Performance Studies Issues and Methods 1999
Abercrombie, Nicholas, and Brian Longhurst. 1998. Audiences: a sociological theory of performance and imagination. Thousand Oaks, California: Sage.
Aercke, K. P. 1994. Gods of play: Baroque festive performances as rhetorical discourse. Albany: SUNY Press.
Appadurai, Arjun, ed. 1986. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press.
Apter, Emily, and William Pietz, eds. 1993. Fetishism as cultural discourse. Ithaca, N.Y.: Cornell University Press.
Artaud, Antonin. 1976. Antonin Artaud: Selected Writings. New York: Farrar, Straus & Giroux.
Auslander, Philip. 1994. Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. Ann Arbor: University of Michigan Press.
Austin, J. L. 1980. How To Do Things With Words. New York: Oxford University Press.
Bakhtin, Mihail. 1994. The Dialogic Imagination: Four Essays. Austin: University of Texas Press.
Banes, Sally. 1998. Dancing Women: Female Bodies on Stage. New York: Routledge.
Barish, Jonas. 1981. The Anti-Theatrical Prejudice. Berkeley: University of California Press.
Barz, Gregory F., and Timothy J. Cooley, eds. 1997. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York: Oxford University Press.
Bauman, Richard. 1984. Verbal Art as Performance. Prospect Heights, Illinois: Waveland.
Bauman, Richard, and Charles Briggs. Poetics and performance as critical perspectives on language and social life. Annual Review of Anthropology 1990: 59-88.
Beeman, William O. 1993. The Anthropology of Theater and Spectacle. Annual Review of Anthropology 22: 369-93.
Bell, Catherine. 1992. Ritual Theory, Ritual Practice. New York: Oxford University Press.
Bennett, Susan. 1990. Theatre Audiences: A Theory of Production and Perception. New York: Routledge.
Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. 1995. The Craft of Research. Chicago: University of Chicago Press.
Brecht, Bertolt. 1964. Brecht on Theatre. New York: Hill and Wang.
Browning, Barbara. 1998. Infectious rhythm : metaphors of contagion and the spread of African culture. New York: Routledge.
———. 1995. Samba: Resistance in Motion. Bloomington: Indiana University.
Broyles-Gonzalez, Yolanda. 1994. Teatro Campesino: theatre in the Chicano movement. Austin: University of Texas Press.
Burns, Elizabeth. 1976. Theatricality: a study of convention in the theatre and in social life. New York: Harper and Row.
Butler, Judith P. 1999. Gender trouble : feminism and the subversion of identity. New York: Routledge.
Campbell, Patrick, ed. 1996. Analysing performance: a reader. Manchester: Manchester University Press, distributed by St. Martin's Press.
Carlson, Marvin. 1996. Performance: A Critical Introduction. New York: Routledge.
Cavell, Stanley. 1994. A pitch of philosophy : autobiographical exercises. Cambridge: Harvard University Press.
Chaudhuri, Una. 1995. Staging Place: The Geography of Modern Drama. Ann Arbor: University of Michigan Press.
Clement, Catherine. 1997. Opera, or The undoing of women. trans. Betsy Wing. London: Tauris.
———. 1994. Syncope: the philosophy of rapture. trans. Sally O'Driscoll, and Deirdre M. Mahoney. Minneapolis: University of Minnesota Press.
Clifford, James, and George E. Marcus, eds. 1986. Writing Culture: The Poetics and Politics of Ethnography. Berkeley: University of California Press.
Coplan, David B. 1985. In township tonight : South Africa's black city music and theatre. New York: Longman.
Craig, Edward Gordon. 1980. On the Art of the Theatre. New York: Theatre Arts Books.
Davis, Tracy. 1991. Actresses as Working Women: Their Social Identity in Victorian Culture. New York: Routledge.
Dayan, Daniel, and Elihu Katz. 1992. Media Events: The Live Broadcasting of History. Cambridge: Harvard University Press.
Dening, Greg. 1996. Performances. Chicago: University of Chicago Press.
Derrida, Jacques. 1976. Of grammatology. trans. Gayatri Chakravorty Spivak. Baltimore: Johns Hopkins University Press.
Diamond, Elin. 1997. Unmaking Mimesis: Essays on Feminism and Theatre. New York: Routledge.
Dominguez, Virgina. 1992. Invoking culture: the messy side of "cultural politics". South Atlantic Quarterly 91, no. 1: 19-42.
Elam, Keir. 1988. The semiotics of theatre and drama. New York: Routledge.
Emerson, Robert M., Rachel I. Fretz, and Linda L. Shaw. 1995. Writing ethnographic fieldnotes. Chicago: University of Chicago Press.
Fabian, Johannes. 1983. Time and the Other: How Anthropology Makes Its Object. New York: Columbia University Press.
Falassi, Alessandro, ed. 1987. Time out of time: essays on the festival. Albuquerque: University of New Mexico Press.
Farley, Richmond, Darius L. Swann, and Phillip B. Zarrilli, eds. 1990. Indian Theatre: Traditions of Performance. Honolulu: University of Hawaii Press.
Feld, Steven. 1990. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.
Finnegan, Ruth. 1989. The Hidden Musician: Music-Making in an English Town. Cambridge: Cambridge University Press.
Foster, Susan Leigh. 1996. Choreography & narrative : ballet's staging of story and desire. Bloomington: Indiana University Press.
———, ed. 1996. Corporealities: Body, Knowledge, Culture, and Power. New York: Routledge.
Franco, Mark. 1993. Dance as Text: Ideologies of the Baroque Body. Cambridge: Cambridge University Press.
Geertz, Clifford. 1973. The Interpretation of Cultures. New York: Basic Books.
Gennep, Arnold Van. . Rites of Passage. Chicago: University of Chicago Press.
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard University Press.
Glissant, Edouard. 1989. Caribbean discourse : selected essays. trans. J. Michael Dash. Charlottesville: Caraf Books (University Press of Virginia).
Godelier, Maurice. 1999. The enigma of the gift. trans. Nora Scott. Chicago: University of Chicago Press.
Goffman, Erving. 1959. The Presentation of Self in Everyday Life. Garden City: Doubleday.
Greenblatt, Stephen. 1988. Shakespearean negotiations: the circulation of social energy in Renaissance England. Oxford: Oxford University Press.
Gropius, Walter, and Arthur S. Wensinger, eds. 1996. The Theater of the Bauhaus. ed. Baltimore: Johns Hopkins University Press.
Grotowski, Jerzy. 1968. Towards a Poor Theatre. Holstebro: Odin Teatrets Forlag.
Hamburger Institut für Sozialforschung, ed. 1996. Vernichtungskrieg. Verbrechen der Wehrmacht 1941 biz 1944. Hamburg: Hamburger Institut für Sozialforschung.
Harper, Phillip Brian. 1999. Private affairs : critical ventures in the culture of social relations. New York: New York University Press.
Harrison-Pepper, Sally. 1990. Drawing a Circle in the Square. Jackson: University Press of Mississippi.
Hart, Linda, and Peggy Phelan, eds. 1993. Acting Out: Feminist Performances. Ann Arbor: University of Michigan Press.
Hartman, Saidiya V. 1997. Scenes of subjection : terror, slavery, and self-making in nineteenth-century America. New York: Oxford University Press.
Hetherington, Kevin. 1998. Expressions of identity: space, performance, politics. Thousand Oaks, California: Sage.
Hughes-Freeland, Felicia, ed. 1998. Ritual, performance, media. ASA Monographs, 35. New York: Routledge.
Huizinga, Johan. 1970. Homo Ludens: A Study of the Play Element in Culture. London: Paladin.
Huxley, Mike, and Noel Witts, eds. 1996. Twentieth Century Performance Reader. New York: Routledge.
Jackson, Bruce. 1987. Fieldwork. Urbana: University of Illinois Press.
Jarman, Neil. 1997. Material conflicts: parades and visual displays in Northern Ireland. Oxford: Berg.
Joseph, May. 1999. Nomadic identities: the performance of citizenship. Minneapolis: University of Minnesota Press.
Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums, and Heritage. Berkeley: University of California Press.
Kisliuk, Michelle Robin. 1998. Seize the dance! : BaAka musical life and the ethnography of performance. New York: Oxford University Press.
Kittler, Friedrich A. 1999. Gramophone, film, typewriter. trans. Geoffrey Winthrop-Young, and Michael Wutz. Stanford: Stanford University Press.
Koestenbaum, Wayne. 1994. The queen's throat : opera, homosexuality, and the mystery of desire. New York: Vintage Books.
Kondo, Dorinne. 1997. About Face: Performing "Race" in Fashion and Theater. New York: Routledge.
Lentricchia, Frank, and Thomas McLaughlin, eds. 1995. Critical Terms for Literary Study. 2nd ed. ed. Chicago: University of Chicago Press.
Levin, David J. 1994. Opera through other eyes. Stanford: Stanford University Press.
Levine, Lawrence W. 1988. Highbrow/lowbrow : the emergence of cultural hierarchy in America. Cambridge: Harvard University Press.
Lock, Margaret. 1993. Cultivating the Body: Anthropology and Epistemologies of Bodily Practice and Knowledge. Annual Review of Anthropology 22: 133-55.
Mackerras, Colin, ed. 1988. Chinese Theatre From Its Origins to the Present Day. Honolulu: University of Hawaii Press.
Malinowski, Bronislaw. 1989. A diary in the strict sense of the term. trans. Norman Guterman. Stanford: Stanford University Press.
Manning, Susan A. 1993. Ecstacy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman. Berkeley: University of California Press.
Martin, Randy. 1998. Critical moves : dance studies in theory and politics. Durham, NC: Duke University Press.
Mauss, Marcel. 1990. The gift : the form and reason for exchange in archaic societies. London: Routledge.
McClary, Susan. 1991. Feminine endings : music, gender, and sexuality. Minneapolis: University of Minnesota Press.
———. 1992. George Bizet: Carmen. New York: Cambridge University Press.
Meillassoux, Claude. 1991. The anthropology of slavery : the womb of iron and gold . trans. Alide Dasnois. London: Athlone.
Morris, Pam, ed. 1994. The Bakhtin Reader: Selected Writings of Bakhtin, Medvedev, and Voloshinov. New York: E. Arnold.
Mullaney, Steven. 1988. The Place of the Stage: License, Play and Power in Renaissance England. Chicago: University of Chicago.
Munoz, Jose Esteban. 1999. Disidentifications; queers of color and the performance of politics. Minneapolis: University of Minnesota Press.
Nelson, Robert S., and Richard Schiff, eds. 1996. Critical terms for art history. Chicago: University of Chicago Press.
Ness, Sally Ann. 1992. Body, Movement, and Culture: Kinesthetic and Visual Symbolism in a Philippine Community. Philadelphia: University of Pennsylvania Press.
Newton, Esther. 1979. Mother Camp. Chicago: University of Chicago Press.
Novak, Cynthia. 1990. Sharing the Dance: Contact Improvisation and American Culture. Madison: University of Wisconsin Press.
Ozouf, Mona. 1988. Festivals of the French Revolution. Cambridge: Harvard University Press.
Pavis, Patrice. 1998. Dictionary of the theatre: terms, concepts, and analysis. trans. Christine Shantz. Toronto: University of Toronto.
———, ed. 1996. The Intercultural Performance Reader. New York: Routledge.
———. 1992. Languages of the stage : essays on the semiology of the theatre. New York: Performing Arts Journal Publications.
Pettiway, Leon E. 1996. Honey, Honey, Miss Thang : being black, gay, and on the streets. Philadelphia: Temple University Press.
Phelan, Peggy. 1993. Unmarked: The Politics of Performance. New York: Routledge.
Phelan, Peggy, and Jill Lane, eds. 1998. The ends of performance. New York: New York University Press.
Pollock, Della, ed. 1998. Exceptional spaces: essays in performance and history. Chapel Hill: University of North Carolina Press.
Prochan, Frank. 1983. The semiotic study of puppets, masks, and performing objects. Semiotica 47, no. 1/4: 3-44.
Renault, Janelle G., and Joseph R. Roach, eds. 1992. Critical Theory and Performance. Ann Arbor: University of Michigan Press.
Roach, Joseph R. 1996. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.
———. 1993. The Player's Passion: Studies in the Science of Acting. Ann Arbor: University of Michigan Press.
Saussure, Ferdinand de. 1989. Course in general linguistics. 3rd ed.Charles Bally, Albert Sechehaye, and Albert ReidlingerOpen Court Publishing Company.
Schechner, Richard. 1985. Between Theatre and Anthropology. Philadelphia: University of Pennsylvania Press.
Schimmel, Paul et al. 1998. Out of actions: between performance and the object, 1949-1979. Los Angeles and New York: The Museum of Contemporary Art and Thames and Hudson.
Schneider, Rebecca. 1996. The Explicit Body in Performance. New York: Routledge.
Shelton, Suzanne. 1990. Ruth St. Denis: A Biography of the Divine Dancer. Austin: University of Texas Press.
Taylor, Diana. 1996. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's Dirty War. Durham: Duke University Press.
Taylor, Diana, and Juan Villegas, eds. 1994. Negotiating Performance: Gender, Sexuality, and Theatricalism in Latin/o America. Durham: Duke University Press.
Thiong'o, Ngugi wa. 1998. Penpoints, gunpoints, and dreams : the performance of literature and power in post-colonial Africa . New York: Oxford University Press.
Toepfer, Karl. 1996. Empire of Ecstasy: Nudity and Movement in German Body Culture. Berkeley: University of California Press.
Turner, Victor. 1969. The Ritual Process. Chicago: Aldine.
Walser, Robert. 1993. Running with the Devil: Power, Gender, and Madness in Heavy Metal. Hanover, New Hampshire: University Press of New England.
Williams, Raymond. 1983. Keywords: A Vocabulary of Culture and Society. rev. ed. New York: Oxford University Press.