Museum Theatre

H42.2320 / Fall 2001

Barbara Kirshenblatt-Gimblett

Reference Bibliography

Please note: online readings are listed separately

  1. Abungo, Lorna. 1999. The National Museum of Kenya: a brief overview, historical perspectives on the arts, sciences, and technology. Leonardo 32, no. 2.

  2. Adorno, Theodor W. 1996. Valéry Proust Museum. Prisms., 175-85. Cambridge: MIT Press.

  3. Alexander, Edward P. 1997. The museum in America: innovators and pioneers. AltaMira Press and American Association of State and Local History.

  4. Alexander, Edward P., David R. Brigham, John W. Durel, Ruth Helm, and Sally Kolstedt. 1992. Mermaids, mummies, and mastodons: the emergence of the American museum. Washington, D.C.: American Association of Museums.

  5. Allan, Mea, John Tradescant, and John Tradescant. 1964. The Tradescants: their plants, gardens and museum, 1570-1662. London: M. Joseph.

  6. Altick, Richard D. 1978. The shows of London. Cambridge: Harvard University Press.

  7. Altshuler, Bruce. 1997. The avant-garde in exhibition: new art in the 19th century. University of California Press: Berkeley.

  8. American Association of Museums, and International Museum Theatre Alliance. 1999. Case studies in museum, zoo, and aquarium theatre. Washington, D.C.: American Association of Museums.

  9. ———. 1993. Perspectives on museum theatre. Washington, D.C.: American Association of Museums.

  10. Ames, Michael. 1992. Cannibal tours and glass boxes: the anthropology of museums. Vancouver: University of British Columbia Press.

  11. Antze, Paul, and Michael Lambek. 1996. Tense past: cultural essays in trauma and memory. New York: Routledge.

  12. Appadurai, Arjun, ed. 1986. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press.

  13. Archambault, JoAllyn. 1993. American Indians and American Museums. Zeitschrift Für Ethnologie 118: 7-22.

  14. Armstrong, Robert Plant. 1971. The affecting presence: an essay in humanistic anthropology. Urbana: University of Illinois Press.

  15. ———. 1981. The powers of presence: consciousness, myth, and affecting presence. Philadelphia: University of Pennsylvania Press.

  16. Bachelard, Gaston. 1969. The poetics of space. trans. Maria Jolas. Boston: Beacon.

  17. Bahloul, Joelle. 1995. The Architecture of Memory: A Jewish-Muslim Household in Colonial Algeria, 1937-1962. New York: Cambridge University Press.

  18. Baigrie, Brian S., eds. 1996. Picturing knowledge: historical and philosophical problems concerning the use of art in science. Toronto Studies in Philosophy. Toronto: University of Toronto Press.

  19. Baker, Lee D. 1998. From savage to negro: anthropology and the construction of race, 1896-1954. Berkeley: University of California Press.

  20. Baker, Steve. 1993. Picturing the beast: animals, identity, and representation. Manchester: Manchester University Press.

  21. Bal, Mieke. 1996. Double exposures: the subject of cultural analysis. New York: Routledge.

  22. Bal, Mieke, Jonathan Crewe, and Leo Spitzer, eds. 1999. Acts of memory: cultural recall in the present. Hanover, New Hampshire: University Press of New England.

  23. Baldauf, Hans, Baker Goodwin, and Amry Reichert, eds. 1990. Theater, theatricality, and architecture. Perspecta: the Yale Architecture Journal, 26. New York: Rizzoli International.

  24. Bann, Stephen. 1984. The clothing of Clio : a study of the representation of history in nineteenth-century Britain and France . New York: Cambridge University Press.

  25. ———. 1989. The true vine : essays on visual representation and the western tradition. New York: Cambridge University Press.

  26. ———. 1994. Under the sign : John Bargrave as collector, traveler, and witness. Ann Arbor: University of Michigan Press.

  27. Barker, Emma. 1999. Contemporary cultures of display. Art and Its Histories, bk. 6. New Haven: Yale University Press in association with Open University.

  28. Barringer, Tim, and Tom Flynn, eds. 1998. Colonialism and the object: empire, material culture, and the museum. New York: Routledge.

  29. Barthes, Roland. 1982. The World as Object. A Barthes reader. ed Susan Sontag. New York: Hill and Wang.

  30. Bataille, Georges, Robert Lebel, Isabelle Waldberg, Alastair Brotchie, Iain White, and Acéphale (Secret society). 1995. Encyclopaedia Acephalica comprising the Critical dictionary & related texts. Atlas Arkhive: Atlas Arkhive, 3. London: Atlas Press.

  31. Baudrillard, Jean. 1990. The marginal system: the collection. The revenge of the crystal. London: Pluto Press.

  32. Bazin, Germain. 1968. The museum age. Brussels: Desoer.

  33. Beard, Mary, and John Henderson. 1997. The play of desire: casting Euripedes' Hippolytus. Arion 4, no. 3: 80-130.

  34. Belk, Russell. 1995. Collecting in a consumer society. New York: Routledge.

  35. Bendix, Regina. 1997. In search of authenticity. Madison: University of Wisconsin Press.

  36. Benjamin, Walter. 1969. Unpacking my library: a talk about book collecting. Illuminations., 59-67. New York: Schocken.

  37. Bennett, Tony. 1995. The birth of the museum. London: Routledge.

  38. Berlo, Janet Catherine, and Phillips Ruth B. 1995. The problematics of collecting and display. Art Bulletin 2 vols.

  39. Bernheimer, Richard. 1956. Theatrum mundi. Art Bulletin 38, no. December: 225-47.

  40. Black, Barbara J. 2000. On exhibit: Victorians and their museums. Victorian Literature and Culture Series. Charlottesville: University Press of Virginia.

  41. Blais, Jean-Marc, ed. 1997. The language of live interpretation: animation in museums. Hull, Quebec: Canadian Museum of Civilization.

  42. Blanchot, Maurice. 1964. Time, art and the museum [abridged]. Malraux: A collection of critical essays.R. W. B. Lewis. Englewood Cliffs, NJ: Prentice-Hall.

  43. ———. 1986. The writing of the disaster. trans Ann Smock. Lincoln : University of Nebraska Press.

  44. Blazwick, Iwona, and Simon Wilson. 2000. Tate Modern: the handbook. Berkeley, Calif: University of California Press.

  45. Boltanski, Christian. 1989. Archives. Arles: Méjan.

  46. Boltanski, Christian, and Musée d'art moderne de la ville de Paris. 1998. Kaddish. München, London, New York: Gina Kehayoff.

  47. Boltanski, Luc. 1999. Distant suffering: morality, media and politics. Cambridge Cultural Social Studies. Cambridge, New York: Cambridge University Press.

  48. Boon, James A. 1999. Verging on extra-vagance anthropology, history, religion, literature, arts ... showbiz. Princeton, N.J: Princeton University Press.

  49. Boorsma, Peter B., Annemon van Hemel, and Niki van der Wielen, eds. 1999. Privatization and culture: experiences in the arts, heritage and cultural industries in Europe. Boston: Kluwer.

  50. Borges, Jorge Luis. 1964. The analytical language of John Wilkins. Other inquisitions, 1937-1952., 101-5. xviii, 205 p 24 cm. Texas Pan American Series. Austin: University of Texas Press.

  51. Bourdieu, Pierre, and Alain Darbel. 1991. The love of art: European art museums and their public. Cambridge: Polity Press.

  52. Brand, Stewart. 1995. How buildings learn what happens after they're built. New York, N.Y: Penguin Books.

  53. Brandstetter, Gabriele, Hortensia Völckers, Bruce Mau, and André Lepecki, eds. 2000. ReMembering the body. English ed. trans Andrea Scrima, and Rainer Emig. Ostfildern-Ruit: Hatje Cantz.

  54. Breton, Andre. 1969. Surrealist situation of the object (1935). Manifestoes [sic] of surrealism. Ann Arbor: University of Michigan Press.

  55. Brigham, David R. 1995. Public culture in the early republic: Peale's Museum and its audience. Washington, D.C.: Smithsonian Institution Press.

  56. Brockway, Lucile H. 1979. Science and colonial expansion: the role of the British botanical garden. New York: Academic Press.

  57. Bronson, A. A., and Peggy Gale. 1983. Museums by artists. Toronto: Art Metropole.

  58. Buck-Morss, Susan. 1989. The dialectics of seeing: Walter Benjamin and the Arcades project. Cambridge: MIT Press.

  59. Bukatman, Scott. 1991. There's Always Tomorrowland: Disney and the Hypercinematic Experience. October 57: 55-78.

  60. Burgin, Victor. 1996. In different spaces: place and memory in visual culture. Berkeley: University of California Press.

  61. Burt, Nathaniel. 1977. Palaces for the people a social history of the American art museum. 1st ed ed. Boston: Little, Brown.

  62. Cahn, Iris. 1996. The Changing Landscape of Modernity: Early Film and America's "Great Picture" Tradition (with an Appendix of North American Landscape Films in the Paper Print Collection of the Library of Congress) . Wide Angle 18, no. 3: 85-100.

  63. Calvert, Karin Lee Fishbeck Karin Calvert. 1992. Children in the house : the material culture of early childhood, 1600-1900 . Boston: Northeastern University Press.

  64. Carroll, Noel. 1986. Performance. Formations 3, no. 1: 63-81.

  65. Carter, Paul. 1992. Performing history: Hyde Park Barracks. Transition (Melbourne) 36/37: 8-19.

  66. ———. 1992. The sound in between: voice, space, performance. Kensington, New South Wales, Australia: New South Wales University Press.

  67. ———. 1996. Speaking Pantomimes: Notes on The Calling to Come. Leonardo Music Journal 6.

  68. Castañeda, Quetzil. 1996. In the museum of Maya culture touring Chichén Itzá. Minneapolis: University of Minnesota Press.

  69. Cerny, Charlene, and Suzanne Seriff, eds. 1996. Recycled, Re-Seen: Folk Art from the Global Scrap Heap. New York: Harry N. Abrams.

  70. Cheles, Luciano. 1986. The Studiolo of Urbino :: an iconographic investigation. University Park : Pennsylvania State University Press.

  71. Clifford, James. 1988. The Predicament of Culture. Cambridge: Harvard University Press.

  72. Cohen, Richard I. 1998. Jewish icons : art and society in modern Europe. Berkeley: University of California Press.

  73. Cole, Catherine. 1993. Sex and dealth on display: women, reproduction, and fetuses at Chicago's Museum of Science and Industry. TDR The Drama Review 37, no. 1: 43-61.

  74. Collier, Donald, and Harry Tschopik. 1954. The role of museums in American anthropology. American Anthropologist 56: 768-79.

  75. Conn, Steven. 1998. Museums and American intellectual life, 1876-1926. Chicago: University of Chicago Press.

  76. Cooke, Lynne, and Mark Francis, eds. 1991. Carnegie International 1991. Pittsburgh: Carnegie Museum of Art.

  77. Cooke, Lynne, and Peter Wollen, eds. 1995. Visual display. Seattle: Bay Press.

  78. Coombes, Annie E. 1994. Reinventing Africa: museums, material culture, and popular imagination in late Victorian and Edwardian England. New Haven: Yale University Press.

  79. Coote, Jeremy, and Anthony Shelton. 1992. Anthropology, art, and aesthetics. Oxford England ;, New York : Oxford University Press.

  80. Corbey, Raymond. 1993. Ethnographic showcases, 1870-1930. Cultural Anthropology 8, no. 3: 338-69.

  81. Corner, John, and Sylvia Harvey, eds. 1991. Enterprise and heritage: crosscurrents of national cultures. London: Routledge.

  82. Corrin, Lia Graziose, Miwon Kwon, and Norman Bryson. 1997. Mark Dion. London: Phaidon.

  83. Crane, Susan A. 1997. Memory, distortion, and history in the museum. History and Theory 36: 44-63.

  84. Crary, Jonathan. 1999. Suspensions of perception attention, spectacle, and modern culture. Cambridge, Mass: MIT Press.

  85. ———. 1992. Techniques of the observer. Cambridge: MIT Press.

  86. Crary, Jonathan, and Sanford Kwinter, Eds. 1992. Incorporations. New York: Zone.

  87. Crimp, Douglas. 1993. On the museum's ruins. Cambridge: MIT Press.

  88. Csikszentmihalyi, Mihaly, and Eugene Rochberg-Halton. 1981. The Meaning of Things: Domestic Symbols and the Self. New York: Cambridge University Press.

  89. Dana, John Cotton. 1920. A plan for a new museum: the kind of museum it will profit a city to maintain. Woodstock, Vermont: Elm Tree Press.

  90. Danto, Arthur et al. 1989. Art/artifact : African art in anthropology collections. 2nd ed. New York: Center for African Art.

  91. Danzker, Jo-Anne Birnie. 1998. Robert Wilson: steel velvet. Munich: Prestel.

  92. Daston, Lorraine, and Katharine Park. 1998. Wonders and the order of nature, 1150-1750. New York: Zone Books.

  93. Davidson, Patricia. 1993. Human subjects as museum objects: A project to make life-casts of "Bushmen" and "Hottentots," 1907-1924. Annals of the South African Museum 102, no. 5.

  94. Davies, Hugh Marlais. 1996. Blurring the boundaries: installation art, 1969-1996. San Diego: Museum of Contemporary Art.

  95. Davis, Douglas. 1990. The Museum Transformed: Design and Culture in the Post-Pompidou Age. Abbeville.

  96. Davis, Tracy. 1995. Performing and the real thing in the postmodern museum. TDR The Drama Review 39, no. 3 (T147): 15-40.

  97. Dennett, Andrea Stulman. 1997. Weird and wonderful : the dime museum in America . New York: New York University Press.

  98. Dennett, Andrea Stulman, and Nina Warnke. 1990. Disaster spectacles at the turn of the century. Film History 4: 101-11.

  99. Déotte, Jean-Louis, Diller + Scofidio, and Fonds régional d'art contemporain de Basse-Normandie. 1994. Visite aux armées :: tourismes de guerre = Back to the front : tourisms of war. Caen? :, New York, N.Y. : F.R.A.C. Basse-Normandie ; Distributed by Princeton Architectural Press.

  100. Dias, Nélia. 1997. Cultural objects/natural objects: on the margins of categories and the ways of display. Visual Resources 18: 33-47.

  101. ———. 1994. Looking at objects: memory, knowledge in 19th century ethnographic displays. Travellers' tales: narratives of home and displacement. eds. G. Robertson, and Tickner et al, 164-76. London: Routledge.

  102. Dilworth, Leah. 1995. Imagining Indians in the Southwest: persistent visions of a primitive past. Washington, D.C.: Smithsonian Institution.

  103. Dion, Mark. Mark Dion. Phaidon.

  104. Dipert, Randall R. 1993. Artifacts, art works, and agency. Philadelphia: Temple University Press.

  105. Dorst, John. 1989. The written suburb: an American site, an ethnographic dilemma. Philadelphia: University of Pennsylvania Press.

  106. Dorst, John Darwin. 1999. Looking west. Philadelphia: University of Pennsylvania Press.

  107. Douglas, Lawrence. 1998. The shrunken head of Buchenwald: icons of atrocity at Nuremberg. Representations 63: 39-64.

  108. Dubin, Steven C. 1999. Displays of power : memory and amnesia in the American museum . New York: New York University Press.

  109. Duncan, Carol. 1995. Civilizing rituals: inside public art museums. London: Routledge.

  110. Duncan, Carol, and Alan Wallach. 1980. The universal survey museum. Art History 3, no. 4: 448-69.

  111. Durrans, Brian. 1993. The future of ethnographic exhibitions. Zeitschrift Für Ethnologie 118: 125-39.

  112. Duttman, Alexander Garcìa et al. 1996. The end(s) of the museum/Els límits del museuBarcelona: Fundació Antoni Tàpies.

  113. Dutton, Denis. 1995. Mythologies of tribal art. African Arts 28, no. 3: 32-43.

  114. Elsner, John, and Roger Cardinal, eds. 1994. The cultures of collecting. London: Reaktion Books.

  115. Erickson, Jon. 1995. The fate of the object from modern object to postmodern sign in performance, art, and poetry. Ann Arbor: University of Michigan Press.

  116. Errington, Shelly. 1998. The death of primitive art and other tales of progress. Berkeley: University of California Press.

  117. Fabianksi, Marcin. 1990. Iconography of the architecture of the ideal musea in the fifteenth to the eighteenth centuries. Journal of the History of Collections 2, no. 2: 95-134.

  118. Findlen, Paula. 1989. The museum: its classical etymology and Renaissance genealogy. Journal of the History of Collections 1, no. 1: 59-78.

  119. ———. 1994. Possessing nature: museums, collecting, and scientific culture in early modern Italy. Berkeley: University of California Press.

  120. Fisher, Philip. 1991. Making and effacing art: modern American art in a culture of museums. Cambridge: Harvard University Press.

  121. Foster, Hal. 1996. The artist as ethnographer. The return of the real., 171-204. Cambridge: MIT Press.

  122. Foucault, Michel. 1986. Of other spaces. Diacritics 16, no. 1.

  123. Freedberg, David. 1991. The power of images. Chicago: University of Chicago Press.

  124. Frese, Hermann. 1960. Anthropology and the public: the role of museums. Leiden: Brill.

  125. Fried, Michael. 1988. Absorption and theatricality : painting and beholder in the age of Diderot. Chicago: University of Chicago Press.

  126. ———. 1967. Art and objecthood. Artforum, no. June.

  127. ———. 1998. Art and objecthood: Essays and reviews. Chicago: University of Chicago Press.

  128. Friedberg, Ann. 1993. Window shopping: cinema and the postmodern. Berkeley: University of California Press.

  129. Furjan, Helen. 1998. The Specular Spectacle of the House of the Collector. Assemblage 34: 56-91.

  130. Fyfe, Gordon, and John Law, eds. 1988. Picturing power: visual depiction and social relations. New York: Routledge.

  131. Gaines, Jane M., and Michael Renov, eds. 1999. Collecting visible evidence. Visible Evidence Series, 6. Minneapolis: University of Minnesota Press.

  132. Galison, Peter, and Emily Thompson, eds. 1999. The architecture of science. Cambridge: MIT Press.

  133. Garden, the Ark, the Tower, the Temple, (1998, Bodleian Library), Scott Mandelbrote, J. A Bennett, Bodleian Library, and Museum of the History of Science. 1998. The garden, the ark, the tower, the temple: biblical metaphors of knowledge in early modern Europe. Oxford: Museum of the History of Science in association with the Bodleian Library.

  134. Garros, Véronique, Natasha Korenevsskaya, and Thomas Lahusen. 1995. Intimacy and terror. New York: New Press.

  135. Gell, Alfred. 1998. Art and agency. Oxford: Oxford University Place.

  136. Ginzburg, Carlo. 1989. Montrer et citer. Le Débat 56, no. Sept-Oct.

  137. Goings, Kenneth W. 1994. Mammy and Uncle Mose: Black collectibles and American stereotyping. Bloomington: Indiana University Press.

  138. Gonzalez-Crussi, F. 1995. Suspended animation: six essays on the preservation of bodily parts. 1st ed. San Diego: Harcourt Brace & Co.

  139. Gottdiener, Mark. 2001. The theming of America: dreams, media fantasies, and themed environments. 2nd ed. Boulder, CO: Westview Press.

  140. Graubard, Stephen R., ed. 1999. Daedalus (Special Issue: America's Museums). Vol. 128. American Academy of Arts and Sciences.

  141. Green-Lewis, Jennifer. 1996. Framing the Victorians: photography and the culture of realism. Ithaca: Cornell University Press.

  142. Greenaway, Peter. 1992. 100, Hundert Objekte zeigen die Welt= 100 : hundred objects to present the world / Peter Greenaway.Elisabeth Schweeger. Stuttgart: G. Hatje.

  143. Greenblatt, Stephen. 1991. Marvelous Possessions: The Wonder of the New World. Chicago: University of Chicago Press.

  144. Greenburg, Reesa, Bruce W. Ferguson, and Sandy Nairne, eds. 1996. Thinking about exhibitions. London: Routledge.

  145. Groys, Boris, David A. Ross, and Iwona Blzwick. 1998. Ilya Kabakov. London: Phaidon.

  146. Halle, David. 1993. Inside culture: art and class in the American home. Chicago: University of Chicago Press.

  147. Hamburg Institute for Social Research, ed. 1999. The German army and genocide :crimes against war prisoners, Jews and other civilians in the East, 1939-1944 /.New York :New Press.

  148. Handler, Richard, and Eric Gable. 1997. The new history in an old museum: creating the past at Colonial Williamsburg. Durham: Duke University Press.

  149. Hanley, Susan B. 1997. Everyday things in premodern Japan : the hidden legacy of material culture. Berkeley: University of California Press.

  150. Haraway, Donna. 1984. Teddy bear patriarchy: taxidermy in the Garden of Eden, New York City, 1908-36. Social Text 11: 19-64.

  151. Harper, Kenn. 2000. Give me my father's body: the life of Minik, the New York Eskimo. 1st American ed. South Royalton, Vt: Steerforth Press.

  152. Harris, Neil. 1990. Cultural excursions: marketing appetites and cultural tastes in modern America. Chicago: University of Chicago.

  153. ———. 1973. Humbug: the art of P. T. Barnum. Boston: Little, Brown.

  154. Haskell, Francis. 2000. The ephemeral museum: Old Master paintings and the rise of the art exhibition. New Haven: Yale University Press.

  155. Hayles, N. Katherine. 1999. How we became posthuman :: virtual bodies in cybernetics, literature, and informatics. Chicago, Ill. : University of Chicago Press.

  156. Heidegger, Martin. 1971. The thing. Poetry, language, thought., 163-86. New York: Harper & Row .

  157. Hein, Hilde S. 2000. The museum in transition a philosophical perspective. Washington: Smithsonian Institution Press.

  158. Henderson, Amy, and Adrienne L. Kaeppler, eds. 1997. Exhibiting dilemmas: issues of representation at the Smithsonian. Washington, D.C.: Smithsonian Institution Press.

  159. Hickey, Dave. 1997. Air guitar essays on art & democracy. Los Angeles: Art Issues Press.

  160. Hollier, Denis. 199x. The use-value of the impossible. October 60: 3-39.

  161. Holo, Selma. 1999. Beyond the Prado: museums and identity in democratic Spain. Washington D.C.: Smithsonian Institution Press.

  162. Hoskins, Janet. 1998. Biographical objects : how things tell the stories of people's lives. New York: Routledge.

  163. Hufford, Mary, Marjorie Hunt, and Steven Zeitlin. 1987. The Grand Generation: Memory, Mastery, Legacy. Washington, DC: Smithsonian Institution Press.

  164. Hughes, Catherine. 1998. Museum theatre: communicating with visitors though drama. Portsmith, New Hamshire: Heinemann.

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  167. Ivy, Marilyn. 1995. Discourses of the Vanishing: Modernity, Phantasm, Japan. Chicago: University of Chicago Press.

  168. Jackson, Shannon. 2000. Lines of activity performance, historiography, Hull-House domesticity. Ann Arbor: University of Michigan Press.

  169. ———. 1998. Performance at Hull House: museum, microfiche, and historiography. Exceptional spaces: essays in performance and history. ed. Della Pollock, 261-93. Chapel Hill: University of North Carolina Press.

  170. Jacob, Mary Jane, and et al. 1991. Places with a past new site-specific art at Charleston's Spoleto Festival. New York: Rizzoli International Publications.

  171. Jay, Martin. 1994. Downcast eyes: the denigration of seeing in twentieth-century French thought. Berkeley: University of California Press.

  172. Jenkins, Donald. 1994. Object lessons and ethnographic displays: museum exhibitions and the making of American anthropology. Comparative Studies in Society and History 36, no. 2: 242-70.

  173. Jones, Amelia. 1998. Body art/performing the subject. Minneapolis: University of Minnesota Press.

  174. Jones, Caroline A., and Peter Galison, eds. 1998. Picturing science, producing art. New York: Routledge.

  175. Jordanova, Ludmilla. 1993. Museums: representing the real? Realism and representation: essays on the problem of realism in relation to science, literature, and culture. ed. George Levine, 255-78. Madison: University of Wisconsin Press.

  176. Kabakov, Ilya. 1996. Der Lesesaal=The reading room. trans. Annelore Nitschke, and Cynthia L. Martin. Hamburg: Deichtorhallen.

  177. ———. 1995. On the "total" installation. Ostfildern, Germany: Cantz.

  178. Kaplan, F. E. S., ed. 1994. Museums and the making of 'ourselves': the role of objects in national identity. New York: St. Martin's Press.

  179. Kaplan, Harold. 1994. Conscience and memory: meditations on a museum of the Holocaust. Chicago: University of Chicago Press.

  180. Karp, Ivan, Christine Mullen Kreamer, and Steven D. Lavine, eds. 1992. Museums and communities : the politics of public culture. Washington, D.C.: Smithsonian Institution Press.

  181. Karp, Ivan, and Steven D. Lavine, eds. 1991. Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington, D.C.: Smithsonian Institution Press.

  182. Katriel, Tamar. 1997. Performing the past: a study of Israeli settlement museums. Mahwah, N.J: Lawrence Erlbaum.

  183. Kavanagh, Gaynor, ed. 1991. Museum languages: objects and texts. Leicester: Leicester University Press.

  184. Kavanaugh, Gaynor. 1994. Museums and the First World War: a social history. Leicester: Leicester University Press.

  185. King, C. Richard. 1998. Colonial discourses, collective memories, and the exhibition of Native American cultures and histories in the contemporary United States. New York: Garland.

  186. Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums, and Heritage. Los Angeles and Berkeley: University of California Press.

  187. ———. 1998. The ethnographic burlesque. TDR The Drama Review 42, no. 2: 175-80.

  188. ———. 2000. Performing knowledge. Folklore, Heritage Politics, and Ethnic Diversity: Festschrift for Barbro Klein. eds Pertti J. Anttonen, Anna-Leeena Siikala, Stein R. Mathisen, and Leif Magnusson, 125-39. Botkyrka: Mångkulturellt centrum.

  189. Kohlstedt, Sally Gregory, ed. 1991. The origins of natural science in America: the essays of George Brown Goode. Washington, D.C.: Smithsonian Institution.

  190. Kosuth, Joseph. 1996. Intention(s). Art Bulletin 73, no. 3.

  191. ———. 1992. The Play of the Unmentionable: an installation by Joseph Kosuth at the Brooklyn Museum. New York: New Press.

  192. Kratz, Corinne. 1995. Rethinking recyclia. African Arts 28, no. 3: 1-12.

  193. Kritzman, Lawrence D., ed. 1997. Realms of memory: rethinking the French past. under the direction of Pierre Nora. 2 vols. New York: Columbia University Press.

  194. Kurin, Richard. 1997. Reflections of a culture broker: a view from the Smithsonian. Washington, D.C.: Smithsonian Institution Press.

  195. Kuznets, Lois Rostow. 1994. When Toys Come Alive: Narratives of Animation, Metamorphosis, and Development. New Haven: Yale University Press.

  196. Latour, Bruno. 1993. We have never been modern. trans. Catherine Porter. Cambridge: Harvard University Press.

  197. Lawrence, D. H. 1955. Things. Complete short stories., 844-53. Vol. 3. London: Heinemann.

  198. Legassick, Martin, and Ciraj Rassool. 2000. Skeletons in the cupboard: South African museums and the trade in human remains, 1907-1917. Cape Town :, Kimberley : South African Museum ; McGregor Museum.

  199. Leger, Fernand. 1993. The spectacle: light, color, moving image, object-spectacle (1924). Functions of painting., 34-47. New York: Viking.

  200. Lenoir, T., and C. Ross. 1996. The naturalized history museum. The Disunity of science : boundaries, contexts, and power. Stanford: Stanford University Press.

  201. Leonardo, Micaela di. 1998. Exotics at home: anthropologists, others, American modernity. Chicago: University of Chicago Press.

  202. Libeskind, Daniel. 2000. Daniel Libeskind the space of encounter. New York: Universe. Distributed to the U.S. trade by St. Martin's Press.

  203. Libeskind, Daniel, and Architectural Association (Great Britain). 1985. Theatrum mundi through the green membranes of space. London: Architectural Association.

  204. Lidchi, Henrietta. 1997. The poetics and politics of exhibiting other cultures. Representation: cultural representations and signifying practices. ed. Stuart Hall, 151-208. London: Sage.

  205. Lindfors, Bernth. 1999. Africans on stage: studies in ethnological show business. Bloomington: Indiana University Press.

  206. Linenthal, Edward T. 1995. Preserving memory: the struggle to create America's Holocaust Museum. New York: Viking.

  207. Linenthal, Edward T., and Tom Engelhardt, eds. 1996. History wars: the Enola Gay and other battles for the American past. New York: Metropolitan Books.

  208. Lodahl, Maria, Ed Boyd, Phyllis Bannister, Diane Wagner, Joy Cohen, George Catalano, Lou Hetler, Ramone Cyrus Mclane, Maurice Blanchot, Rex Barker, Gary Hill, Channel Four (Great Britain), and Electronic Arts Intermix (Organization). 1991? Incidence of catastrophe. 1 videocassette (ca. 44 min.) videorecording. New York, N.Y: Electronic Arts Intermix.

  209. Lorente, J. Pedro. 1998. Cathedrals of urban modernity: the first museums of contemporary art 1800-1930. Aldershot: Ashgate.

  210. Lubar, Steven, and W. David Kingery, eds. 1995. History from things. Washington, D.C.: Smithsonian Institution Press.

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