gerrit Rietveld. Schroder House (exterior). 1924
64. Kasimir Malevich. Taking in the Harvest. 1911
65. Photo of Malevich corner in 0.10 The Last Futurist Exhibition. St. Petersburg. 1915
66. Environment which Stimulates the Suprematist from Malevich, The Non-Objective World, 1926 (left) and Kasimir Malevich. Suprematist Composition: Airplane Flying. 1915 (right)
67. El Lissitzky. Beat the Whites with the Red Wedge. 1920
68. Vladimir Tatlin. Monument to the Third International. 1919-20
69. Alexander Rodchenko. Cover for Pro Eto by Mayakovsky. 1923 (left) and Alexander Rodchenko. Illustration from Pro Eto. 1923 (right)
Lecture 9. Geometric Abstraction in North and South America
70. Burgoyne Diller. Second Theme #21. 1944-46
71. Burgoyne Diller. First Theme: Number 10, 1963. 1963
72. Josef Albers. Homage to the Square: Ascending. 1953
73. Joaquin Torres-Garcia (Uruguay). Constructive Composition. 1932
74. Lidy Prati (Argentina). Untitled. 1945
75. Max Bill (Switzerland). Construction on the Formula a2 + b2 = c2. 1937 (left) and Lygia Clark (Brazil). Planes on Modulated Surfaces #3. 1957 (right)
76. Hélio Oiticica (Brazil). Nucleus (with artist). 1960-63
Lecture 10: Fantastic Cubism
77. Marsden Hartley. Portrait of a German Officer. 1914
78. Wassily Kandinsky. Red Square, Moscow. 1917
79. Wassily Kandinsky. Composition VIII. 1923
80. Marc Chagall. Paris through the Window. 1913
81. Marc Chagall. I and the Village. 1911-12
82. Paul Klee. The Bavarian Don Giovanni. C. 1919
83. Paul Klee. 17 I.R.R.. 1923 (left) and Joan Miró. Head of a Peasant. 1924-25 (right)
Lecture 11: Dada in Paris and New York: Introduction
84. Marcel Duchamp. Chocolate Grinder #1. 1913
85. Marcel Duchamp. Fountain. 1917 (photo by Alfred Stieglitz)
86. Marcel Duchamp. L.H.O.O.Q. 1919
87. Francis Picabia. De Zayas! De Zayas!. 1915
88. Francis Picabia. Machine Turns Fast. 1916-17
89. Man Ray. The Impossibility. 1920
90. Francis Picabia. The Holy Virgin. 1920
91. Man Ray. Eggbeater. 1917 (left) and Man Ray. Woman (Eggbeater). 1920 (right)
92. Man Ray. Violon d’Ingres. 1924
Lecture 12: Metaphysical Painting and New Objectivity
93. Giorgio de Chirico. The Joys and Enigmas of a Strange Hour. 1913
94. Giorgio de Chirico. The Song of Love. 1914
95. Gino Severini. Armored Train. 1915
96. Otto Dix. Concrete Trenches. C. 1915-17 (left) and Otto Dix. Detail from War. 1929-32 (right)
97. Max Beckmann. The Night. 1918-19
98. Pablo Picasso. Seated Woman with Guitar. 1912 (left) and Giorgio de Chirico. The Jewish Angel, II. 1916 (right)
99. Giorgio de Chirico. Hector and Andromache. 1917
100. Otto Dix. Prager Strasse. 1920
101. Otto Dix. To Beauty. 1922
102. Felice Casorati. Double Portrait of the Artist with his Sister. 1929
103. Christian Schad. Self-Portrait. 1927
104. Felix Nussbaum. Self-Portrait with Jewish Identity Card. After August 1934
Lecture 13: Photography: Straight, Cubist, and Documentary
105. Paul Strand. Wall Street, New York. 1915
106. Karl Blossfeldt. Rough Horsetail, Buck Thorn, Rough Horsetail
from Urformen der Kunst. C. 1930
107. Albert Renger-Patzsch. Blast Furnaces. 1927
108. August Sander. Pastry Cook. 1928
109. August Sander. Secretary, Cologne. 1931
Lecture 14: Marcel Duchamp: Pranks and Polemics
110. Marcel Duchamp. The Bride. 1912 (left) and Marcel Duchamp. The Bride Stripped Bare by her Bachelors, Even (The Large Glass). 1915-23 (right)
111. Marcel Duchamp. Nine Malic Molds. 1914-15 (left) and Marcel Duchamp. The Bride Stripped Bare by her Bachelors, Even (The Large Glass). 1915-23 (right)
112. Marcel Duchamp. Dust Breeding. 1920 (photo by Man Ray)
113. Man Ray. Rrose Selavy. C. 1920-21
114. Marcel Duchamp. Please Touch. 1947
Lecture 15: Midterm Exam
Lecture 16: Dada in Zurich, Berlin, and Cologne
115. Wilhelm Lehmbruck. The Fallen. 1915-16
116. Hans Arp. Collage with Squares Arranged According to the Laws of Chance. 1916-17
117. Kurt Schwitters. Blue Bird. C. 1922
118. Max Ernst. Stratified Rocks. 1920
119. George Grosz. Illustration for Wieland Herzfelde’s Tragic Grotesques of the Night. 1920
120. George Grosz. The Engineer Heartfield. 1920
121. Raoul Hausmann. Tatlin at Home. 1920
122. Hannah Höch. Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany. 1919-20 (overall & detail)
123. Hannah Höch. Marlene. 1930
124. John Heartfield (Wieland Herzfelde). As in the Middle Ages, so in the Third Reich. May 1934
125. Umbo. The Racing Reporter: Portrait of Egon Kisch. 1926 (left) and Christian Schad. The Reporter Egon Erwin Kisch. 1928 (right)
Lecture 17: Picasso, Neo-Classicism & the Dance (1917-25)
126. Pablo Picasso. Seated Man at a Table. 1914 (left) and Pablo Picasso. Seated Man at a Table. 1914 (right)
127. Pablo Picasso. Seated Man Leaning on a Table. 1914
128. Pablo Picasso. Harlequin. 1915
129. Natalia Goncharova. Set for Act I of Le Coq d’Or. 1914 (top) and Pablo Picasso. Curtain for Parade. 1917 (bottom)
130. Pablo Picasso. Set for Parade. 1917
131. Pablo Picasso. Photo of the “New York Manager” from Parade. 1917
132. Pablo Picasso. Two Dancers. 1919
133. Pablo Picasso. Nude Drying her Feet. 1921
134. Pablo Picasso. Three Women at the Spring. 1921
135. Pablo Picasso. Paulo on a Donkey. 1923
136. Gino Severini. Two Pulcinellos. 1922
Lecture 18: Matisse, Bonnard, and the School of Paris
137. Henri Matisse. The Piano Lesson. 1916
138. Henri Matisse. Interior with a Violin Case. 1918-19
139. Henri Matisse. The White Feathers. 1919
140. Henri Matisse. Woman in Front of an Aquarium. 1923
141. Henri Matisse. The Dream. 1935
142. Henri Matisse. Odalisque with Magnolias. 1923 (top) and Henri Matisse. Large Reclining Nude (Pink Nude). 1935 (bottom)
143. Pierre Bonnard. The Open Window. 1921
144. Pierre Bonnard. Nude in the Bath. 1936
145. Georges Rouault. Head of Christ. C. 1905
146. Georges Rouault. The Old King. 1916-37
147. André Derain. Still Life with Skull. 1917
148. Chaim Soutine. Still Life with Herrings. C. 1916
149. Chaim Soutine. Little Pastry Cook. 1922
Lecture 19: Léger and the Machine Age
150. Fernand Léger. Soldier with a Pipe. 1916 (lefft) and Fernand Léger. The Mechanic. 1920 (right)
151. Fernand Léger. Three Women (Le Grand Dejeuner). 1921
152. Fernand Léger. The City. 1919
153. Fernand Léger. The Siphon. 1924
154. Gerald Murphy. Razor. 1924
155. Fernand Léger. Pants. 1933
156. Fernand Léger. The Builders. 1950
Lecture 20: L’Esprit Nouveau, and the Machine Age in America
157. Le Corbusier. Violin and Violin Case. 1920 (left) and Le Corbusier. Still Life. 1920 (right)
158. Le Corbusier. Ozenfant House. Paris. 1922
159. Le Corbusier. Villa Savoye. Poissy-sur-Seine. 1928 Left: exterior. Right: terrace roof
160. Lewis Hine. Powerhouse Mechanic. 1925
161. Charles Sheeler. Chartres Cathedral. 1929 (left) and Charles Sheeler. Ford Plant, Rouge River: Criss-Crossed Conveyors. 1927 (right)
162. Charles Sheeler. American Landscape. 1930
163. Georgia O’Keefe. Radiator Building—Night, New York. 1927 (left) and Alfred Stieglitz. New York—Night (from the Shelton Hotel). 1931 (right)
164. Stuart Davis. Jefferson Market. C. 1930
165. Ralston Crawford. Whitestone Bridge. C. 1939
Lecture 21: The Bauhaus
166. Lyonel Feininger. The Cathedral of Socialism (woodcut for Bauhaus manifesto). 1919
167. Walter Gropius. The Bauhaus. Dessau. 1926 L: plan R: model, bird’s eye view
168. Walter Gropius. Workshop wing of the Bauhaus. Dessau. 1926
169. Marcel Breuer. Children’s Chair. 1923 (right) and Marcel Breuer. “Wassily” Armchair. 1925 (left)
170. Marcel Breuer. Living room at the Bauhaus, designed for Laszlo Moholy-Nagy. 1926
171. Laszlo Moholy-Nagy. A. II. 1924 (left) and Laszlo Moholy-Nagy. Light-Space Modulator. 1922-30 (right)
172. Joseph Albers. City. 1928 (left) and Anni Albers. Wall Hanging (textile). 1920s (right)
Lecture 22: Neo-Classical Cubism
173. Pablo Picasso. Three Musicians (MoMA). 1921
174. Pablo Picasso. Still Life in Front of Window at St. Raphael. 1919 (left) and Pablo Picasso. Guitar and Fruit Dish on Table. 1924 (right)
175. Pablo Picasso. Still Life with Classical Head. 1925 (top) and Georges Braque. Musical Score and Fruit. 1926 (bottom)
176. Pablo Picasso. Stage set for Mercury, final scene (“Rape of Persephone”). 1924 (left) and Alexander Calder. Acrobats. 1928 (right)
177. Pablo Picasso. Guitars. 1924 drawing reproduced as woodcut, 1929 (left) and Joan Miró. The Beautiful Bird Revealing the Unknown to a Pair of Lovers. 1941 (right)
178. Francis Picabia. Young Married Couple. 1925 (left) and Pablo Picasso. The Kiss. 1925 (right)
Lecture 23: Origins of Surrealism: Breton, Miró, Masson
179. Man Ray. The Enigma of Isidore Ducasse. 1920
180. Max Ernst. Holy Virgin Chastising Infant Jesus Before Breton, Eluard, and the Artist. 1926
181. Joan Miró. The Farm. 1921-22 (Ernest Hemingway collection)
182. Joan Miró. The Hunter (Catalan Landscape). 1923-24
183. Francis Picabia. Curtain for Relache (Theater Closed). 1924 (left) and Joan Miró. Carnival of Harlequin. 1924-25 (right)
184. Cave drawings of humans and animals. Grotto dei Genovese, Sicily. C. 20,000 B.C. (left) and Joaquin Torres-Garcia. Constructive Structure in Ochre with White Signs. 1939 (right)
185. Jean Arp. Mountain Table Anchors Navel. 1925
186. Joan Miró. Birth of the World. 1925
187. Pablo Picasso. Guitar. 1926
188. Andre Masson. Fish Drawn on the Sand. 1926-27
Lecture 24: Abject Surrealism
189. André Masson. Cover for Acephale. 1937
190. Jacques-André Boiffard. Untitled (Big Toe). 1929
191. Eli Lotar. Slaughterhouse. 1929
192. Hans Bellmer. La Poupée (Doll). 1936-49
193. Brassai. Graffiti. 1930 (left) and Alberto Giacometti. Man and Woman. 1928-29 (right)
194. Pablo Picasso. Minotauromachy. 1935
195. Raoul Ubac. Battle of the Amazons. 1939
196. Wifredo Lam. The Jungle. 1943
197. Antonin Artaud. Self-Portrait. 1946 (left) and Jean Dubuffet. Portrait of Antonin Artaud. 1946 (right)
Lecture 25: Metamorphic Surrealism
198. Jean Arp. Cloud Arrow. 1932
199. Joan Miró. Person Throwing a Stone at a Bird. 1926
200. Pablo Picasso. Bather (drawing). 1927 (left) and Pablo Picasso. Woman in the Garden (sculpture). 1929-30 (right)
201. Pablo Picasso. The Studio. 1928 (left) and Pablo Picasso. Construction (Monument to Apollinaire). 1928-29 (right)
202. Pablo Picasso. The Artist’s Studio. 1929
203. Pablo Picasso. Woman Asleep in Red Armchair. 1932
204. Pablo Picasso. Pitcher and Bowl of Fruit. 1931 (left) and Pablo Picasso. Still Life on a Pedestal Table. 1931(right)
205. Pablo Picasso. Weeping Woman with Handkerchief. 1937
206. Pablo Picasso. At the End of the Jetty. 1937 (left) and Joan Miró. Woman Doing her Hair before a Mirror. 1938 (right)
207. Pablo Picasso. Guernica. 1937
Lecture 26: Academic Surrealism
208. Max Ernst. “…and the third time missed” from La Femme 100 Têtes (The Hundred Headless Woman). 1929
209. René Magritte. The Menaced Assassin. 1926
210. René Magritte. Personal Values. 1952
211. Salvador Dalí. Average Atmospherocephalic Bureacrat. 1933