Writers in Paris - June 24 - July 22, 2017 (TBC)

Photo: Writers Event

On this page: Costs | Academics | Courses | Housing & Meals | ExcursionsFaculty

Program Summary

Because Paris is so rich in history, almost every step outside of the classroom will reveal a tidbit of art, architecture, or historical fact hiding around the corner, waiting for discovery. Literary walking tours of Paris and field-trips to sites frequented by Hemingway, Proust, Zola, Balzac, Hugo, Stein, Fitzgerald, Wilde, Voltaire, Diderot, Verlaine, Sartre, Kerouac, Joyce and other writers will provide a sense of the literary history of the city. Students may also visit museums with special guided tours to learn more about current exhibitions.

“I made connections with some of the best poets, writers and editors in the world.”
Image of Paris Metro Sign

Application Deadlines

December 1 - Application Launch
February 1 - Priority Deadline
March 1 - General Deadline
April 15 - Final Deadline
April 28 - Final Confirmation

Contact Info

NYU Global Programs

Phone

t: (212) 998-4433

f: (212) 995-4103

Program Director

Deborah Landau, Director, Creative Writing Program, NYU

Tuition and Fees

The College of Arts and Science discounts CAS Summer Abroad tuition 33% to offset additional costs of study abroad. This discount is already calculated in the below rates. Fees, Housing and International Insurance are required, and these rates are set by NYU.

2016 Program Costs 2017 TBC
Coming Soon
Undergraduate Tuition - 8 points $7,792 in 2016
NYU Registration Fee $404 in 2016
Program & Activities Fee $950 in 2016

International Health Insurance

Required for 4 week program

$49.44 in 2016
Housing in Single $2,359 in 2016

PLEASE NOTE: Students are responsible for purchase of transportation to/from program location. All students participating in the program are required to live in NYU-provided housing.

Students are encouraged to budget for summer abroad programs based on individual needs. Additional resources for planning are available by clicking below.

Academics

Students who participate in Writers in Paris choose to focus on either poetry or fiction and attend daily writing workshops and craft seminars. Students are mentored by accomplished professional writers and attend readings and special seminars led by visiting writers and editors. Writing and reading assignments are designed to encourage immersion in the city. For example, poets might visit the Louvre to write ekphrastic poems or create Parisian street sonnets by taking a 14-block walk of the St. Denis area, where François Villon lived, and generating a line of poetry per block. Fiction writers might study dialogue by listening for overheard speech at a sidewalk café or learn about description and setting by writing a story set in the neighborhood where Hemingway lived and worked. Students in the program work intensively to generate new writing and also attend a lively series of readings, lectures, literary walking tours, and special events.

Courses

All courses are taught in English. All students must register for 8 points of undergraduate credit.

Coursework consists of alternating afternoons of craft seminars and writing workshops. Evenings feature readings, lectures, panel discussions, and special events. The schedule includes time for writing, reading, and exploring Paris, and the program culminates in a celebratory reading showcasing student work.

Students must register for one of the following courses:

CRWRI-UA 9818 – Writers in Paris: Fiction ─ 8 points
CRWRI-UA 9819 – Writers in Paris: Poetry ─ 8 Points

Each of these courses is comprised of a writing workshop, craft seminar, and nightly literary events. Students work closely with two accomplished world-class writers—one in the context of the writing workshop, and another in the context of the craft seminar.

Workshops provide students with guidance on the art of revision, as well as with experience giving and receiving feedback. Individual private conferences supplement coursework, and each student submits a final portfolio of writing at the end of the program. In the craft seminars— literature courses taught by writers for writers— students study great works of literature in order to learn how to create their own. Emphasis is on close reading and the basic elements of craft. Poetry students read exemplary poems and study voice, style, line, image, music, metaphor, syntax, and diction. Fiction writers consider stories and novels with a focus on the basic techniques of fiction, including plot, narrative, dialogue, tone, structure, rhythm, setting, and style.

Students also attend a nightly series of readings, lectures, panel discussions, publishing forums, literary walking tours, and special events. These events feature program faculty as well as Paris-based and visiting writers, teachers, and editors.

Schedule

Monday – Thursday

3:30pm - 6:00pm:
Workshops and craft classes

7:00pm - 9:00pm:
Readings, talks, and special events

Sample Syllabi

Sample Fiction Workshop Syllabus
Sample Fiction Craft Syllabus

Sample Syllabi

Sample Poetry Workshop Syllabus
Sample Poetry Craft Syllabus

Housing and Meals

All students participating in the program are required to live in NYU-provided housing. Students are housed in single studios with kitchenettes in the Résidence République, operated by Les Estudines and located in the 11th arrondissement. There are laundry facilities and a small gym on-site. In Résidence République, students are situated near the Place de la Bastille, site of the legendary storming of the Bastille prison by masses of workers at the outset of the French Revolution. The residence is also just a short, 15-minute walk to Notre Dame and a quick Metro ride to all sites within Paris. The 11th arrondissement of Paris (called “le Onzième” by locals) is home to a bustling cosmopolitan community of artists, musicians, filmmakers, craftspeople, students, and writers; it is stocked with plenty of hip cafés, quirky neighborhood restaurants, and trendy music venues.

Excursions

Program activities include literary readings, panels, and tours; a Bastille Day cruise on the Seine (with fireworks!) and visits to parks, restaurants, cafés, and historic neighborhoods where famous writers have lived and worked.

Recent and Current Faculty

DEBORAH LANDAU (Director) is the author of The Last Usable Hour, a Lannan Literary Selection published by Copper Canyon Press, and Orchidelirium, which won the Anhinga Prize for Poetry. Her poems, essays, and reviews have appeared in Grand Street, The Paris Review, Tin House, The Antioch Review, American Literature, The Kenyon Review, TriQuarterly, The Best American Erotic Poems, The Wall Street Journal, Women’s Studies Quarterly, and The Harvard Review, and have been translated into Mongolian, Romanian, Russian, and Greek. She was educated at Stanford, Columbia, and Brown, where she was a Javits Fellow and received a Ph.D. in English and American Literature. For many years she co-directed the KGB Bar Monday Night Poetry Series and co-hosted the video interview program Open Book on Slate.com. She is Clinical Professor and Director of the Creative Writing Program at New York University.

CHRIS ADRIAN (Fiction) is the author of a short story collection, A Better Angel, and three novels, Gob's Grief, The Children's Hospital, and The Great Night. He has received an NEA grant for fiction writing and a Guggenheim Fellowship, was selected as one of the New Yorker's 20 writers under 40, and recently completed training as a Fellow in Pediatric Hematology Oncology at the University of California, San Francisco.

CATHERINE BARNETT (Poetry) is the recipient of a Guggenheim Fellowship, a Whiting Writers Award, the Glasgow Prize for Emerging Writers, and a Pushcart. Her first book, Into Perfect Spheres Such Holes Are Pierced (Alice James Books, 2004), won the 2003 Beatrice Hawley Award, and she received the 2012 James Laughlin Award for her second book, The Game of Boxes (Graywolf Press, 2012). Barnett has taught at Barnard, the New School, and NYU, where she was honored with an Outstanding Service Award.

NATHAN ENGLANDER (Fiction) is the author of the internationally bestselling story collection For the Relief of Unbearable Urges, the novel The Ministry of Special Cases, and the collection What We Talk About When We Talk About Anne Frank (Knopf, Spring 2012). His short fiction and essays have appeared in The New Yorker, The New York Times, The Atlantic Monthly, and The Washington Post, as well as The O. Henry Prize Stories and numerous editions of The Best American Short Stories. Translated into more than a dozen languages, Englander was selected as one of “20 Writers for the 21st Century” by The New Yorker, received a Guggenheim Fellowship, a PEN/Malamud Award, the Bard Fiction Prize, and the Sue Kaufman Prize from the American Academy of Arts & Letters. He’s been a fellow at the Dorothy & Lewis B. Cullman Center for Scholars and Writers at the New York Public Library, and at The American Academy of Berlin. He lives in Brooklyn, New York. 

JOHN FREEMAN (Fiction), writer and literary critic, was the editor of the literary magazine Granta, until 2013 as well as the former president of the National Book Critics Circle. He is an executive editor at the Literary Hub. His writing has appeared in almost 200 English-language publications around the world, including The New York Times Book Review, the Los Angeles Times, The Guardian, and The Wall Street Journal. He is the author of The Tyranny of E-mail: The Four-Thousand-Year Journey to Your Inbox (Scribner, 2009), and, most recently, How to Read a Novelist (FSG, 2013). He is the founding editor of Freeman's, a new biannual literary journal.

ALEKSANDAR HEMON (Fiction) is the author of The Lazarus Project, which was a finalist for the 2008 National Book Award and National Book Critics Circle Award, and three collections of short stories: The Question of Bruno; Nowhere Man, which was also a finalist for the National Book Critics Circle Award; and Love and Obstacles. The Making of Zombie Wars, his most recent novel, was published in 2015. His first nonfiction title, The Book of My Lives, appeared from Farrar, Straus and Giroux in 2013. Born in Sarajevo, Hemon visited Chicago in 1992, intending to stay for a matter of months. While he was there, Sarajevo came under siege, and he was unable to return home. Hemon wrote his first story in English in 1995. He was awarded a Guggenheim Fellowship in 2003 and a “genius grant” from the MacArthur Foundation in 2004. He lives in Chicago with his wife and daughter.

NICK LAIRD (Poetry) Born in County Tyrone, Northern Ireland in 1975, Nick Laird was educated at Cookstown High School and Cambridge University. He is the author of the novels Utterly Monkey and Glover's Mistake, and three books of poems, Go Giants, To a Fault and On Purpose. The recipient of many prizes for his poetry and fiction, including the Rooney Prize for Irish Literature, the Ireland Chair of Poetry Award, the Betty Trask Prize, a Somerset Maugham award, and the Geoffrey Faber Memorial Prize, he has lived in London, Warsaw, and Rome.

MATTHEW ROHRER (Poetry) the author of A Hummock in the Malookas, Satellite, A Green Light, Rise Up, A Plate of Chicken, and Destroyer and Preserver. With Joshua Beckman he wrote Nice Hat. Thanks. and recorded the audio CD Adventures While Preaching the Gospel of Beauty. Octopus Books published his action/adventure chapbook-length poem They All Seemed Asleep in 2008. His poems have been widely anthologized and have appeared in many journals. He’s received the Hopwood Award for poetry and a Pushcart prize, and was selected as a National Poetry Series winner, and was shortlisted for the Griffin International Poetry Prize. Recently he has participated in residencies/ performances at the Museum of Modern Art (New York City) and the Henry Art Gallery (Seattle). Matthew teaches in the Creative Writing Program at NYU and lives in Brooklyn. 

HELEN SCHULMAN (Fiction) is the author of the novels This Beautiful Life, A Day At The Beach, P.S., The Revisionist and Out Of Time, and the short story collection Not A Free Show. P.S. was also made into a feature film starring Laura Linney and was written by Helen Schulman & Dylan Kidd. She co-edited, along with Jill Bialosky, the anthology Wanting A Child. Her fiction and non-fiction have appeared in such places as Vanity Fair, Time, Vogue, GQ, The New York Times Book Review and The Paris Review. She is presently the Fiction Coordinator at The Writing Program at The New School where she is a tenured Associate Professor. 

ZADIE SMITH (Fiction) was born in north-west London in 1975. Her first novel, White Teeth, was the winner of The Whitbread First Novel Award, The Guardian First Book Award, The James Tait Black Memorial Prize for Fiction, and The Commonwealth Writers' First Book Award. Her second novel, The Autograph Man, won The Jewish Quarterly Wingate Literary Prize. Zadie Smith's third novel, On Beauty, was shortlisted for the Man Booker Prize, and won The Commonwealth Writers’ Best Book Award (Eurasia Section) and the Orange Prize for Fiction. She is the editor of an anthology of short stories entitled The Book Of Other People. Her collection of essays Changing My Mind was published in November 2009, and she is currently the New Books columnist for Harper's Magazine. Zadie Smith is a graduate of Cambridge University and has taught at Harvard and Columbia universities. She is a fellow of the Royal Society of Literature.

DARIN STRAUSS (Fiction) is the author of the international bestseller Chang and Eng, and the New York Times Notable Book The Real McCoy, one of the New York Public Library's "25 Books to Remember of 2002," the novel More Than it Hurts You and most recently a memoir Half a Life, winner of the National Book Critics Circle Award. His work has been translated into fourteen languages, and he teaches writing at New York University, for which he won a 2005 "Outstanding Dozen" teaching award. Also a screenwriter, Darin sold the rights to Chang and Eng to Disney, and is currently adapting the novel for the screen with the actor Gary Oldman. Another screenplay on which he collaborated is in pre-production at Paramount Studios. Darin was awarded a 2006 Guggenheim Fellowship in fiction writing.